Friday night’s gig at New Century Hall was one of those where you’re so stunned by the show that you’re left wishing the act in front of you was Manc so you could claim them as you’re own – but sadly Novo Amor is a Welshman and we had to give him back.
The stage name for the highly impressive multi-instrumentalist and producer, Ali John Meredith-Lacey, in truth seeing him for the first time here in Manchester proved that the Novo Amor really is the sum of many talented parts.
Much like Bon Iver in that sense and in style, sound and approach to making music, for without Justin Vernon and co. there would be no Novo, one of our first worries was that he would be unable to carry over the level of production and sound design heard on the albums to the stage performance.
That’s where his full band came in, who ensured not only that the whole thing sounded virtually studio-perfect but took a step beyond what we ever thought we’d get to hear at a Novo Amor gig. And it all started with Ed Tullet performing under his own stage name Lowswimer for the opening act.
Lowswimmer supporting Novo Amor in Manchester (Credit: The Manc Audio)
Anyone who listens to Novo will likely be aware of the little sub-group of artists that all swim in the same circle, from Ali himself to the likes Gia Margaret, Sean Carey (part of Bon Iver) and Yvette Young, to Hailaker – Tullet being one-half opposite Jemima Coulter – as well as Lowswimmer and several others.
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He might have only played a handful of songs with only a guitar, including a couple of beautiful Hailaker tracks, but it was more than enough to leave an impression of the very sincere artist who clearly has a massive influence on all of those around him.
Explaining that this would be his second to last show perform with Novo Amor due to health issues and the general toll of touring, having helped write, record, produce and play the bulk of music ever put out under that name since day dot, it was a fittingly sombre and intimate warm-up.
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However, even in delivering the more stripped-back set we were already half expecting from the headliner, we almost managed to get both sides of this little mini-music community: the quieter acoustic stuff where big vocals moments are left to shine, and they did, as well as the real deal.
There was even a moment when tiny embers began to flicker as if you were listening to the guitar around a campfire.
When Ali and the rest of his band finally walked out on stage, with Ed himself receding back into what looked to be the more comfortable position just outside of the spotlight, it suddenly dawned on us that it wouldn’t just be a few folky guitars and some nice piano playing.
After the Lowswimmer’s ironically low-lit stage had somehow managed to hide a quietly better-budget backdrop, the stage suddenly began to light up as Novo Amor wandered on to pick up their instruments and play and from here on out we were just as captivated by the lights and effects as we were the music.
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Be it thin but sharp white lines tracing the borders of light boxes like a weird game of snake; solid blocks of electric blues, warm yellows and moody reds appearing on perfectly-timed musical cues or dots delicately twinkling into a slow-moving constellation, each song felt like an experience.
Not sure we’ll ever get over seeing this track being introduced in such a stunning way and in a venue as eye-catching as New Century:
Novo Amor stuns Manchester with ‘Same Day, Same Face’, fresh from his new album Collapse List at New Century.
Similar to Ed when he was busy tuning his guitar, Ali let on that his talent lies in bringing these intricately built-up tracks to life not only in record form but in translating them for the live shows too, choosing to ask ChatGPT for some ‘on-stage banter in the style of Novo Amor’ to fill the gaps.
Truthfully, as much as both parties said they were ‘not good at this kind of stuff’, he did a good job at handling the short lulls between songs by letting people ask questions, daft or not, as well as making sure water got to those feeling faint in the hot room. Everyone was fine, don’t worry.
In fact, when one girl seemingly passed out nearer to the front of the crowd as he came towards the end of fan favourite Halloween (you have no idea how gorgeous that song sounds with a full room of people singing it back, by the way), he still managed to check on her whilst quietly playing the outro. A total pro.
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Those were the three key letters here in every sense the more we think about it; be it the effortless professionalism in recreating what you hear in your headphones down to the tee and then some live, or the production levels and simple but striking set design behind them, it was verging on surreal.
We might not have been anticipating such a put-together set and overall level of production both in terms of sound and the often mesmerising visuals but we don’t know why, because we absolutely should’ve.
This is what you get when you put a group of extremely talented musicians and multi-instrumentalists together in one place. They might make highly complex, heavily layered and often delicate sounds with electronics and technology playing a big role, but they also know how to ramp it up for an audience.
All we can pray is that the next time Novo is back in Manchester he brings at least one half of Hailaker along again and maybe a surprise showing from another corner of this collective.
A special shout-out has to go to Ed as well; we have no shame in admitting that watching Ali looking on at his long-term creative partner and mate with a smile as he signed off his time with the live band by belting out the final tune had us welling up.
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Novo Amor might not be from Manchester but we want him back soon.
The nominees for the Critics’ Choice award at the 2026 BRITs in Manchester have been revealed
Danny Jones
With the upcoming BRITs ceremony coming to Manchester, we’re more all over the nominations than ever, especially now that the Critics’ Choice nominees for 2026 have been confirmed.
2023 was the annual Chanel ‘Metiers D’Art’ show, 2024 was the MTV EMAs, and next summer will see the BRITs; gosh, Manchester really is in vogue, isn’t it?
Commenting on the nomination, he told the BRITs: “Ya beauty! Tapadh leibh [‘thank you’ in Gaelic] for recognising my work for this award, you legends! Even though I’m Scottish and Irish before I’m British, I appreciate the BRITs critics for this recognition.
“I really care about and believe in this music, and it makes my world brighter every time it reaches someone else. Hopefully, this nomination means some more beautiful people might find something in this wee album. ‘Mon the gays!”
Rose Gray
Next up in the nods is London’s Rose Gray – a solo star who has developed a cult following thanks to songs like ‘ATTENTION!’, ‘Wet & Wild’, ‘Angel of Satisfaction’ and more.
Also the long-time partner and childhood sweetheart of Babygirl, Iron Claw and The King’s Man actor, Harris Dickinson, Gray has been riding a particular wave of popularity over the past year or so, especially after the release of her A Little Louder, Please (Deluxe) double album this past October.
She said in a statement: “I’m so excited for this nomination! This moment feels like a special reminder of how far this journey has carried me and what a crazy year it’s been. One year ago, I was manifesting so hard for my album to travel, to find its people, to really get its light. And it did. Releasing this record has genuinely changed my life…”
Lastly, in at number three is the 20-year-old singer-songwriter, Sienna Spiro, whose soulful voice sounds like one with much more life experience and years of emotion under its belt; it’s no wonder that she’s resonated with multiple generations, let alone been recognised by the panel.
With big theatrical ballads like ‘Die On This Hill’, ‘You Stole The Show’, as well as heavily-streamed songs like ‘MAYBE.’, ‘BACK TO BLONDE’ and more in her impressive and fast-growing discography, we know she’ll go far even if she doesn’t win – you can bank on that.
She added: “So beyond honoured and grateful to be nominated for this year’s Critics’ Choice BRIT Award! To think I started releasing music last year, I would never have expected this at all. Thank you so much!”
Having looked again at the list of people who’ve been both shortlisted and those who have gone on to win it, trust us, you’ll want to be paying attention to this one…
For context:
Past BRITs Critics’ Choice / Rising Star winners and nominees
2008 – Adele (Duffy, Foals)
2009 – Florence + The Machine (Little Boots, White Lies)
2010 – Ellie Goulding (Delphic, Marina and the Diamonds)
2011 – Jessie J (James Blake, The Vaccines)
2012 – Emeli Sandé (Michael Kiwanuka, Maverick Sabre)
So yeah, it’s fair to say that anyone even in the running for this accolade tends to go on to do even more bigger and better things than they already have.
Tickets to be at the 2026 BRIT Awards at Co-op Live in person for whoever picks up the Critics’ Choice gong, as well as all the other categories, are live now.
Featured Images — Audio North/Press shots (supplied)
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The biggest rock band on Earth is coming to Manchester, with hundreds of musicians on stage
Daisy Jackson
Rockin’1000 will be heading to Manchester next spring, with the biggest rock band on Earth performing timeless anthems.
And when we say it’s the biggest rock band on Earth, we’re not being sensationalist – there’ll be 300 musicians performing together.
Guitarists, bassists, drummers, keyboardists, singers, and even an orchestral section will all play together for a rock concert on a scale the UK has never seen before.
The AO Arena is set to host Rockin’1000 in March next year – and musicians of all skill levels are being invited to apply to perform.
There are more than 100,000 musicians as part of the band worldwide, and if you’d like to be one of them before the show arrives in Manchester you can register HERE.
Rockin’1000 began in 2015 with a viral performance of 1,000 musicians playing a Foo Fighters song in Cesena in Italy.
Since then, it’s grown into a worldwide community of musicians and has sold more than 300,00 tickets to large-scale and ambitious rock concerts in 20 different countries.
Rockin’1000 will come to the AO Arena in Manchester
Despite being one of Europe’s largest venues, the indoor nature of the AO Arena means that the number of performers will be reduced to 300, who will fill the floor of the arena.
Fabio Zaffagnini, Founder of Rockin’1000 said “The UK’s music culture is unrivalled, and Manchester is one of the world’s great music cities.
“Bringing 1,000 musicians together under one roof creates a powerful emotional connection for everyone involved, on stage and in the crowd.
“We cannot wait to share this experience with UK fans.”
Rockin’1000 will be at the AO Arena in Manchester on Saturday 7 March, with 300 musicians performing together at once.
Tickets will go on sale from 10am on Friday 5 December HERE.
Danny Jones -
12th April 2024 
