Cocaine, ghosts and drowning cars: The legacy of Oasis’ divisive ‘Be Here Now’
Be Here Now hit shelves in August 1997 at the height of Oasis mania and has gone down in history as the group’s Marmite record: Loved by some, hated by others.
Not for the first time, the world’s eyes were fixated on a group of Mancunian ne’er do wells with immense musical talent and swaggering braggadocio to match.
After two smash-hit records and a pair of Knebworth gigs that attracted quarter-of-a-million punters, Oasis were the biggest thing since sliced bread.
So, after wrapping up at Hertfordshire, they did what any group of young successful lads would do. They went on holiday.
They drank. They partied. They celebrated. But they also made music.
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The first blueprints for Oasis’ third album Be Here Now were built on the Caribbean island of Mustique in 1996, amidst a swirl of drugs, booze and sunshine.
The CD was on music store shelves a year later – and has gone down in history as the group’s Marmite record: Loved by some, hated by others.
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Q Magazine called it “Cocaine set to music.”
Pitchfork described the sound akin to “hell churning around a cement mixer.”
But whilst a general consensus has evaded Be Here Now, there remains a unanimous fascination with the story behind it.
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Writing began in Saint Vincent and the Grenadines – which Noel later admitted was a mistake but “a fucking good holiday” – before the band moved recording to the famous Abbey Road in London in October.
Despite being back on British turf, the partying didn’t stop.
Oasis took advantage of the studio bar at The Beatles old stomping ground, and after relocating to Ridge Farm Studios in Surrey, they spent a big chunk of time scooping white powder and tricking Liam into thinking his bedroom was haunted by flipping pictures and moving lampshades.
Whilst all this was going on, police and press lurked outside in the darkness, hoping to catch a glimpse of the havoc that was playing out on the other side of the studio doors.
The album was completed at another location in London where hedonism once again ensued, with the group eventually packing a huge bulk of recording into a two-day session.
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A final version of Be Here Now eventually arrived in stores on 21 August, sporting fittingly excessive cover art that featured a Rolls Royce dunked in a swimming pool.
People queued around the block to purchase a copy (among them a young Pete Doherty) and the album went to number one in 12 countries across the world, moving over 620,000 units in seven days to become the fastest-selling album in UK history.
Overall sales in Britain would eventually surpass 2.1 million.
Be Here Now was deafening, wall-to-wall bravado – packed with bloated songs that were loud and boastful even by Oasis’ standards.
These included the raucous opener ‘D’You Know What I Mean’; the title track (borrowed by Harry Enfield for his ‘Manky Street’ sketch, where a northern-twanged family squabble and demand drugs for breakfast); and the marathon-length closer ‘All Around The World’ – which powers on for nine minutes filled largely with ‘la-la-la’s’.
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Between the million strings and countless crashing symbols, Be Here Now was a musical reflection of the bedlam surrounding the band at that very moment.
The first wave of reviews were glowing. Critics gushed over the guitar riffs and called it ‘true rock and roll’, but when the clamour had calmed, many music writers retracted their initial praise; suggesting Be Here Now wasn’t actually the classic they’d first believed it to be.
Noel has largely dismissed the record as something of a footnote in Oasis’ glittering 18-year existence. But Liam has rushed to defend the album on numerous occasions.
“There are some great songs on there”, he told the NME, claiming its only downside was the fact it was “a bit overproduced”.
The record continues to split the brothers – and the Oasis fanbase – straight down the middle to this day.
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Still, however you feel about Be Here Now, the album is nonetheless a perfect snapshot in time.
This was the world’s biggest band attempting to eclipse their own colossal reputation.
The result was mayhem. Whether that’s the good or bad kind remains a question for the ages.
Feature
‘If only he was here’: Peter Hook reflects on Ian Curtis as Joy Division join Rock and Roll Hall of Fame
Danny Jones
We were lucky enough to play a part in a bit of music history (albeit only a small one) this week, as we had the privilege of chatting with the one and only Peter Hook of Joy Division and New Order, as the pair were finally admitted into the Rock and Roll Hall of Fame.
A long overdue bit of recognition, if you ask, but a momentous day nonetheless.
Chatting with Hooky and a long-time friend, collaborator, and beloved Manchester-based DJ, Graeme Park, in the aftermath of being named in the ‘Class of 2026’, he was visibly moved and honoured by the announcement. Here’s what he had to say…
Joking from the off by repeating Graeme’s initial question, “How does it feel?” (an absolute tap-in, that one), the 70-year-old bassist and co-founder of both iconic Greater Manchester groups admitted that they “had a couple of false starts”, to put it mildly, but went on to add: “we can only thank our fans.”
Confessing there has been somewhat of a mixed reaction about “what it means” to them and/or in the industry these days, he made it clear that on a personal level, it’s still a huge moment.
Put simply, he said: “Without the fans, we’d all be nothing.”
He also went on to praise the sort of no-nonsense, DIY and unapologetic approach of the Manc music scene, quipping: “You know, what would Simon Cowell have said about Ian Curtis, Bez, Shaun [Ryder] – Ian Brown, for god’s sake?!”
Acknowledging that while no one was necessarily an “accomplished singer” (often the case when you start early and just pursue a passion), his caveat was that “they had heart and soul” and “they embody something deep within us all that has lasted and will continue to last.”
Noting a de facto ‘Renaissance’ that a few names have enjoyed – especially following the passing of certain notable figures – he believes, rather, that they never went anywhere and that Northern crowds and beyond have helped those songs stretch to three, four, even five different generations.”
He’s not wrong: they’ve never stopped connecting with audiences, and they NEVER will.
Once more, it was an absolute joy (again, pardon the pun) to chat with Peter and Parky, who clearly haven’t lost their love for each other, nor this business – even after all these decades.
Congratulations to both bands, Hooky, Bernard Sumner, Stephen Morris, Gillian Gilbert, Tom Chapman, Phil Cunningham, as well as every session musician who’s ever played these tunes and kept them alive.
Last but not least: forever and always, rest in peace, Ian Curtis.
Inside Soho House Manchester as rooftop pool finally opens
Daisy Jackson
Soho House Manchester finally opened its doors to members late last year – but there’s still more to come.
The exclusive members’ club, which costs from £2,400 per year to access, faced several years’ worth of unavoidable delays as it transformed the old Granada Studios.
And even now that members can finally visit the space for networking, dinner and drinks, events, and working, Soho House isn’t actually finished.
Instead, the hotly-anticipated venue is opening in phases – the latest of which is that beautiful rooftop pool, with views overlooking the city from the top of the former television studio.
New images taken inside Soho House Manchester show several of the completed spaces, from lounges with beautiful natural light flooding through skylights, to stylish candlelit dining rooms, to gorgeous bedrooms.
In keeping with the building’s history, the Soho House design team have stuck with a premium mid-century interior, including terrazzo flooring and warm wood details, muted green and orange colour palettes, and chrome furniture.
Have a look inside Soho House Manchester:
Soho House Manchester is now open. Credit: SuppliedBeautiful interiors. Credit: SuppliedA bar space. Credit: Edvina BruzasRestaurant spaces. Credit: Edvina BruzasDetails of Soho House Manchester. Credit: Edvina BruzasMid-century details at Soho House Manchester. Credit: Edvina BruzasInside Soho House in Manchester. Credit: Edvinas BruzasNew spaces are still opening. Credit: Edvinas BruzasThere are 22 bedrooms inside. Credit: Harry Crowder
There are now 22 beautiful bedrooms up on the sixth floor, exclusively available to Soho House Members, which carry on the 1950s heritage design.
As the build continues, members will soon have access to a Soho Health Club with a gym, reformer Pilates studio, smoothie bar, and infrared sauna and steam room.
Every Soho House has a strict no-photos policy to protect to privacy of members – which means unless you fancy forking out £333.33 a month, you might never see inside it beyond the club’s official photography.
The Manc -
21st August 2020 
