A 12-year-old from Manchester has won the inaugural Johnny Marr Award from the Salford Foundation Trust. Get in there, lad.
Salford schoolkid, John Denton, has played the guitar since the age of eight and has been developing his skills ever since, busking on the rainy streets of the city centre and even playing gigs at Salford Lads Club.
Now the aspiring teen has been presented with a prestigious honour by one of his musical heroes, as the foundation dished out their first-ever Johnny Marr Award to the dedicated young performer.
Having met the legendary Smiths guitarist and songwriter previously at a signing of his last album, Fever Dreams Pts 1-4, where he asked his idol for advice about starting a band, we dare say this latest development is up there with one of the highlights of his career so far.
I’m pleased to be announcing John Denton as the winner of the @TheSalfordTrust ‘Johnny Marr Award’. It’s a privilege to be supporting a dedicated young musician. Well done John. pic.twitter.com/HoYXIY0IVY
Issuing a message of support on the Salford Foundation’s website, Marr said: “It’s a pleasure and privilege to give some assistance to a young musician especially when they’re as dedicated as John. Well done brother.”
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John has been delighting the streets of Salford and Manchester city centre for some time now and regularly pulls in sizeable crowds with his covers of songs by popular local bands — The Smiths being one of them.
With videos of his performances often being shared online and regularly gaining thousands of views across various social media platforms, he has already started to build a passionate following.
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Come rain or shine, he still belts it out all the same:
The Johnny Marr Award is chosen by a panel made up of members from the trust which supports talented young people in the city. The scheme will run for three years, selecting another young musician from Salford each year for financial assistance, each of whom will be awarded £1,000.
Peter Collins CBE, from the Salford Foundation Trust, said: “There couldn’t be a more worthy recipient of the Johnny Marr Award. Even though John is only 12 he’s already proven he’s committed to making a future in music and we’re delighted the Trust can give him a helping hand on this journey.”
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John has said he will be putting the funds towards more singing and guitar lessons and future music projects, as well as hopefully levelling up his performances.
Better still, after his first chat with Marr, John has since formed his own band called, The Height – named after an area in Salford near where he lives – and the group released their first single, ‘Go’ just before Christmas. Well in, boys.
John’s dad Phil said of his son’s award: “John’s ambition is to have a career in music. He will be using the funding to have music lessons to help both his guitar playing and his singing. In these tough times, it’s a massive help and means that he can progress in his passion.
“Music is not a hobby for John but just who he is and a creative outlet he hopes to enjoy for the rest of his life. He is incredibly grateful to Johnny and the Salford Foundation Trust who have provided this opportunity.
“It is a real privilege to get this award and he is determined to make the very most of the opportunity he has been given.”
Speaking on BBC Radio Manchester following the well-earned recognition, Denton told John Sweeney that after having started out asking cafes to let him play, “it’s going great now” and that he has another gig lined up in March.
“Not being big-headed but we hope to be like Johnny Marr and go on tour and get a big following.”
We wish you and your band every success, John — go out there and keep killing it.
We are absolutely loving how much this city is doing for its wonderful pool artists at the minute.
Featured Image — Johnny Marr (via Instagram/Twitter)
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The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
Danny Jones -
1st February 2023 
