And here we are: it’s officially time for the final round-up of Manchester bands and artists for 2024 and what a year it’s been for tunage.
We started this feature back in January and each month we’ve given you five different acts, be they big, small, unsigned or unsung, new on the scene or veterans that deserve more attention.
Fast forward to December and now we’re ready for our last batch of suggestions for new music from around Greater Manchester that you may or may not have heard yet.
The question is, are you ready? Let’s give it one last spin around the turntables.
New Manchester music you should check out to start the new year
1. Morgan Seatree
Speaking of turntables, it seems only fitting to start with a Manchester-based DJ Morgan Seatree, whose tunes have already queued up at a fair few tunes ready for our New Year’s Eve playlist. Born and bred in 0161, not only has he smashed the likes of The Warehouse Project but his sound is already going global.
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His inspirations include Kerri Chandler, Paul Woolford, Disclosure, Larry Heard and more, and his catchy brand of mixes has already attracted attention from other big names in the electronic scene, including Patrick Topping, Folamour, Jamie Jones and more.
Music made for nothing but dancing and good times, his ear for easily recognisable hooks and infectious beats means you’ll only be hearing more of his as time goes on. Our picks to start with include ‘Hit It!’, ‘Good Life’ and his ‘Say My Name’ remix. He’s also responsible for this iconic clip from a Fallowfield flat:
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The kind of vibes we're after this #NewYearsEve. 🙌😅
Next up to bat are the truly brilliant Dirty Laces who have been going for a few years now but we still think are criminally underrated on the Manc music scene. Not only do they blend a great mix of American rock and roll influences with 90s and 2000s UK roots, but their latest work looks to be a real evolution.
There have always been proto-punk elements to their sound and wonderful guitar solos, as well as what we would liken to Led Zeppelin, Queens of the Stone Age, Shed Seven, and even hints of Velvet Revolver on tracks like ‘These Days’ – imagine ‘Slither’ mixed with She Builds Quick Machines’.
However, it feels like we’re starting to hear them pulling in a slightly new direction and trying new things; there’s no better example of this than their recent singles, ‘Quiet Space’ and ‘If I Go’, which we’ve had on repeat for a few weeks now. ‘Seeker’, ‘Midnight Mile’ and ‘Old Friend’ are where we’d start though.
Third on our list is the immense throwback that is a young man called Elliot James Reay: the 22-year-old singer-songwriter from Bury but with a sound harkening back to the end of America’s ‘Golden Age’, where pop rolled into rock and vice versa.
Taking inspiration from the likes of Elvis Presley and deep obsessions with Roy Orbison, not only in terms of the music but look and overall style, this up-and-coming solo artist feels like he was born in the wrong era but will happily keep the fight alive with the help of vintage jackets, slicked-back hair and a guitar.
He’s only got a small handful of tunes so far, so it won’t feel too overwhelming to get through his discography either but you can also enjoy a selection of his old world covers including tracks by Orbison, Elvis, Paul Anka and more.
A Manchester artist with a straight out of the American South.
4. Florentenes
Number four of December 2024 is Florentenes from Bolton – well, Westhoughton to be more specific; are they named after the old tea room and bakery in the centre? We couldn’t possibly say, all we know is they’re very a talented group of young lads helping put the town’s music scene on the map.
Their debut EP 14:17 dropped back in November and there’s already a very clear stylistic idea in their heads even at such a young age. Melancholy nonchalant vocals that burst into shrieks and rip-roaring guitars are reminiscent of The Stokes, The Hives, Palaye Royale and even Frank Carter at times, but there are also early Arctic Monkeys drumming as well pacey Surf Curse-esque guitar riffs. There is a lot of different stuff going on, basically.
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Again, they’ve only five tunes to get through just yet so this would be a great time to latch onto them before they inevitably start gaining more momentum next year. You don’t write build-ups, breakouts and literal screams like the one lead vocalist Will Smith (not that one) delivers in ‘Glue’ and not go anywhere. Watch this space.
And our last pick of the year goes to local lads Bayboards who are another local outfit that we’re getting very excited about going in 2025, for a couple of reasons. Let us explain…
Maybe it’s just how we process music or some weird serendipity, but we happened to discover these guys not long after hearing the news of Sundara Karma calling it a day and, fortunately for anyone who has been a fan of them, you’ll get a lot of that vibe from this quartet and plenty more range too.
You’ll get notes of Circa Waves and Vistas, as well as plenty of other contemporary British indie bands, not to mention some more shoegazey moments at least in those distorted guitar tones. We’re excited to see where they go next and if it’s anything like ‘Push Against The Blue’, ‘Moving to America’ or ‘Fire and Air’ we’ll be there every step of the way.
One of the most exciting new artists coming out of Manchester at the minute.
And for the last time this year, that really is all she wrote.
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We sincerely hope you’ve enjoyed coming along with us on the voyage of discovery and have genuinely cottoned on to new bands and artists from Greater Manchester that you’d never heard of before and perhaps familiarised yourself with a kind of music you never thought you’d enjoy up until now.
It goes without saying that this sort of stuff – discovering and championing local, up-and-coming bands – is the lifeblood of Audio North and genuinely keeps us going all year round.
You best believe we’ll be back with more in 2025 (so long as you’ll have us) and until then, we urge you to go back through previous months and above all else, happy listening!
Featured Images — Em Cole (supplied)/Bayboards (via Facebook)/Press Shot (Facebook)
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Nao at New Century, Manchester – A room full of 1,000 ‘Happy People’
Thomas Melia
Attending a Nao gig is worth waiting ‘Another Lifetime’ for… especially when she performs directly from the venue’s bar.
As someone who has followed this artist for quite a few years, finally getting to see her do what she does best on stage and not through a screen is immense.
Last time she stopped off in Manchester she graced Albert Hall,this time she’s opted for another historic venue, New Century.Nao clearly knows how to choose her venues wisely.
Recently, the Nottingham star released her album Jupiter. So recent in fact, that it only reached our ears two weeks ago. The Manchester crowd certainly did their homework, knowing every lyric off by heart.
The first taste of this LP skyrocketed into our ears in October when the singer-songwriter dropped ‘Wildflowers’, so it’s only fitting this marks the opening of this setlist.
This single’s accompanying music video saw her swarmed in a field of red-hue wild grass and it’s made its way to our vibrant city, decorating the Manchester stage.
Credit: The Manc Group
To follow this, she plays two tracks both taken from her other planetary project Saturn. ‘If You Ever’ is a great fire-starter ahead of a cracking night of live music.
It’s almost like someone flips a switch as the audience immediately understands the assignment, feeling every rhythm in their body, rapping The Lumineers name-dropping ‘Make It Out Alive’ verbatim.
Credit: The Manc Group
Four songs in and ‘Happy People’ gets a turn at exciting the crowd. This uplifting and guitar-plucking number is one you can’t help but move to and New Century proves just that.
Nao’s personality flutters over the wild grass adorning the stage and radiates into the flurry of fans. One of these fans has travelled all the way from Portugal and ‘Tommy’, the Manchester legend, who’s attended every city centre tour date, both of which Nao pointed out.
When the 37-year-old star sings her two Mura Masa produced bangers, that bouncy floor at New Century isn’t ready for what’s about to unfold.
Initiating the two-track ensemble the “Woa woa woa woa woa” filled, ‘Complicated’, excites and emits an electric energy, definitely helped by Nao’s necessary yet unexpected dance break.
Credit: The Manc Group
With the second anthemic instalment of the night ‘Firefly’, Nao sings, “Just say you’ll be my firefly” and with vocals this hypnotic, the crowd would do anything she asked of them.
An encore usually means giving a three minute rendition of your biggest hit. Well for Nao this isn’t enough. Instead she takes things one step further, climbing onto the venue’s bar for a stripped back version of ‘Another Lifetime’ and after those vocals my legs were liquid jelly.
Ending the night on even more of a high, Nao sings ‘Drive and Disconnect’ a standout in her discography and a much-loved track, proved by the fact she brings fans on stage to close the night with her.
Credit: The Manc Group
Don’t meet your idols, they say, but when your idol is even better live than on her studio recordings, it’s hard to stay away. Thank you Nao for blessing Manchester once again and me for the very first time.
Gracie Abrams at Co-op Live, Manchester – a night of raw emotion
Dec Kelly
Gracie Abrams’ ‘The Secret of Us’ tour is more than just a concert – it’s a raw, emotive journey through the heart of her music.
From the moment she steps onto the Co-op Live stage in Manchester, Gracie Abrams commands the room with an aura of vulnerability, wearing a shimmering silver sequined dress that mirrors her own luminous energy.
The simplicity of the stage setup – just her, her band, and a microphone – lets the music take centre stage, free from distractions.
The UK leg of the tour is a testament to Gracie’s growth as an artist. Each song feels like an intimate conversation, with Gracie sharing her innermost thoughts through poetic lyrics and hauntingly beautiful vocals.
In an era when pop music can feel superficial, Gracie’s authenticity stands out, making her more than just another pop star – she’s an artist with a story to tell.
As the crowd sings along, it’s impossible to ignore the sea of teenage girls, many of them wearing bows in their hair, all passionately shouting and singing along to lyrics about heartbreak and longing.
It’s as if the collective voice of the crowd is woven into Gracie’s own, amplifying the depth of each song’s emotion.
The connection between Gracie and her fans is palpable – her music serves as a soundtrack to their shared experiences, a bond that makes every lyric feel personal and every note resonate deep within.
Gracie’s candid performance style draws the audience in even further, as she opens up about her songwriting process and the emotions behind her music.
This transparency transforms the show from a performance into a shared experience. It feels less like you’re watching an artist perform and more like you’re navigating life’s highs and lows together.
Gracie Abrams at the Co-op Live in Manchester. Credit: The Manc Group
When she takes a seat at the piano for ‘I Gave You I Gave You’, the emotion in her voice is undeniable. The stripped-back setting only amplifies the intensity, making the moment feel incredibly intimate. The crowd is spellbound, feeling like they’re witnessing something deeply personal.
Gracie’s influences are clear, particularly from pop sensation Taylor Swift. Like Swift, Gracie has cultivated a deeply personal connection with her fans. During the show, she delighted the crowd by performing ‘Block Me Out’, a song she wrote years ago, offering a glimpse into her evolution as an artist.
Gracie also pays tribute to Taylor Swift by performing ‘Us’, a track on which Swift herself features.
This moment of homage sparks an intriguing question: has Taylor Swift become the “godmother” of this new wave of pop artists, like Gracie and Sabrina Carpenter? Whether by design or not, it’s undeniable that Taylor’s influence has shaped their artistry, leaving an indelible mark on the way they create and connect with their audiences.
One of the night’s highlights is Gracie’s connection with the audience. She FaceTimes a fan’s friend, Monica, during the show, adding a personal touch that makes the concert feel like an intimate gathering.
Her playful sense of humor shines through as she jokes with fans about bows, showcasing her warmth and relatability.
While the night is emotionally anchored by slower, melancholic tracks, a shift in tone could’ve provided a welcome break.
Nevertheless, Gracie’s ability to hold the audience’s attention with her heartfelt delivery is unmatched.
Her upbeat songs, like ‘That’s so true’ bring the crowd to life, but it’s the slower, introspective moments that truly define the night.
The tour had its challenges, with the cancellation of shows in Leeds and Nottingham, leaving some fans disappointed. However, Gracie and her team ensured the spirit of the tour remained intact.
In both cities, the opening act, Dora Jar, performed intimate gigs, giving fans a chance to experience something special. This thoughtful gesture reinforced the strong connection Gracie fosters with her audience.
Despite a few setbacks, it’s clear that Gracie Abrams and her team are fully dedicated to their craft.
Her authenticity, charm, and emotional depth make this tour an unforgettable experience – one that will resonate long after the final note fades.
With a passionate fan base and a future filled with promise, Gracie Abrams is an artist whose music will continue to speak to the soul for years to come.
Danny Jones -
31st December 2024 
