We recently got time to chat with UK solo artist Rag ‘N’ Bone Man around the release of his new album What Do You Believe In?
The Uckfield-born soul and pop singer, best known for tracks like ‘Human’, ‘Giant’ and ‘Skin’, dropped his third studio album earlier this month and is ramping up for a UK tour this November.
Real name Rory Graham, the 39-year-old has entered a new chapter both musically and personally, and that evolution can certainly be heard in his current sound.
We covered plenty in our recent discussion over on Audio North.
So straight off the bat, your new record What Do You Believe In? is finally here, how buzzing are you for the world to finally get to grips with it?
ADVERTISEMENT
Well, it’s been a hot minute since I’ve released an album and, you know, I just really hope people take it in as as a whole record. I think it’s hard in this day where people consume music totally differently and you know people don’t have much patience when it comes to music.
It’s all about like 40-second clips and stuff like that, but I think that I have this great fan base where you know they’re into vinyl and stuff, so I’m hoping that those people at least take the record as a whole.
ADVERTISEMENT
That means that I can go and play the record as a whole and when I come out on tour they might know some of the songs I don’t know.
Yeah, it’s one of those things, isn’t it? I feel like the album experience is sadly dying off a bit – with that in mind have you made it to be enjoyed as a start-to-finish piece?
I mean, I would like it but I didn’t make it like that; I just try and write the best songs that I can. The album does take a bit of a journey and it’s very different in parts but it does have an overall vibe to it.
ADVERTISEMENT
There’s kind of early 2000s neo-soul mixed with a bit of hip-hop and then later on it gets very dancey with some disco and funk in there too, but you know, I’m always the same: I just want to write good songs regardless of what the genre is.
What a great mix. Who are some of the artists you’ve been listening to lately and do you think they’ve left their fingerprints on the sound a little bit?
Well, the first person I worked with on this record was Jamie Liddell and he’s f***ing genius. When I explained to him what I was trying to do and how I wanted it to be sample-based but to try and make our own samples, not just so we don’t have to pay anyone, but like so even the samples are original.
It very much harks back to the era of hip-hop samples that pull from ’60s kind of soul music. You even hear it later on in the record on ‘Rush Of Blood’, where we sampled our own first part and put it in a tape machine and slowed it down, so I think it carries on like that throughout the record.
I think I referenced a lot of kind of early 2000s neo-soul people like Angie Stone and stuff like that. Some of the horns were referencing Rick James and Heatwave and stuff like that, so yeah, it takes some twists but it’s just got a real air of like sunniness.
ADVERTISEMENT
Even in the songs that are a little bit deeper and are maybe a little bit sadder or whatever, they don’t really feel that way musically: they still feel quite positive and uplifting – not that I was trying to make a happy album on purpose or anything, yeah, but I guess your life and the way your soul feels at a time kind of reflects, you know, on what music you make.
I’ve been very content in my personal life so, you know, touch wood everything’s been going pretty well and that’s definitely reflected in the record.
Although Rory is recently engaged and is clearly enjoying his life both in and outside of music lately, he’s not been without hardships to write about:
Yeah, there’s always been that uplifting gospel feel to your sound too, would you say you were trying to push in a different direction this time or is it more just a continuation for you?
No, there is a continuation a little bit but I think with this one, especially, I was thinking about live [performance] way more when I was writing it.
ADVERTISEMENT
Sometimes I’ll play like three or four songs and I think f***ing hell, they’re all in a minor key and, you know, I think all the time I’m spent writing and in production of the song I’m thinking ‘How’s this gonna sound live?’ That’s where I am most of the time when I finish a record.
Absolutely. And speaking of live shows, you’ve got a whole bunch of Northern shows coming up in Manchester, Leeds and Glasgow – is it a region that you feel like affinity to playing in?
I mean, I love playing down South and obviously Brighton’s like my home crowd and London’s great albeit sometimes tough, but I don’t think I’ve ever found the North like a difficult place to tour because I just always feel like I have confidence going into places like Manchester.
Whether it was like playing like Gorilla or the Ritz or whatever, because I’ve spent so many years coming back I never seem to have had a bad crowd.
Yeah, we don’t do bad crowds. What about favourites off the record then?
ADVERTISEMENT
I really like ‘Hideaway’: it’s like the second song that I wrote for the record and the one where I was like this is it – this is the sound that I feel like is going to kind of eke its way through the rest of the record.
There’s a really great horn sound on it that I actually just recorded doing whilst doing a stupid little impression with my mouth to try and explain to my trumpet player and then we ended up using it alongside real instruments, which I just think sounds really cool.
Credit: Supplied
It’s got a great sort of super happy vibe, so it’ll be great to play live, especially in a sort of summer festival situation.
The opening track [‘The Right Way’] is something that’s actually been knocking around since 2018 too. I went to Nashville to play a festival called Bonnaroo; me and Jamie decided to record some stuff and came up with a song which I’ve been in love with ever since but I didn’t fit on the second record, so I just needed to wait for the moment. This record was the right time for sure and it’s got a great sample too.
Ace. Just out of curiosity, you were famously on the FIFA soundtrack a few years back and plenty of artists have spoken about the impact that has had on their careers in the past. Is it something you recognised at the time or was it just flattering?
ADVERTISEMENT
No, it felt like a massive deal at the time and I understand what artists are saying about that because I remember discovering songs through it and even remember hearing ‘Pumped Up Kicks’ for the first time on FIFA.
I mean even football in general: I must have had some friends at Sky Sports or something because every time I turned on the channel when ‘Human’ was first out it was always on. Hopefully one of the new ones will end up in the next few games, who knows?
And lastly, if you could sum up the new album in three words, what would they be?
You can grab tickets to see Rag ‘N’ Bone Man in Manchester at the O2 Apollo HERE.
Featured Images — The Manc Group/Fiona Garden/Press Images (supplied)
Audio
Pulp at Co-op Live, Manchester – tickets, times, setlist and more for UK tour
Thomas Melia
Britpop band Pulp is heading over to Manchester for a night of singing along right through to ‘Sunrise’ or until Co-op Live’s curfew.
Jarvis Cocker and co., known more famously as UK cult classic band Pulp, are heading on the road, stopping off at various arenas up and down the country.
Their latest discography addition, their comeback LP, More, just debuted on the UK’s Official Album Charts and in pole position, no less: a very impressive feat that makes that a total of three number ones in their career.
Their eighth album is remarkable in more ways than one, as not only has it become a talking point in the music world, it’s also the band’s first new release in 24 years – an absolute banger as well, by the way.
Cocker and his bandmates are no strangers to the North either, much like our friends over at The Sheff, the Pulp frontman and several members of the lineup, both past and present, are Steel City natives.
As Britpop lovers and fans of the band ourselves, we’re buzzing about their chart-topping return, but no way as proud as their home city.
Pulp gig guide – all the key info you need to know
Pulp’s last visit to Manchester took place at Castlefield Bowl when they played a show as part of the impressive summer music series, Sounds of the City. Fast forward to 2025, and now they’re taking on the region’s biggest indoor entertainment and live music arena.
Let’s all imagine this picture of Jarvis is him checking the road signs on his way to Manchester
Are there tickets left for Pulp at Co-op Live?
If you’re suffering from ‘The Fear’ of not getting your seat ahead of Pulp’s ‘You Deserve More’ tour, there are limited seats for the Co-op Live show in Manchester HERE.
Don’t wait around, though; these won’t be around for long.
And if you fancy feeling all special and setting yourself apart from the rest of the ‘Common People’ for once (not that the mixer isn’t still the best place to be), why not treat yourself to a luxury concert experience thanks to SeatUnique, where you have access to your own private lounge?
Pulp 2025 ‘You Deserve More’ tour setlist
Spike Island
Grown Ups
Slow Jam
Sorted for E’s & Wizz
Disco 2000
F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E
Tina
Farmers Market
This Is Hardcore
Sunrise
Something Changed
The Fear
O.U (Gone, Gone)
59 Lyndhurst Grove
Acrylic Afternoons
Do You Remember the First Time?
Mis-Shapes
Got to Have Love
Babies
Common People
A Sunset
What are the stage times for Pulp in Manchester?
Pulp are set to perform at Co-op Live, Manchester on 21 June.
Co-op Live has a strict curfew of 11pm, meaning everyone can stay for the final ‘Slow Jam’ or two without worrying about getting home too late.
Anyone attending can expect the doors to open at 6:30pm with a kick-off time of 7:30pm, which gives you an hour to turn to your friend and ask, “‘Do You Remember the First Time’…we watched Pulp?”
Pulp x Co-op Live afterparty
If you’re not ready go home after the encore and you really do think ‘You Deserve More’, you can always cop yourself a ticket to the afterparty inside Co-op Live’s Backstage Club’ too.
With a DJ set to play indie favourites straight after the show and until late, the party doesn’t stop until you say it does. Tickets are available now.
We recently got to experience it ourselves on our last visit to the arena to watch the one and only Lionel Richie, and it certainly left an impression on us.
We didn’t meet him backstage, but he did call us his ‘cousins’…
How to get to the venue
Tram
For those of you heading to Co-op Live, you’ll be glad to know it’s right next door to a rather famous big blue stadium and its integrated Metrolink stop.
Head along the light blue or orange lines directly to the Etihad Campus or Ashton-under-Lyne, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Trams run frequently on the Ashton-Eccles line to the Etihad stop, with services leaving every six minutes from the city centre, and until 1:00am on Fridays and Saturdays.
Bus
You can find the full list of bus routes HERE, with the one in closest proximity to the venue being the 53 bus, which runs from Cheetham Hill through to Higher Crumpsall, Old Trafford and Pendleton, leaving just a two-minute walk to Co-op Live. You also get free Bee Network travel with any valid event ticket.
Getting there by car and parking
If you’re driving, there is limited parking available at the venue, but this must be pre-booked ahead of time, and there are designated drop-off areas.
The postcode is M11 3DU and you can follow the signs towards the wider Etihad Campus as you get closer; directions to the adjacent drop-off points will also be signposted.
Keep in mind that congestion on the roads close to the stadium is expected to gather around two hours prior to any event, so if you are travelling on the road, these are the suggested times they provide come event day, though estimates will obviously vary:
Alan Turing Way (both directions): plan an additional 20 minutes into any journey by road.
Hyde Road (eastbound): expect an additional 15 minutes to be added to your journey.
Mancunian Way (westbound): plan for an extra 10 minutes of travel time.
There are also three park-and-ride facilities near Co-op Live, but be advised that the Velopark and Holt Town stops will be closed post-event to help safely manage crowds:
Ashton West (Ashton line) – 184 spaces and 11 disabled spaces
Ladywell (Ashton-Eccles line) – 332 spaces and 22 disabled spaces
Walk/cycle
Lastly, Co-op Live is only a half-hour stroll from Manchester Piccadilly, and you could even walk along the canal all the way to the front door if you fancy taking the scenic route.
Greater Manchester now also offers the option to hire bikes via the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app. There are hire points just near the south-west corner of the Etihad Stadium on Ashton New Road.
For more information on all travel options, you can check out the enhanced journey planner.
Massive music-filled takeover planned as 1.3m tourists descend on Manchester this summer
Emily Sergeant
Plans for a massive music-filled takeover of Manchester have been announced ahead of 1.3 million tourists descending on the city centre this summer.
It comes as no surprise that this summer is set to be a big one for music in Manchester.
Parklife weekend has just been and gone, but in 2025, the fun is far from over, as there will be countless global megastars taking to the stage at some of our city’s biggest music venues, such as Co-op Live and the AO Arena, over the next couple of months, and there’s also the Sounds of the City concert series to look forward to at Castlefield Bowl, as well as a handful of Wythenshawe Park gigs.
Oh, and in case you’ve been living under a rock, there’s also the small matter of Manchester’s most legendary band, Oasis, reforming for a run of gigs at Heaton Park next month too.
Sure, Manchester is big for music all year round, but as you can imagine, 2025 is set to be bigger than ever, which is why Manchester City Council has now announced its very-own musical takeover called MCR Live ’25 to help celebrate what promises to be a sensational summer of sound.
On the setlist: 🎸 A star-studded guitar trail, courtesy of Wild In Art 🛍️ Pop-up markets to explore 🎡 A festival bar to soak up the summer vibes 🥳 And much, much more!
— Manchester City Council (@ManCityCouncil) June 12, 2025
There’ll be everything from a pop-up bar in Piccadilly Gardens with surprise live acts doing sets, and markets in St Peter’s Square selling vinyl and vintage goods, to block parties in the Northern Quarter, and the already-announced Music for the Senses art trail dotted around all the well-known city centre sights.
The Piccadilly Gardens space, known as The Hub, is designed to be the ‘basecamp’ for Manchester’s music tourists, and will be an easy place to drink at the bar, sample some of the best street food in the North West, catch surprise acts and DJ takeovers on the outdoor stage, or bring the family along during the day for some music-inspired fun.
If you head to St Peter’s Square, this is where you’ll find the pop-up markets running alongside Oasis’ legendary homecoming gigs, which will bring together local makers, artists, and indie traders for a celebration of sound, style, and city pride.
A massive music-filled takeover is planned as 1.3m tourists descend on Manchester this summer / Credit: David Oates Photography
Several ‘block parties’ will be taking over the Northern Quarter on selected Fridays and Saturdays in both June and July, so it’s your chance to head on down to Edge Street and Thomas Street and take in all the action happening over two stages – with DJs and live acts playing throughout the day.
There’ll also even be an ‘Oasis Week’ at Manchester Central Library, with legendary Supernova live sets, Gallagher look-alike competitions, a Big Oasis Quiz, Supersonic film screenings, and so much more.
But the stand-out event has to be the art trail, which is titled Music for the Senses: an art arrangement for a musical city, running across the city centre from early July until the end of August, and is a collaboration between global art producer Wild in Art – the creators of the famous Bee in the City project – and the Council.
There’ll be pop-up bars, music markets, block parties, and loads more dotted around the city / Credit: MCC
At the heart of the exhibition will be an interactive installation called ‘Guitar Street’ created by Manchester artist Liam Hopkins, known as Lazerian, which will lovingly repurpose 100+ broken guitars, all donated by members of the public.
“We’re already known the world over for the music we make and for our unrivalled music scene, and this summer we’re going all out with MCR Live ’25 to harness the moment and celebrate the massive contribution that music makes to the city,” commented Cllr Bev Craig, who is the leader of Manchester City Council.
You can find out everything happening for MCR Live ’25 on the VisitManchester website here.
Of course, the annual Manchester Day celebrations will also be back and taking over the city centre’s main streets on Saturday 26 July too, and this year, that’s also music-themed… because why wouldn’t it be? It makes sense.