Canpubs, cafes, restaurants and their patrons be trusted during times of crisis?
By bringing last orders forward to 10pm, the government’s opinion on the matter is clear.
It’s a resounding ‘no’.
COVID is suddenly swarming all over Britain again – and the finger of blame is being pointed squarely at the pubs.
The virus enjoyed a fresh lease of life when the quarantine barriers came down in summer, gleefully trampling over the fragile Test & Trace system which folded at the first sign of pressure.
ADVERTISEMENT
Today, the UK is registering its highest case rate since May.
Yet just a few weeks ago, the government was urging the public to drink and dine out in droves – reassuring them all was safe and well with social distancing measures intact.
ADVERTISEMENT
Not anymore.
In a spectacular u-turn, it’s been decided that all hospitality in England must shut early from Thursday to halt the spread of COVID – a curfew that could be intact for six months.
COVID has turned hospitality into the black sheep of the economy.
ADVERTISEMENT
The food and drink sector has been treated like unruly troublemaker that repeatedly needs scolding, reprimanding and restraining in the current dangerous climate.
You can’t the trust the company it keeps, and if you give it an inch, it’ll take a mile.
This is the government’s attitude, but the sector sees things differently.
Pubs, restaurants and cafes have spent half a year trying desperately hard to tick off an ever-changing COVID-criteria checklist with two hands tied behind their back.
So far, they’ve gritted their teeth whilst spinning plates and redecorating.
ADVERTISEMENT
But the new law – shutting at 10pm – seems like it might just be the straw that broke the camel’s back.
Exhausted, depleted and in some cases downright angry, hospitality is beginning to fight back against its ‘scapegoat’ label.
A social media movement – spearheaded by BarChick – is gaining traction as food and drink outlets argue that their industry “deserves better”.
BarChick has praised the fast implementation of new safety measures, “kick-ass teams” who have “pivoted the way they work”, and the “brave owners” of bars in Britain.
Their argument is that hospitality, by and large, is going above and beyond what is required – and is entitled to more respect.
ADVERTISEMENT
According to the campaign, less than 5% of new cases have been attributed to the hospitality sector (although it is unclear as to where these stats were obtained).
Martin Greenhow, Managing Director at MOJO – a popular city centre bar in Manchester – called the new curbs “unjust, punitive, illogical and irrational”, claiming there is no “evidence to support the assumption that hospitality is driving infection”.
“Only 35 cases reported in the sector and as of yet no sign of the threatened dramatic upturn in deaths,” said Greenhow.
“The move to curtail the operational hours of our already crippled industry seems unjust and punitive, not to mention illogical and irrational.
“Are people more infectious after 10pm?
ADVERTISEMENT
“Hospitality has slaved to work responsibly within the constraints laid out for us and now we are being thrown aside with scant concern for the impact these measures will have on our businesses and the wider economy.”
Carl Morris, a representative at Yard and Coop restaurant in Manchester’s Northern Quarter, reassured the public that the venue was still a safe place to visit, urging customers not to be deterred by the curfew.
“As a hospitality business we are finding all the ever changing restrictions extremely challenging and are urging all customers to continue to support our small independent business,” he said.
“We are also reminding everybody that we are a really safe place to come and enjoy a meal out and drinks with their families and households.”
Tonight (Wednesday 23) is the last time pubs will be permitted to remain open past 22:00 until possibly March – which would mark almost a year to the day they were all shut down.
ADVERTISEMENT
Probably the last time this sign means anything for a while…
Open until 4am in Manchester TONIGHT – come and show us some socially distanced love.
There are some small silver linings for hospitality.
So far, there’s been no second national lockdown, and the food/drinks industry can continue to trade.
Indeed, some other sectors have had it even worse.
Take live music for instance.
Musicians, venue operators and festival hosts have been left feeling abandoned since COVID came along – and would likely give anything to swap positions with hospitality right now.
ADVERTISEMENT
Some casino staff have been furloughed for so long they’ve probably forgotten the rules of Blackjack, whereas bowling alley workers are also struggling to find their feet again after being closed throughout much of the summer.
The ability to look on the bright side, though, is a necessary trait looking ahead. Hospitality needs to get into the right frame of mind and psych itself up for what is guaranteed to be a true test of mettle this winter.
The Old Wellington and Oyster Bar, pre-COVID
The logic behind the early bell is that closing pubs sooner will result in fewer drunken yobs breaking social distancing rules and prevent people from staying indoors too long – which is what can cause the virus to spread.
Night-time bars will now need to find a way to survive.
Do they open earlier? Do they open on their usual days off? Or do they change the menu to attract more customers during the day?
ADVERTISEMENT
Some experts have commended the government’s move as necessary, but others are sceptical – claiming the act will just see a rise in house parties.
Wales has already attempted to combat the prospect of gaff raves by banning the sale of booze in shops after 10pm.
Whether England follow suit remains to be seen.
For now, the government continues to keep a hawk-like eye on hospitality.
Only this time, the industry is glaring back.
Feature
A masterclass in The Art of Loving: Olivia Dean brings two unforgettable nights to Co-op Live
Emily Johnson
Olivia Dean took over Co-op Live for not one, but two nights this weekend – and what she delivered felt like a full-circle celebration of The Art of Loving, her incredible sophomore album.
From the moment Olivia’s silhouette appeared behind the curtain on night two, opening with the album’s title track, it was clear this evening was going to be special.
With a sea of polka dots on arrival, it’s evident that the 27-year-old already has great influence when it comes to style with her fans, and you could spot anyone who was attending Olivia Dean around Manchester city centre immediately.
Despite performing to a crowd of over 20,000 people, the performance felt incredibly intimate, with interactions with the crowd through the evening, even pointing out a fan’s banner saying they had been a fan of Olivia since 2019, which she was humbly taken aback by.
Her voice carried effortlessly around the arena, somehow still managing to feel soft and personal, like she was singing directly to you.
No Dean show would be complete without her incredible outfits either, and last night we were truly spoilt, with two outfit changes throughout the evening, which split the night into three chapters.
Initially appearing in a black sequin number, before reappearing in the middle of the crowd in an all-white outfit, evocative of an angel – a moment that felt intimate even in a room that size.
Later, with disco balls lowered and the energy lifted, she returned in another glitzy look for the more upbeat tracks, including a crowd-pleasing cover of ‘Move On Up’. With her band behind her, the sound filled the arena beautifully.
Everyone was on their feet having a good time, but no one was having as much fun as the woman herself, Olivia Dean.
And that’s the thing with Miss Dean, no one at her gigs is having half as much fun as she is. She’s always smiling, always glowing.
Put simply, she’s a proper ray of sunshine on stage. Towards the end of the show, Olivia looked up at the crowd and stated, “It’s magic in here tonight, Manchester”, and we all believed her.
Looking around at the crowd, arms around each other, best friends, couples – it was hard not to feel the magic too.
Highlights included ‘UFO’ with a sea of lights, which in the moment gave the whole room goosebumps, and of course, the confetti cannon, which was the grand finale to an incredible evening.
Yungblud channels a bit of magic that’d make Ozzy proud on huge headline night in Manchester
Lonnie Bowes
A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.