‘I’ve missed you, too’: The eye-catching artwork series rejoicing in Manchester’s return
Aching for his city to return, Len Grant scribbled lockdown away in the confines of his loft. The images he made are now being hung proudly aloft across Manchester.
When the UK began to wake up in summer 2020, weary denizens gained a new lease of life; eagerly debating what they’d do, where they’d go, and who’d they’d see first when ‘this was all over’.
‘What have you missed most?’ seemed to be the question we were all most keen to ask and answer.
But then, just as we started to get all our favourite things back, they were taken away again. And this time, it was much, much tougher.
The onset of Lockdown Three was the bleakest possible way to begin 2021 – ushering the public back indoors for a long, gloomy winter.
During January and February, Manchester still looked like the city we knew and loved, but it felt like another world. It was the strangest thing. We were all at home, yet painfully homesick.
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Permitted activities were mostly limited to freezing-cold strolls in the rain, and the notion of ‘what we’ve missed most’ wasn’t just a throwaway remark anymore. It had taken on a deeper, almost existential meaning.
Local photographer Len Grant found himself mulling this very question during Lockdown Three and was unable to find a single answer. He missed it all.
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He looked back over the images he’d captured from the seat of a saddle during his teeth-chattering bike rides, and every picture made him realise just how much he was aching for his city to return to life.
Like the rest of us, Len had nowhere to go and nothing to do during one of the most miserable winters on record – so he retreated to his loft and started sketching artworks of his beloved city to pass the time.
This week, those images came to life.
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Len’s 12 artworks have been proudly hung aloft as part of a spectacular outdoor artwork series celebrating the return of Manchester called I’ve Missed You, Too.
Appearing at Escape to Freight Island by Piccadilly and on Redhill Street in Ancoats, the images will also soon appear as ground floor window vinyls at the upcoming QBic Hotel (which will open on the corner of John Dalton Street and Deansgate in May).
“They were short days, dark evenings, awful weather,” Len says, remembering the early part of Lockdown Three.
“I found being stuck inside really difficult. So, I began reworking some of my old sketches – and bought a big drawing board to create them at A2 size.
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“Starting the series kept me on an even keel and supported my mental health. But what I realised I was doing was creating sketches of these places I was missing so much. Not just the physical places, but the activities we do there – going to the pubs, museums, art galleries, cafes.
“We’ve missed the impact and benefit all these places have had on us. We took them for granted, really. When they were taken away we not only missed them, we realised how these things help us interact as people.”
A homage to Mancunia, the artworks have been created using a range of different techniques including analogue and digital – hand-drawn at A2, painted in watercolour, and then dotted with colours and textures in Photoshop.
Each of the images feature familiar streets and faces – carrying a warm, dreamlike quality and even a few recurring characters.
“Some of the people in these artworks are based on individuals who have been in the environments I’ve photographed before,” Len explains.
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“One example is the woman walking past with a tote bag which says ‘2 metres’ – which is kind of appropriate to the era. Some of [the characters] come from my imagination. I draw figures in a notebook and sometimes, if I like those, they appear.
“I realised some people were appearing again and again. I quite liked that idea that you see somebody in one place and you might see them again somewhere else.
“For example, there’s a guy walking his dog in Cutting Room Square, and in the sketch of New Islington the dog appears again. There’s also a little boy chasing a pigeon in two different parts of Manchester.
“Hopefully as people look at them they’ll be able to see the little humorous things.”
‘I’ve Missed You Too’ at Escape to Freight Island, Mayfield‘I’ve Missed You Too’ on Redhill Street, Ancoats.‘I’ve Missed You Too’ on Redhill Street, Ancoats.‘I’ve Missed You Too’ on Redhill Street, Ancoats.
Introducing the artwork is a short love letter to the city containing some of Len’s favourite pastimes – from tucking into Rice & Three at This & That Cafe to cutting through Royal Exchange Theatre to duck away from Manchester drizzle.
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It’s been a gruelling few months, but Len’s beloved city is back in action. And he wonders whether it’ll be different this time round.
“I’m intrigued to know how the cities will change,” Len muses.
“There’s already talk about big companies not using much office space or inviting people to work from home more often. I wonder whether that’s sustainable… and if over a period of time people will want to start working with others.
“I think we’ll get back to where we were. We’re all kind of Zoom-ed out, now. When I get a face-to-face meeting these days, I’m so excited. It’s novel at the moment.
“I think any nervousness of going back will be short-lived.”
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Len has left his mark on the city with many major photography projects over the years – including the magnificent ‘Regeneration Manchester’ – which shows Manchester transforming over three decades.
But according to Len, there’s nothing quite like having your work exhibited outdoors.
“I absolutely love getting my work outside, people just stumble across it,” he says.
“You just get so many more people seeing it who wouldn’t ordinarily do so. I love that idea.
“I’m super excited by it, to be quite honest.”
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As beaming families wander down Redhill Street and point at the artworks sizzling in the sunshine, it’s evident that Len isn’t the only one feeling this way.
Manchester is coming back.
You can catch the new series ‘I’ve Missed You, Too’ at Escape To Freight Island at Mayfield Depot.
The artwork is also proudly displayed on the fence of Urban Splash development Waulk Mill on Redhill Street in Ancoats.
All 12 images will be showcased at the QBic Hotel from May.
You can purchase the exhibition catalogue online here.
Feature
In celebration of Momo Shop: a Chorlton favourite that has flourished since its rebrand
Danny Jones
It’s not often we go out of our way to hammer home just how staggering we found a restaurant, but after now losing track of the number of times that a member of our team has eaten at Momo Shop in Chorlton and come back near speechless, it deserves more than a review.
We regularly hold ourselves back and resist the urge to talk in superlatives wherever possible, especially because we worry we might be falling into the recency bias trap, but in this instance, we’re going to go out on a limb and fall on our hospitality sword. Well, this particular writer is…
It’s official: Momo Shop Nepali Street Food – for our money, anyway – is up there with one of THE best restaurants in Manchester right now.
And there are plenty of reasons why, not least of all because of the years of practice they have feeding increasingly discerning Manc diners under a different moniker.
Simple but charming – all the focus is on the foodAnd the food speaks for itselfSome of the most flavourful fillings you’ll find in ManchesterBusy any given night of the weekNo review (Credit: The Manc Eats/Momo Shop via Instagram)
If you don’t live in/frequent Chorlton, you’ll be forgiven for thinking that this gaff was a somewhat new addition to Chorlton, but in actual fact it’s been gradually growing a loyal and passionate following for more than seven years.
This is because before the miniamlist rebrand that saw the walls stripped back, the exterior painted blue and cutesy little bits of artwork hung amidst that familiar and atmospheric festoon lighting, Momo Shop was once The Little Yeti.
Its former iteration boasted hundreds of glowing reviews in its own right, which already plated up plenty of stunning Nepalese food, but since switching primarily towards serving a menu primarily made up of momos (Tibetan-style fried dumplings hand-folded into various shapes) they’ve well and truly shone.
Now approaching a full 12 months under the new name, the Nepali street food spot isn’t just one of a relatviely small handful considering how much great South Asian food there is across Greater Manchester, we’d wager it could be the very best representing that Alpine-Himalayan belt in our region.
Our latest visit was genuinely just as good as our first, second, third and so on – take your pick.
From the simply incredible deep fried pork dumplings and the deeply moorish butter sauce that goes with literally any momo filling, to the super traditional buffalo ones that are not only authentic but, come on, where else can you find such a unique meat in these parts? It’s some of the best food we’ve eaten.
And we don’t just mean of late; Momo Shop might genuinely among of the nicest scran we’ve had in ages and it’s no exagerration to say that the first taste we enjoyed from many of these flavours have formed some of the strongest culinary memories we’ve created in quite a while.
It’s also worth nothing that it isn’t just one main snack-sized dish. The chow mein, keema noodles and cheesy chops are showstoppers themselves, and we’ve already booked in again for a 30th birthday celebration purely so we can try those lambs ribs and their take on a shashlick.
Nevertheless, we love the idea of the numerous configurations and concotions by pairing different dumplings and owner Niti Karki gave us some pro-tips of the best duos and even let us in on the trade secret of her go-to combo when she’s hungover. Legend.
Once again, at the risk of sounding too hyperbolic, odd moments have felt like core foodie memories on a par with our favourite all-time meals.
Personally, I’m glad to report that this isn’t just a review: consider this a declaration that Momo Shop has quickly become my favourite restaurant not just in Chorlton but in all of central Manchester, something I haven’t had since the heartbreaking closure of Cocktail Beer Ramen + Bun in 2023.
Plenty of varietyDamn straightNiti = absolute iconWe’ll keep your condiment secret forever, Niti…
There might be an element of the almost HakkaPo-esque style drawings, the colour palette and the carefully curated pop-punk, old school emo and post-hardcore playlist that’s over half a decade in the making that makes particualrly partial to this place
But before we wrap up this glorified love letter parading as a ‘review’, we also want to give a special nod to the charming staff and Niti’s mum, specficially, who was too modest to even let us share her picture, but whose wealth of wisdom, influence and experience has clearly inspired Momo Shop’s success.
Don’t be shy, Sue – the only thing more stylish than the food was you, girl. Pop off.
Put simply, we’ll be going back here as regularly as possible until we try every different momo + sauce variation there is, and there’s nothing you can do to stop us.
If you are in the mood for more dumpling excellence, by the way, you might want to check out the unassuming Northern Quarter gem that is Chef Diao.
Lady Gaga is a tour-de-force of talent at the Co-op Live Manchester
Clementine Hall
Lady Gaga proves she’s a truly world-class act after two sold-out nights at the Co-op Live Manchester, as if we needed any reminding.
The city of Manchester has been flooded with harness-wearing, mesh-sporting little monsters over the past two days.
And that’s because the absolute icon that is Lady Gaga brought her ‘Mayhem Ball’ to the Co-op Live for two nights.
I don’t think you’ll find anyone who doesn’t know who this fabulous woman is. Over the past decade, she’s won an Oscar, headlined the Super Bowl, performed in blockbusters alongside Al Pacino, no less, and her songs are literally ingrained into our minds.
It’s been a whole 11 years (yes, really) since she performed in Manchester, and it’s safe to say she was back with a bang.
The performance was split up into five distinct acts, and each one was as exhausting and exhilarating as the next.
She begins the show by bopping out of a comically huge red dress, but this staging was only the start of what madness was about to ensue.
Luckily, we’d been prepared by the other half of the Audio North team, who had the equal privilege of seeing her on night one and were left similarly speechless.
Throughout the 30-song epic, we had crutches, sand pits, cages, skeletons, enough wigs to produce an amateur production of Annie, and we didn’t question any of it. Why would we? It’s Lady Gaga.
Kicking things off with ‘Bloody Mary’, the two and a half hour marathon didn’t leave any stones unturned.
We had all the bangers, from ‘Just Dance’ and ‘Paparazzi’ to ‘Bad Romance’ and ‘Applause’, it had us wondering why any other superstar even bothers putting a song out these days.
Pop is in a good place at the moment with the likes of Sabrina Carpenter, Chappell Roan, Dua Lipa, Billie Eilish and so on, but you can make a strong case for Gaga having helped pave the way for every lady in the business ever since.
Gaga truly had us in the palm of her hands (or claws at one point), even more so when she left the stage to de-robe and show her more vulnerable side for the last two songs – beanie firmly on.
It wasn’t just a concert: this was a fully-fledged tour de force of talent that Manchester won’t forget any time soon.
Sometimes there’s no point in intellectualising why someone has that ‘X-factor’; sometimes you just have to take a step back and say WOW.