The incredible 30-year transformation of Manchester captured on camera
Len Grant has amassed the largest and most significant collection of images of Manchester’s amazing transformation. For the first time ever, we have a bigger picture of the regeneration story.
1997: The Shambles is demolished around the Old Wellington and Sinclairs pubs before they are dismantled and moved.
Most adults dread turning 30-years-old. But Len Grant will always look back on entering his third decade rather fondly.
It was at this age he decided to quit his uninspiring sales job and swap it for something he loved: Photography.
It was a bold move, especially given how there was very little to shoot.
Manchester in 1990 was a dry patch for a budding photographer. Snappers on the Hacienda beat had their hands full, but other lensmen were hard pushed to find picturesque scenes in the city worthy of publication.
New Islington and Ancoats May 2005
Springtime of that year saw photographers flock to capture prisoners rebelling on the roof during The Strangeways Riots, but the day-to-day surroundings offered little else in terms of inspiration.
Manchester looked tired; and not even the kindest camera could cheer up its forgotten inner-city neighbourhoods.
Castlefield was barren. Ancoats was a ghost town. New Islington was little more than a cluster of houses known as the Cardroom Estate. Hulme even had stray dogs scampering through its dilapidated Crescents tower block.
2002: The Cardroom Estate before its demolition to make way for New Islington.1994: The indoor arena next to Victoria Station takes shape.
Change was coming, citizens were assured. But it would be some time before Manchester was remoulded.
Until then, Len decided he would photograph the people planning these changes. Architects, entrepreneurs, town hall officers, developers, landowners, city councillors. Everyone and anyone set to play a role in Manchester’s forthcoming transformation.
His resulting exhibition, City Shapers, was displayed at the Arndale. It was his first big break. But it also created crucial contacts – meaning Len was given a front row seat whenever a new curtain was raised anywhere in the city. And he’d always take his camera with him.
Three decades on, Len has amassed the largest and most significant collection of images of Manchester’s amazing transformation. No other anthology contains as many photos across such a scope. For the first time ever, we have a bigger picture of the regeneration story.
The Fallowfield photographer is now publishing an upcoming book – in which he plans to showcase these incredible photographs to the world.
He’s got a big target to hit, but the demand is clearly there. £6,000 has already flooded in since the kickstarter was launched – and Len’s still campaigning fiercely to ensure the pictures go to print.
“I’ve been very lucky at being in the right place at the right time,” the humble photographer tells The Manc.
“There was very little in Manchester before the nineties.
“If people came to visit me around that time, I’d take them to Liverpool for a day out. There were things to do there.
“But in the early 90s, things were starting to happen. Manchester was starting to look to find a way out of its post-industrial past.”
1994: The Nynex Arena under construction.1998: The interior of Maxwell house was ripped out leaving just the facade, behind which The Printworks was built.
After getting up close and personal with many of the heavy hitters calling the shots on Manchester’s future, Len saw the blueprints unravelling right before his lens – and he was there to capture the changes when they came.
According to Len, it was the hard-headed approach of Manchester City Council that set off the regeneration domino effect.
“Manchester City Council were quite pragmatic about who they worked with,” he explains.
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“For instance, in the eighties in Liverpool, the council were militant and against the Tory government.
“But in Manchester, it was much more pragmatic. There was an organisation called the Central Manchester Development Corporation which was a government quango, and MCC worked with them to do the best for the city rather than to score political points – so that was quite significant.
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At the turn of the decade, Manchester was packed out with car parks and brownfield sites – which meant there was ample space for planning opportunities.
“Slowly but surely, there were pots of money to be able to do things,” Len explains.
“The CMDC put money into building Bridgewater Hall and the surrounding area of Castlefield – which was very run down back then; nobody went there.”
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Bridgewater Hall under construction, 19941997: The Shambles is demolished around the Old Wellington and Sinclairs pubs before they are dismantled and moved.1998: The Quays Theatre under construction at The Lowry. No Imperial War Museum North or MediaCity yet.1998: Stell framework of The Printworks following the demolition of Maxwell House.
Len has cited the construction of the Bridgewater Hall in 1995 as being one of the most pivotal moments in the regeneration of the city.
Not only was it Manchester’s first civic building since the 1930s, it was also a sign that things could – and were – starting to happen.
“I had a conversation with the council leader at the time, Graham Stringer, and he told me there were only two surviving photos of the town hall being built,” Len remembers.
“He was quite aware that Manchester was on the cusp of new change and wanted it to be documented sufficiently.”
Len was the man to photograph this transformation in all its glory, seizing the opportunity to get involved whenever new finance came flooding in for local projects.
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Change from that point on was steady but scattered – with some development even being driven by disaster.
Len recalls that Hulme won a much-needed pot of City Challenge money to redevelop the area after the inner city riots of the eighties, and finance was also made available for the city centre after the 1996 IRA bomb.
“Crucially, the city council and the private sector actually took this opportunity to work closely together – something Manchester is very good at – to bring about key renovation of the city centre at a difficult time,” he explains.
“Later, towards the turn of the millennium, there was money available from the National Lottery too, through the Millennium Commission.
“Projects like The Lowry in Salford Quays were only made possible by the dogged determination of people at Salford City Council to make that money come in.”
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2002: New Islington. Residents of the old Cardoom estate discuss plans for what will become New Islington.2004: The demolition of Maine Road football ground.
From 2000 onwards, East Manchester enjoyed tremendous change. It was sorely needed after being neglected for so long, despite the area’s influential history.
An industrial powerhouse during the 18th century, Ancoats was also the place that gave birth to Manchester’s first social housing development – with the construction of Victoria Square in 1894-97.
But when the block was completed, the rents were too expensive for the people it was originally intended for, and the area plunged into economic decline during the 1930s.
Following the war, East Manchester was essentially abandoned by everyone but its residents.
“Ancoats, Beswick, Clayton, Openshaw – you’d have never needed to go into those areas in the early nineties,” says Len.
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“There was nothing there for you to go and see. It wasn’t on the way to anywhere, either.
“When I first started photographing in Ancoats in 2002/03, the streets were dead and if you ever came across anybody you’d kind of worry you’d have your camera taken off you.
“Not many people crossed Great Ancoats Street into Ancoats from the Northern Quarter in those days.
“I’ve really enjoyed how Ancoats has changed. It’s just phenomenal looking at it now. It’s only when you see photos with the mills in them that you’re able to determine it’s the same place.”
2006: St Peters Church before Cutting Room Square is built and before The Smiths Arms is demolished.2006: The New islington canal arm and the creation of Cotton Fields.2009: Royals Mills, Ancoats during its refurbishment
Whilst sketching in Cutting Room Square one afternoon, Len got talking with a man who’d lived in the area for many years.
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He expected the resident to be sentimental for the past – as so many of us often are – but he was besotted with Ancoats 2.0. Nostalgia was no competitor for the shiny new space – which he recognised had given the area a whole new lease of life.
Len started his career by photographing people – and he has maintained that focus to this day. His interest in human subjects, and how their lives have been affected by the ever-changing skyline, has remained a key part of his work.
“I think those stories can be lost sometimes,” Len tells us.
“Which is what my book will help to cover.”
He has seen both the good and bad sides of regeneration, and whilst most of the changes have been positive, Len is hoping that further development does not come at the cost of loosened community connections.
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“We might be continuing to build, but how much effort are we putting into communities?” he asks.
“I hope that’s being considered. After all, it’s the people who make Manchester so great.
“During adversity, the strength of Manchester comes to the surface. We see that again and again. It’s even happening right now – with people in inner-city communities helping one another during coronavirus and supporting the most vulnerable.
“Many people who come to Manchester call themselves ‘adopted Mancunians’. I love how people give themselves that tag.
“I wonder how many other places around the country you’d call yourself adopted?”
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You can learn more about Len’s incredible Regeneration Manchester project online.
It will be money well spent, indeed. Stories about Manchester don’t come much better than this.
Feature
Handwritten notes addressed to strangers are being left around Manchester city centre
Georgina Pellant
Handwritten notes penned by a stranger on the other side of the world have been appearing on the streets of Manchester, giving a heartwarming lift to eagle-eyed locals in need of a few kind words.
The letters, all titled ‘Dear Stranger,’ are brimming with kindness and positivity and have been bringing a smile to the faces of passers-by in the city centre over the past few weeks.
Written by author and adopted Manc Jay Ventress, to date the campaign has spread across the globe with letters appearing in the UK, Belgium, Australia, and the United States of America.
His letter writing campaign first began as a coping mechanism at the start of the pandemic, because, as he says himself, “at the time everything felt dark, I was a Brit trapped in Australia, so to brighten up my life I began writing little letters to make a stranger smile to make me smile.”
Three years on, they have been spotted in both Manchester and Leeds – with one person in Manchester even taking the time to post a letter back in response.
Image: Jay the Author
Image: The Manc Group
Jay’s letter, which has been taped to a box on Stevenson Square, advises its readers: “When life turns cold, that’s life’s brutal gift to remind you to open your eyes to the hidden beauty of the world. To grab that hidden beauty and gift it to another stranger who might feel down.”
“If you’re stuck in a job you hate, failing school, lost and lonely living in a big city, it’s the little memories in your day that stand out and make you smile for a second.
“Moments like a stranger smiling at you, somebody opening the door for you, or finding a little letter of encouragement to remind you how special you are.”
The full letter reads: ‘Dear Stranger, sometimes when life feels tough, when everything feels painful, cold, that’s when you wake up.
“You desperately search everywhere and anywhere for a slither of hope. Like right now, look at you!
“You found my secret letter! You’re more observant than most!
“I started writing my letters in Australia, during the pandemic, because at the time everything felt dark, I was a Brit trapped in Australia, so to brighten up my life I began writing little letters to make a stranger smile to make me smile.
“If you’re stuck in a job you hate, failing school, lost nd lonely living in a big city, it’s the little memories in your day that stand out and make you smile for a second.
“Moments like a stranger smiling at you, somebody opening the door for you, or finding a little letter of encouragement to remind you how special you are. When life turns cold, that’s life’s brutal gift to remind you to open your eyes to the hidden beauty of the world. To grab that hidden beauty and gift it to another stranger who might feel down.
“Like you are doing now, if you choose to open your eyes too see, you’ll find so much beauty and if you gift that beauty to another soul, I assure you, life will reward you too.
In response to Jay’s letter, at least one local person has taken it upon themselves to write back to thank him for his efforts.
In a post shared to Jay’s Instagram of different responses from around the world, one like-minded Manc wrote: “Hi! I hope you are well! I saw your note in Manchester today, and I just wanted to share how touching I found it.
“As someone who as also struggled in the past, I keep a long notes list in my phone of ‘moments of unsaid love’ that I witness to remind myself of how much around us goes unnoticed.
“It was so lovely to read something from someone likeminded, and I saw your note just when I needed to be reminded myself. Thank you again, I hope you have a lovely day Jay!”
The 26-year-old letter writer originally hails from Yorkshire, but moved to Manchester as a teenager and worked in the city before deciding to travel the world four years ago.
Courteeners at Heaton Park – setlist, support, stage times and tickets
Daisy Jackson
The time has finally come for Courteeners to take to the stage for their massive summer homecoming gig, back in the fields of Heaton Park.
The Middleton rockers will be taking up the Friday night slot before Parklife kicks off, performing on the festival’s main stage.
The concert will celebrate the 15th anniversary of the band’s seminal debut album St Jude, back in the city where it all began.
Courteeners will be playing through that iconic debut in full, alongside all their biggest hits from their six studio albums.
It’s not the first time Courteeners – fronted by Liam Fray – have performed in Heaton Park. In fact, this is the third time they’ve gigged on this patch of home turf.
St Jude was produced by Stephen Street and spawned anthems including Not Nineteen Forever, What Took You So Long?, and No You Didn’t, No You Don’t.
It recently broke records by reaching number one upon its release, becoming the album with the longest time between release and charting at number one in history – hitting the top spot a staggering 14 years, 9 months and 14 days later.
Speaking about the special St Jude Heaton Park show, Liam Fray said: “They grow up so fast. Can’t believe our darling St. Jude is 15 next year.
Courteeners celebrating their number one album in Mr Thomas’s Chop House. Credit: Instagram @what_liam_saw
“Think it’s time for a celebration and we all know that great things come in threes….The Star Wars Trilogy, Sooty, Sweep & Soo and now, here we are, with the third instalment of ‘Courteeners at Heaton Park’. June 2015. June 2019 and now June 2023 …
“This time, to celebrate the 15th anniversary of its release we’ll be playing ST. JUDE (in full) PLUS (of course) THE HITS.
“I can’t think of any better way to celebrate than to make the pilgrimage to Heaton Park with like-minded souls and lose ourselves like it’s 2008. And, because we’re good like that, we’ve remastered the original album.
“GOD BLESS THE BAND. GOD BLESS THE FANS. OMNE TRIUM PERFECTUM.”
Here’s everything you need to know if you’re heading to see Courteeners at Heaton Park.
Who’s supporting Courteeners at Heaton Park?
DMA’s. Credit: Publicity picture
This is massive – there are FOUR acts taking to the Parklife main stage at Heaton Park before Courteeners pop up, creating what’s essentially a mini Manc festival.
First up will be a DJ set from Katie Owen, who’ll get the vibes going from the second the doors open.
Then you can sink your teeth into this lot…
Brooke Combe
Scottish singer-songwriter Brooke Combe will be the first live singer to hit the stage this Friday.
She’s a multi-instrumentalist with a seriously powerful voice, and is tipped for very big things indeed.
The Snuts
Indie rockers and festival favourites The Snuts are next up, showcasing songs from their two studio albums, including their debut W.L. which shot straight to the top of the UK Albums Chart.
They’ve supported huge names over the years, including Kings of Leon, The Kooks, and Louis Tomlinson.
DMA’s
This Aussie three-piece will be back in town this week, showing off music from their latest album How Many Dreams? as well as their three previous records.
Their gigs in Manchester always have an air of a homecoming show about them. It doesn’t really make sense – they’re half-a-globe away from their actual home – but this bunch of Aussies have adopted that very distinctive Manc swagger, down to the waterproof parkas they all wear on stage.
It’s not looking good if you’ve not managed to get tickets so far – Courteeners looks to be completely sold out.
There are a few tickets floating around on resale sites, but make sure you’re buying from a reputable site and not about to get ripped off.
What are the stage times for Courteeners and support acts?
Stage times are always subject to change, but this should be the rough times that you can stick to on Friday night.
Doors open 4pm
DJ Katie Owen – 4pm – 5.30pm
Brooke Combe – 5.30pm – 6pm
The Snuts – 6.20pm – 7pm
DMA’s – 7.30pm – 8.20pm
Courteeners – 9pm – 10.45pm
How do I get to Heaton Park?
Courteeners. Credit: Michael Clement
The area around Heaton Park is expected to be extremely busy for Courteeners, with around 40,000 people descending on the park for the gig.
This is TfGM’s advice if you’re one of them.
Metrolink
A six-minute service will operate pre and post-event to stops near the venue on the Bury line.
Please use Heaton Park for travel to the gig and Bowker Vale for travel post-event.
The last tram to the city centre from Bowker Vale will depart at 1.07am. While, the last tram to Bury from Bowker Vale will depart at 00.21am.
For the safe management of crowds exiting the concert, Heaton Park will close at 9pm on the Friday.
Buses and bus diversions
Due to the road closures and traffic around the site, a number of bus services will be diverted on Friday. Services 66, 90 and 94 will be on diversion all day on Friday, whilst diversions for services 41, 59, 135 and 156 will be implemented from 6pm until 2am.
If you plan on taking the bus, don’t forget that you can search your service and plan your journey on our bus webpage.
For more information about fares on buses in Greater Manchester, visit our Get On Board webpage.
Driving
There is a strictly-enforced residents parking only zone around the Heaton Park area.
All drop-offs and pick-ups will be directed to the Sainsburys car park on Heaton Park Road (postcode for sat navs M9 0QS).
If you have no alternative but to drive to the event, use one of 24 Park and Ride sites on the network and complete your journey by tram to Heaton Park or Bowker Vale.
What’s the expected setlist?
Courteeners have done a couple of warm-up shows before their Heaton Park gig, so we’ve got a bit of an idea of what to expect.
And yes, as mentioned already, you’ll get to hear all of that brilliant St Jude…
Aftershow Kimberley Cavorting Acrylic Kings of the New Road Please Don’t No You Didn’t, No You Don’t Bide Your Time Fallowfield Hillbilly That Kiss Yesterday, Today & Probably Tomorrow How Come Smiths Disco It Must Be Love Are You in Love With a Notion? The 17th Hanging Off Your Cloud Modern Love Not Nineteen Forever What Took You So Long?