There’s no denying that there has been a rise in the demand for buying and adopting dogs since the coronavirus (COVID-19) pandemic first began.
Getting a dog may have even been a thought you’ve had yourself over the last 10 months.
After all, life as we once knew it was flipped on its head, leaving many with more time on their hands than they are usually used to.
And with this unprecedented adjustment to lifestyle, came an influx of enquiries to breeders, rescue / adoption centres, and more, by those keen to welcome a four-legged friend into their lives thanks to the newly-introduced requirement to stay at home, and it even saw Pets4Homes – one of the UK’s largest online pet marketplaces – reveal that a total of 466,601 dogs have been advertised on the site so far, with the average prices also increasing by 131%.
It also found that the demand for puppies was 51% greater than dogs aged one or older between July and September last year.
It’s these very statistics, along with several other factors which will be touched upon, that have lead a number of animal experts to recently issue a warning of an impending “major dog welfare crisis” following this sharp rise in the number of dogs being sold online.
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Why is this the case?
Well, many will say it’s inevitable that when there is a recorded rise in the number of people looking to buy or adopt a dog, and then successfully doing so, that there will then be a rise in the number of dogs abandoned as a consequence – and they would be right.
The RSPCA has responded to 5,955 reports about abandoned dogs since the start of the pandemic.
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And Rory Cowlam – a vet and ambassador for the RSPCA – sadly told Sky News that he expects to see the number of dogs being abandoned spike even further this year, explaining that: “Abandonments are going to happen because people have got puppies on a whim. They’ve been putting off getting a dog for years and years, they’re suddenly furloughed or they’re at home more, and they think now’s the right time to get a dog.”
Mr Cowlam also added that the rising demand has also led to worrying “increases in puppy theft and, unfortunately, increases in things like puppy farming and irresponsible breeding”.
Dr Samantha Gaines – a dog welfare specialist at the RSPCA – also devastatingly agreed that: “We’ve probably yet to see the worst to come.”
She continued: “We’re now into the third lockdown in England and people still are at home with their puppies that they bought last year, some people will be thinking about getting puppies now. If there is anyone at this moment in time that is thinking about getting a dog or a puppy because they’re at home, we’d urge people to be very very careful and to make sure they do their research.”
Dr Gaines too warned that “now is probably the greatest time ever you’d be caught out by someone”.
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Ira Moss – co-founder of the dog welfare, rescue and rehoming charity All Dogs Matter – said that the online market for dogs has become a “lucrative” and “unscrupulous trade” due to a lack of regulations.
She said: “They’re being multi-sold, so one dog can turnover, can transact £5,000 to £10,000 if it’s sold three times. It’s become such a commodity, a dog. At some point, there’s got to be a saturation point – this can’t carry on forever, it’s just not practical.”
Ms Moss added: “It’s just so sad – we’re a nation of dog lovers and we’ve created this monster.”
But what is the current situation here in Greater Manchester when it comes to dog welfare, given all the worrying alerts recently raised?
Has there been a rise in the number of people looking to adopt a dog, and then a rise in subsequent abandonment figures? How are our region’s rescue centres coping amid one of the toughest global challenges in modern history? And have they noticed a shift in public attitudes?
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We spoke to Emma Billington, founder and owner of Dogs 4 Rescue – an semi-rural Manchester-based independent dog sanctuary that has developed a unique “cage free” approach to animal welfare to ensure that all dogs are socialised in a healthy, relaxed and happy foster home environment, whilst waiting for their forever families – to get a grasp on the true picture.
Dogs 4 Rescue
“From our perspective, we have seen an enormous rise in the number of people looking for dogs.” Emma said.
“[We’ve had lots of] emails from people desperate to get a dog [and] the type of people have changed as well, it’s not necessarily the people looking to “rescue a dog”, but just people wanting dogs and either turning to the rescue for a cheaper dog ,or some just exhausting all avenues in what appears a desperate attempt to get any dog while they’re off.
“We’ve now got a huge waiting list of suitable homes [though] and we are no longer inundated with the people wanting to get rid of their dogs save for the ones who are really difficult, and therefore reasonably hard to rehome.
“[But this means that] the only dogs we have left are those with the most challenging behaviours needing experienced homes.
She continued: “We have seen the rapid increase in the dog population and know the dogs who are going to be flooding rescues over the next few months are all those who were bought as a response to COVID and when people realise they no longer have time for them.
“Also there is the issue of them having separation anxiety because they have been brought up in an artificial environment where family are at home,
“But in the future, as things change, they will suffer.
“Separation anxiety is one of the hardest things to deal with and trying to find homes for those able to help these dogs is almost impossible at the best of times”.
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Dogs 4 Rescue
Dogs 4 Rescue were previously at the forefront of the campaign urging Greater Manchester residents to carefully consider their situation before welcoming a dog into their lives during the first wave of the coronavirus (COVID-19) pandemic, insisting that “a dog is for life, not just for lockdown”.
And Emma also joins other experts in expressing her concerns over the rise in usage of the online pet marketplace.
“The only ones who have benefited from all of this is once again the breeders.” Emma continued.
“The demand and people desperate for dogs has ensured suffering on a much bigger scale than we have ever known, and [has also] driven a huge hike in the criminal activity of puppy smuggling [too].”
“The rescue world as we know it has changed for the foreseeable.
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“[And] we are currently buying a second site to try and get ready for the fallout of this”.
Emma admits that although it is difficult to deny that the current situation is “rather depressing” as we get underway with a new year, they are still “trying to ensure our moves are to give hope and inspire a different way of doing things”.
And they are doing an absolutely brilliant job.
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To help Dogs 4 Rescue continue its essential work across Greater Manchester, please consider donating whatever you can via the website, and for large donations or offers of corporate support, you email Emma Billington at [email protected] or ring 07412361769.
You can also keep up to date with Dogs 4 Rescue day-to-day on social media – Facebook, Twitter, and Instagram.
Feature
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Emily Sergeant -
27th January 2021 
