After pop-punk mega group Fall Out Boy announced they were once again hitting the road for their latestlap of the Earth and its best arenas, fans scrambled for tickets to catch another glimpse of the band that once took up prime real estate on their iTunes playlists.
In support of their eighth studio album, So Much (For) Stardust, the band from a sleepy suburb north of Chicago embarked on a tour that has already taken them across North America and Europe, before heading off to South East Asia and Australia at the end of this year.
Thankfully, one of those stops was at Manchester’s very own AO Arena…
Having sold over nine million albums and counting, the American rock icons know a thing or two about how to sell out an arena, so as we entered the concourse the droves of early-arriving fans sheathed in black merchandise and brightly coloured hair comes as no surprise.
Fall Out Boy opened their AO Arena show with a bang. (Credit: The Manc Audio)
With Sunday pints at the ready, a sudden darkness triggers deafening screams from the congregation of both first-timers and day-oners who’ve waited five long years to sing their favourite emo anthems with the guys who first put them together.
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In a blaze of pyro and smoke, the foursome burst onto the stage with the energy of four teenagers after a wholesale crate of Red Bull, lifting the roof off the arena with their iconic, deafening sound. It’s like they haven’t aged a day.
Blatantly ignoring fire safety protocols, bassist Pete Wentz had strapped a flame thrower to the neck of his guitar and was sending plumes of fire into the sky at every possible opportunity.
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It doesn’t take long to pull out the big guns — no, not the aforementioned fiery guitar of death, but the hits we’ve come to know and love the band for over nearly two decades.
Never gets old.
Riveting performances of ‘Sugar, We’re Going Down’ and ‘Uma Thurman’ set the tempo early on in the show, with the raw harmony of the crowd taking over virtually every chorus they’ve practised in their cars over and over again.
Lighting up their 11th appearance in Manchester, the band continued to dig into the archives of their storied discography, giving fans both in the stands and fans in the mosh pits a mix of the big radio hits and some of the lesser-known tracks which separate the hardcore from everyone else.
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The set felt like a miniature Tomorrowland, with winking trees, oversized starfish, talking moons; a giant Doberman and even a mystic eight-ball looming high in the sky which Wentz used to determine which song would be next on the hit list — whether genuinely random or completely scripted, it was cool.
Frontman Patrick Stump then took a moment mid-set to give fans a piano rendition of everyone’s favourite power ballad, ‘Don’t Stop Believin”, which left some fans feeling like they were stuck in some Glee-based alternative reality or the final episode of The Sopranos (if you know, you know).
Fall Out Boy gave Mancs a bit of every flavour on Sunday night.
They even made time for a bit of magic, as Pete disappeared behind a black sheet and reappeared in the middle of the crowd to give floor-dwelling fans a close-up masterclass on bass, much to the delight of everyone in his immediate vicinity and those on his route back to the stage. These boys like pageantry.
Closing out an epic show, the guys go back to their roots with some classic Fall Out Boy, performing band favourite, ‘Saturday’, from their debut album, Take This to Your Grave.
It was an incredible way to end the weekend and, from the fans, a warm welcome back on a cold October evening. If only the clocks had gone back mid-performance, we could have gotten one more hour of Fall Out Boy smashing the AO Arena. Guess you can’t have it all — either way, what a show.
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‘Til next time, thanks for the memories. For instance, any excuse to relive the pleasure of seeing them at that very last-minute surprise Band on the Wall gig earlier this year too:
How bizarre it must be to be Pitbull. This is a man with, by all accounts, a pretty successful music career – but how bizarre for his trajectory to kick up so sharply now, 20 years after his debut album.
Watching the rapper, now 44 years old, dominate sold-out arenas across the world and become a social media sensation and something of a cult phenomenon is a joy to behold.
Who else could lead tens of thousands of people a night to party wearing a bald cap and a drawn-on goatee? Manchester donned their Pitbull costumes en masse and town looked all the better for it yesterday.
For anyone having even a hint of ‘I don’t get it’ in their minds, you’ve forgotten what nightclubs were like in the late 2000s. An era where we would post 80 blurry photos on Facebook from one night out, and our makeup bags were just Dream Matte Mousse and a kohl eyeliner.
It’s the same era where dance floors were absolutely dominated by Pitbull hits, from Hotel Room Service to Give Me Everything to International Love.
So his tour returning to Manchester feels like stepping back in time for all the 30-somethings in town, who all (myself included) decided to party like there were no consequences (currently staring into my cup of tea and remembering why I don’t usually drink wine on a school night).
The best thing about this gig is the way it strips all pretension away from all 23,500 people inside the Co-op Live. While we’d normally spend hours pampering and preening for a show to look our best, here we all stick a bald cap and a suit jacket on just let loose in a sea of people wearing the exact same uniform. I have never heard so many people breathlessly giggling their way through a show before.
And while the gig itself is quite silly and camp (there are scantily-clad dancers everywhere and the guy in charge of the pyrotechnics is pretty trigger-happy), there are some properly talented musicians on stage too.
Pitbull is backed by multiple percussionists, keyboards, guitars, woodwind and more, and his Latino roots shine with songs like Culo and Gasoline, where the dancers salsa and his hips get extra wriggly.
Pitbull staring out at his fans between songs in ManchesterPitbull brought the party to Manchester
We came because it’s silly but we stayed because it’s GOOD.
Prolific songwriter (‘Life is not a waste of time, time is not a waste of life. So let’s not waste any time, get wasted, and have the time of our lives’), party-starter, and philanthropist (he’s funded tuition-free schools in his hometown of Miami), Pitbull is soaking in every inch of the success that’s come his way.
On stage at Co-op Live in Manchester, the lights come up between songs to Pitbull stood on his little platform, grinning cheesily and looking over his assembled mini Pitbulls like a proud overlord. This man is having the time of his life.
Liam Gallagher is at it on social media again, and prior to a random posting spree in the early hours on Monday morning, he might have actually shed some light on his plans after the Oasis reunion tour over the weekend.
As always with anything the ever-vocal frontman says online, we urge you to take this with a pinch of salt.
Nevertheless, we’ve allowed ourselves to get very excited and hopeful that the Live ’25 tour isn’t just a one-off and that Oasis are back for good, at least as far as the younger Gallagher brother is concerned.
The latest excuse to be optimistic comes after Liam responded to a fan on Twitter asking whether or not people thought he would retire after the reunion shows, to which he simply responded:
Retire and make all the haters day not a fucking chance I’m in it right till last breath cmon you know
The co-manager and Ignition Management partner also told the outlet that there was currently no new music in the works. However, it was only recently that Liam himself – responding via X, once again – appeared to tell fans that a new album was already “in the bag”.
As for his response to McKinlay claims back in May, the 52-year-old simply posted: “The only people that will be making any kind of decisions on the future of OASIS will be ME & RKID, so let’s just take it one day at a time.”
He also confirmed the support acts and full reunion band lineup on the platform, too, so he’s not always just shouting aimlessly into the void for his own amusement. One can only hope…
Fingers crossed that both Liam and Noel Gallagher have plans for a VERY big finish to the reunion.
Both brothers are finally back in rehearsals ahead of the worldwide sellout shows this summer, and a number of apparent audio clips revealing how the comeback is sounding have appeared on the internet.
As well as being pictured attending the sessions in London, some supposed ‘setlists’ have also been leaked, though Liam himself has rubbished at least one image as an outright “FAKE” in his replies.
In fairness, the nation and fans all over the globe have waited so long that they’d probably be happy hearing pretty much any combination of songs at this point.
So yeah, only time will tell how serious he was being; then again, these are his most recent posts…
The Manc Audio -
30th October 2023 
