Last night, American duo The Black Keys graced the fine people of Manchester with irresistible rockand bluesy ballads at the AO Arena and it was nothing short of phenomenal, showcasing the exceptional talent that’s made them one of the most prolific bands of the last two decades.
Their ‘Dropout Boogie Tour’ was supported by fellow rockers Spoon and found them in the UK for a limited run of just three shows, London, Glasgow and, of course, Manchester. This was all on the back of their latest album release in 2022, which gained modest reviews.
Whatever you made of their last record, there isn’t much you can question about their live performance. Straight from the go, the show was electrifying, with the opening song ‘I Got Mine’ leaving the crowd screaming for more — I was definitely one of them.
The Black Keys brought a slice of that quintessential southern American blues-rock to the AO on Thursday night, taking us on a real sonic journey, weaving through different styles and more rock and roll sounds to those deeper, swampy tones that we’ve explored throughout their decorated career.
Their retro-inspired sound harkened back to a golden era of American music as they even covered some proper classics like ‘Crawling King Snake’ by delta-blues singer, Big Joe Williams, as well as ‘Have Love, Will Travel’ — which may only rattle around in your head has an advert song, but was originally recorded all the way back in 1959 by R&B singer, Richard Berry.
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They really leaned into those unmistakable bluesy, rock and roll roots and it really paid off because the whole vibe and reaction from the crowd was absolutely infectious.
The guitar mastery and soulful vocals displayed by lead singer, Dan Auerbach, were nothing short of awe-inspiring, but towards the final few songs he had to cut one short to call out, as Dan called him, a “beefcake”, that was being aggressive, pushy and putting a general “negative energy”.
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Dan said he’s not about that and neither are we or any of the Mancs who went along to watch, and he was met with rapturous applause when he declared: “That’s not how we do it at a rock and roll show”. Big respect to him for that.
By the time the encore came around, there was a single person not up on their feet and partying. They began with their 2011 track, ‘Little Black Submarine’ — which seemed ominously fitting considering the latest news headlines — starting slow but ending heavy and leading perfectly into the final jam and iconic hit, ‘Lonely Boy’.
It was obviously always going to end like that, being their most popular song, and for good reason. The show had already reached a euphoric climax which meant everyone was dancing and singing their hearts out. By the time the song finished, I truly wished I could’ve done it all over again.
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What a gig and what a night. It was truly an unforgettable experience that will be etched in my mind forever. The night wasn’t over for everyone, though, as the band actually headed to YES for their popular record hang after-party, where they DJ’d on vinyl into the early hours of the morning.
Sadly, for us, it was bedtime — some of us have work in the morning and we’d already partied plenty all night long. We will most definitely be seeing The Black Keys again the next time they’re in Manchester.
Featured Image — The Manc Group/The Black Keys (via Instagram)
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Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Dean Hadcock -
23rd June 2023 
