There’s just over a week to go until The Lumineers take to the stage at the AO Arena, and the pandemic-enforced hiatus from the live music scene can’t have ended quickly enough for the band.
For Wesley Schultz and Jeremiah Fraites, who started performing together way back in 2005, it’s the live circuit where The Lumineers really come to life.
According to Wes, the audience is ‘like another instrument’.
Ever since releasing their self-titled debut album in 2012 – and that ever-present, chart-topping single Ho Hey – the audiences have flocked to their shows, singing and chanting every word right back at the band.
Nowhere, Wes says, is quite like a Manchester audience.
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“You’re all pretty rowdy!” he told The Manc during a chat this week.
“It’s some of the most rowdy, fun audiences you can find anywhere. I like audiences that aren’t worried about being overly polite – it’s like it’s uninhibited and that lends itself well to music.
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“For us, the audience is like another instrument. If we ever put out a live album you’ll hear a lot of the audience, because they’re singing with us and they’re adding things, and energy.
“So many of my favourite records growing up had that presence, that electricity.”
Obviously, for much of the last two years, bands like The Lumineers have lost this stage time, as the pandemic forced gigs to be cancelled for months on end.
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Their last tour, the III World Tour, was cut short because of Covid.
“I think we feel like we have unfinished business,” Wes said.
“We feel like we have a lot left to express that wasn’t.
The Lumineers. Credit: Danny Clinch
“And then you combine that with all of the pent-up emotion from the last two years that is gonna be out there on full display on stage.
“I think you’re going to see some of the best live music you’re ever going to see because bands, including us, have been just dying to get back out there.
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“There’s just been a lot of solitary confinement in everyone’s life and I think these concerts are, for those of us who don’t go to organised religion, this is our church.
“This is our way of feeling community and it’s a beautiful thing.”
That band-to-audience connection is something Wes and Jeremiah have tried to hang on to, even as their following has grown.
It’s a desire that will be tested on the 2 March when The Lumineers take to the stage at their AO Arena gig – the second time they’ve performed at the enormous venue.
The Lumineers in 2016 with Manchester United kits on. Credit: Facebook, The Lumineers
Wes continued: “There’s a desire to connect, no matter the size of the room. It’s supposed to feel like you’re at a house show, even if it’s an arena.
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“We’re supposed to feel like we’re sharing some secrets together.
“We’ve been so lucky to move up and play bigger venues, but it presents a whole new set of challenges because really what you’re going after is the thing you started with – you know that really beautiful connection you’d have with an audience if you were playing in someone’s living room.
“You’re trying to have that same experience in a big room, and I hope we’ve got better at that over the years.”
Wes said he remembers the arena dates were more than a little daunting at first.
“I remember we didn’t know what was going to happen but it went really well, and we were like ‘I can’t believe that worked’,” he laughed.
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Credit: AO Arena
“That’s the essence of being in a band – you have all these hopes but it’s like, the whole thing is kind of a wild ride, including playing this arena.”
The Lumineers are touring off the back of their fourth studio album, Brightside, and that means plenty of new material to join the likes of Ho Hey, Ophelia, and Gloria.
As with most musicians, the pair are enjoying testing out their new songs with a crowd at long last.
Wes said: “A.M. Radio’s been really fun to play live, it has a really anthemic chorus and the audience has been singing it back to us.
“That, and there’s a song off the record called Birthday that we actually made to entertain ourselves, and even people who’ve never heard it will join in screaming ‘IT’S ALRIGHT, IT’S ALRIGHT’ – they get it right away, there’s something really immediate.
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“I like it when people are putting their arms around each other, especially complete strangers, because that’s what we all need right now.
The Lumineers’ most recent album, Brightside.
“We need that celebratory mood and I think music was meant to bring people together.
“That’s what I love about music – when you see total strangers high-fiving, singing together, there’s some unification.
“I just love that about live music, it short-circuits all of our defences and leaves us more open.”
The Lumineers have chart-topping albums and huge world tours under their belts, but the thing they’re most proud of is much more wholesome than accolades.
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“Beyond anything, Jer and I will have been doing this for 10 years in April, and I’m most proud of the fact that we’ve managed to stay excited and having fun.
“I think the risk is that people lose that edge of childlike wonderment that keeps you going and doesn’t make things look formulaic.
“For me, I’m most proud of us for still being on the ball – still really wanting to play this music and being excited, like kids.
“It’s been 10 years and for me it’s the most positive sign that we’re still like little school kids. It’s a good feeling.”
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And what’s left on his bucket list? It’s something we can surely all agree with – “I really want to have a tequila with Bruce Springsteen.”
The Lumineers will perform at Manchester’s AO Arena on 2 March. You can get tickets through the venue or at Eventim here.
Featured image: Danny Clinch
Audio
Ticket requests are now officially open for Harry Styles’ one-night-only Manchester gig
Emily Sergeant
The time has come – the ticket request system for Harry Styles’ one-night-only gig in Manchester is now live.
In case you hadn’t heard, it was announced on Wednesday evening after much speculation that Harry Styles would be making a return home to Manchester for a one-night-only ‘intimate’ gig at Co-op Live to celebrate the release of his fourth studio album next month.
Styles is set to share Kiss All The Time. Disco, Occasionally with the world on Friday 6 March – and it’s that very same night he’ll be taking to the stage in Manchester.
Although little is known about what to expect at the gig, the poster for the event does state that there’ll be a ‘special performance of the album’, so it seems fair to say that Manchester will be the first to hear the new set of songs in full live.
And if all of that wasn’t exciting enough as it is, the tickets are only £20 per person.
But, of course, there is a bit of a catch, as this isn’t your regular online queuing up for tickets scenario, this is a ‘ticket request’ system instead.
So, like us – and literally every other fan in the vicinity of Greater Manchester and beyond this week – you’re probably wondering what a ‘ticket request’ system is… what does it look like? How does it work? Basically, what the heck is it? Well, we’ve done a bit of digging around to get to the bottom of it so you’re not left too much in the dark.
According to Ticketmaster’s website, if an artist is running a ticket request, they’ll invite fans to request tickets so you don’t have to compete in a first-come, first-served sale.
This means you can take your time to review the available options and request the right tickets for you.
All you need to do is tell Ticketmaster which shows you’re interested in, the type of ticket you want, and your payment details. Then, if the tickets you request can be fulfilled, your card will be charged and you’ll get emailed instructions to access them in the Ticketmaster App.
Unfortunately, as much as we’d love it to be the case for everyone, submitting a request doesn’t guarantee you tickets – it really is just luck of the draw.
To request tickets, you’ll need to follow these three simple steps:
Select which shows you’re interested in and the type of ticket you want
Add your payment details
Harry Styles ticket requests are now live / Credit: Johnny Dufort (Publicity Picture)
Ticketmaster will then send you a summary email that details the tickets you’ve requested. Your card won’t be charged at this time, but they may charge a temporary £1 authorisation to your card to validate your request.
A maximum of two tickets per person can be requested, which has been set to allow for as many fans as possible to get tickets.
Now, here’s the crucial part – you will need to submit your request for tickets while the window is open until Sunday 8 February at 11pm GMT. After the request window closes, you’ll get a second email by 11:59pm GMT on Tuesday 10 February confirming whether or not your request has been fulfilled.
All that’s left to do now is provide you with the link here and send you on your way… oh, and may the odds be ever in your favour.
Featured Image – Wikimedia Commons
Audio
The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.