‘I’ve missed you, too’: The eye-catching artwork series rejoicing in Manchester’s return
Aching for his city to return, Len Grant scribbled lockdown away in the confines of his loft. The images he made are now being hung proudly aloft across Manchester.
When the UK began to wake up in summer 2020, weary denizens gained a new lease of life; eagerly debating what they’d do, where they’d go, and who’d they’d see first when ‘this was all over’.
‘What have you missed most?’ seemed to be the question we were all most keen to ask and answer.
But then, just as we started to get all our favourite things back, they were taken away again. And this time, it was much, much tougher.
The onset of Lockdown Three was the bleakest possible way to begin 2021 – ushering the public back indoors for a long, gloomy winter.
During January and February, Manchester still looked like the city we knew and loved, but it felt like another world. It was the strangest thing. We were all at home, yet painfully homesick.
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Permitted activities were mostly limited to freezing-cold strolls in the rain, and the notion of ‘what we’ve missed most’ wasn’t just a throwaway remark anymore. It had taken on a deeper, almost existential meaning.
Local photographer Len Grant found himself mulling this very question during Lockdown Three and was unable to find a single answer. He missed it all.
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He looked back over the images he’d captured from the seat of a saddle during his teeth-chattering bike rides, and every picture made him realise just how much he was aching for his city to return to life.
Like the rest of us, Len had nowhere to go and nothing to do during one of the most miserable winters on record – so he retreated to his loft and started sketching artworks of his beloved city to pass the time.
This week, those images came to life.
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Len’s 12 artworks have been proudly hung aloft as part of a spectacular outdoor artwork series celebrating the return of Manchester called I’ve Missed You, Too.
Appearing at Escape to Freight Island by Piccadilly and on Redhill Street in Ancoats, the images will also soon appear as ground floor window vinyls at the upcoming QBic Hotel (which will open on the corner of John Dalton Street and Deansgate in May).
“They were short days, dark evenings, awful weather,” Len says, remembering the early part of Lockdown Three.
“I found being stuck inside really difficult. So, I began reworking some of my old sketches – and bought a big drawing board to create them at A2 size.
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“Starting the series kept me on an even keel and supported my mental health. But what I realised I was doing was creating sketches of these places I was missing so much. Not just the physical places, but the activities we do there – going to the pubs, museums, art galleries, cafes.
“We’ve missed the impact and benefit all these places have had on us. We took them for granted, really. When they were taken away we not only missed them, we realised how these things help us interact as people.”
A homage to Mancunia, the artworks have been created using a range of different techniques including analogue and digital – hand-drawn at A2, painted in watercolour, and then dotted with colours and textures in Photoshop.
Each of the images feature familiar streets and faces – carrying a warm, dreamlike quality and even a few recurring characters.
“Some of the people in these artworks are based on individuals who have been in the environments I’ve photographed before,” Len explains.
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“One example is the woman walking past with a tote bag which says ‘2 metres’ – which is kind of appropriate to the era. Some of [the characters] come from my imagination. I draw figures in a notebook and sometimes, if I like those, they appear.
“I realised some people were appearing again and again. I quite liked that idea that you see somebody in one place and you might see them again somewhere else.
“For example, there’s a guy walking his dog in Cutting Room Square, and in the sketch of New Islington the dog appears again. There’s also a little boy chasing a pigeon in two different parts of Manchester.
“Hopefully as people look at them they’ll be able to see the little humorous things.”
‘I’ve Missed You Too’ at Escape to Freight Island, Mayfield‘I’ve Missed You Too’ on Redhill Street, Ancoats.‘I’ve Missed You Too’ on Redhill Street, Ancoats.‘I’ve Missed You Too’ on Redhill Street, Ancoats.
Introducing the artwork is a short love letter to the city containing some of Len’s favourite pastimes – from tucking into Rice & Three at This & That Cafe to cutting through Royal Exchange Theatre to duck away from Manchester drizzle.
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It’s been a gruelling few months, but Len’s beloved city is back in action. And he wonders whether it’ll be different this time round.
“I’m intrigued to know how the cities will change,” Len muses.
“There’s already talk about big companies not using much office space or inviting people to work from home more often. I wonder whether that’s sustainable… and if over a period of time people will want to start working with others.
“I think we’ll get back to where we were. We’re all kind of Zoom-ed out, now. When I get a face-to-face meeting these days, I’m so excited. It’s novel at the moment.
“I think any nervousness of going back will be short-lived.”
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Len has left his mark on the city with many major photography projects over the years – including the magnificent ‘Regeneration Manchester’ – which shows Manchester transforming over three decades.
But according to Len, there’s nothing quite like having your work exhibited outdoors.
“I absolutely love getting my work outside, people just stumble across it,” he says.
“You just get so many more people seeing it who wouldn’t ordinarily do so. I love that idea.
“I’m super excited by it, to be quite honest.”
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As beaming families wander down Redhill Street and point at the artworks sizzling in the sunshine, it’s evident that Len isn’t the only one feeling this way.
Manchester is coming back.
You can catch the new series ‘I’ve Missed You, Too’ at Escape To Freight Island at Mayfield Depot.
The artwork is also proudly displayed on the fence of Urban Splash development Waulk Mill on Redhill Street in Ancoats.
All 12 images will be showcased at the QBic Hotel from May.
You can purchase the exhibition catalogue online here.
Feature
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
Feature
Audio North’s Artist of the Month: Roukaya B | February 2026
Thomas Melia
The North is full of amazing artists, and we’re spotlighting one every single month – get ready for Roukaya B to bring the ‘Heat’.
Salford soulstress Roukaya B needs no introduction, but we’re giving her one anyway, as you might not be aware of her sheer musical power.
Self-proclaimed “soul enlightener” and ‘Manchester’s Queen of Soul’, this artist has been uploading music to streaming platforms since 2022.
Rou doesn’t conform to one genre; instead, she deliberately fuses them, blending R’n’B, soul, rap, afrobeats and even jazz to create some of the freshest sounds.
Now, Roukaya B sits down with Audio North after discovering her ‘Artist of the Month’ title to discuss exciting projects, personal stories and her artistry.
An interview with Roukaya – Audio North’s Artist of the Month
What has your journey in music looked like so far? My journey has been quite hectic, but in the best way. I’m a singer-songwriter and all-around creative, and I’ve learned a lot about myself and what my voice can do. I’ve developed my writing and ability to perform on stage, throwing myself into collaborations too.
I’m constantly evolving just like the music I’m putting out.
“Singer, writer, rapper, dancer, actress, drama queen, you can’t compete here” – We couldn’t put it any better ourselves.
Where did you grow up, and what music were you listening to? I was raised in Salford, and music for me was very different as I come from a multicultural background. My Dad is Algerian, my Mum is Jamaican-English; they met in the South and settled up North [great choice] to have a family.
I grew up on a lot of ‘raï’ music – a North African genre with really cool drum patterns, reggae and 90s hip hop. My Mum loved that soul tune, ‘I Believe in Miracles’ by Hot Chocolate, and my Dad absolutely loved M People, especially Heather Small; they made some iconic classic anthems.
I was raised on lots of different genres, and I think that’s showcased in my music today.
When did you realise singing was something you wanted to pursue? I’ve always known that I wanted to be a singer from a really young age. It’s what I said I’d do in primary school, it’s what I wanted to do in high school, and I did it in college.
Salford singer-songwriter Roukaya B claims our inaugural ‘Artist of the Month’ title (Credit: Audio North)
When I was growing up, it wasn’t accessible to the younger generation to see it as a viable career, so I was sort of teased and laughed at for it, so I never really dived into it. I could sing, and I studied music in high school, but I missed my opportunity on YouTube when it was fresh.
It was only after college that I decided to post covers to my Instagram, where people engaged, and it was cool for people to find and discover me. So I did college again as a music student, and the rest is history. All of this has become a part of my musical journey, and everything happens for a reason.
How did you come to this realisation? In short, the realisation was that I wasn’t focusing on my inner drive and trust me, it wasn’t just calling me, it was essentially shouting at me: ‘Hi, babes. Use your voice, whether it’s spoken, whether it’s singing, just use it. This is a healing tool and healing force.’
What is your ultimate dream as an artist?
I want to do a ‘Tiny Desk Concert’ or ‘COLORS’ show, and I’d love to make music with Sasha Keable – if you’re reading this, Rouyaka B wants to collab, haha!
Being true to myself and remaining authentic as I progress in my career is part of that dream. I don’t want to bang out a tune every single month; I want to make sure my work is always consistent. Being a genuine artist is my ultimate dream.
Are there any fellow up-and-coming artists you’re listening to?
Remée, or ‘That Remée Girl’, as she goes by on socials. She’s a Liverpool-based alt-grunge act and let me tell you… She. Is. COOL. There are some festival dates lined up, so if you get the chance, go see her.
This Manc creative champions the city wherever she can. (Credit: Liam Heeley)
What’s next for you in terms of your music career?
There’s a handful of live shows coming up, and they’re going to be very experimental. I also have a collection of work coming out in the future, which I can’t say too much about just yet.
There’s even a youth music project which I’m really, really, really excited about. So much is coming!
It was a pleasure chatting with Rou, and we have every faith that big things are coming for her in 2026 and beyond.