After pop-punk mega group Fall Out Boy announced they were once again hitting the road for their latestlap of the Earth and its best arenas, fans scrambled for tickets to catch another glimpse of the band that once took up prime real estate on their iTunes playlists.
In support of their eighth studio album, So Much (For) Stardust, the band from a sleepy suburb north of Chicago embarked on a tour that has already taken them across North America and Europe, before heading off to South East Asia and Australia at the end of this year.
Thankfully, one of those stops was at Manchester’s very own AO Arena…
Having sold over nine million albums and counting, the American rock icons know a thing or two about how to sell out an arena, so as we entered the concourse the droves of early-arriving fans sheathed in black merchandise and brightly coloured hair comes as no surprise.
Fall Out Boy opened their AO Arena show with a bang. (Credit: The Manc Audio)
With Sunday pints at the ready, a sudden darkness triggers deafening screams from the congregation of both first-timers and day-oners who’ve waited five long years to sing their favourite emo anthems with the guys who first put them together.
In a blaze of pyro and smoke, the foursome burst onto the stage with the energy of four teenagers after a wholesale crate of Red Bull, lifting the roof off the arena with their iconic, deafening sound. It’s like they haven’t aged a day.
Blatantly ignoring fire safety protocols, bassist Pete Wentz had strapped a flame thrower to the neck of his guitar and was sending plumes of fire into the sky at every possible opportunity.
It doesn’t take long to pull out the big guns — no, not the aforementioned fiery guitar of death, but the hits we’ve come to know and love the band for over nearly two decades.
Never gets old.
Riveting performances of ‘Sugar, We’re Going Down’ and ‘Uma Thurman’ set the tempo early on in the show, with the raw harmony of the crowd taking over virtually every chorus they’ve practised in their cars over and over again.
Lighting up their 11th appearance in Manchester, the band continued to dig into the archives of their storied discography, giving fans both in the stands and fans in the mosh pits a mix of the big radio hits and some of the lesser-known tracks which separate the hardcore from everyone else.
The set felt like a miniature Tomorrowland, with winking trees, oversized starfish, talking moons; a giant Doberman and even a mystic eight-ball looming high in the sky which Wentz used to determine which song would be next on the hit list — whether genuinely random or completely scripted, it was cool.
Frontman Patrick Stump then took a moment mid-set to give fans a piano rendition of everyone’s favourite power ballad, ‘Don’t Stop Believin”, which left some fans feeling like they were stuck in some Glee-based alternative reality or the final episode of The Sopranos (if you know, you know).
Fall Out Boy gave Mancs a bit of every flavour on Sunday night.
They even made time for a bit of magic, as Pete disappeared behind a black sheet and reappeared in the middle of the crowd to give floor-dwelling fans a close-up masterclass on bass, much to the delight of everyone in his immediate vicinity and those on his route back to the stage. These boys like pageantry.
Closing out an epic show, the guys go back to their roots with some classic Fall Out Boy, performing band favourite, ‘Saturday’, from their debut album, Take This to Your Grave.
It was an incredible way to end the weekend and, from the fans, a warm welcome back on a cold October evening. If only the clocks had gone back mid-performance, we could have gotten one more hour of Fall Out Boy smashing the AO Arena. Guess you can’t have it all — either way, what a show.
‘Til next time, thanks for the memories. For instance, any excuse to relive the pleasure of seeing them at that very last-minute surprise Band on the Wall gig earlier this year too:
Gorillaz announce huge Manchester arena gig on upcoming UK and Ireland tour
Daisy Jackson
Gorillaz are well and truly back, and they’ve announced a huge Manchester gig on the upcoming The Mountain Tour.
The legendary band, created by musician Damon Albarn and artist Jamie Hewlett, will be performing at the Co-op Live arena next spring.
Gorillaz is a virtual band made up of singer 2D, bassist Murdoc Niccals, drummer Russel Hobbs and Japanese guitar prodigy Noodle.
The huge tour announcement comes along with the announcement of their new album, The Mountain, which features a whole myriad of collaborations including Johnny Marr, IDLES’ Joe Talbot and Dennis Hopper.
It’s their ninth studio album and promises to be a ‘playlist for a party on the border between this world and whatever happens next, exploring the journey of life and the thrill of existence’.
The Gorillaz The Mountain Tour will visit arenas across the UK and Ireland next Spring, with support from Trueno, and follows the sold-out 5-star House of Kong exhibition and four triumphant performances at Copper Box Arena.
Manchester will get the new Gorillaz tour first, with the band kicking things off at Co-op Live on 21 March before heading to cities including Leeds, Cardiff, Nottingham, and Liverpool.
The BRIT and Grammy-winning virtual band formed following a collision of mishaps, meetings and pure luck to blow up a pre-digital world.
The album will officially release on 20 March 2026.
General on sale begins at 11am on Friday 19 September HERE.
Gorillaz’ ‘The Mountain Tour’ dates in full
MARCH 21 – Co-op Live, Manchester 22 – BP Pulse Live, Birmingham 24 – OVO Hydro, Glasgow (support from Trueno) 25 – First Direct Arena, Leeds 27 – Utilitia Arena, Cardiff (support from Trueno) 28 – Motorpoint Arena, Nottingham (support from Trueno) 29 – M&S Bank Arena, Liverpool (support from Trueno) 31 – SSE Arena, Belfast
APRIL 1 – 3Arena, Dublin (support from Trueno)
JUNE 20 – Tottenham Hotspur Stadium, London (support from Sparks and Trueno)
Featured image: Press image
Audio
The adopted Manc indie pop star with that we’re backing to win the Mercury Prize this year
Danny Jones
The 2025 Mercury Music Prize shortlist is officially out, and we’re proud to say that the North has been well represented once again this time around, with multiple names from the top end of the nation featured among the nominees – including an adopted Manchester-based rising star.
You know what, cratch that: she might as well be a Manc music queen at this point, if you ask.
We may be heavily biased here, but with indie and alt-pop artist CMAT making her way onto the Mercury Music Prize award shortlist this year, our vote is practically already cast.
If you haven’t listened to CMAT yet, then you’re seriously missing out, and following the release of her latest LP, Euro-Country, at the end of August, it’s little surprise she’s earned the Mercury nod.
She may be Irish-born, but the ‘Dubyone Diana’ truly started to make a name for herself in Manchester, and you’re damn right we’re taking her as one of our own.
Moving to 0161 as a teenager with her old band, Bad Sea, she was just 17 when she got here; now 29 and making fairly different music to the kind she did as part of the previous duo, she’s grown massively in popularity over the last few years – and she’s done a lot of it from right here in Greater Manchester.
From playing the city centre music venue circuit to stunning crowds at the likes of Kendal Calling and Glastonbury Festival, she’s come a long way in a relatively short amount of time.
Come on, if this isn’t award-winning energy, then we don’t know what is…
We welcome her to keep leaning into country music as much as she wants.
There’s another reason we want CMAT to win the Mercury Prize
It isn’t just because we’re somewhat biased local fans that we’re putting our money on her winning the 2025 Mercury Prize: she nearly already did this time last year for her sophomore outing, Crazymad, For Me, having released three impressive studio albums in less than 36 months.
“As she was reading it, I had this weird flip in my stomach, that I didn’t want to win the Mercury Prize for THAT record, because I had a feeling I could make something better.
“Two days later, I started to make EURO-COUNTRY. The Mercury Prize put a bottle rocket up my bum, to try and do something a bit more cutting edge and experimental and intense, if that makes sense.”
She signed off by adding, “I didn’t necessarily expect to be nominated again as a result, but I am very happy to have been.” We had a feeling she would, to be honest, hence why she was among our artists of the month – not even a fortnight before the shortlist was announced, no less.
Unsurprisingly, the likes of Fontaines D.C. and Sam Fender are also on there after a standout 12 months for both artists, but we’re sticking with CMAT for our 2025 Mercury Prize winner. After all, surely she can’t miss out two years in a row?
The Manc Audio -
30th October 2023 
