‘I’ve missed you, too’: The eye-catching artwork series rejoicing in Manchester’s return
Aching for his city to return, Len Grant scribbled lockdown away in the confines of his loft. The images he made are now being hung proudly aloft across Manchester.
When the UK began to wake up in summer 2020, weary denizens gained a new lease of life; eagerly debating what they’d do, where they’d go, and who’d they’d see first when ‘this was all over’.
‘What have you missed most?’ seemed to be the question we were all most keen to ask and answer.
But then, just as we started to get all our favourite things back, they were taken away again. And this time, it was much, much tougher.
The onset of Lockdown Three was the bleakest possible way to begin 2021 – ushering the public back indoors for a long, gloomy winter.
During January and February, Manchester still looked like the city we knew and loved, but it felt like another world. It was the strangest thing. We were all at home, yet painfully homesick.
ADVERTISEMENT
Permitted activities were mostly limited to freezing-cold strolls in the rain, and the notion of ‘what we’ve missed most’ wasn’t just a throwaway remark anymore. It had taken on a deeper, almost existential meaning.
Local photographer Len Grant found himself mulling this very question during Lockdown Three and was unable to find a single answer. He missed it all.
ADVERTISEMENT
He looked back over the images he’d captured from the seat of a saddle during his teeth-chattering bike rides, and every picture made him realise just how much he was aching for his city to return to life.
Like the rest of us, Len had nowhere to go and nothing to do during one of the most miserable winters on record – so he retreated to his loft and started sketching artworks of his beloved city to pass the time.
This week, those images came to life.
ADVERTISEMENT
Len’s 12 artworks have been proudly hung aloft as part of a spectacular outdoor artwork series celebrating the return of Manchester called I’ve Missed You, Too.
Appearing at Escape to Freight Island by Piccadilly and on Redhill Street in Ancoats, the images will also soon appear as ground floor window vinyls at the upcoming QBic Hotel (which will open on the corner of John Dalton Street and Deansgate in May).
“They were short days, dark evenings, awful weather,” Len says, remembering the early part of Lockdown Three.
“I found being stuck inside really difficult. So, I began reworking some of my old sketches – and bought a big drawing board to create them at A2 size.
ADVERTISEMENT
“Starting the series kept me on an even keel and supported my mental health. But what I realised I was doing was creating sketches of these places I was missing so much. Not just the physical places, but the activities we do there – going to the pubs, museums, art galleries, cafes.
“We’ve missed the impact and benefit all these places have had on us. We took them for granted, really. When they were taken away we not only missed them, we realised how these things help us interact as people.”
A homage to Mancunia, the artworks have been created using a range of different techniques including analogue and digital – hand-drawn at A2, painted in watercolour, and then dotted with colours and textures in Photoshop.
Each of the images feature familiar streets and faces – carrying a warm, dreamlike quality and even a few recurring characters.
“Some of the people in these artworks are based on individuals who have been in the environments I’ve photographed before,” Len explains.
ADVERTISEMENT
“One example is the woman walking past with a tote bag which says ‘2 metres’ – which is kind of appropriate to the era. Some of [the characters] come from my imagination. I draw figures in a notebook and sometimes, if I like those, they appear.
“I realised some people were appearing again and again. I quite liked that idea that you see somebody in one place and you might see them again somewhere else.
“For example, there’s a guy walking his dog in Cutting Room Square, and in the sketch of New Islington the dog appears again. There’s also a little boy chasing a pigeon in two different parts of Manchester.
“Hopefully as people look at them they’ll be able to see the little humorous things.”
‘I’ve Missed You Too’ at Escape to Freight Island, Mayfield‘I’ve Missed You Too’ on Redhill Street, Ancoats.‘I’ve Missed You Too’ on Redhill Street, Ancoats.‘I’ve Missed You Too’ on Redhill Street, Ancoats.
Introducing the artwork is a short love letter to the city containing some of Len’s favourite pastimes – from tucking into Rice & Three at This & That Cafe to cutting through Royal Exchange Theatre to duck away from Manchester drizzle.
ADVERTISEMENT
It’s been a gruelling few months, but Len’s beloved city is back in action. And he wonders whether it’ll be different this time round.
“I’m intrigued to know how the cities will change,” Len muses.
“There’s already talk about big companies not using much office space or inviting people to work from home more often. I wonder whether that’s sustainable… and if over a period of time people will want to start working with others.
“I think we’ll get back to where we were. We’re all kind of Zoom-ed out, now. When I get a face-to-face meeting these days, I’m so excited. It’s novel at the moment.
“I think any nervousness of going back will be short-lived.”
ADVERTISEMENT
Len has left his mark on the city with many major photography projects over the years – including the magnificent ‘Regeneration Manchester’ – which shows Manchester transforming over three decades.
But according to Len, there’s nothing quite like having your work exhibited outdoors.
“I absolutely love getting my work outside, people just stumble across it,” he says.
“You just get so many more people seeing it who wouldn’t ordinarily do so. I love that idea.
“I’m super excited by it, to be quite honest.”
ADVERTISEMENT
As beaming families wander down Redhill Street and point at the artworks sizzling in the sunshine, it’s evident that Len isn’t the only one feeling this way.
Manchester is coming back.
You can catch the new series ‘I’ve Missed You, Too’ at Escape To Freight Island at Mayfield Depot.
The artwork is also proudly displayed on the fence of Urban Splash development Waulk Mill on Redhill Street in Ancoats.
All 12 images will be showcased at the QBic Hotel from May.
You can purchase the exhibition catalogue online here.
Feature
Gig review | Catfish at Heaton Park, Manchester – are the Bottlemen properly back?
Danny Jones
10 months on from their last gig and more than a year since they officially ended their hiatus, Catfish and the Bottlemen finally returned to Manchester for a sold-out show at Heaton Park, and while the reviews online have been mixed, we had a blast heading back to the fields again.
Making their Manc comeback just hours before this year’s Parklife Festival got underway, the beloved Welsh band had stirred lots of worry leading up to the day itself and, in truth, even in the moments leading up to (and after) their stage time.
Apart from their huge headline slot at Reading and Leeds, 2024 was the year of cancellations and controversy, so their fans had plenty of reason to be concerned. Nevertheless, we had faith and kept our spirits high, especially with the weather holding out.
Local legends and indie rock veterans James certainly helped on that front, delighting both die-hards watching from up on the hill and younger gig-goers who may have only heard a few of the big hits like ‘Sit Down’ – though they certainly didn’t heed that message, there was merely jumping up and down.
Some great computer-generated imagery backdropped the set.We watched this thing like a hawk.You can read our recent interview with them HERE. (Credit: Audio North)
Once the main support act had wrapped up their pretty perfectly timed set, we’ll admit, standing on that grass felt like an eternity, especially considering Catfish had us waiting an extra 15 minutes beyond their expected arrival at Heaton Park.
You could call it fashionably late, but in this case, it saw several people around us uttering, ‘they’re not coming on any time soon’, and some even beginning to walk off.
However, they did eventually arrive just over a quarter of an hour past schedule, and the eruption of cheers from the crowd and a fair few screams from those nearest the barrier signalled what summed up the entire night: we were just so happy to have them back.
We’ve heard people debating the sound quality and taking issue with parts of Van’s performance, but we’ll just leave this here and let you decide for yourselves:
One thing’s for sure: the energy was immaculate from start to finish.
From kicking things off with ‘Longshot’ for a limb-worthy intro, to hearing a fully acoustic version of ‘Hourglass’ as the lead singer stood alone on the dramatically lit main stage, soon to be followed up by a plethora of Parklife acts, we’d wager you they’ll remain a tough act to follow all weekend.
Other highlights included an entire park’s worth of people belting every word to ‘Kathleen’, ‘Fallout’, ‘Pacifier’ and pretty much every track they played, as well Van having the crowd repeat the chorus of ‘Cocoon’ as he hung up his guitar from the stand to deliver an ice-old mic drop.
We would’ve loved to hear a fuller set filled with the extended live versions of ‘Oxygen’, ‘Heathrow’ and ‘Glasgow’ too, especially given how many sections of pure instrumentation felt like they were going to transition into another track, but you can’t have everything, I guess.
Inflatable crocodiles and cracking flagsCredit: The Manc GroupEyes and arms wide openWe’re here to urge you not to be drawn in by TikTok reviews – as far as we’re concerned, Catfish were made to headline Heaton Park.
Sure, there might have been a few minor fluffed vocal notes and slightly over-lengthy solos here and there, but after all, it’s a rock show: we want a bit of mess.
The same goes for Van McCann himself, too; we worry that people are starting to forget what a proper rockstar is, and we’re not talking about contriving some kind of Hollywood lifestyle, but certainly getting lost in the music and trashing your guitar so hard that your face is draped in nothing but hair and sweat? Absolutely.
All in all, we think Catfish and the Bottlemen‘s massive outdoor show at Manchester’s Heaton Park and de facto ‘comeback after the last comeback’ was a triumph and even when they’re not absolutely 10/10, they’re still bloody good value live.
As for the question of ‘are they back?’ We think so and certainly hope that ‘Showtime’ wasn’t just released as a way of signalling fans to come along for one last ride before the final curtain call.
Gig review | Lionel Richie leaves Manchester dancing on the ceiling after Co-op Live debut
Thomas Melia
American multi-hyphenate Lionel Richie paid Manchester a visit last night and gave the 23,500 fans in the crowd all of his ‘Endless Love’.
Richie needs no explanation, being a household name, this artist had the crowd in the palm of his hands as soon as he stepped foot onto the stage, just like he has been doing since he burst onto the music scene over 50 years ago.
When you’re about to watch a legend strut his stuff in various tailcoats ‘All Night Long (All Night)’, you know you’re in for a mini workout.
We tried out Co-op Live’s Backstage Club before the show to fuel up with a pizza and grab a drink to ensure that we could dance ‘All Night Long (All Night) as much as the main man himself.
‘Breezy like a Sunday Morning’.Soaking up the fun at Co-op Live’s Backstage Club.You really do get the VIP treatment.Credit: Audio North
As well as boasting an intimate area with music history covering all four walls, this location had a photobooth, pool table, its own merchandise vendor and a live band.
For tonight’s show, it was only right that the band soundtracking Co-op Live’s Backstage Club were aptly named The Pennies and the signature drinks were equally fitting, ‘Say You, Say G&T’ and a cocktail offering labelled, ‘Breezy like a Sunday Morning’.
Glasgow solo star Brooke Combe – a favourite of ours from past Neighbourhood Festivals – gave the crowd our first taste of music for the night, playing highlights of her debut album ‘Dancing at the Edge of the World’, which only dropped back in January.
Her songs ooze soul, from the infectious ‘Shaken by the Wind’ to the instantly catchy ‘The Last Time’ and fan favourite, ‘Are You With Me?’. Combe’s stage presence was nothing short of contagious.
It’s no surprise, really, considering she’s already practised and perfected her craft at Glastonbury back in 2022 among countless other massive slots. Make sure you catch her the next time she’s in Manchester.
The legendary performer knew he had to kick things off in true Lionel Richie style, it’s only obligatory that he opened the show with his greeting-titled hit ‘Hello’.
Lionel welcoming fans with ‘Hello’ and being greeted with equally impressive roars from the crowd.Richie slowing it down for a moment, performing Commodores classic, ‘Easy’.Credit: The Manc Group
As the chorus approached, the American superstar hailed “Hello” and the audience immediately exclaimed in synch, “Is it me you’re looking for?”.
Social media might’ve been non-existent when the performer first reached our ears, but this didn’t stop Lionel Richie from inadvertently turning last night into a mini ‘Throwback Thursday’ playing his 1977 Commodores swooner ‘Easy’.
If you had told me that Lionel Richie would directly address me and my brother mid-performance, I would’ve laughed in your face, but last night the star adopted the both of us. Life complete.
The American singer came up the catwalk, soaking up all the cheers and love from the Co-op Live crowd, and then pointed directly at me and my brother and gave us a little shoutout.
Before playing the anthem that is ‘We are the World’, Mr. Richie expressed, “Alright, I’ll just tell ‘em” before admitting to the whole arena, “These are my cousins right here”.
I guess when we sang “Hello, is it me you’re looking for?” earlier in the show, it really was me (and my brother) he was looking for.
Getting called 'cousins' by @LionelRichie was not on our 2025 bingo card, but it has made our entire year. 😭💀
Just like his opening track, the final slot also has its fixed placement in Richie’s setlist; of course, that song is none other than the essential party number, ‘All Night Long (All Night)’.
Richie recites the line, “We’re going to party, Karamu, fiesta, forever”, and the crowd understood the assignment as by the time he sang, “Come on and sing along / All night long”, everyone was up.
This tune is nothing less than cathartic, and for the five minutes it played, everyone was side-stepping, swaying, singing, dancing, not a single inhibition in sight.
Lionel Richie might know his way around writing smash hits and commanding a crowd, but it’s the audience’s joy for the music that made this concert such a special night.
Did we tell you? Lionel Richie called us his cousins.Richie amidst a flurry of flashlights from the Manc crowd.Credit: The Manc