Like so many of us, Paul Grogan spends most of his time at home these days.
With three kids being home-schooled by his wife Marian, they have had to get better at multitasking – sharing the chores whilst running two businesses.
On this particularly wintry January afternoon in Radcliffe, Paul’s got the phone in one hand and cutlery in the other, making his youngest son’s lunch as he talks.
“Working from home with three kids here… there’s always a lot going on as you can imagine,” he chuckles.
For a man who’s spent a huge chunk of his life exploring the outdoors taking photos, the past year has been quite the adjustment for Paul.
The pandemic has domesticated even the biggest nomads – but it’s been particularly challenging for photographers who ordinarily rely on the freedom to roam in return for a paycheque.
“[COVID] has impacted everything quite significantly for me,” Paul tells us.
“I’m quite fortunate in that I own a branding and web design agency, so I have income from there. But I know a lot of photographers who have really struggled.”
“Ever since the tiers were brought in, we haven’t been able to leave our boroughs.
“I know it’s technically work, but I still shouldn’t be going from Manchester to the Lake District just to take some photographs, should I?
“We need to stay local.”
Due to the ongoing national lockdown; Paul is confined to his market town in Bury for the foreseeable future.
For a photographer, there are much worse places to be, of course.
“There’s plenty of really cool buildings knocking about in Radcliffe,” Paul says.
“It’s a place that’s stuck in time a bit.
“It doesn’t have the clamour of Prestwich and Whitefield. That will change eventually, I think, but for the time being we’ve still got these interesting 70s and 80s vibes that make it quite an interesting looking place… especially when the light catches it just right.”
Paul has grabbed some snaps of his local town and the surrounding greenery on his weekend lockdown walks, but many of his most famous images were captured pre-COVID nine miles south in the rainy metropolis of skyscrapers and lights.
For the past twenty years, Paul’s been taking the kind of landscape photos of Manchester city centre that strike a chord with locals and out-of-towners alike – selling hundreds to people right around the world.
Paul’s prints have been sent to addresses in the States, Canada, Australia, States, Spain, Norway and Germany; and copies of his hugely-successful Made of Manchester Photobook were even purchased by airline Virgin Atlantic for passengers taking flights to Manchester.
It’s the kind of track record that puts Paul among the top local photographers of current times.
But his biggest project is only just getting started.
Paul has been given the great responsibility of producing a Manchester edition for Fotovue – one of the most popular, widely-published city and country guidebooks available.
“The book will include lots of things for people to look out for in Manchester,” Paul explains.
“It’s a proper guidebook.
“The whole thing will be done over a longer period of two or three years and it’ll involve going to certain spots at certain times; for example Salford Quays at sunrise or Ancoats in the evening when the sun is coming down the streets.”
Paul refers to these types of areas as ‘Honeypot locations’ – places where there are lots of opportunities for good photos, or ‘more honey for the bees’.
It’s a fitting statement to describe Manchester. Worker bees are a symbol of unity in adversity here; with Mancs prideful hanging images of the yellow and black insects up in their homes.
Perhaps unsurprisingly, one of Paul’s most popular photos is a shot of a bee statue taken from the Town Hall.
“I’d been attending a wedding as a guest, and thought ‘oh, that looks nice’, shot it and carried on,” Paul says.
“I didn’t think it was particularly exciting at the time.”
But this simple shot – dipped in a honey-glazed hue – has become iconic; with copies being shipped off to all four corners of the globe.
A few years prior, Paul also saw huge demand for his bee prints in the midst of the Arena Bombing. But on this occasion he refused to take the money.
“I decided I can’t profit off this,” he stated.
“I donated all that money to the charity set up by Manchester City Council.
“It’s important to do these kinds of things.”
www.paulgroganphotography.com
Paul’s career as a photographer has taken him to almost everywhere in Manchester; up to the roof of Piccadilly Tower; into the city’s nooks and crannies; and even onto book pages alongside the Tony Walsh poem ‘This is the Place’.
But when it comes to defining what makes Manchester quite so photogenic, Paul doesn’t think there’s any single right answer.
“Manchester’s definitely got something special… but there’s so much about it,” he says, racking his brains.
“We’re the first industrial city. We invented the global economy. A lot has changed here since the late eighties early 90s with the music which obviously started it all. But it’s retained a lot of its decrepit, decaying stuff, too.
“If you go to Spinningfields at the right time of day you can pick out the juxtaposition between new and old; a shiny building close to a shutter that hasn’t been open for 30 years.
“But then, there’s the industrial heritage in Ancoats, too, and the gorgeous old buildings still standing. St John St Hotel is one. And the Hatters Hotel – that’s a stunning building. In another city it would be a boutique hotel that locals couldn’t afford to use. It’s great that it’s retained a degree of its authenticity.”
www.paulgroganphotography.com
Hopefully, it won’t be too long before Paul is allowed to venture back out into the city and snap more photos for the world to feast their eyes upon.
When he does, he’ll be considering the same ingredients as always: Looking; lighting; and luck.
“Getting good photos is a mix of knowing what you’re looking for and getting the right light,” Paul tells us.
“That photo caught on the corner of Deansgate – Manchester in the rain – is a perfect example of right place, right time. It’s a fantastic photograph.
“That’s the thing about Manchester. There are proper little nuggets you can find everywhere.
You can sleep in a luxury train carriage at an old railway station in Greater Manchester
Thomas Melia
There’s an Airbnb listing in Delph where you can stay in a classic converted train carriage, and it’s even situated in an old train station, so someone buy my ticket ASAP.
Get ready to have the best train experience of your life, as the only cancellation you have to worry about is booking the day off work.
The Carriage at The Old Station is a two-person character property in Delph, Saddleworth that offers you the chance to live out your vintage fantasy by stepping back in time on a luxury static train coach.
It may be situated at an old station, but the interior is refreshing and light with mint blue beams, fuchsia cushions and a royal red carpet and curtains.
As well as a majestic interior, this carriage has an equally impressive amount of amenities, including a Bluetooth sound system, board games and its own indoor fireplace.
This Airbnb is fairly new too, with only 44 reviews to its name – the first only dating back to September of last year; don’t say we don’t find you some absolute gems.
Inside the Airbnb that’s an old converted train carriage.The interior of this Airbnb listing is bold and impressive.
One user even stated, “We regularly stay in five-star locations and this surpassed five-star easily! We highly recommend a stay here.”
While another opened her review with three simple adjectives that we also feel perfectly sum up this train carriage property perfectly: “Opulent, indulgent, extravagant”.
It should come as no surprise that this place is beautiful inside and out, as in the description, host of the property Nigel states he’s a retired designer.
The train carriage stay is also close to a proper country pub, The Old Bell Inn, as well as the Diggle canal walk if you fancy a stroll and a pint before tucking into bed in your old train carriage for the night.
Even the bathroom has pops of colour throughout.You could stay in this train carriage at an old train station.
If you’re after boarding The Carriage at The Old Station and having a fabulous overnight stay or mini holiday of your own, you can find the Airbnb listing and everything you need to know HERE.
Review | Dua Lipa had Anfield levitating on her first night in Liverpool
Thomas Melia
British-Albanian performer and prolific pop star Dua Lipa is halfway through her first-ever international stadium tour, and it’s nothing shy of a spectacle – night one in Liverpool living, breathing, levitating proof.
To say I wasn’t singing more than half of this setlist verbatim would be a lie; the setlist for Lipa’s Radical Optimism tour is stacked with hits upon mega hits.
Her commanding single ‘Training Season’ kicks things off and besides getting the whole stadium hyped up, it sets the tone for the night ahead, one Dua has full control of, and also features a firework or two.
Within 15 minutes of stepping onto the stage, the unofficial anthem of Anfield’s resident football club and recently re-crowned Premier League champions, Liverpool FC, was played.
Dua Lipa performing ‘Physical’ at Anfield Stadium.Smiles all round at the ‘Radical Optimism’ tour in Liverpool.Credit: Audio North
In fact, ‘One Kiss’ was met with an unmatched electric energy that she ended up playing it again later on, because why the hell not?
This isn’t just a song: it’s a beast. When you’re playing a song that’s spent eight weeks at No.1, has 2.5 billion streams and at an arena with a legacy like Anfield‘s, there was simply no way these fans were going to be tame.
Similarly, partway through the second act, Lipa had the audience wrapped around her fingers once more as she played the dance-inducing smash ‘Levitating’. In that moment, we were all her “sugarboos.”
This was a proper crowd-pleasing moment. To be honest, they all were.
As we strut our stuff into the third act, we’re met with another dancefloor filler, ‘Physical’, fans were ready and waiting to chant “let’s get physical” with the superstar.
The fourth act, on the other hand, was much more relaxed. Ms. Lipa took some time to show her love to some of the album’s deeper cuts; I greatly appreciated being able to belt out “How looong?” as she played ‘Falling Forever.’
She finished this segment with the song that started it all, one she’s never forgotten to play since bursting onto the music scene back in 2015: ‘Be The One.’
Dua Lipa and Dave McCabe (The Zutons) performing ‘Valerie’.The superstar taking pictures with fans at Anfield.Liverpool is in for a treat if the second Dua Lipa show is even half as good as night one at Anfield.
Dua, let us tell you something, you’ll always be the one.
The encore felt like the epitome of all things Dua Lipa. It’s like when you hear that one ABBA megamix that has you shouting, “Oh, I know this one… and I know this one too!”
And rightly so, with a back-to-back, four-song medley spanning from ‘New Rules’ and ‘Dance the Night’, to ‘Don’t Start Now’ and ‘Houdini’. Perfect, perfect, perfect.
— DANIEL is calling..☎️💜 (@daniel__SG) June 24, 2025
After this medley, night one of the ‘Radical Optimism’ tour was over, but we and the fans were certainly left feeling radically optimistic.
Come on, how can you not be when the timeless classic ‘I Wanna Dance With Somebody’ by Whitney Houston is soundtracking your concert exit?
I have one last question for anyone who hasn’t splashed the cash for one of her shows yet… if you’re not watching Dua Lipa live, then ‘Whatcha Doing’?
Lipa had the crowd well and truly in her fingertips.Dua gave quite the performance in Merseyside.An increasing master of not just pop songs but stagecraft too. (Credit: Audio North)