One of the most legendary drum and bass nights in Manchester’s music history is returning to the city for the first time in 20 years. Yes, it’s official: Squiggle Dee Mash is back.
Arguably the best-named night of live music anywhere in the world, Squiggle Dee Mash became a local institution even in its short four-year lifespan from 1998 to 2022, sprouting from a small gig put together by a uni student to a clubland cult hit.
Having been hosted in legendary venues like Generation X (New Wakefield St.) Club Havana (now Revs de Cuba), K2 (yes, the karaoke bar), MMU Student Union, even in the depths of UoM’s Institute of Science and Technology (UMIST), the drum, bass and jungle night has had many homes.
Now resurrected by its founder, Ottilia Ordog – a music promoter and director of Beats Bazaar with decades of experience under her belt – Squiggle Dee Mash will be making its comeback at the Bee House venue located on Deansgate Locks on 21 October.
The line-up includes OG residents such as Sappo, Mark XTC and DJ Prophecy, as well as the likes of the Ragga Twins, DJ Rap, MC Madrush and many more.
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Full Squiggle Dee Mash Line-Up
DJ Rap
Ragga Twins
Sappo
Mark XTC
DJ Prophecy
Outlander
Diemond’ED
Veba
MC Madrush
MC Crystalize
MC Chilla
Kerin
The comeback event also promises live PAs from Howie Jacobs of Mr Wilson’s Second Liners, who will also drum along to Sappo’s beats, as well as a new collaboration between Mandy Wigby (Lionrock, Sister of Transistors, Architects of Rosslyn) and Kerin, a.k.a. Che3kz.
Ottilia, a self-proclaimed five-foot ‘Transylvanian drum and bass and jungle fanatic’, first hosted the event back in 1998 when she was a second year at the University of Salford and helped pioneer the D and B scene in the city, aiming to bring a more fun, festival-like feeling to jungle nights.
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As she puts it, the gig’s unique name basically took on United’s mantra of ‘hated, ignored, never ignored’, but soon the somewhat niche event became a place where people from all walks of life were welcome to come and enjoy themselves.
Squiggle Dee Mash boasted the best jungle DJs and MCs, as well as dancers, drummers, fire breathers, jugglers and more, with lots of people regularly tuning up in fancy dress.
There was even an infamous ‘witchdoctor’ who regularly let people in for free if they could bring so crazy and entertaining to the party.
Spread across multiple rooms playing everything from jungle and D&B to hardcore, hip hop and house music, this year’s event promises to bring the authentic Squiggle Dee Mash experience to a modern audience.
Ottilia said she met up with friends and former MCs from the early days, and before she knew it, they were all ‘well up for it’ and things started coming together ‘like it was meant to be.’
Running from 10pm on 21 October until 4am the following day, if you’re into your drum and bass or electronic music in general, you don’t want to miss this one.
You can grab your tickets via Skiddle for £12 plus the booking fee HERE.
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Danny Jones -
21st September 2022 
