Carl Cox presents Awesome Soundwave (live), O2 Victoria Warehouse
When: 15 September, 10pm-4am
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House & Techno titan Carl Cox brings his Awesome Soundwave concept to Manchester for the very first time. Witness Carl in a never seen before setting as he debuts his new LIVE performance in the heart of Manchester for a show that is set to hit global festival stages in 2023.
90s Baby Classical with 17-piece elemental orchestra, Albert Hall
When: 30 September, 8pm-1am
Get ready for a spectacular 90s night with some of the best artists and vocalists from the era. This unique show includes a full 17-piece elemental orchestra performing live alongside the artists this autumn.
Green Island Festival VI, Hulme Community Garden Centre
When: 17 September, 12-9pm
Green Island Festival is an immersive event located within the famous Hulme Garden Centre, connected to the innovative Niamos Radical Arts centre and just a skip away from the heart of Manchester.
This community-inspired event serves as a sanctuary from a hectic urban lifestyle. For many, this will be an opportunity to discover the beauty of the garden centre that has been a cultural epicentre, and community hub in Manchester for decades.
Manchester Mind Body Spirit & Yoga festival, Bowler’s Exhibition Centre
When: 24-25 September, 10am-5pm (last entry 4pm)
Spend the day or maybe the weekend, wandering around our amazing exhibitors, covering all aspects of Mind Body Spirit & Yoga. Get a tarot reading, reflexology treatment, a spot of retail therapy.
This event will have 120 fabulous exhibitors, will have 2 areas of inspirational talks and workshops, a YOGA Zone, onsite catering, including vegan and vegetarian, free parking for over 600 cars, free wifi, 2 minutes from Junction 9 of the M60.
Craig Charles Funk & Soul Club ft. The Plimp, Band on the Wall
When: 24 September, 9pm-3am
Legendary actor, host and broadcaster Craig Charles of Red Dwarf, Robot Wars and Coronation Street fame is also one of the UK’s best-loved Funk and Soul DJ’s. He returns to Band on the Wall this month with a special guest appearance from The Plimp.
Mica Millar Heaven Knows album launch, Albert Hall
When: 25 September, 7-11pm
Join Mica Millar for her hometown album launch at Manchester’s iconic Albert Hall performing her brand new debut album ‘Heaven Knows in full, with her eight-piece live band – a show not to be missed by fans across the Northwest with special guests support from Cherise (Live) and DJ Chaise (DJ Set).
Libero w/ Mike Morrisey, Luke Welsh, Dan Costello and Brodyr, The Lockup
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The Lockup in Salford hosts an end-of-summer day and night party from Libero this month. As the first limited capacity show organisers have thrown in a long time, it’s expected to sell out quickly. One that house, minimal and tech house fans won’t want to miss.
Hit & Run x Calm Sessions: Last of the summer whine day party, Six Trees Kitchen
When: 17 September , 1pm to 10pm (last entry 4pm)
Bringing together a mix of big name heavy hitters and local favourites, Hit & Run team up with Calm Sessions for its ‘last of the summer whine day’ party at Six Trees Kitchen in Trafford. Catch sets from P Money, Sicaria Sound, Sparkz, Chimpo and Disaffected amongst others.
A masterclass in The Art of Loving: Olivia Dean brings two unforgettable nights to Co-op Live
Emily Johnson
Olivia Dean took over Co-op Live for not one, but two nights this weekend – and what she delivered felt like a full-circle celebration of The Art of Loving, her incredible sophomore album.
From the moment Olivia’s silhouette appeared behind the curtain on night two, opening with the album’s title track, it was clear this evening was going to be special.
With a sea of polka dots on arrival, it’s evident that the 27-year-old already has great influence when it comes to style with her fans, and you could spot anyone who was attending Olivia Dean around Manchester city centre immediately.
Despite performing to a crowd of over 20,000 people, the performance felt incredibly intimate, with interactions with the crowd through the evening, even pointing out a fan’s banner saying they had been a fan of Olivia since 2019, which she was humbly taken aback by.
Her voice carried effortlessly around the arena, somehow still managing to feel soft and personal, like she was singing directly to you.
No Dean show would be complete without her incredible outfits either, and last night we were truly spoilt, with two outfit changes throughout the evening, which split the night into three chapters.
Initially appearing in a black sequin number, before reappearing in the middle of the crowd in an all-white outfit, evocative of an angel – a moment that felt intimate even in a room that size.
Later, with disco balls lowered and the energy lifted, she returned in another glitzy look for the more upbeat tracks, including a crowd-pleasing cover of ‘Move On Up’. With her band behind her, the sound filled the arena beautifully.
Everyone was on their feet having a good time, but no one was having as much fun as the woman herself, Olivia Dean.
And that’s the thing with Miss Dean, no one at her gigs is having half as much fun as she is. She’s always smiling, always glowing.
Put simply, she’s a proper ray of sunshine on stage. Towards the end of the show, Olivia looked up at the crowd and stated, “It’s magic in here tonight, Manchester”, and we all believed her.
Looking around at the crowd, arms around each other, best friends, couples – it was hard not to feel the magic too.
Highlights included ‘UFO’ with a sea of lights, which in the moment gave the whole room goosebumps, and of course, the confetti cannon, which was the grand finale to an incredible evening.
Yungblud channels a bit of magic that’d make Ozzy proud on huge headline night in Manchester
Lonnie Bowes
A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.
The Manc -
12th September 2022 
