Last night, American duo The Black Keys graced the fine people of Manchester with irresistible rockand bluesy ballads at the AO Arena and it was nothing short of phenomenal, showcasing the exceptional talent that’s made them one of the most prolific bands of the last two decades.
Their ‘Dropout Boogie Tour’ was supported by fellow rockers Spoon and found them in the UK for a limited run of just three shows, London, Glasgow and, of course, Manchester. This was all on the back of their latest album release in 2022, which gained modest reviews.
Whatever you made of their last record, there isn’t much you can question about their live performance. Straight from the go, the show was electrifying, with the opening song ‘I Got Mine’ leaving the crowd screaming for more — I was definitely one of them.
The Black Keys brought a slice of that quintessential southern American blues-rock to the AO on Thursday night, taking us on a real sonic journey, weaving through different styles and more rock and roll sounds to those deeper, swampy tones that we’ve explored throughout their decorated career.
Their retro-inspired sound harkened back to a golden era of American music as they even covered some proper classics like ‘Crawling King Snake’ by delta-blues singer, Big Joe Williams, as well as ‘Have Love, Will Travel’ — which may only rattle around in your head has an advert song, but was originally recorded all the way back in 1959 by R&B singer, Richard Berry.
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They really leaned into those unmistakable bluesy, rock and roll roots and it really paid off because the whole vibe and reaction from the crowd was absolutely infectious.
The guitar mastery and soulful vocals displayed by lead singer, Dan Auerbach, were nothing short of awe-inspiring, but towards the final few songs he had to cut one short to call out, as Dan called him, a “beefcake”, that was being aggressive, pushy and putting a general “negative energy”.
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Dan said he’s not about that and neither are we or any of the Mancs who went along to watch, and he was met with rapturous applause when he declared: “That’s not how we do it at a rock and roll show”. Big respect to him for that.
By the time the encore came around, there was a single person not up on their feet and partying. They began with their 2011 track, ‘Little Black Submarine’ — which seemed ominously fitting considering the latest news headlines — starting slow but ending heavy and leading perfectly into the final jam and iconic hit, ‘Lonely Boy’.
It was obviously always going to end like that, being their most popular song, and for good reason. The show had already reached a euphoric climax which meant everyone was dancing and singing their hearts out. By the time the song finished, I truly wished I could’ve done it all over again.
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What a gig and what a night. It was truly an unforgettable experience that will be etched in my mind forever. The night wasn’t over for everyone, though, as the band actually headed to YES for their popular record hang after-party, where they DJ’d on vinyl into the early hours of the morning.
Sadly, for us, it was bedtime — some of us have work in the morning and we’d already partied plenty all night long. We will most definitely be seeing The Black Keys again the next time they’re in Manchester.
Featured Image — The Manc Group/The Black Keys (via Instagram)
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HAIM announce huge UK arena tour with Manchester date
Daisy Jackson
Everyone’s favourite musical siblings are heading back on tour – and for once, I am not referring to Oasis.
HAIM have just dropped details of a huge UK arena tour later this year, which includes a gig right here in Manchester.
The rock trio of siblings will be playing six dates in support of their upcoming album I Quit.
HAIM will be performing at the biggest venue in Manchester, the Co-op Live arena, this October, alongside shows in Nottingham, London, Glasgow and more.
The Los Angeles sisters, Alana, Danielle and Este, haven’t performed here since 2022, when they played the much smaller O2 Victoria Warehouse.
HAIM are best known for hits like The Wire, If I Could Change Your Mind, and Falling, with three already-released chart-topping albums.
They announced their fourth studio album on stage last week at a set of surprise shows in LA, promising classic rock inspiration that’s been crafted for live performance.
It follows their 2020 release, Women in Music Pt. III, which earned them a Brit Award for International Group as well as two Grammy Award nominations.
Fans who pre-order the album will be able to access a pre-sale from 10am on Wednesday 30 April, ahead of general sale on 10am on Friday 2 May.
Featured image: Publicity picture, Terrence O’Connor
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Sterephonics frontman Kelly Jones reveals that Noel Gallagher is back in the studio
Danny Jones
Stereophonics lead singer Kelly Jones has graciously revealed to music fans that new Gallagher tunes could be on the way, as he confirmed that Noel has been back in the studio and working on new material.
The big question is, has Liam been in there with him?…
Broken rather nonchalantly in an interview with NME, Jones didn’t so much let the news slip as much as he seemingly just casually dropped it into conversation, mentioning that he bumped into the older Gallagher brother recently.
As he puts it – frustratingly briefly, might we add (sorry, fanaticism will do that to you) – the Oasis icon and High Flying Birds frontman has been doing some songwriting, but the details were scarce.
The 50-year-old ‘Phonics frontman, who was discussing the release of their 13th studio album as well as his own solo project last year, was asked his thoughts on the legendary Britpop band’s upcoming reunion shows and the impact they had on his own career.
“Funnily enough, I found some old pictures of me and Noel rehearsing when he used to have a studio down in Windsor recently, just before we toured America”, said Jones. “We were having a laugh about them and I asked him what he’d been up to and he said he’d been doing some writing in the studio.
The unmistakable Welsh vocalist went on to add: “I’m assuming he’s doing some writing for either his stuff or if they’re [Oasis] gonna bring out a couple songs, I don’t know.”
It seems the pair are still more than friendly, though he gave little away about his relationship with Liam Gallagher; the two British rock groups did share somewhat of a rivalry in the 90s and 2000s, with Stereophonics making no secret of Oasis inspiring their own music.
Describing the band in their heyday, Jones described the period “kind of chaotic and mayhem but it was all very joyous”, insisting that things are very different nowadays but that he is not the less excited than a whole new generations of fans are going to be able to see them live for the first time
As for whether he and his bandmates will be able to find the time, he revealed in a subsequent chat live on Radio X that their own tour clashes may mean they’ll miss out on the Live ’25 tour experience.
Further reflecting on the age of streaming, content overload and what some would argue is an overabundance of media, Kelly said of art and music in particular that “people need it now more than they’ve needed it in a long time.”
We don’t know whether or not Noel’s return to songwriting is for the next High Flying Birds record or whether the rumours are true and new Oasis music really is on the way.
As much as we love his solo stuff, PLEASE let it be the latter.
We do know that the siblings are said to be getting on swimmingly so far and even spent some of the Easter break together, according to LG himself. Here’s hoping they were throwing around ideas for another instant hit.