The Sunny Alley never used to quite live up to its name.
You wouldn’t think it today, but only a couple of years ago, this back alleyway – or whatever you prefer to call them – was known by the people of the inner-city area of Moss Side as a hotspot for the region’s growing fly-tipping problem, drug use and just general “anti-social activity”.
It eventually became so undesirable that the residents of the houses backing onto the alley were afraid to venture out to use the communal bins – and this is when they decided that something needed to change.
Now, it’s a different story.
With the support of Upping It – an initiative that aims to “restore civic pride in the Edwardian streets and alleys of Moss Side and Rusholme” and provide “local belief in what communities can do together” by helping neighbourhoods to clean and green alleys, reduce fly-tipping and rubbish, increase recycling, and improve the environment – and the We Love MCR Charity, the residents transformed the alleyway into a safe, secure and clean place where families and neighbours could get together and children could play safely.
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Aside from the visual transformation of the alley itself, the residents admitted that their proudest achievement with the project has been encouraging links forged between neighbours, who previously had lived side by side for years and had never spoken.
While the Sunny Alley transformation was the brainchild of Upping It and the residents themselves, they couldn’t have done it without the support from the ‘Stronger Communities Fund’ by one of Manchester’s most iconic organisations, the We Love MCR Charity.
The ‘Stronger Communities Fund’ is one of the charity’s most successful programmes to date and one it’s “immensely proud” of after having supported over 100 local groups and charities to deliver great work in Manchester’s unbeatable communities throughout the last 10 years.
We Love MCR Charity supported Upping It to further the transformation of Sunny Alley from a place that felt unsafe, into one that “brings people together with a sense of pride and achievement” by funding equipment to build planters, and a play area for children with hopscotch, snakes and ladders, and a mud kitchen, as well as contributing funding towards adding solar lighting, decking and a ‘swap box’ for local residents to use, plus painting fences and adding benches.
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The end result is one that leaves a lasting legacy.
Alongside assisting Manchester in its recovery from the coronavirus (COVID-19) pandemic, the re-launch of the ‘Stronger Communities Fund’ includes two other new developments – the maximum grant value is increasing from £2,000 to £5,000, and also the two-year time limit after a successful grant application is being scrapped.
As We Love MCR Charity believes in “funding great ideas whenever a community is ready to get started on their project”, these two new developments mean that community groups, charities and initiatives are now able to re-apply to the ‘Stronger Communities Fund’ just 12 months after a successful award from We Love MCR Charity, as opposed to previously being required to wait two years.
And if that wasn’t brilliant enough as it is, We Love MCR Charity is also pledging a healthy £215,000 to the fund from 1st April 2021 to reinforce its “commitment to Manchester’s people and communities”.
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Manchester! Who makes your communities stronger?
The 'Stronger Communities Fund', our oldest Fund, is being re-launched today – renewing our commitment to the communities that make Manchester special!
Do you know an amazing community group or charity that does fantastic work for your area in Manchester and could benefit from the ‘Stronger Communities Fund’?
Then now is your chance to tell We Love MCR Charity all about them.
The fund welcomes applications across four broad themes:
Helping in the Early Years
Combating Loneliness and Social Exclusion
Protecting and Improving our Open Spaces
Offering Positive Youth Activities
To nominate a community group or charity in your area, all you need to do is head on over to We Love MCR Charity’s social media platforms – Facebook, Twitter and Instagram – to give them a shout out, and then visit We Love MCR Charity’s website here to make an application and find out more information.
Or you can email the charity today at [email protected] with your ideas and questions.
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We Love MCR Charity’s Trustees meet monthly to consider applications and to award grants, with the next deadline to submit applications for funding being 2nd April.
Keen to donate to We Love MCR Charity? You can also do that here.
Feature
Review | Midsomer Murders comes to Manchester for a satisfying Opera House adaptation
Hollie Wells
‘The Fuzz are here!’ – also known as the well-known duo, Detective Chief Inspector Barnaby and Detective Sergeant Troy. As ever, they’re here to solve the murder of orchid-loving, elderly lady Emily Simpson in the seemingly sleepy county of Midsomer…
Manchester’s historic Opera House played host to the first ever stage production of Midsomer Murders: ‘The Killings at Badger’s Drift‘ last night.
With a busy, full audience of fans of the original novel by Catherine Graham and the acclaimed ITV staple. There was a hum of anticipation to see the timeless tales unfold.
Excitingly, the role of Barnaby in the stage play is under the trusted care of Daniel Casey, who is best known as DS (Detective Sergeant) Troy in the prior television adaptation of Midsomer Murders between 1997 and 2008.
Casey’s comfort and wealth of experience with these narratives comforted the audience from the outset. In a purposely complicated plot, Casey grounded the performance and was the throughline in the show.
‘The Killings at Badger’s Drift’ is a good, light-hearted, mid-week show, with an enjoyable concoction of eccentric characters and the perfect ‘whodunnit’ plot, which keeps you intrigued and entertained throughout its roughly two and a half hour duration.
Even those more than familiar with Misdomer tales and the most typical murder mystery format will still get plenty of enjoyment out of it.
The engaging use of multi-role actors received a great response from the audience, particularly the moments between Barbara Lessiter and Dickie Whitley; all of their interactions were performed with fabulous comedic timing by Chandrika Chevli.
The elements of comedy throughout made for a lovely evening at the Opera House. This was not solely through the actors, either: the use of mechanics within the set of this stage-play allowed for multiple moments of physical comedy, and this was a strong motif throughout.
A rotation of impressive transitional sets also aided in transporting the audience to the infamous village and crime scenes, allowing one to be absorbed in the story and successfully converting Midsomer Murders from page to screen to stage.
Running for only three days from Wednesday, 27, until Saturday, 30 May 2026, with matinee shows available throughout.
One must act fast to join the detective duo and catch the killer before it’s too late!
Review | PinkPantheress turns O2 Victoria Warehouse into one huge party on first night in Manchester
Emily Johnson
There was a point during Pinkpantheress’ set at O2’s Victoria Warehouse where you almost forgot you were watching someone perform an album that barely stretches past the 20-minute mark.
Instead, night one of two Manchester shows felt like one huge club night curated by one of the most exciting British artists around right now.
From the second you walked into the venue, greeted by an army of plaid, the world of PinkPantheress (real name Victoria Beverley Walker, for those who didn’t know) completely took over.
The stage itself mirrored that energy too, with a two-tier setup that allowed her to constantly move around the space, appearing and disappearing throughout the night alongside outfit changes, dramatic lighting and eventually, a pair of angel wings.
Backed by her dancers and DJ Joe, the entire show felt slick, immersive and miles away from the early days of PinkPantheress nervously clutching onto her handbag on stage like a comfort blanket. Ironically, the handbag did make a brief appearance during the evening.
It’s a reminder of just how much her performances have evolved – and evolve they have.
What could have easily been a short and simple set instead became a fully realised live show, complete with extended dance sections, rave-inspired moments, drum solos and seamless transitions that made the whole thing feel bigger than the music alone.
There’s also something undeniably British about a PinkPantheress show: the UK garage influences, the fashion, the awkward humour, and the understated confidence all combined into something that felt distinctly hers.
At one point, she paused to laugh: “It’s hot in this venue, f*** me,” which summed up the sweaty chaos of the night perfectly.
At one point, she joked that the last time she was in Manchester, she made it all the way to the final stage of Pointless, before being told she was now “too famous” to go on the show – a perfectly PinkPantheress anecdote that had the crowd laughing immediately.
By the end of the set, O2 Victoria Warehouse felt less like a gig venue and more like the best house party you’ve ever accidentally ended up at.
And with another Manchester show still to come, it’s safe to say the party isn’t over just yet.
Emily Sergeant -
12th March 2021 
