Last night, American duo The Black Keys graced the fine people of Manchester with irresistible rockand bluesy ballads at the AO Arena and it was nothing short of phenomenal, showcasing the exceptional talent that’s made them one of the most prolific bands of the last two decades.
Their ‘Dropout Boogie Tour’ was supported by fellow rockers Spoon and found them in the UK for a limited run of just three shows, London, Glasgow and, of course, Manchester. This was all on the back of their latest album release in 2022, which gained modest reviews.
Whatever you made of their last record, there isn’t much you can question about their live performance. Straight from the go, the show was electrifying, with the opening song ‘I Got Mine’ leaving the crowd screaming for more — I was definitely one of them.
The Black Keys brought a slice of that quintessential southern American blues-rock to the AO on Thursday night, taking us on a real sonic journey, weaving through different styles and more rock and roll sounds to those deeper, swampy tones that we’ve explored throughout their decorated career.
Their retro-inspired sound harkened back to a golden era of American music as they even covered some proper classics like ‘Crawling King Snake’ by delta-blues singer, Big Joe Williams, as well as ‘Have Love, Will Travel’ — which may only rattle around in your head has an advert song, but was originally recorded all the way back in 1959 by R&B singer, Richard Berry.
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They really leaned into those unmistakable bluesy, rock and roll roots and it really paid off because the whole vibe and reaction from the crowd was absolutely infectious.
The guitar mastery and soulful vocals displayed by lead singer, Dan Auerbach, were nothing short of awe-inspiring, but towards the final few songs he had to cut one short to call out, as Dan called him, a “beefcake”, that was being aggressive, pushy and putting a general “negative energy”.
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Dan said he’s not about that and neither are we or any of the Mancs who went along to watch, and he was met with rapturous applause when he declared: “That’s not how we do it at a rock and roll show”. Big respect to him for that.
By the time the encore came around, there was a single person not up on their feet and partying. They began with their 2011 track, ‘Little Black Submarine’ — which seemed ominously fitting considering the latest news headlines — starting slow but ending heavy and leading perfectly into the final jam and iconic hit, ‘Lonely Boy’.
It was obviously always going to end like that, being their most popular song, and for good reason. The show had already reached a euphoric climax which meant everyone was dancing and singing their hearts out. By the time the song finished, I truly wished I could’ve done it all over again.
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What a gig and what a night. It was truly an unforgettable experience that will be etched in my mind forever. The night wasn’t over for everyone, though, as the band actually headed to YES for their popular record hang after-party, where they DJ’d on vinyl into the early hours of the morning.
Sadly, for us, it was bedtime — some of us have work in the morning and we’d already partied plenty all night long. We will most definitely be seeing The Black Keys again the next time they’re in Manchester.
Featured Image — The Manc Group/The Black Keys (via Instagram)
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Oasis release trailer for Don’t Look Back In Anger documentary – watch it here
Daisy Jackson
A new trailer for the upcoming Oasis documentary, ‘Oasis: Don’t Look Back In Anger’, has been released today.
The highly anticipated documentary follows the iconic Manchester rock band as they reunited for a series of epic comeback gigs last summer.
The Gallagher brothers broke up the band 15 years prior to the Live ’25 shows, then returned in spectacular fashion for gigs including five sold-out nights at Heaton Park in Manchester.
The band were followed throughout their triumphant comeback tour by film crews, for the documentary film ‘Oasis: Don’t Look Back In Anger’.
Fans will see never-before-seen snippets of rehearsal, backstage, and onstage, as well as the first joint interview with Liam and Noel in more than 20 years.
It will also explores the profound impact that the reunion had on fans, and chart the global phenomenon that was Oasis Live ’25.
One of the people behind the new documentary is Steven Knight, of Peaky Blinders fame.
Oasis: Don’t Look Back In Anger will be released in the UK on Wednesday 9 September and you can book tickets HERE.
Watch the full trailer for Oasis: Don’t Look Back In Anger below:
Elbow get behind campaign to save Jodrell Bank from closure
Danny Jones
Manc band Elbow are among the latest to get behind the campaign to save Jodrell Bank Observatory from closing permanently.
The Greater Manchester natives famously played a sold-out gig at the important scientific and cultural landmark for a very special live album recording well over a decade ago, and know all too well the site’s national and, indeed, global heritage.
Choosing the Observatory and the rare chance to perform a show in the shadow of the world-renowned James Lovell Telescope, it probably remains one of their most significant standalone UK date ever.
With that in mind, the local lads have been left just as worried by the news of its impending closure as everyone else, and have therefore issued a fresh appeal to help keep it open.
Posting a timely statement on social media, the group wrote: “Jodrell Bank has long been close to elbow’s heart. In 2012, the band played beneath the Lovell Telescope for one of the most memorable shows in our history.
“The recent news that funding for the e-MERLIN radio telescope network is set to end in 2028 puts the future of the scientific work at Jodrell Bank under serious threat. It is a remarkable place, with an extraordinary history, and one that continues to play an important role in science, culture and education.”
In addition to reliving clips and images from the historic live set all the years later, they also pointed people towards their ‘elbow – Live at Jodrell Bank‘ album documentary, which has now been made available online for the very first time as part of wider efforts to raise awareness around the cause.
Directing people to key online resources shared by the institution and astrophysics centre itself following their unfortunate update late last month, the push to not only find the funding but sustain support for the facility continues to ramp up throughout the world of science, arts and industry.
For anyone who somehow missed the news – 2028 being the current deadline handed down as per budget cuts across the sector – concerned parties here in the North West and all over the country have since started petitioning to save Jodrell Bank Observatory from shutting down for good.
In addition to being described as a “huge blow” to the field by the Royal Astronomical Society (RAS), some have even gone so far as to describe the decision as a form of “vandalism” when it comes to research and British culture as a whole.
Having also served as the host venue for the annual bluedot Festival since 2016, the multi-genre science and arts celebration could soon be forced to find a new home.
The battle is far from over yet, and the community has time to rescue Jodrell Bank Observatory from its fate, but it will take lots of money and more notable public figures to make it happen.
Once again, you can do your bit by signing the petition mentioned above right HERE.
Dean Hadcock -
23rd June 2023 
