It’s not often you get to see genuine music royalty on the big stage just a few minutes down the road, but let it be known that the Foo Fighters’ first gig in Manchester for six years was one we’ll remember for the rest of our lives.
We’re also going to go ahead and confess that this isn’t even a review, not really: consider it an ode to one of the greatest bands to ever do it and it’s only after seeing them live that we truly appreciated their status as the rock gods they’ve been for decades now.
For a long time, the Foos have felt somewhat otherworldly, almost as if they were too big for us to ever believe we were actually seeing them in person.
But pinches of disbelief aside, we did – though not before two extremely impressive support acts.
Getting to catch a glimpse of Manchester post-punk with a hint of funk band Loose Articles as we finally made our way through the queues and crowds was a delight and we’re always buzzing to see local artists being given a platform by bigger acts – and it doesn’t get much bigger than Foo Fighters.
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We didn’t hear much of their live set, we’ll admit, but they’ve been on our radar for a little while now and we’re certainly going to be watching them closely as they fly the flag for our city like so many before.
Wet Leg lead singer Rhian Teasdale was also full of praise for the warm-ups. The BRITs Best New Artist and Group of the Year for 2023 had just as much of a job on their hands to keep the thousands of Mancs dancing in the slight but steady rain, but they certainly lived up to the task.
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It might not necessarily have been their crowd but moments like the scream in ‘Ur Mum’ and the undeniably catchy bop that is ‘Chaise Longue’ are never going to miss, managing to ramp up the energy a notch just in time for the Foos to take their places.
Seeing Dave Grohl walk out on stage in front of you in the flesh is a feeling we don’t think we’ll ever be quite able to describe but all we’ll say is that it was like the entire crowd inside the Emirates Old Trafford were simply welcoming home an old friend whilst simultaneously losing their minds.
Then the buggers had the audacity to start with ‘Monkey Wrench’ of all tracks, immediately getting everyone moving and rolling back the years as they slipped straight into a personal favourite, ‘Learn to Fly’ and then proceeded to play at least one track from every single album. They have 11, for context.
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lt didn’t matter what era they drew from for the setlist and it’s no exaggeration when we say banger after banger. You don’t stay around for this long without putting out quality consistently.
Hearing cult favourite tunes like ‘Generator’, ‘Statues’ and even ‘Under You’, which Grohl was left stunned by as Manchester sang it back to him word for word – despite this being only one of the few occasions he’s played it live and just the first he’s played it entirely acoustic – it was all just so special.
We were also glad to see that Foo Fighters’ first night in Manchester had all the staples of an old-school rock show too, from long guitar solos and each band member getting a nice little intro/breakout moment, and even a 10-minute long jam in the form of ‘The Teacher’.
New drummer Josh Freese was a real standout too, showcasing exactly why the band picked him to follow in such big footsteps, but we can’t lie, there was any moment more emotional than the dedication to the late Taylor Hawkins.
Insisting that all they “ever do is tell Taylor” stories and that “he loved this place”, you could see faces welling up as they proceeded to play his song, ‘Aurora’, as a giant hawk motif appeared on the back of the stage and the applause felt like it would never end.
Another highlight was hearing the chorus of ‘ohs’ as they tried to play ‘The Best Of You’ and Dave simply said, “You win motherf***ers”, having already joked that he’d like to at least try and join in with us.
Manchester crowds hearing one note and running with it as they proceed to start the singalong themselves, voices in full, will simply never get old. It was the first night of the UK tour too; we set an example for everyone else – try following that.
After a truly memorable night, we can categorically confirm that Foo Fighters are as amazing live as you think they are – probably even better. Decades into their career and even with the loss of such a key driving force in the band, it’s incredible to see their stamina and talent haven’t wavered one bit.
These are the gigs you cross off your bucket list and if you’re going along on Saturday, you won’t be disappointed; plus you can still find all the important information you need in our Foo Fighters gig guide. Trust us, you’re going to have an absolute blast.
Featured Images — The Manc Group/Foo Fighters (via IG)
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The legendary Hulme community pub The Old Abbey Taphouse has been reborn
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme and the surrounding university district area; the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue lives on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, has now been carefully and lovingly restored ahead of its big relaunch, which will start in true Manc vision with an exclusive opening night gig.
The Abbey is reborn. (Credit: The Manc Group)
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’s also affordable, hearty pub grub, including Pieminister pies, and a huge range of beers from local breweries and beyond.
Bringing The Abbey back to life are a core team of four: Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth.
Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manc venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year.
As for Gareth, he’s the founder of the multi-venue festival Manchester Psych Fest, meaning that all of them have plenty of hospitality, late-night, live music and events experience between them.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch are part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth from the new Abbey team commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area.
“We’re honouring the pub’s history while building its future.”
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.
Danny Jones -
14th June 2024 
