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The Black Keys deliver a night of infectious rock and blues at Manchester’s AO Arena
From playing the hits, calling out bag eggs in the crowd and getting everyone up on their feet, it was a night we'll never forget.
Last night, American duo The Black Keys graced the fine people of Manchester with irresistible rock and bluesy ballads at the AO Arena and it was nothing short of phenomenal, showcasing the exceptional talent that’s made them one of the most prolific bands of the last two decades.
Their ‘Dropout Boogie Tour’ was supported by fellow rockers Spoon and found them in the UK for a limited run of just three shows, London, Glasgow and, of course, Manchester. This was all on the back of their latest album release in 2022, which gained modest reviews.
Whatever you made of their last record, there isn’t much you can question about their live performance. Straight from the go, the show was electrifying, with the opening song ‘I Got Mine’ leaving the crowd screaming for more — I was definitely one of them.
The Black Keys brought a slice of that quintessential southern American blues-rock to the AO on Thursday night, taking us on a real sonic journey, weaving through different styles and more rock and roll sounds to those deeper, swampy tones that we’ve explored throughout their decorated career.
Their retro-inspired sound harkened back to a golden era of American music as they even covered some proper classics like ‘Crawling King Snake’ by delta-blues singer, Big Joe Williams, as well as ‘Have Love, Will Travel’ — which may only rattle around in your head has an advert song, but was originally recorded all the way back in 1959 by R&B singer, Richard Berry.
They really leaned into those unmistakable bluesy, rock and roll roots and it really paid off because the whole vibe and reaction from the crowd was absolutely infectious.
The guitar mastery and soulful vocals displayed by lead singer, Dan Auerbach, were nothing short of awe-inspiring, but towards the final few songs he had to cut one short to call out, as Dan called him, a “beefcake”, that was being aggressive, pushy and putting a general “negative energy”.
Dan said he’s not about that and neither are we or any of the Mancs who went along to watch, and he was met with rapturous applause when he declared: “That’s not how we do it at a rock and roll show”. Big respect to him for that.
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By the time the encore came around, there was a single person not up on their feet and partying. They began with their 2011 track, ‘Little Black Submarine’ — which seemed ominously fitting considering the latest news headlines — starting slow but ending heavy and leading perfectly into the final jam and iconic hit, ‘Lonely Boy’.
It was obviously always going to end like that, being their most popular song, and for good reason. The show had already reached a euphoric climax which meant everyone was dancing and singing their hearts out. By the time the song finished, I truly wished I could’ve done it all over again.
What a gig and what a night. It was truly an unforgettable experience that will be etched in my mind forever. The night wasn’t over for everyone, though, as the band actually headed to YES for their popular record hang after-party, where they DJ’d on vinyl into the early hours of the morning.
Sadly, for us, it was bedtime — some of us have work in the morning and we’d already partied plenty all night long. We will most definitely be seeing The Black Keys again the next time they’re in Manchester.
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Featured Image — The Manc Group/The Black Keys (via Instagram)
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Ticket touting officially banned to protect fans from rip-offs
Daisy Jackson
The government has officially banned ticket touting, making it illegal for tickets to be resold at inflated prices.
The new measures will destroy the operating model of ticket touts, who snap up tickets for theatre, sport and live music, then sell them on the secondary value for far more than their face value.
Oftentimes, touts use automated bots to buy large volumes of tickets at once, taking them away from real fans.
The government says it’s caused misery for millions of fans and damaged the live events industry.
But now, the practice is being banned, with the government making it illegal to sell tickets above face value (plus unavoidable fees like service charges).
Resale platforms will also have their service fees capped, and they’ll have a legal duty to monitor and enforce compliance with the price cap.
Individuals will also be banned from reselling more tickets than they were entitled to buy in the initial ticket sale.
Culture secretary Lisa Nandy said: “For too long, ticket touts have ripped off fans, using bots to snap up batches of tickets and resell them at sky-high prices. They’ve become a shadow industry on resale sites, acting without consequence.
“This government is putting fans first. Our new proposals will shut down the touts’ racket and make world-class music, comedy, theatre and sport affordable for everyone.”
Business Secretary Peter Kyle added: “The UK is home to a brilliant range of music, entertainers and sporting stars – but when fans are shut out – it only benefits the touts. That’s why we’re taking these bold measures to smash their model to pieces and make sure more fans can enjoy their favourite stars at a fair price.”
Dan Smith, lead singer of Bastille – who have been part of the campaign against ticket touting – said: “It’s such great news that the government has stepped up and introduced a price cap on resale tickets – something I’ve been campaigning for alongside O2 and the FanFair Alliance for a long time.
“It’s a good step towards protecting music fans from being ripped off and will allow more genuine fans to see their favourite artists perform at face value prices. I am welcoming a world where there are no more resellers snapping up all of the tickets and massively inflating their prices.”
According to analysis by the CMA, typical mark-ups on secondary market tickets exceed 50%, whilst investigations by Trading Standards has uncovered evidence of tickets being resold for up to six times their original cost.
It’s believed these new measures against ticket touts could save fans around £112 million annually, freeing up around 900,000 more tickets from the primary ticket sellers each year.
The use of strategies like dynamic pricing has also been a major source of frustration for fans – such as the method used during the Oasis reunion on-sale – and new rules mean that fans must be given 24 hours notice of tiered pricing, plus provide clearer price information during online queues.
Industry voices who have weight in today include Mumford & Sons, who said that touts have ‘taken advantage of the good will and passion of music fans for many years’; Ed Sheeran’s manager Stuart Camp, who said the announcement is ‘long overdue’; and Coldplay manager Phil Harvey, who added that the legislation will be ‘a game-changer’.
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Featured image: The Manc Group
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India’s most beloved singer Shreya Ghoshal announces Manchester arena gig
Daisy Jackson
Shreya Ghoshal, one of India’s most celebrated singers, will be performing in Manchester next spring as part of a new UK tour.
The star will be heading out on a global run of dates on The Unstoppable Tour, performing to fans in three arenas in the UK.
She has announced a huge arena show in Manchester at the AO Arena, as well as gigs in Birmingham and London.
As well as dates in the UK, Shreya will perform across Europe, Asia, Middle East, Australia, South Africa and North America.
Shreya Ghoshal will take audiences on a journey that spans from her soulful beginnings to her global stardom.
She has been an enduring force in Indian music for more than two decades, and The Unstoppable Tour will prove exactly why.
There’ll be a setlist of her most iconic hits, like ‘Dola Re Dola’, ‘Teri Meri’, ‘Deewani Mastani’, and ‘Sun Raha Hai’, as well as new music that reflects her evolving artistry.
She first became known after winning the TV singing competition Sa Re Ga Ma Pa, going on to win a National Film Award at just 18 years old with Devdas.
Shreya has more than 12 billion streams on Spotify and 42 million monthly listeners, and ranked as the number one artist on Spotify last year in India.
Shreya Ghoshal said: “I am looking forward to bringing The Unstoppable Tour to the UK! When I dreamed of The Unstoppable Tour, I wanted to create something that feels alive, something that connects heartbeats across the world.
“This tour is deeply personal to me, it’s a reflection of every note, every story, and every emotion that has shaped my journey so far.
“It’s a celebration of the people, memories, and moments that are so special. For me, that’s what makes it truly unstoppable.”
Shreya Ghoshal will perform at the AO Arena in Manchester on 10 April 2026, with general sale tickets live from 10am on Friday 28 November HERE.
Shreya Ghoshal UK tour dates 2026
- 10th April – AO Arena, Manchester
- 11th April – BP Pulse Live, Birmingham
- 12th April – The O2, London
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Featured image: Supplied