You don’t get many chances to see one of the greatest musicians of all time play a huge homecoming show in front of nearly 25,000 of his own, so Noel Gallagher’s massive Manchester gig in Wythenshawe Park was always a must-not-missfor us.
To be fair, you don’t even need to be from these parts to understand how big a deal it was for so many locals to get the chance to see someone from ’round their way hold not only one of the biggest concerts of the year but the first ever live concert Wythenshawe Park has ever seen.
It’s only been a couple of months since Noel and his High Flying Birds released Council Skies, the eldest Gallagher brother’s fourth solo studio album, but we’ve had plenty of time to sit with it since then and can comfortably say it’s some of the best stuff he’s released post-Oasis.
That being said, it felt beyond special to hear something with that title played smack bang in the middle of one of the biggest council estates in Europe and enjoy an album that celebrates a lot of what growing up in places like these is all about among a predominantly Manc crowd. And that was just one part of what was a great day of music.
Wythenshawe has never seen anything like this (Credit: The Manc Group/mcrjh.pix via Instagram)
It was a massively busy day for Greater Manchester as a whole and, in truth, with so much going on in the city centre alone we didn’t manage to make it over to the 109-acre park until around 5ish, just before support act Future Islands got going — a gig we’d normally pay good money just to see on their own.
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However, The Manc office favourites unfortunately only got a few songs in before the weather turned on us and frenetic frontman Samuel T. Herring, already pretty soaked from the rain, had to inform the crowd that they were going off-stage for a little while because of a thunder warning.
Ironically, the break came in what was a moment of calm before the literal storm, as the American synth-wave outfit were playing their latest single, ‘Deep in the Night’: a slower, more solemn tune compared to the likes of ‘Seasons (Waiting On You)’ — a fan favourite hit that they had no trouble getting started with.
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Sadly, however, we weren’t to know that they wouldn’t be coming back on and as the big screen flashed up with the message “temporary show stop”, the thunder and lightning arrived right on cue. What we did here from them was as magical as always and rest assured, we’ll be seeing them again soon.
Noel Gallagher Live at Wythenshawe Park didn’t get off to the best of starts…
Once the deluge had ended and we seized the opportunity to get some proper scran in us as thousands took shelter under tents, trees and the small overhangs of food vans, we ventured back out into the big field with our hoods up and our spirits still high.
The whole scene was as quintessentially Manc as you can imagine: rain falling on a sea of Adidas trainers, parkas, arm-swinging walks, bucket hats and the rest of it. You get the picture.
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We got even more British festival vibes when the second support act, Primal Scream, came out too. Legends in their own right, it almost felt like just any old Tuesday for the Scottish indie pop and alt-rock veterans, who didn’t mess around when it came to understanding the assignment.
Playing all the hits from ‘Movin’ on Up’ and ‘Come Together’, to ‘Rocks’, ‘Loaded’ and more — all while dressed to the nines and backed by an incredible choir of backing singers, might we add — it felt like everyone’s mums and dads were twisting away as the younger lot watched on at them rolling back the years as if to say, ‘oh yeah, they’ve done all this before’.
All time bop.
And then when the moment finally came (after a fairly long break, we have to admit) and Noel himself took to the stage, it felt like the perfect marriage of that same nostalgic feeling and all those who have come along for the journey of listening to his more recent stuff.
From where we stood, at least, it didn’t seem like there was a single song people didn’t know and love. Be it the very first High Flying Birds tunes that people fell ever heard like ‘If I Had A Gun…’, ‘AKA… What a Life!’ and ‘Everybody’s on the Run’, to ‘The Dying of the Light’, ‘Dead in the Water’, ‘Pretty Boy’ and everything in between, we barely heard a word missed.
It was a reminder of just how many incredible songs the 56-year-old has written even in the time since Oasis called it a day. We don’t think you’ll find many other artists that have continued to pump out so many recognisable tunes and incredible lyrics after what most would call their heyday — Noel included.
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Whether you’re on board with his and Liam‘s posturing, opinions and general cocky image they’ve been maintaining for 30-odd years now, one thing you can never dispute is that this particular Gallagher brother remains one of the greatest and most prolific songwriters to ever do it.
Of course, the main event for most people in that field was when he started playing Oasis songs and while we’d waited quite a long time to hear some of those HFB tunes, most of us had waited even longer to hear ‘Little By Little’, ‘Live Forever’, ‘Half The World Away’ and countless other classics live.
Having shoved Pep Guardiola and Man City down our throats for a considerable amount of the night — a bright blue illuminated badge and a cardboard cut-out of the Catalan coach watching over the entire stage — he even got one last dig in by playing B-side ‘Going Nowhere’ and dedicating it to United.
It was all good fun, of course; large sections of the crowd got their boos in and enjoyed banter with each other but as the show drew to its conclusion, they came back together for one last beautiful moment: belting ‘Don’t Look Back in Anger’ at the top of their lungs. The man himself didn’t need to sing a word.
The fact is, this part of Greater Manchester doesn’t often get the kind of love and respect it deserves but nights like this proved just how much potential this region still has to offer and we’re pretty confident that after this landmark event, Noel Gallagher won’t be the last big name you’ll see playing Live at Wythenshawe Park.
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Sounded a lot better here than it did all them times leaving Fifth.
The legendary Hulme community pub The Old Abbey Taphouse has been reborn
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme and the surrounding university district area; the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue lives on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, has now been carefully and lovingly restored ahead of its big relaunch, which will start in true Manc vision with an exclusive opening night gig.
The Abbey is reborn. (Credit: The Manc Group)
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’s also affordable, hearty pub grub, including Pieminister pies, and a huge range of beers from local breweries and beyond.
Bringing The Abbey back to life are a core team of four: Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth.
Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manc venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year.
As for Gareth, he’s the founder of the multi-venue festival Manchester Psych Fest, meaning that all of them have plenty of hospitality, late-night, live music and events experience between them.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch are part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth from the new Abbey team commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area.
“We’re honouring the pub’s history while building its future.”
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.
Danny Jones -
27th August 2023 
