Manchester’s nightlife scene is world-famous for good reason – we’re not known as the 24 hour party people for nothing.
As the years have gone on, our city’s nightclub industry has evolved and changed beyond recognition.
The world-famous Hacienda days are long gone, but now Manchester is famed for huge clubnights like Warehouse Project and its under-the-radar events at venues like Hidden and The White Hotel.
We asked our readers which venues they miss dancing the night away in.
ADVERTISEMENT
Here’s what you had to say.
Paradise Factory
On the corner of Princess Street and Charles Street stands a venue that’s been an integral part of Manchester’s music scene for decades.
ADVERTISEMENT
Initially the headquarters of Factory Records, in the 90s it became the Paradise Factory, a lively gay club.
Alexier Mayes said the Paradise Factory was the ‘best nightclub ever’, and dozens have agreed with her.
Cedna Jo said: “No other club like it.”
ADVERTISEMENT
Maria Telford added: “Indeed! Where else could you bump into the iconic Sue Pollard and Paul Nicholls together in the toilets?”
The Boardwalk
The Boardwalk was a mecca for fans of alternative music, and an iconic live music venue in the 1980s and 1990s.
Its stage was graced by the likes of Oasis, The Stone Roses, Happy Mondays, James and The Verve.
These days it’s an office block, but back then the action took place well outside the hours of 9-5.
Jim Covert-lly remembers it as a ‘great live venue and indie joint’.
ADVERTISEMENT
He wrote: “Bit more effort to reach than its rivals and felt like more for those there for the good tunes than to just get battered.”
Janine replied: “I worked there and loved Molotov pop. Great night which luckily moved to the music box.”
Marvin Deans also posted: “Yellow on a Friday night was my first experience of clubbing regularly. When we were allowed in of course. Got turned away a few times.BUT also saw my favourite ever concert there…Maxwell ‘96 and cost £7”
Brahms & Liszt
A lot of Mancs seem to remember the trip to the toilets in Brahms & Liszt the most, describing it as the ‘staircase of doom’.
But the venue was also a popular bar in the 1980s, named after Cockney rhyming slang rather than the classical composers.
ADVERTISEMENT
In the space that is now Habas, and was previously Panama Hatties, The Manc readers remember some ‘strangely good nights’.
Julie wrote: “Oh the hangovers after the beer kellar… But brahms and list was a little less crowded, so it gets my vote”
Jilli added: “Brahms & Liszt with that very dodgy spiral staircase to the loos”
DeVille’s
They just don’t make nightclubs like this anymore.
DeVille’s and its neighbouring bar Lazy Lil’s were a staple of the Madchester days, but at the heart of the bar was something a bit more unusual.
ADVERTISEMENT
The nightlife spot was home to an actual bucking bronco that would fling revellers around regardless of alcohol consumption.
Mike King said: “Devilles with the bucking bronco – great fun when you were hammered”
Damian added: “Devilles, more for the people than the club”
Sankeys
Sankeys is one of those nightclubs that everyone remembers, even if you never stepped foot inside.
The super club was in Ancoats, before the area was filled with the apartments and restaurants.
ADVERTISEMENT
Over the years of openings and closures, the venue expanded across several floors of Beehive Mill and added features like a beach (with 50 tonnes of sand), a glowing ceiling, and a non-stop roster of huge names in the world of dance, techno and house music.
Carrie Caffrey said: “Water dripping off the ceiling, bodies tightly packed, bass thumping in your chest and no mobile phones sucking the joy out of living in the moment. Excellent memories”
Will added: “Hadmy best nights in that place! Absolutely rocking”
Michael remembered: “Sankeys – nothing compared to those resident Kaluki parties around 2010 when the basement was only half full but full of absolutely sound heads and not a single d*ck head in sight. Unreal times. We didn’t know how good we had it.”
Adam wrote: “Sankys with resident DJ Avicii RIP! The sad thing is, there really isn’t another superclub in Manchester anymore?!”
ADVERTISEMENT
Chris posted: “Met my beautiful GF in Sankey’s in 1996, 26 years later we’re still joined at hip!!!! Forever old house cats!!”
The Hacienda
This one’s pretty obvious – even 25 years after the Hacienda shut down, its traces linger in the city.
The venue was the cornerstone of the Madchester era and credited with changing the face of rave forever.
Lee Berry commented: “The Hacienda was the mecca of house music in Manchester and i had some amazing nights there.”
Nicola said: “The hac, hands down, but I expected most answers wld be, but lots of others named! Just shows how fantastic Manchesters club scene was!”
ADVERTISEMENT
Rhys wrote: “we use start at the Athenaeum than workaway along all the bars up to the hacienda … cheerleaders before before the hacienda and then big jugs of beer. Thursday nights were good”
Caravan added: “Hacienda, only went a handful of times but was banging everytime.”
Jilly’s Rockworld
Jilly’s Rockworld was one of Manchester’s best nightclubs, a haven for indie rock and alternative music.
The legendary Oxford Road venue shut down for good in 2010, but Mancs will never forget the friendly, welcoming vibe of the venue.
Ursula Tucker wrote: “Jillys. Used to love it. Always felt safe in both and had a great night out.”
ADVERTISEMENT
Natalie Power said: “Easily Jillys rockworld! Such an awesome place filled with amazing people, it was the heart of the rock/alternative culture in Manchester, so many good memories from there! Miss it nowhere else compares”
Gavin added: “Jillie’s rock world by far. Everyone was respectful of each other, and in general people would be more than happy to help each other. It wasn’t just a club, it was a community hub.”
Featured image: Flickr
Audio
Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
The Warehouse Project reveals return to Rotterdam for second-ever overseas event
Danny Jones
The Warehouse Project has confirmed it will be returning to Rotterdam in 2025 for just its second-ever overseas event.
After debuting abroad in 2023 with an action-packed few days in the city of Rotterdam – whose art scene, music culture and even canal network bears lots of similarities to Manchester – Warehouse Project is coming back for more.
There’s just over a month left of the 2024 WHP calendar; you’d think they’d be getting ready to wind down and enjoy the Christmas breather, but not so: the organisers are already planning what is set to be one of their biggest and best long weekends to date.
Set to take place over the early May bank holiday, the Dutch port city will once again play host to one of Manchester’s legendary club nights.
The second biggest city in the Netherlands behind Amsterdam, the next edition of Warehouse’s international series is set to return to Rotterdam RDM – a warehouse space very reminiscent of both Depot Mayfield and their original home at Victoria Warehouse.
WHP x RDM II is already being billed as an “unforgettable weekend” and if any of this year’s mainline events here in Manchester are anything to go by, they’re bound to live up to that promise.
There’s also a full FAQ page for anyone looking to find out more information regarding Rotterdam, the venue itself, travel and more.
As well as revealing the dates (2-4 May 2025), the organisers have already teased a good chunk of the lineup, with the likes of Chris Stussy, Peach, Four Tet b2b with Sammy Virji, salute and many more already confirmed.
With a slew of incredible acts, multiple afterparties on boats and other local venues, as well as plenty of opportunity to see the rest of Holland’s ‘Manhattan on the Maas’, this is going to be SO good.
We were lucky enough to have been sent to sample their inaugural Rotterdam date back in April of 2023 and, we have to say, it was an absolute blast.
Take it from us, if you’re considering being a part of this next event you won’t regret and we’ll be putting together an extensive guide to help you feel prepared for raving overseas. Registration for early access is already live, so sign up fast if you want to give yourself the best chance of being there.
Limited presale and accommodation packages will be available to those who have applied at 9am on Monday, 2 December (UK customers only). General admission tickets will go live from 9am n Tuesday, 3 December sale for UK and Dutch customers starts Tuesday 3rd December at 9am GMT/10am CET.
Rotterdam 2025 will be here before you know it, so take a boots-on-the-ground at what an international Warehouse Project date looks like down below: