A concert hall in the city centre has announced a series of ‘rush hour’ gigs – each one costing just £5.
The cheap gigs have been created so that Mancs have an alternative to sitting in traffic, or getting a bit too cosy on packed trams and trains around Greater Manchester.
And as they’re all taking place at The Stoller Hall, they’re handily right across the road from Manchester Victoria train station.
As well as giving us all a break from the commute, the gigs will support up-and-coming musicians, showcasing some of the brightest new talent in the country.
Every concert will cost just £5 (no, really) and last just one hour, with 6pm start times. You’ve got very little to lose.
ADVERTISEMENT
You can even pre-order a drink to collect and enjoy inside the concert hall.
The Stoller Hall hopes it will help us all avoid rush-hour and relax with an hour of live music instead.
ADVERTISEMENT
It’s been announced as part of The Stoller Hall’s Emerging Artists Scheme, supported by The Haworth Trust, which sees musicians in the early stages of their career given a platform at a world-class music venue.
Fran Healey, creative commercial director for The Stoller Hall, said: “We are passionate about nurturing new talent and giving a platform to musicians in the early stages of their career.
“Our new programme of ‘rush hour performances’ is a double whammy – you can support these exceptional young people and avoid busy travel times.
ADVERTISEMENT
“We’re very grateful for the generous support of The Haworth Trust who have made this new programme possible.”
The Stoller Hall’s rush hour gigs are taking place between September 2023 and March 2024, and tickets are available now.
The Stoller Hall’s cheap ‘rush hour’ gigs series in Manchester
13 September, 6pm – Phoebe Raynor
Mezzo-soprano Phoebe Rayner has a passion for contemporary vocal repertoire, premiering works by Professor Rachel Beckles Willson, Philip Grange, Cee Haines, and various student composers.
6 November, 6pm – Ensemble Raynard
Ensemble Renard are a wind quintet who are passionate about bringing a huge range of music to audiences of a variety of different backgrounds. Ensemble Renard is Ellie Blamiers (flute), Francesca Cox (oboe), Patrick Bolton (bassoon), George Strivens (horn) and Holly Isherwood (clarinet).
18 January, 6pm – Asaka Quartet
The Asaka Quartet is Ioan McDonald, Eriol Guo Yu, Susie Xin He and Jonathan Ho Man Fong. Through presenting creative and innovative programmes, they invite their audiences to discover new repertoire from a fresh and exciting perspective.
ADVERTISEMENT
6 Feburary, 6pm – Smorgaschord Collective
Smorgaschord Collective is a group of ambitious musicians aiming to cut away from ‘normal’ formalities of musical experiences, who come together to collaborate and create, with a strong emphasis on the new and the unusual.
13 March, 6pm – Helena Ricci
Forging her own path as a visionary classical musician, Helena Ricci is a trailblazing harpist praised for her expressive, dynamic playing and captivating stage presence. She is currently working on her debut album.
Featured image: The Stoller Hall
Audio
Sankeys shares sneak peek at new venue as legendary Manchester nightclub gears up for return
Daisy Jackson
Sankeys has given Mancs a glimpse inside its new venue as the legendary nightclub gears up for its return.
The club was one of Manchester’s top nightlife spots for years, before shutting down seemingly for good almost a decade ago.
Set within Beehive Mill in Ancoats, Sankeys was a true icon of Manchester’s global nightlife scene.
And while the old Sankeys Soap nightlife space is now full of co-working spaces, the spirit of Sankeys is about to be reborn.
The exact location of the new club is still being kept under wraps ahead of its reopening at the end of January, but new renderings have been released to give us a glimpse of how it will look.
Sankeys is promising ‘A reimagined space. New energy. Same legendary nights’.
The new Sankeys Manchester will be a 500-capacity venue, designed to ‘capture the raw underground energy that made Sankeys one of the most iconic club brands in the world’.
It will feature an LED matrix grid installation that will immerse clubbers in ‘light, sound and atmosphere’.
Sankeys Manchester officially opens on 30 January – you can see a glimpse of how it will look below and grab tickets HERE.
The most annoying songs of 2025 according to ‘science’ have been revealed
Emily Sergeant
A list of the most annoying songs of 2025 according to ‘science’ has been published.
Music fans have already been sifting through their Spotify Wrapped, which came out earlier this month, with searches for it surging an astonishing 5,000% in recent weeks, proving that 2025 has been a memorable year for music.
We’ve had record-breaking releases, viral TikTok hits, and artists pushing creative boundaries across genres.
Despite the hits though, some tracks have sparked debates over how irritating they are – from repetitiveness to ‘harmonic dullness’.
Interested to discover the most annoying song releases of 2025, the experts at SeatPick analysed the most popular songs of 2025 according to official top charts, then measured their repetition, shrillness, harmonic dullness, and filler lyrics to calculate the percentage chance that listeners would find the song to be so-called ‘annoying’.
The most annoying songs of 2025 have been revealed according to ‘science’ / Credit: Jonas Leupe | Ketut Subiyanto (via Unsplash and Pexels)
Unfortunately for one artist – one very popular artist, it has to be said – they have claimed both the top and second spot, and that artist is pop royalty Sabrina Carpenter.
SeatPick’s findings revealed that Sabrina Carpenter’s ‘Sugar Talking’ and ‘Tears’, which were both featured on her latest album Man’s Best Friend, are the most annoying songs released in 2025, as the data metrics indicated that nearly half of listeners (46%) are likely to find these songs irritating due to they’re repetitiveness.
Lady Gaga’s ‘The Dead Dance’ ranks as the third most annoying track of the year, scoring high on the ‘annoyingness index,’ with repetition, brightness, and lyrical filler contributing to an overall 45.8% likelihood that listeners would find it irritating.
Rounding off the top four most irritating songs of 2025 is ‘Who’ by BTS member, Jimin, with there being a 45.5% chance that listeners would find his song irritating due to its repetitive hooks and bright, high pitched tones.
When it comes to the list of most irritating TikTok trending songs of 2025, that title went to ‘Dame Un Grrr’ by Fantomel and Kate Linn, with a 45.7% likelihood of being found irritating by listeners, closely followed by ‘She Twerkin’ by Ca$h Out in second, with a 44.1% likelihood of being found annoying by listeners.
One song we’re sure many of you won’t be surprised to find on the most irritating list is ‘Hold My Hand’ by Jess Glynne, which, of course, initially gained popularity through its use in a Jet2Holiday advertisement, and then later became widely featured in more than 3.4 million TikTok videos.
So, what do you make of these results then? Do you agree? What do you think the most annoying song that came out in 2025 is?
Daisy Jackson -
2nd September 2023 
