Founded in 1836, at its peak, the zoo occupied over 165 acres of land and attracted around two million visitors a year. People traveled from all over the country to wonder at the elephants, monkeys, and camels.
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Privately financed, Belle Vue also boasted some brilliant fairground rides and rollercoasters in its amusement park – which ultimately became an equally tempting attraction as time went on.
And that wasn’t all. People would also come to sing along to their musical idols in The King’s Hall, dance the night away with their first love, marvel at the circus and see Speedway champions racing to glory on the stadium tracks.
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Belle Vue really did have everything, and as a result of this, became known as “Showground of the World”. But who was behind this private northern tourist attraction?
Image: Wikimedia Commons
Belle Vue Zoological Gardens was the brainchild of entrepreneur and part-time gardener John Jennison.
Born in 1793 in Bulwell, Nottingham, he moved to Macclesfield as a child with his family the Jennsions’ before returning to Stockport following his father’s death in 1826.
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Interestingly, Belle Vue wasn’t the Jennisons’ first foray into commercial business ownership. Prior to opening the park, John had developed and opened his own garden to the public – later adding cages of British birds, pheasants and macaws afternoticing visitors displaying interest in the garden’s native birds.
A brewhouse was even added to the plot of land too, whilst the family house was later converted into a pub called the Adam and Eve.
The Jennisons were doing well, but with what they had, there was little room for expansion.
Jennison and Newiss Collections / Chetham’s Library Online ArchivesManchester History / Chetham’s Library Online Archives
John was approached by businessman George Gill and encouraged to lease Belle Vue – then a public house in 35.75 acres of open land between Kirkmanshulme Lane and Hyde Road in Manchester.
The land was isolated and had been used for the digging of lime, but John saw its potential.
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After taking out a six-month trial lease,he soon extended to a 99-year lease and relocated his family from Stockport. They traveled light, with a handcart filled with belongings and a handful of birdcages containing parrots and other birds.
Belle Vue first opened as a ‘pleasure garden’ in 1836, containing lakes, mazes and hothouses, as well its beloved aviary.
Still, the Jennisons decided that their zoological collection had to be expanded as a matter of priority and by 1839, elephants, lions, and other exotic African animals had been added.
Fierce competition came from other attractions like the Vauxhall Gardens in Collyhurst, and the Manchester Zoological Gardens in Higher Broughton, meaning that Belle Vue was not an instant success. Jennsion. however, persevered.
Between the closure of a neighbouring zoo at Higher Broughton and the opening of the Longsight train station, more visitors soon began trickling in.
Before long John, inspired by a visit to the Great Exhibition in 1851, began to rapidly expand – and plenty of other popular attractions were subsequently added, including a racecourse in 1847.
By the late 1860s, Belle Vue was a hugely profitable business and had become iconic draw – across not just the northwest, but the whole of the UK.
But John was forced to take a back seat to his sons when it came to the day-to-day running of the attraction after he was diagnosed with cancer that began to quickly spread.
Ultimately, he passed away as a result of his illness in 1869 – leaving his family to sell Belle Vue for £250,00 (equivalent to £14.4 million in today’s money) to Harry George Skipp and Belle Vue (Manchester) Ltd in 1925.
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In 1956, the park was sold again – this time to Leslie Joseph and Charles Forte – with Forte gaining sole control in 1956.
Drawing its final breath in September 1977, the zoo’s owners decided they could no longer afford its upkeep, having suffered a loss of £100,000 that year. Still, somehow it remained open on summer weekends until 1980 – officially closing for the very last time in 1982.
As quoted in Stackhouse & Hyams’ book – Belle Vue: Manchester’s Playground – published in 2005: “When it closed, Belle Vue left a gaping hole in the heart of the region that has never been completely replaced. It gave people a focal point, something to be proud of, a place where they could take their families and be sure of a great day out at a reasonable cost.”
But for all Mancunians with a special place in their hearts for the attraction, the legacy of Bell Vue still lives on.
Feature
Giuseppe’s – the tiny Italian bistro that proves Stalybridge is fast becoming a dining destination
Daisy Jackson
Giuseppe’s in Stalybridge is a restaurant that’s putting in an enormous amount of effort to please just a very small group of people – this teeny tiny bistro has just 18 seats.
With such a small capacity no one would blame them for sitting back and scaling back to a concise little menu of pizza – but Giuseppe’s really said ‘no grazie’ to such an idea and committed itself to a full bistro menu.
It’s yet another exciting addition to the rapidly-booming restaurant scene here in Tameside, where neighbours include Cafe Continental, Gladstone Barber & Bistro, and SK15 Bar & Bistro.
Giuseppe’s arrival on the Stalybridge high street has created a cosy corner for locals, one which could quickly follow in the footsteps of Ornella’s to become a fully-booked-for-months-in-advance destination.
Inside its welcoming navy blue walls you’re welcomed by a room filled with trailing plants, ceramic lemons and a huge doodle map of Sicily.
The menu also hails from Sicily, specialising in wood-fired pizzas but also dipping a toe into pasta and small plates too.
Pizza at Giuseppe’s Italian bistro in StalybridgeA spread of dishes at Pizza at Giuseppe’s Italian bistro in Stalybridge
Giuseppe’s pizza dough is meticulously made fresh with Italian 00 flour, left to ferment for at least 48 hours, before being stretched and topped and cooked in the wood-fired pizza oven until it’s all puffed-up and charred around the edges.
At lunch times, those delicious pizza doughs are folded in half to make Italian panozzi sandwiches, the charred dough encasing fillings like Sicilian fennel sausage and friarelli, and mortadella with stracciatella.
These are strong contenders for the best pizzas this side of Greater Manchester, with a soft and chewy crust that stands up against much bigger names in the pizza game.
Rum baba at Giuseppe’sThe team at Giuseppe’s in Stalybridge
Giuseppe’s pasta bowls include a hearty paccheri with Sicilian sausage AND guanciale, all salty and rich and creamy.
And once you’ve eaten your fill in this tiny little spot, where the windows go all steamed up in winter and you’re nudging up against neighbours chatting over pizzas, you can polish off with Italian desserts too.
There’s a very respectable slab of tiramisu on offer, plus a rum baba soaked in syrup and packed with fresh cream.
Giuseppe’s in Stalybridge may be small in capacity but it’s huge on spirit.
Kinky Boots’ message transcends the music at the Palace Theatre in Manchester | Review
Oli Lowe
Kinky Boots strutted into Manchester last night (bet I’m the only reviewer witty enough to come up with an opening line that original) and in doing so encapsulated an audience with its inspiring message.
I want to preface this review by stating that up until last night, I knew next to nothing about Kinky Boots.
Admittedly, even as a born and raised theatre kid, there will always be the odd musical that manages to slip through the cracks and elude me, much like a cinephile who’s never seen Jaws and, shamefully, Kinky Boots is my Jaws. Until now.
This actually gave me a huge sense of excitement going into the press night for the all-new production of Kinky Boots.
It’s very rare that I review a show that I’m not comparing to some form of source material, a different production that I’d already seen, the movie adaptation, the original cast recording, etc.
So, to sit down last night at 7:29 absolutely clueless about what was set to unfold in front of me, was a genuine breath of fresh air.
Kinky Boots is set between the towns of Northampton, London and climatically, Milan. The story follows two lead characters Charlie Price, a Northampton boy who begins the show having just inherited his late father’s shoe manufacturing business.
It’s a fate he’s been trying to run from since his childhood and Lola/Simon, a fierce and powerful drag queen who uses their dress sense and divaesque attitude as a shield from the outside world that wishes to, ironically, drag her down
The two collide when Charlie is inspired to save his late father’s failing business by exchanging the manufacturing of boring brogues for fabulous ‘kinky boots’ that can be fabulous, whilst fully supporting the weight of any drag queen.
His energy has dropped one iota from rehearsals to the tour. (Credit: Press Images)
Johannes Radebe – best known for being one of the professionals on Strictly Come Dancing – was nothing short of absolutely breathtaking as Lola.
I’ll be honest, celebrity castings generally put me off shows more than attract me to them; in some cases, they can feel like desperate pleas to get bums in seats (which given the current state of arts within the UK, production companies can hardly be blamed for).
However, Johannes genuinely seems born to play this role. I was expecting his dancing to be well… professional but I was intrigued to see how his vocals and acting would compare and boy, oh boy, did they compare. He didn’t miss a beat.
His acting was fierce and powerful, just as his character demanded whilst also showing real vulnerability and humility. In terms of individual performances, it’s one of the best I’ve seen at Manchester’s Palace Theatre for a long while.
The supporting cast was just as fabulous, with special shoutouts to Courtney Bowman who played the adorably loveable Lauren, whilst delivering serious powerhouse vocals and to Scott Paige who played George.
You could see through Scott’s performance a real sense of pride and shared experience with the story plus his comedic timing was absolutely impeccable, I hope to see more of him in the future.
Kinky Boots boasts a strong supporting cast all-round (Credit: Supplied via Palace Theatre Manchester).
With a book by Harvey Fierstein and music and lyrics by the legendary Cyndi Lauper, I must admit it’s Harvey who carries the weight in this production.
Whilst catchy enough to tap your feet to, I didn’t leave the theatre with so much as an earworm from Cyndi’s musical offering, however, the heart and passion of the story is something I think everyone should look to experience.
Kinky Boots is about accepting people for who they are instead of seeking to change them and this show does a fantastic job of encapsulating that message, not only from the standpoint of the LGBTQ+ community but for everyone.
The show implores people to accept everyone from the fiercest drag queen to the most bullish, typical ‘blokes’ out there and the way each of those groups manages to come together by the end of the production is a testament to what can happen if we all embrace each other with open arms.
Kinky Boots is only in Manchester until Saturday (8 February), so please, get tickets if you can and go and see this fabulous show. You can grab yours HERE. Who knows? Maybe you’ll get to see a living legend in the flesh like we did…