There’s no denying that houseplants are enjoying their moment right now.
While it’s true that they cannot even remotely be considered a new phenomenon, with early historical records appearing to suggest that ornamental and fruiting plants were potted indoors by those as early as the Ancient Egyptians, Ancient Greeks, Sumerians, Romans and even in ancient China, the popularity of houseplants has been on a sharp rise over the past few years.
If that rise wasn’t sharp enough as it is though, along came lockdown.
As the country was placed under COVID-safe restrictions, and the public told to “stay at home” for the foreseeable, the upward trajectory of houseplant popularity grew astronomically, with dedicated retailers all across the country reporting a significant surge in sales over the last 11 months.
So, what is to account for such rise then? Well, it’s simple. For those stuck at home, which has been the vast majority of us at one point or another, houseplants have seemingly offered a way of brining the outside in, a way of injecting greenery into our homes, and not to mention, they have provided the perfect pastime and place to focus our attentions.
A prominent link between the keeping and tending to of houseplants, and positive benefits for our mental health, has also been identified.
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And it’s the latter concept that has particularly resonated with one Manchester-based student.
Sam Garrington – a third year Environmental Science student at Manchester Metropolitan University – shares in the nation’s burgeoning love for houseplants to such an extent that he decided to start his very own “side hustle” selling them.
Alongside his studies, Sam founded the independent online houseplant nursery RootsNShoots from his Withington home last summer, and has been supplying homegrown, hand-potted and organic houseplants at affordable prices ever since.
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His main aim was to provide people with “beautiful plants that will aid the aesthetic of any room”, but this start-up is about so much more than just selling plants.
“I want to improve mental health, without breaking the bank.” Sam told The Manc.
“We operate with small batches of plants that are rooted from cuttings and then potted, and customers receive plants in the adolescent stage of growth, which provides the benefit of being able to watch your very own plant baby grow up.”
He continued: “Since starting at university, I’ve wanted to run my own business on the side of studying, but kept putting it off and never took the plunge [and] to be honest, even though I’ve always loved house plants and have loads of my own, I never really planned this and kind of just fell into it instead”.
“It all started back in the summer of 2020 when I was gifted 20 spider plant babies.
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“I rooted and potted them up, and then couldn’t decide what to do with them all, so I just posted about them on the main student Facebook page [Manchester Students’ Group], only expecting a couple of interested people to message me, but to my surprise, all 20 had been taken within half an hour and I even had people offering to pay for them once I’d told them that I’d already promised them to other people.
“This was the birth of RootsNShoots”.
Unsplash / Leonardo Iheme
And what a journey it’s been in such a short space of time.
Sam continued: “From there, I started potting up all the cuttings I could get my hands on and kept posting on Facebook until it got to the point where I needed to solidify my progress and start a properly-branded business.
“All my stock remains homegrown and hand-potted in small batches of whatever is available to me, but now I’ve invested in grow lights and shelving, as well as branded paper bags.
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“I’ve even had people who went home to their parents for lockdown ask me to send them plants via the post.”
While the chance to spread his love for houseplants and their benefits among the student population, and eventually as far and wide as possible, is what’s at the heart of RootsNShoots, Sam is also keen to demonstrate and help fly the flag for young people with entrepreneurial spirit too.
“I really endorse the sense of community within the student population,” Sam continued.
“I believe we are stronger as a unit and I’m sick of the stereotypical view that ‘students do nothing but study and party’, when in fact, many of us pursue creative and entrepreneurial avenues to prove we are much more than just students”.
With the popularity of RootsNShoots continuing to develop by the day though, where does Sam see his “side hustle” heading in the future?
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“In all honesty, I’m just taking things gradually and seeing where it ends up.” he admitted.
“I don’t particularly see this as a job and much more as a hobby.
“I love plants and want other students to discover the beauty of foliage, so at the moment, I see this as a way to get some extra money to supplement my loan and to help pay for my own plant addiction”.
He continued: “It’s hard to say where I see it going in the future as it’s so dependent on where I end up after graduating, but I’m eventually planning on launching an online store and doing postal deliveries, which means I can target a much larger customer base than just the students of Fallowfield.
“I’ve also recently started offering terracotta pots that are designed and hand-painted by my housemate who studies Fine Art at MMU too, which have turned out to be very popular and work well with the vibe I’m trying to convey.
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“Regardless of what happens after I graduate though, I’ll always find a way to spread my love of houseplants”.
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You can find more information about RootsNShoots, as well as view the plants in stock and place your orders via the company’s Instagram account here.
Feature
A masterclass in The Art of Loving: Olivia Dean brings two unforgettable nights to Co-op Live
Emily Johnson
Olivia Dean took over Co-op Live for not one, but two nights this weekend – and what she delivered felt like a full-circle celebration of The Art of Loving, her incredible sophomore album.
From the moment Olivia’s silhouette appeared behind the curtain on night two, opening with the album’s title track, it was clear this evening was going to be special.
With a sea of polka dots on arrival, it’s evident that the 27-year-old already has great influence when it comes to style with her fans, and you could spot anyone who was attending Olivia Dean around Manchester city centre immediately.
Despite performing to a crowd of over 20,000 people, the performance felt incredibly intimate, with interactions with the crowd through the evening, even pointing out a fan’s banner saying they had been a fan of Olivia since 2019, which she was humbly taken aback by.
Her voice carried effortlessly around the arena, somehow still managing to feel soft and personal, like she was singing directly to you.
No Dean show would be complete without her incredible outfits either, and last night we were truly spoilt, with two outfit changes throughout the evening, which split the night into three chapters.
Initially appearing in a black sequin number, before reappearing in the middle of the crowd in an all-white outfit, evocative of an angel – a moment that felt intimate even in a room that size.
Later, with disco balls lowered and the energy lifted, she returned in another glitzy look for the more upbeat tracks, including a crowd-pleasing cover of ‘Move On Up’. With her band behind her, the sound filled the arena beautifully.
Everyone was on their feet having a good time, but no one was having as much fun as the woman herself, Olivia Dean.
And that’s the thing with Miss Dean, no one at her gigs is having half as much fun as she is. She’s always smiling, always glowing.
Put simply, she’s a proper ray of sunshine on stage. Towards the end of the show, Olivia looked up at the crowd and stated, “It’s magic in here tonight, Manchester”, and we all believed her.
Looking around at the crowd, arms around each other, best friends, couples – it was hard not to feel the magic too.
Highlights included ‘UFO’ with a sea of lights, which in the moment gave the whole room goosebumps, and of course, the confetti cannon, which was the grand finale to an incredible evening.
Yungblud channels a bit of magic that’d make Ozzy proud on huge headline night in Manchester
Lonnie Bowes
A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.
Emily Sergeant -
24th February 2021 
