When Michael Kay arrived in Manchester, he found himself in a whole new world.
He’d accepted an offer from the new Polytechnic to study photography – swapping his humble, isolated cottage surroundings of Snowdonia for the bright lights of Mancunia.
It was a change of pace – not least due to the fact he had access to mains water and electricity for the first time.
Intoxicated by the foreign sights and sounds of the city landscape, Michael eagerly grabbed his camera and bounded into the streets – snapping everything he could along the way.
It might have been bigger and faster way of living than the young man was used to, but during his shoots, he saw that Manchester was troubled.
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The city was poor, poverty was rife, and gloom hung heavy in the air.
Council leaders, recognising the necessity for change, had just launched a programme of local urban regeneration in an attempt to spruce things up – leaving inner-city slums piled high with rubble as work commenced on clearing the path for a seemingly brighter future.
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With Manchester on the cusp of a new chapter, Michael caught it all on camera, sharing a dozen of his favourite photos from the 1970s with The Manc.
Down comes Moss Side
Fifty years ago, Moss Side was one part of Manchester undergoing significant transformation – as city leaders decided to tear down the old Victorian properties and replace them with council houses and flats.
“Most of this Moss Side street had been demolished,” Michael explains in reference to the image above.
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“But one or two properties were still occupied and these two friends still lived there.”
Also shown is a young boy – standing against the backdrop of another street scheduled to be mowed down by construction vehicles.
In the distance, Hulme’s controversial Crescents were being assembled; making the area home to the largest public housing development in Europe (with space for over 13,000 people).
The infamous project proved to be an enormous failure, turning Hulme into one of the most deprived places in Greater Manchester.
Within months, the block was overrun with infestations of mice, cockroaches and feral dogs prowling through the derelict complex, with hundreds of residents seeking new accommodation.
Much of the north was living hand to mouth during this decade, and although Michael describes the scenes of poverty as “heartbreaking”, he often used to see children scampering amongst the ruins of old houses without a care in the world
“The children played amongst the rubble and seemed happy,” the photographer tells us.
“I’d love to know what became of this young lad.”
This carefree spirit of youth is embodied in the image above – with five young boys beaming for the camera with unkempt bundles of wood at their backs.
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They’re accompanied by similarly-satisfied-looking pooch.
According to Michael, the dog used to follow this group of friends around wherever they went.
Pints and pennies
Michael took his camera indoors from time to time – seizing the opportunity to grab some pictures inside the local pubs.
These photos were shot at Birch Villa on Wilmslow Road in Rusholme – which eventually became known as Hardy’s Well (a famous old building with a Lemn Sissay poem written on the side wall).
“I spent a couple of hours taking photos in this pub,” Michael tells us.
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“I liked the way that this lady had dressed up in her finery. The man to her left was playing the mouth organ for most of the evening.”
Despite the boozer being a little rough around the edges, Michael said he felt completely comfortable snapping away within its confines.
“Although there were some tough characters in there I didn’t feel at all unsafe and everyone seemed to be having a good time.”
A little further afield from the drinking den was a sweet shop – which found itself trapped between two separate sets of currency around the time Britain changed the makeup of its legal tender; evolving from pounds, shillings, and pence.
“This shop was on Wilmslow Road near the junction with Platt Lane,” explains Michael.
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“[It was] just post decimalisation – with some of the sweets marked up in old and new currency.”
In amongst the crowd
Margaret Thatcher was an unpopular figure in Manchester long before she moved to Number 10.
The Iron Lady also managed to ruffled feathers in her preceding role as Education Secretary – a position she held between 1970 and 1974.
The photo above shows “one of many student protests from the early ‘70s,” says Michael.
“[Thatcher] was Secretary of State for Education and students generally disagreed with many of the changes she brought in.”
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Michael also managed to capture a superb shot of seventies crowds coming together for an “Armed Forces Fete” during his trek around the city.
“I think [this] was in Platt Fields but it could have been Wythenshawe,” Michael muses.
“There’s an armoured car somewhere under those kids.”
The city in the seventies
Manchester’s nucleus has changed beyond recognition in the half-century that has passed since these photos were taken.
And so has the typical way of life.
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Take this shot for example – with a baby left outside a shop in the middle of the busy city centre streets.
“No one thought anything of it in those days,” Michael says.
Still, despite the city remaining in a permanent state of flux, the presence of local cult characters has never wavered.
Before Frank Sidebottom and The Piccadilly Rats, there was the Piccadilly Gardens Man – who used to spend most of his days sat on a bench feeding the birds.
“I thought some people may remember him,” Michael says.
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“Apparently he used to regularly visit the Dance dept. of the Polytechnic which was nearby and give red roses to the girls!”
The final image in the collection is particularly striking – a snapshot of a space that has undergone so much renovation it looks like its from another city.
Look closely, and you’ll be able to see that beyond the heaps is actually the neighbourhood of Castlefield.
“[This was] the huge Castlefield fuel depot,” Michael tells us
“The buildings in the background and the bridge still remain.
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“But so much has changed in this area.”
One look at the cranes populating the city skyline reveals that plenty more change is yet to come.
After graduating, Michael moved away from Manchester and had a successful career as an advertising and food photographer with a studio in Wimbledon.
He is now semi retired and works from home in Surrey. Because of the lockdown he’s been digitising his old negatives. Most of the images shown here have never been seen before and none have ever been published.
View some of Michael Kay’s wonderful work online on the photographer’s official website.
Feature
Five Manchester artists we’ve been listening to this month | May 2025
Danny Jones
Oh, hey, didn’t see you there. Come looking for more top Manc tunage, have we? You’re in luck, because Greater Manchester just keeps pumping out top bands and artists all the time, hence why we do this.
If you’re new around these parts, first of all, welcome and secondly, the whole thing is very simple: every month, we round up some of the best talents coming out of 0161 and talk about why we like them. I know, groundbreaking stuff, right?
They don’t have to be born and bred in Manchester, but they do need to have made this their music home – the first the correct career decision they made, the second being working their way into our ears.
So, now all the housekeeping is done and dusted, let’s dive into some delightful new Manchester music, shall we?
Five Manc bands and artists we’ve been listening to recently
1. IST IST
This month we’re starting off with one of those Manchester bands that may not be new but still crop up for us at regular intervals to remind us of two things: first of all, that they’re brilliant and secondly, that they should have featured on our regular round-up of artists a long time ago.
We’re talking about IST IST, who returned with another live, multiple LP-spanning compilation (plus some extras) this past March, which we’ve had on plenty over the past month. It goes without saying that they sound brilliant live, and we feel bad for only just remembering how good and prolific they’ve been.
You always get plenty of New Order, but also White Lies and Editors; Future Islands, The National and lots of other baritone-driven bands that bring that element of melodrama to layer over the instruments themselves. ‘You’re Mine’ might be their biggest track, but ‘The Kiss’ and ‘Exist’ are also favourites.
2. Robbie Cavanagh
Now, we all know that country music is having a real moment right now and we, for one, couldn’t be happier about it, to be completely frank. Though arguably simplistic at times, it’s soulful, often impressively pared-back, and when something does impress you lyrically or technically, it sticks.
With that in mind, we recently realised that award-winning songwriter Robbie Cavanagh has been on somewhat of a comeback since 2023, and we hadn’t noticed until painfully recently. Returning after a six-year hiatus – bar some little ditties during lockdown – his latest project has some of his best work yet.
Fully tilting from folk into country and folk, the stunning vocalist belatedly blew us away with the bluesy single ‘Helpless’ and a gorgeous new collaboration with solo artist, Abby Gundersen (equally talented sister of Noah), but please still start with his 2016 Mahogany Session, where it arguably all began.
Named after Manchester city centre’s famously eclectic indie emporium, Afflecks Palace have never quite blown up in the way they way we thought they would when we first came across them years ago, but there’s still plenty of time and we’ll be damn it if they don’t deserve more regular listeners.
You’ll also be glad to know that, despite the name, they aren’t one of those trite, overly performative bands who wear a stereotypical Manc-ness on their sleeve that we sometimes come across; they’re just good and deserve a lot more recognition for their contribution to the neo-pysch genre.
As for where to start, we’ll admit we prefer their first album; ‘Forever Young’ is noodley and catchy, ‘Everything Is an Attempt to Be Human’ has those shoegazey guitars, but it just doesn’t get better than the incomparable ‘Pink Skies’, which still makes us feel some type of way – we just can’t quite describe.
We just love it. ‘Nu-Madchester’, or whatever you want to call it, its distinct sunniness never fails to tickle a part of our brains.
4. Findlay
Next up is Stockport singer-songwriter Findlay, who released more new music this past February, and has been making indie pop that ropes in plenty of other influences for more than a decade now.
That being said, she’s always experimenting with her sound, as her collabs with Blossoms, Miles Kane, Bill Ryder-Jones, Joris Delacroix have shown, and this latest iteration seems to have her tapping into everything from almost 50s and 60s female soul singers to slow electronic and more.
We love the smooth sexiness and sheer ambition of her latest single, ‘Stay Kinky’ and ‘Waste My Time’ always feels like a late-night chiller fit for music video set in a dingey bar, however, we still have a soft spot for her debut, ‘Your Sister’, with the riff that’s almost reminiscent of ‘Blockbuster’ by Sweet.
Last but not least, it’s the second time we’re featuring a returning artist and it comes in the form of young Alex Spencer, whose journey from busking around the streets of Greater Manchester to sold-out headlines shows and featuring on the likes EA Sports FC 25 (yes, FIFA) is a truly remarkable one.
The charming and still fresh-faced local lad from Droylsden is nothing short of proof that hard work and determination can pay off, and those ‘Bucket List’ dreams really are within reach. Obvious talent aside, this teenager has grafted his arse off and we couldn’t be more proudof how far he’s come already.
He last featured in this round-up back in April 2024 but even in the time between then, he’s released plenty and developed even further as musician, so much so that we’re not going to suggest which songs to try; instead, you can watch our most recent interview with him and relive his last year or so with us.
I’m Alex Spencer and This is my journey so far!
8 years of my music journey summed up in 1 minute 55😅 Thankyou to everyone who’s followed my journey so far, to anyone new or to anyone who doesn’t know my story, I made this video to show where it all started and how I got here❤️ pic.twitter.com/Hi3W7MHMxX
So, the next time you hear someone foolishly complaining that the Greater Manchester music scene ‘isn’t what it once was’, you can go right ahead of show them these bands and artists.
In fact, you could just point them in the direction of this very page and Audio North, in general, as we do this round-up every month and plenty more every week, meaning you’re headphones never dry up.
For instance, you can check out which Manchester bands and artists we were listening to back in April, both new, current and old, down below. We’ll see you again very soon.
Bruce Springsteen’s unforgettable final night at Co-op Live in Manchester – just wow…
Danny Jones
It’s rare you get to see legends in real life, especially this up close and personal, but there’s still just one key word that keeps coming to mind when we think of seeing Bruce Springsteen in Manchester at the Co-op Live last night: surreal.
We still can’t quite believe that he was here in Manchester, in the flesh, for three separate nights, but we do intend to replay it in our heads over and over again until it fully sinks in.
Springsteen, ‘The Boss’, Brucey, whatever you want to call him, there really is something to be said for someone who’s been going this long and still exerts so much energy at 75.
That goes for his desperately loyal and dedicated crowds, too. The legions that marched down ‘Thunder Road’ and back down the CityLink walking route and the Ashton canal in supreme spirits after all was said and done gave as good as they got.
We can only assume Springsteen was as incredible on the first night at Co-op Live as he was on the last. (Credit: Audio North)
From singing back every chorus to the chants of “Bruuuuuuuce!” between every single song, it was more apparent than ever that being a Springsteen fan is quite literally a way of life for these people; they know every line, every call and response, every micro-dance move and regular on-stage ritual.
Each show is roughly three hours long, by the way – he does have an absolute treasure trove of discography to work through, in fairness.
Put simply, there’s no messing about, just non-stop rock and roll of the highest order. Well, there are some brief pauses, but for good reason…
As a passionate political and philanthropic person throughout a career which spans more than six decades, he took the time to talk about America and the turbulent times they are once again facing.
He spoke about the craven billionaire class, poverty, uniting through art and, just as he did on night one in Manchester, Springsteen railed against a particular tyrant who happens to have found himself in the seat of power yet again back over in the States. He made sure to do this every single night.
‘Born in the U.S.A.’ (which he did decide to play, along with a plethora of the other biggest hits) now feels more like a protest song than ever. The war may no longer be in Vietnam, but there is one raging back home, and he’s even more wary of it than before.
He thanked those in the pit and the stands for indulging him, as well as the “wonderful space” of the Co-op and its “beautiful sound” for hosting him, but we have a feeling the New Jersey poet could have said just about anything and he’d still have 23,500+ in the palm of his hands.
All that being said, it wasn’t like this was a pseudo-rally or anything like that, nor was anything of this being foisted upon the audience, but there was a real sense of a congregation gathering in the church of Bruce to take in his sermon.
His followers have often been referred to in this way, and despite only previously considering ourselves a very casual Springsteen enthusiast, having now been to a sell-out arena gig with one of the biggest Boss fans we know, we can understand why millions of people around the world idolise this absolute icon.
It goes without saying that a huge amount of applause must go to The E Street Band themselves, who are just as much a part of what makes Springsteen sets so special as he is.
From the ever-charismatic Steven Van Zandt (still hard not to see him as ‘Sil’ from The Sopranos) to Jake Clemons on sax – who has been part of the group since 2012 and shared a touching embrace with Bruce as tributes to his predecessor and uncle, Clarence, played behind them – these lot are a family.
Our only minor gripe is that we sorely missed hearing ‘Atlantic City’, but what the concert did confirm is that much like the effect the recent Bob Dylan biopic had on us, we’re now more committed than ever to working through the Springsteen back catalogue from start to finish and seeing how obsessed we get.
To end on one final thought and echo the words of the man himself: “peace, love and freedom.”