It’s hard to believe it’s been a whole year since we last gave you a list of New Year’s Eve parties, but time marches on and it’s already time to ring in another new year.
As is usual with Manchester, there’ll be lively celebrations going on in all corners of the city, from the tiny club nights that go til dawn to the world-famous series drawing tens of thousands into one room.
Some of the city’s biggest parties – like The Warehouse Project’s New Year’s Eve club night at Depot Mayfield – have already sold out, but there are plenty more events to sink your teeth in to.
There’s loads going on in Manchester on 31 December, with tickets still available for a lot of the city’s biggest parties.
One of Manchester’s best-loved club nights will be taking over the newly-reborn New Century for an almighty New Year’s Eve party.
Homoelectric’s NYE party promises ‘an evening of cosmic grooves, street soul, slo mo dance, boogie, black heart disco, us garage, house, technoid outerspace sonic science and bass buggin’ rawness’.
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They say: “It seemed perfect timing to host a very special Homoelectric at this venue on New Years Eve and do something completely different from our normal dark basement back street affair.
“This our last Homoelectric party of the year. To say we are excited is an understatement.”
Famed for its all-in lavish parties, The Refuge won’t be holding back as it rings in 2023, promising to ‘turn up the heat a little’.
They’re promising to add a dash of tropical energy to Manchester, with afro-latin music, deep house and disco, explosions of colour and immersive performances.
Artists will include Hannah O’Gorman and Isaac Williams a.k.a. DJ collective, Nossa, and Levi Love.
Dine and Dance tickets are sold out but you can still get Let’s Dance tickets £30 here – including a glass of prosecco if you rock up before 9pm.
Dance into the Future at Ramona
Credit: Ramona
Fast becoming a fan favourite for a night out is Ramona and the Firehouse, located in an old MOT garage just of Swan Street.
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By day it’s pizza and margaritas, but by night, it’s glitterballs and catwalks.
31 December will be their ‘biggest party yet’ in the Ramona festival tipi, featuring live performances including Age of Glass, guest DJs and dance tents.
Tickets cost £27.50 and are available through See Tickets.
One of the city’s longest-running club nights is getting stuck in to all the New Year’s Eve action, right through to 4am on 1 January.
Funkademia has been running since 1995 and is heading back to its spiritual home Mint Lounge with disco and funk bangers all night long.
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From Michael Jackson to Aretha Franklin to James Brown to Chaka Khan to Stevie Wonder to Snoop Dogg to Prince to Diana Ross to Chic and Sister Sledge and everything in between, you’ll absolutely not want to leave that dance floor.
Tickets start at £6.60 if you’re quick – visit Skiddle for yours.
Disco Dancer at Bundobust Brewery
Bundobust Brewery. Credit: Supplied
Bundobust Brewery, easily one of Manchester’s coolest restaurants and bars, is keeping the doors open and the vibes going until 1am on New Year’s Eve.
Their Disco Dancer event – theme is Bundobust Brewery goes to Bollywood – will have entertainment, projections, and a party soundtrack from Andy Votel.
Starting the party will be Niamh McGuinness from Angel Meadows Soul Club, one of Manchester’s rising clubnight heroes. Expect rousing Northern Soul, Motown, and R&B selections 6-9pm before Andy takes over the decks.
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Tickets are just a tenner, which includes two drinks. Would be rude not to. Get yours here.
Keep It Unreal Nye: Mr. Scruff + Mc Kwasi at Band on the Wall
You know it’s going to be a good Manc knees-up when Mr Scruff is on the bill, and especially when that bill is taking place at the legendary Band on the Wall.
Alongside MC Kwasi, they’ll bring in the new year with a six-hour DJ session of jazz, soul, hip hop, funk, disco, deep house, reggae, afrobeat, latin, electro, techno, new wave and ‘plenty of goodies that don’t fit into any category’.
Band on the Wall stresses that all are welcome to party, ‘regardless of age, nationality, mobility, gender or sexuality’ – which is what we like to hear.
More 90s vibes now – because why not – as the beautiful Albert Hall is turned into a nostalgic dance party.
90s Baby will feature a wide range of the decade’s biggest live acts and DJs, from Alex Party (best known for her massive hit Don’t Give Me Your Life to Baby D (Let Me Be Your Fantasy).
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Rounding off the star-studded line-up is N-Trance, Phats & Small and K-Klass with some throwback DJ sets.
Final tickets, priced £28.00, are on sale now through Skiddle – and there’s a group discount of four tickets for the price of three if you round up some mates.
Hidden NYE at Hidden
UK Garage will be the order of the night at Hidden, one of Manchester’s most-loved clubbing venues.
Explore the four rooms, from the courtyard through to the graffiti-covered walkways that lead to the basement den, a Blue Room and Hangar Space, while you count down to midnight (and beyond).
Legendary DJ John Digweed will be rocking up at Joshua Brooks with his even more legendary club night Bedrock.
John has been a pioneer of electronic music for more than three decades thanks to his technical mixing style, while Joshua Brooks has cemented itself as one of Manchester’s post popular nighttime venues.
Featured image: Photography by Rob Jones (www.instagram.com/hirobjones)
Feature
A legend in leopard print – Magic Miles Kane at Albert Hall, Manchester | Gig Review
Harry Quick
There’s something poetic about seeing Miles Kane perform in a venue like the Albert Hall.
Beneath the stained glass and towering arches, he felt less like a veteran gigger and more like the high priest of British indie showstoppers – sharp-suited and equipped with what appeared to be custom, heeled adidas three stripes with a fully leopard print set to match. Carpeted floor, drum kit and all.
You can tell from the outset that, city rivalries aside, the scouser is adored by his Mancunian fanbase. His opening track, ‘Electric Flower’ – taken from his latest album, Sunlight in the Shadows – made for the perfect start.
Kane emerged to a roar. The track’s shimmering melodic edge got the two-tiered crowd quickly accustomed to Kane’s newest style of sound, and things kicked on easily from there.
It was a confident opener (not a greatest hit in my humble opinion, but a statement) before snapping straight into ‘Rearrange’: more familiar territory for most, which sent the floor bouncing within minutes.
From there, the set unfolded like a guided tour of Kane’s career, past and present blending seamlessly.
‘Troubled Son’ and ‘The Wonder’ leaned into his grittier side, while ‘Without You’ felt inspired by a similar jangly riff of ‘Long Cool Woman’ by The Hollies, famously setting the rhythm to a particular Britpop classic. If you don’t know already, look it up!
By the time ‘Coming Down the Road’ and ‘Love Is Cruel’ rolled around, Albert Hall was fully warmed up — and personally won me over on the new album with the latter.
It carries a softness that you don’t tend to expect with a Miles Kane track, but maybe that comes with a creative maturity approaching your 40s (sorry, mate).
Regardless, Kane stalked the stage with trademark swagger, feeding off the crowd and grinning like a man who knows he’s exactly where he belongs and continues to do so.
Then came one of the night’s first real eruptions…
Ahead of the show,‘Inhaler’ was one of my most anticipated listens. It hits like a shot of adrenaline from the opening chord, and the crowd sing every word back at him as if it were 2011 all over again. If you’re a Miles Kane fan, my money is on ‘Inhaler’ being high up your list.
‘Blue Skies’ followed, which shone a spotlight on not only the vocals but the complete shredding from the rhythm guitarist in the final breakdown. Having stood in the top tier of the Albert Hall, I got a prime view of the audible freedom he had to play with!
Mid-set, Kane doubled down on newer material with ‘One Man Band’ and ‘I Pray’, both sounding huge live – proof that his recent output more than holds its own alongside the classics.
The emotional heart of the night arrived with my favourite, ‘Colour of the Trap’. This track has been etched onto my playlist for longer than I care to mention. You felt it coming. The room softened, phones lit up, and for a few minutes, Albert Hall felt like a shared memory rather than a venue.
It’s almost as if he didn’t want it to end himself, with an echoing chorus of la la la la going on for a good few minutes after the band’s final instrumental chime. ‘My Love’ and ‘Walk on the Ocean’ kept that reflective mood rolling before ‘Better Than That’ nudged the energy back upwards.
From there, it was full throttle. ‘Coup de Grace’ and ‘Never Taking Me Alive’ were delivered with venom and volume. Straight from his 2018 catalogue felt like one for the dads, or at least it resonated with the 50-year-old bloke pointing his fist in the air with one hand and holding a double pint in the other. Legend.
As the main set drew to a close, ‘Don’t Forget Who You Are’ fittingly carried us into the encore — defiant, anthemic, and shouted back word-for-word by a crowd that had been banging this tune out long before they heard it on FIFA 14 (like me).
It was exactly the type of tune that made me whip my phone out and record it for the boys, saying, ‘remember this one?!’, to a chorus of thumbs up in the group chat. And when I mention the encore, it didn’t mess about.
Kane and the band picked up where they left us with a high intensity ending to ‘Don’t Forget Who You Are’ before the title track, ‘Sunlight in the Shadows’, gave the tour its emotional centrepiece: rich, expansive, and glimmering amongst camera flashes between bums on shoulders.
And then, the inevitable closer. By far his biggest song, if Spotify streaming numbers are anything to go by, ‘Come Closer’ sent Albert Hall into one final frenzy.
We saw bass guitarist Nathan get his special birthday moment when Miles and the band brought on a chocolate cake to celebrate, blowing out the candles – mid belter. Just ending the night on a euphoric high that left smiles plastered across sweaty faces.
Miles Kane at Albert Hall wasn’t just another date on the tour calendar. It was a reminder of just how deep his catalogue runs, how legendary in the indie rock game he is, and how effortlessly he can still command a Manchester crowd despite hailing from Merseyside. We don’t mind them, really!
Interview | Chatting with Tim Burgess before he chats to Mancunians on their doorstep
Danny Jones
In case you hadn’t heard, local music legend Tim Burgess is coming back to the AO Arena right here in Manchester this February for another intimate evening following the success of his last visit.
Set to include not only an interview but live stripped-back performances as well as Q&A, it’s your chance to see one of our region’s most famous musical sons up close and personal.
Returning for a candid and eye-opening sitdown with local DJ and radio host and Northern music champion, Chris Hawkins, it’s sure to be a special night.
Before posting up in The Mezz (which you can still grab tickets for), we had the honour of interviewing Salford’s very own Tim Burgess ourselves. Here’s what he had to say ahead of the event…
So you’ve returned to the AO again for another intimate gig. What do you love most about these smaller, conversational evenings compared to traditional gigs?
“Live events just have a connection with an audience that no remote link, AI or recording could ever match. From arriving and running through a soundcheck, meeting the arena team and catching up with Chris Hawkins, it all builds up to when the audience comes in.
“Chris and I don’t plan what he’s going to ask, so it’s all on the spot – nothing’s recorded, so you never know what might get said.
“Chris is a fantastic interviewer, and I get to meet everyone over the merch table at the end; I don’t get that at a Charlatans show – they are brilliant, and the tour we did in December was a brilliant experience for all of us.
“Maybe I prefer my bandmates being there when it comes to playing the songs, but it’s a chance for an audience to hear them in a way that they probably haven’t heard them before.
For anyone who hasn’t been to a Q&A-Sides show before, how would you describe the experience?
It’s a brilliantly informal night out – the chance to hear some of the stories behind the songs and 35 years’ worth of recording and touring adventures – plus a few songs with me and a guitar, and maybe a harmonica involved too.
“I’ve chatted to lots of people after the shows, and they always say it was a fantastic insight and that they loved the songs – then I realise they’re talking to me and they’d probably just say that anyway.”
Are there any particular songs that really shine in this stripped-back setting?
“You get to hear them as many of them were written. Particularly, the songs that Mark [Collins] and I came up with – it would usually just be me singing and him with an acoustic guitar, so it’s back to how they originally sounded.
“I’ve got quite a back catalogue of songs I’ve learned, so I’ll maybe keep them a bit secret. Suffice to say, there will be a few Charlatans’ classics, absolutely.”
When you look back on your career so far, are there any moments that feel especially meaningful to share in a setting like this?
“Our audience has grown up with us – lots were teenagers when we started, and I was in my early twenties. We’ve shared moments of grief, triumph, elation and tragedy – it’s just that ours were done in the cauldron of touring and recording with sometimes the eyes of the world on us.
“At times, it’s not been easy, but life will have been tough for our fans too. Chris is brilliant at making it seem like it’s just the two of us, and nothing is off limits – then you might say something funny and two hundred people laugh, and you snap back to realising it’s not the two of us talking in a pub.”
You’ve met and worked with so many iconic artists – are there any stories that always get a great reaction when you tell them live?
“I suppose there are some fairly iconic times – lots of people in the audience would have been at Knebworth when we played there with Oasis. Our situation was made all the more poignant as Rob Collins had died shortly before the show, and we weren’t even sure if we would play.
“It was a real existential moment for us – then there are funny stories of doing Top Of The Pops with a dressing room opposite The Smurfs. A lot has happened in those three and a half decades…
Being a Salford lad yourself, what do you think it is that makes a Manchester crowd so special?
I’m biased, but up until the band started, all my greatest moments happened in and around Manchester, and I was part of that crowd, whether watching [Man] United, seeing a band or losing yourself on the dancefloor of a club.
There’s a sense of feeling at home – there’s a BIG, beautiful world out there, and maybe we won’t tell the Midlands contingent in The Charlatans, but Manchester is always a homecoming for us.
Once again, if you fancy grabbing a last-minute ticket for ‘Tim Burgess – Live and In Conversation’ on Sunday, 8 February, there are still a few available.
The show starts from 7pm, and you can secure your seat right HERE.
Daisy Jackson -
21st December 2022 
