When Michael Kay arrived in Manchester, he found himself in a whole new world.
He’d accepted an offer from the new Polytechnic to study photography – swapping his humble, isolated cottage surroundings of Snowdonia for the bright lights of Mancunia.
It was a change of pace – not least due to the fact he had access to mains water and electricity for the first time.
Intoxicated by the foreign sights and sounds of the city landscape, Michael eagerly grabbed his camera and bounded into the streets – snapping everything he could along the way.
It might have been bigger and faster way of living than the young man was used to, but during his shoots, he saw that Manchester was troubled.
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The city was poor, poverty was rife, and gloom hung heavy in the air.
Council leaders, recognising the necessity for change, had just launched a programme of local urban regeneration in an attempt to spruce things up – leaving inner-city slums piled high with rubble as work commenced on clearing the path for a seemingly brighter future.
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With Manchester on the cusp of a new chapter, Michael caught it all on camera, sharing a dozen of his favourite photos from the 1970s with The Manc.
Down comes Moss Side
Fifty years ago, Moss Side was one part of Manchester undergoing significant transformation – as city leaders decided to tear down the old Victorian properties and replace them with council houses and flats.
“Most of this Moss Side street had been demolished,” Michael explains in reference to the image above.
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“But one or two properties were still occupied and these two friends still lived there.”
Also shown is a young boy – standing against the backdrop of another street scheduled to be mowed down by construction vehicles.
In the distance, Hulme’s controversial Crescents were being assembled; making the area home to the largest public housing development in Europe (with space for over 13,000 people).
The infamous project proved to be an enormous failure, turning Hulme into one of the most deprived places in Greater Manchester.
Within months, the block was overrun with infestations of mice, cockroaches and feral dogs prowling through the derelict complex, with hundreds of residents seeking new accommodation.
Much of the north was living hand to mouth during this decade, and although Michael describes the scenes of poverty as “heartbreaking”, he often used to see children scampering amongst the ruins of old houses without a care in the world
“The children played amongst the rubble and seemed happy,” the photographer tells us.
“I’d love to know what became of this young lad.”
This carefree spirit of youth is embodied in the image above – with five young boys beaming for the camera with unkempt bundles of wood at their backs.
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They’re accompanied by similarly-satisfied-looking pooch.
According to Michael, the dog used to follow this group of friends around wherever they went.
Pints and pennies
Michael took his camera indoors from time to time – seizing the opportunity to grab some pictures inside the local pubs.
These photos were shot at Birch Villa on Wilmslow Road in Rusholme – which eventually became known as Hardy’s Well (a famous old building with a Lemn Sissay poem written on the side wall).
“I spent a couple of hours taking photos in this pub,” Michael tells us.
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“I liked the way that this lady had dressed up in her finery. The man to her left was playing the mouth organ for most of the evening.”
Despite the boozer being a little rough around the edges, Michael said he felt completely comfortable snapping away within its confines.
“Although there were some tough characters in there I didn’t feel at all unsafe and everyone seemed to be having a good time.”
A little further afield from the drinking den was a sweet shop – which found itself trapped between two separate sets of currency around the time Britain changed the makeup of its legal tender; evolving from pounds, shillings, and pence.
“This shop was on Wilmslow Road near the junction with Platt Lane,” explains Michael.
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“[It was] just post decimalisation – with some of the sweets marked up in old and new currency.”
In amongst the crowd
Margaret Thatcher was an unpopular figure in Manchester long before she moved to Number 10.
The Iron Lady also managed to ruffled feathers in her preceding role as Education Secretary – a position she held between 1970 and 1974.
The photo above shows “one of many student protests from the early ‘70s,” says Michael.
“[Thatcher] was Secretary of State for Education and students generally disagreed with many of the changes she brought in.”
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Michael also managed to capture a superb shot of seventies crowds coming together for an “Armed Forces Fete” during his trek around the city.
“I think [this] was in Platt Fields but it could have been Wythenshawe,” Michael muses.
“There’s an armoured car somewhere under those kids.”
The city in the seventies
Manchester’s nucleus has changed beyond recognition in the half-century that has passed since these photos were taken.
And so has the typical way of life.
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Take this shot for example – with a baby left outside a shop in the middle of the busy city centre streets.
“No one thought anything of it in those days,” Michael says.
Still, despite the city remaining in a permanent state of flux, the presence of local cult characters has never wavered.
Before Frank Sidebottom and The Piccadilly Rats, there was the Piccadilly Gardens Man – who used to spend most of his days sat on a bench feeding the birds.
“I thought some people may remember him,” Michael says.
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“Apparently he used to regularly visit the Dance dept. of the Polytechnic which was nearby and give red roses to the girls!”
The final image in the collection is particularly striking – a snapshot of a space that has undergone so much renovation it looks like its from another city.
Look closely, and you’ll be able to see that beyond the heaps is actually the neighbourhood of Castlefield.
“[This was] the huge Castlefield fuel depot,” Michael tells us
“The buildings in the background and the bridge still remain.
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“But so much has changed in this area.”
One look at the cranes populating the city skyline reveals that plenty more change is yet to come.
After graduating, Michael moved away from Manchester and had a successful career as an advertising and food photographer with a studio in Wimbledon.
He is now semi retired and works from home in Surrey. Because of the lockdown he’s been digitising his old negatives. Most of the images shown here have never been seen before and none have ever been published.
View some of Michael Kay’s wonderful work online on the photographer’s official website.
Feature
Kinky Boots’ message transcends the music at the Palace Theatre in Manchester | Review
Oli Lowe
Kinky Boots strutted into Manchester last night (bet I’m the only reviewer witty enough to come up with an opening line that original) and in doing so encapsulated an audience with its inspiring message.
I want to preface this review by stating that up until last night, I knew next to nothing about Kinky Boots.
Admittedly, even as a born and raised theatre kid, there will always be the odd musical that manages to slip through the cracks and elude me, much like a cinephile who’s never seen Jaws and, shamefully, Kinky Boots is my Jaws. Until now.
This actually gave me a huge sense of excitement going into the press night for the all-new production of Kinky Boots.
It’s very rare that I review a show that I’m not comparing to some form of source material, a different production that I’d already seen, the movie adaptation, the original cast recording, etc.
So, to sit down last night at 7:29 absolutely clueless about what was set to unfold in front of me, was a genuine breath of fresh air.
Kinky Boots is set between the towns of Northampton, London and climatically, Milan. The story follows two lead characters Charlie Price, a Northampton boy who begins the show having just inherited his late father’s shoe manufacturing business.
It’s a fate he’s been trying to run from since his childhood and Lola/Simon, a fierce and powerful drag queen who uses their dress sense and divaesque attitude as a shield from the outside world that wishes to, ironically, drag her down
The two collide when Charlie is inspired to save his late father’s failing business by exchanging the manufacturing of boring brogues for fabulous ‘kinky boots’ that can be fabulous, whilst fully supporting the weight of any drag queen.
Johannes Radebe – best known for being one of the professionals on Strictly Come Dancing – was nothing short of absolutely breathtaking as Lola.
I’ll be honest, celebrity castings generally put me off shows more than attract me to them; in some cases, they can feel like desperate pleas to get bums in seats (which given the current state of arts within the UK, production companies can hardly be blamed for).
However, Johannes genuinely seems born to play this role. I was expecting his dancing to be well… professional but I was intrigued to see how his vocals and acting would compare and boy, oh boy, did they compare. He didn’t miss a beat.
His acting was fierce and powerful, just as his character demanded whilst also showing real vulnerability and humility. In terms of individual performances, it’s one of the best I’ve seen at Manchester’s Palace Theatre for a long while.
The supporting cast was just as fabulous, with special shoutouts to Courtney Bowman who played the adorably loveable Lauren, whilst delivering serious powerhouse vocals and to Scott Paige who played George.
You could see through Scott’s performance a real sense of pride and shared experience with the story plus his comedic timing was absolutely impeccable, I hope to see more of him in the future.
Kinky Boots boasts a strong supporting cast all-round (Credit: Supplied via Palace Theatre Manchester).
With a book by Harvey Fierstein and music and lyrics by the legendary Cyndi Lauper, I must admit it’s Harvey who carries the weight in this production.
Whilst catchy enough to tap your feet to, I didn’t leave the theatre with so much as an earworm from Cyndi’s musical offering, however, the heart and passion of the story is something I think everyone should look to experience.
Kinky Boots is about accepting people for who they are instead of seeking to change them and this show does a fantastic job of encapsulating that message, not only from the standpoint of the LGBTQ+ community but for everyone.
The show implores people to accept everyone from the fiercest drag queen to the most bullish, typical ‘blokes’ out there and the way each of those groups manages to come together by the end of the production is a testament to what can happen if we all embrace each other with open arms.
Kinky Boots is only in Manchester until Saturday (8 February), so please, get tickets if you can and go and see this fabulous show. You can grab yours HERE. Who knows? Maybe you’ll get to see a living legend in the flesh like we did…
Featured Images — Press Images (supplied via Palace Theatre and Opera House Manchester)
Feature
Manchester’s Pixel Bar has received a seriously next-gen upgrade
Danny Jones
In case you somehow missed it, even in all of its beaming neon and futuristic glory, Pixel Bar Manchester has recently undergone some serious renovations and we’re not just talking a lick of paint – this is a proper next-gen upgrade if we’ve ever seen one.
One of the city centre’s best activity spots and go-to hubs for gamers, specifically, Pixel Bar has been impressing Manc players since 2021, when it took over the old Bar 21 site – one we were sad to say goodbye to at first.
But in the few short years that we’ve had the pleasure of picking up pads at this place, we’ve slowly managed to get over it and now we’re just as madly in love with the gaming gaff as we were its predecessor.
The bar itself was already pretty engaging to begin with but after more than a few tweaks to the overall hardware and a major refitting downstairs, its videogame offerings are bigger and better than ever.
Let’s start with the first thing that hits you as you come in: those brilliant booths, complete with large LED screens, access to various different kinds of consoles and all manner of titles, all from the comfort of the plush padded seating.
Not only are these ideal for group bookings and parties, as they’re roomy enough to seat plenty of you, but you can also order a wide array of gaming-themed food and drink – still displayed within a cute little disc (cute) directly to your table.
You essentially never need to get up and take a break from playing beyond nipping to the loo.
There are, of course, your classic arcade machines dotted around the main floor as well as downstairs if you prefer old-school.
Credit: The Manc Group
Speaking of downstairs…
Now, this is where the levelling up gets seriously silly as not only have they transformed Bar 21’s old basement room into a shiny new large seating area, perfect for private hires, large groups or just a quieter room out back away from the bustle upstairs.
However, wander even further into the belly of this brilliant gaming venue’s lair and you’ll find there more than a few beasts waiting for you – in a good way.
Part of the former club room has now been turned into a hardcore gamer’s arena with a fully decked-out PC den and some extremely impressive rigs lining the walls.
Credit: The Manc
Boasting Razer keyboards, headsets and mice to boot, this has everything you need to host a proper old-school LAN party or for the esports hopefuls amongst you (and Manchester’s scene is growing fast, believe us), host competitive online tournaments.
Honestly, these guys are taking this stuff as seriously as you’d like them to; pull back a curtain plastered with UltaGear and Riot Games Play Club branding and you’ll even find a dedicated casting booth should you want some to commentate a live event or run a properly presented livestream.
We don’t need to go into the exact specs of what you’ll find down here as we could be here forever but let’s just say you won’t go wanting for much.
God knows how much Pixel Bar pumped into this major refurb of their Manchester site, all we know is we’re impressed and we’ll be coming back here very soon.