It’s hard to believe it’s been a whole year since we last gave you a list of New Year’s Eve parties, but time marches on and it’s already time to ring in another new year.
As is usual with Manchester, there’ll be lively celebrations going on in all corners of the city, from the tiny club nights that go til dawn to the world-famous series drawing tens of thousands into one room.
Some of the city’s biggest parties – like The Warehouse Project’s New Year’s Eve club night at Depot Mayfield – have already sold out, but there are plenty more events to sink your teeth in to.
There’s loads going on in Manchester on 31 December, with tickets still available for a lot of the city’s biggest parties.
One of Manchester’s best-loved club nights will be taking over the newly-reborn New Century for an almighty New Year’s Eve party.
Homoelectric’s NYE party promises ‘an evening of cosmic grooves, street soul, slo mo dance, boogie, black heart disco, us garage, house, technoid outerspace sonic science and bass buggin’ rawness’.
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They say: “It seemed perfect timing to host a very special Homoelectric at this venue on New Years Eve and do something completely different from our normal dark basement back street affair.
“This our last Homoelectric party of the year. To say we are excited is an understatement.”
Famed for its all-in lavish parties, The Refuge won’t be holding back as it rings in 2023, promising to ‘turn up the heat a little’.
They’re promising to add a dash of tropical energy to Manchester, with afro-latin music, deep house and disco, explosions of colour and immersive performances.
Artists will include Hannah O’Gorman and Isaac Williams a.k.a. DJ collective, Nossa, and Levi Love.
Dine and Dance tickets are sold out but you can still get Let’s Dance tickets £30 here – including a glass of prosecco if you rock up before 9pm.
Dance into the Future at Ramona
Credit: Ramona
Fast becoming a fan favourite for a night out is Ramona and the Firehouse, located in an old MOT garage just of Swan Street.
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By day it’s pizza and margaritas, but by night, it’s glitterballs and catwalks.
31 December will be their ‘biggest party yet’ in the Ramona festival tipi, featuring live performances including Age of Glass, guest DJs and dance tents.
Tickets cost £27.50 and are available through See Tickets.
One of the city’s longest-running club nights is getting stuck in to all the New Year’s Eve action, right through to 4am on 1 January.
Funkademia has been running since 1995 and is heading back to its spiritual home Mint Lounge with disco and funk bangers all night long.
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From Michael Jackson to Aretha Franklin to James Brown to Chaka Khan to Stevie Wonder to Snoop Dogg to Prince to Diana Ross to Chic and Sister Sledge and everything in between, you’ll absolutely not want to leave that dance floor.
Tickets start at £6.60 if you’re quick – visit Skiddle for yours.
Disco Dancer at Bundobust Brewery
Bundobust Brewery. Credit: Supplied
Bundobust Brewery, easily one of Manchester’s coolest restaurants and bars, is keeping the doors open and the vibes going until 1am on New Year’s Eve.
Their Disco Dancer event – theme is Bundobust Brewery goes to Bollywood – will have entertainment, projections, and a party soundtrack from Andy Votel.
Starting the party will be Niamh McGuinness from Angel Meadows Soul Club, one of Manchester’s rising clubnight heroes. Expect rousing Northern Soul, Motown, and R&B selections 6-9pm before Andy takes over the decks.
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Tickets are just a tenner, which includes two drinks. Would be rude not to. Get yours here.
Keep It Unreal Nye: Mr. Scruff + Mc Kwasi at Band on the Wall
You know it’s going to be a good Manc knees-up when Mr Scruff is on the bill, and especially when that bill is taking place at the legendary Band on the Wall.
Alongside MC Kwasi, they’ll bring in the new year with a six-hour DJ session of jazz, soul, hip hop, funk, disco, deep house, reggae, afrobeat, latin, electro, techno, new wave and ‘plenty of goodies that don’t fit into any category’.
Band on the Wall stresses that all are welcome to party, ‘regardless of age, nationality, mobility, gender or sexuality’ – which is what we like to hear.
More 90s vibes now – because why not – as the beautiful Albert Hall is turned into a nostalgic dance party.
90s Baby will feature a wide range of the decade’s biggest live acts and DJs, from Alex Party (best known for her massive hit Don’t Give Me Your Life to Baby D (Let Me Be Your Fantasy).
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Rounding off the star-studded line-up is N-Trance, Phats & Small and K-Klass with some throwback DJ sets.
Final tickets, priced £28.00, are on sale now through Skiddle – and there’s a group discount of four tickets for the price of three if you round up some mates.
Hidden NYE at Hidden
UK Garage will be the order of the night at Hidden, one of Manchester’s most-loved clubbing venues.
Explore the four rooms, from the courtyard through to the graffiti-covered walkways that lead to the basement den, a Blue Room and Hangar Space, while you count down to midnight (and beyond).
Legendary DJ John Digweed will be rocking up at Joshua Brooks with his even more legendary club night Bedrock.
John has been a pioneer of electronic music for more than three decades thanks to his technical mixing style, while Joshua Brooks has cemented itself as one of Manchester’s post popular nighttime venues.
Featured image: Photography by Rob Jones (www.instagram.com/hirobjones)
Feature
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
Feature
Hazlett at Manchester Academy 3 – some of the best ‘sad and depressing songs’ you could ever ask for
Danny Jones
On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.
Daisy Jackson -
21st December 2022 
