Last night the AO arena found itself deep inside the West Coast, as Ice Cube, Cypress Hill and D12 gave Manchester the ‘High Rollers Tour experience’. The 90s and Noughties at its finest.
2000s rap heavyweights D12 opened the show for a Manchester crowd that began filling the AO Arena from the moment the doors opened.
The Detroit legends paid homage to their heyday years with Eminem performing tracks like ‘Lose Yourself’ and ‘Purple Pills’ to get the crowd rolling back the years.
Serving as a brilliant support act for headliners, they did plenty more than just warm up the once-freezing fans on a frosty night in Manchester and before we knew it, Cypress Hill stepped up to set the arena alight.
Sen Dog, B-Real, DJ Lord and Eric ‘Bobo’ Correa demonstrated exactly how and why they have stayed in the game for more than 32 years now.
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Cypress Hill’s set was packed with plenty of nostalgia. (Credit: The Manc Group)
Lord commanded the turntables with a level of skill that’s becoming more of a rarity these days, intertwining with Bobo’s unfathomably fast and rhythmic percussion, all whilst B-Real and Sen Dog worked a lively crowd to tracks like ”Dr Greenthumb’, ‘Rock Superstar’ and ‘Hits from the Bong’.
However, the real reminder of just how crazy their sets can be at times came when they dropped the iconic ‘Insane In The Brain’. Old-school lyricism, marijuana-filled graphics on the big screen and a crowd clearly breathing just as much of the ‘atmosphere’ as B-Real himself, is was like Cali had been transported to Manny.
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And then Ice Cube arrived. Chills, pun intended.
Proving to everyone in the building that he’s still got it and then some, his arrival at the Arena was his first return to the UK since 2011, and oh how he’s been missed.
Cube owned the stage; no dancers, no gimmicks — just himself and long-time partner in crime WC giving everyone a legendary recap of a legendary career all the way back to the 80s.
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Ice Cube walked into Manchester’s AO Arena like he owned the place — and he did.
From ‘Natural Born Killaz’ to ‘Why We Thugs’ and, of course, ‘Straight Outta Compton’, the duo showed precisely what an OG can really do. It felt like an honour to watch the N.W.A legend Crip-walking across the stage as a reel of film clips played behind him. The crowd were starstruck and rightly so.
One of the greatest MCs to ever do it even blessed us with arguably one of the greatest diss tracks of all time, ‘No Vaseline’, in which he kills off four rappers and a DJ — and makes sure nobody forgets. Mint.
As he asks the crowd if they want one more, he’s met with an inevitable roar of cheers and applause four times over and then, as he’s done a thousand times before, he signed off by letting everyone know that ‘It Was a Good Day’. Perfection.
It was a truly special performance for those inside the AO on Thursday night and one which we can guarantee no one will be forgetting any time soon. Still going 35 years strong, that was all about Ice Cube making a point of reminding everyone why he’s still one of the best in the game.
Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc GroupBlossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
The Warehouse Project reveals return to Rotterdam for massive overseas event
Danny Jones
The Warehouse Project has confirmed it will be returning to Rotterdam in 2025 for a second time, its fourth overseas event.
After debuting abroad in 2023 with an action-packed few days in the city of Rotterdam – whose art scene, music culture and even canal network bears lots of similarities to Manchester – Warehouse Project is coming back for more.
There’s just over a month left of the 2024 WHP calendar; you’d think they’d be getting ready to wind down and enjoy the Christmas breather, but not so: the organisers are already planning what is set to be one of their biggest and best long weekends to date.
Set to take place over the early May bank holiday, the Dutch port city will once again play host to one of Manchester’s legendary club nights.
The second biggest city in the Netherlands behind Amsterdam, the next edition of Warehouse’s international series is set to return to Rotterdam RDM – a warehouse space very reminiscent of both Depot Mayfield and their original home at Victoria Warehouse.
WHP x RDM II is already being billed as an “unforgettable weekend” and if any of this year’s mainline events here in Manchester are anything to go by, they’re bound to live up to that promise.
There’s also a full FAQ page for anyone looking to find out more information regarding Rotterdam, the venue itself, travel and more.
As well as revealing the dates (2-4 May 2025), the organisers have already teased a good chunk of the lineup, with the likes of Chris Stussy, Peach, Four Tet b2b with Sammy Virji, salute and many more already confirmed.
With a slew of incredible acts, multiple afterparties on boats and other local venues, as well as plenty of opportunity to see the rest of Holland’s ‘Manhattan on the Maas’, this is going to be SO good.
We were lucky enough to have been sent to sample their inaugural Rotterdam date back in April of 2023 and, we have to say, it was an absolute blast.
Take it from us, if you’re considering being a part of this next event you won’t regret and we’ll be putting together an extensive guide to help you feel prepared for raving overseas. Registration for early access is already live, so sign up fast if you want to give yourself the best chance of being there.
Limited presale and accommodation packages will be available to those who have applied at 9am on Monday, 2 December (UK customers only). General admission tickets will go live from 9am n Tuesday, 3 December sale for UK and Dutch customers starts Tuesday 3rd December at 9am GMT/10am CET.
Rotterdam 2025 will be here before you know it, so take a boots-on-the-ground at what an international Warehouse Project date looks like down below:
The Manc Audio -
8th December 2023 
