There’s no denying that there has been a rise in the demand for buying and adopting dogs since the coronavirus (COVID-19) pandemic first began.
Getting a dog may have even been a thought you’ve had yourself over the last 10 months.
After all, life as we once knew it was flipped on its head, leaving many with more time on their hands than they are usually used to.
And with this unprecedented adjustment to lifestyle, came an influx of enquiries to breeders, rescue / adoption centres, and more, by those keen to welcome a four-legged friend into their lives thanks to the newly-introduced requirement to stay at home, and it even saw Pets4Homes – one of the UK’s largest online pet marketplaces – reveal that a total of 466,601 dogs have been advertised on the site so far, with the average prices also increasing by 131%.
It also found that the demand for puppies was 51% greater than dogs aged one or older between July and September last year.
It’s these very statistics, along with several other factors which will be touched upon, that have lead a number of animal experts to recently issue a warning of an impending “major dog welfare crisis” following this sharp rise in the number of dogs being sold online.
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Why is this the case?
Well, many will say it’s inevitable that when there is a recorded rise in the number of people looking to buy or adopt a dog, and then successfully doing so, that there will then be a rise in the number of dogs abandoned as a consequence – and they would be right.
The RSPCA has responded to 5,955 reports about abandoned dogs since the start of the pandemic.
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And Rory Cowlam – a vet and ambassador for the RSPCA – sadly told Sky News that he expects to see the number of dogs being abandoned spike even further this year, explaining that: “Abandonments are going to happen because people have got puppies on a whim. They’ve been putting off getting a dog for years and years, they’re suddenly furloughed or they’re at home more, and they think now’s the right time to get a dog.”
Mr Cowlam also added that the rising demand has also led to worrying “increases in puppy theft and, unfortunately, increases in things like puppy farming and irresponsible breeding”.
Dr Samantha Gaines – a dog welfare specialist at the RSPCA – also devastatingly agreed that: “We’ve probably yet to see the worst to come.”
She continued: “We’re now into the third lockdown in England and people still are at home with their puppies that they bought last year, some people will be thinking about getting puppies now. If there is anyone at this moment in time that is thinking about getting a dog or a puppy because they’re at home, we’d urge people to be very very careful and to make sure they do their research.”
Dr Gaines too warned that “now is probably the greatest time ever you’d be caught out by someone”.
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Ira Moss – co-founder of the dog welfare, rescue and rehoming charity All Dogs Matter – said that the online market for dogs has become a “lucrative” and “unscrupulous trade” due to a lack of regulations.
She said: “They’re being multi-sold, so one dog can turnover, can transact £5,000 to £10,000 if it’s sold three times. It’s become such a commodity, a dog. At some point, there’s got to be a saturation point – this can’t carry on forever, it’s just not practical.”
Ms Moss added: “It’s just so sad – we’re a nation of dog lovers and we’ve created this monster.”
But what is the current situation here in Greater Manchester when it comes to dog welfare, given all the worrying alerts recently raised?
Has there been a rise in the number of people looking to adopt a dog, and then a rise in subsequent abandonment figures? How are our region’s rescue centres coping amid one of the toughest global challenges in modern history? And have they noticed a shift in public attitudes?
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We spoke to Emma Billington, founder and owner of Dogs 4 Rescue – an semi-rural Manchester-based independent dog sanctuary that has developed a unique “cage free” approach to animal welfare to ensure that all dogs are socialised in a healthy, relaxed and happy foster home environment, whilst waiting for their forever families – to get a grasp on the true picture.
Dogs 4 Rescue
“From our perspective, we have seen an enormous rise in the number of people looking for dogs.” Emma said.
“[We’ve had lots of] emails from people desperate to get a dog [and] the type of people have changed as well, it’s not necessarily the people looking to “rescue a dog”, but just people wanting dogs and either turning to the rescue for a cheaper dog ,or some just exhausting all avenues in what appears a desperate attempt to get any dog while they’re off.
“We’ve now got a huge waiting list of suitable homes [though] and we are no longer inundated with the people wanting to get rid of their dogs save for the ones who are really difficult, and therefore reasonably hard to rehome.
“[But this means that] the only dogs we have left are those with the most challenging behaviours needing experienced homes.
She continued: “We have seen the rapid increase in the dog population and know the dogs who are going to be flooding rescues over the next few months are all those who were bought as a response to COVID and when people realise they no longer have time for them.
“Also there is the issue of them having separation anxiety because they have been brought up in an artificial environment where family are at home,
“But in the future, as things change, they will suffer.
“Separation anxiety is one of the hardest things to deal with and trying to find homes for those able to help these dogs is almost impossible at the best of times”.
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Dogs 4 Rescue
Dogs 4 Rescue were previously at the forefront of the campaign urging Greater Manchester residents to carefully consider their situation before welcoming a dog into their lives during the first wave of the coronavirus (COVID-19) pandemic, insisting that “a dog is for life, not just for lockdown”.
And Emma also joins other experts in expressing her concerns over the rise in usage of the online pet marketplace.
“The only ones who have benefited from all of this is once again the breeders.” Emma continued.
“The demand and people desperate for dogs has ensured suffering on a much bigger scale than we have ever known, and [has also] driven a huge hike in the criminal activity of puppy smuggling [too].”
“The rescue world as we know it has changed for the foreseeable.
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“[And] we are currently buying a second site to try and get ready for the fallout of this”.
Emma admits that although it is difficult to deny that the current situation is “rather depressing” as we get underway with a new year, they are still “trying to ensure our moves are to give hope and inspire a different way of doing things”.
And they are doing an absolutely brilliant job.
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To help Dogs 4 Rescue continue its essential work across Greater Manchester, please consider donating whatever you can via the website, and for large donations or offers of corporate support, you email Emma Billington at [email protected] or ring 07412361769.
You can also keep up to date with Dogs 4 Rescue day-to-day on social media – Facebook, Twitter, and Instagram.
Feature
Five Greater Manchester-based artists we’ve been listening to this month | January 2026
Danny Jones
Happy New Ye—ah, never mind, we’re well past that; however, we’re never past soaking up new music and song recommendations from the best music city in the world – we’re pretty sure that’s why they really call it Greater Manchester…
If 2026 does happen to be your first year with us, this feature is pretty self-explanatory: every month, we round up some of the best tunes and Manc-based artists you may not have heard before.
Or maybe you have, and you’ve just forgotten about them. You don’t have to be a big name or an up-and-comer here at Audio North; you make it on this list if you’re good. It really is as simple as that.
So, without further ado, let’s get stuck into our very first collection of regional artists you need to try of the year…
Five Manchester artists we’ve been listening to recently
1. Spangled
First up for 2026 is a group we’re expecting big things from this year, and hopefully plenty of new music to back it up. They’re playing a huge Ritz headline show with some other Manc bands at the end of February, and it’s sure to be a party, especially when that new single ‘Barracuda Cadillac’ kicks in.
Spangled is a name you may have already come across, and they’ve certainly been working hard over the past half a decade, but we’ve got into a real groove with them of late. Post-punk, alt-rock, or straight-up Manc indie in moments; they’re given all sorts of labels – we just call it full-tilt rock and roll.
They’ve got a great swagger about them. Frontman Ben Johnson has a bit of Rob Damiani about him; the guitar work is excellent, they do a good music video, and they’ve even got a track that sounds like ‘The Only One I Know’ by The Charlatans. We’d say start with ‘Little Tom’, ‘Human’ and ‘Drift Away’.
Ok, off to a strong start, and while we’re hoping for those lads to finally release their first full album in the coming months, we’re hoping to see fellow rising rock project, PAVÉ, drop a proper lengthier sophomore LP sometime soon. If you fancy taking things up a notch in terms of heaviness, these are just the ticket.
Mixing plenty of distortion, electronics and wider effects to their overall sound, this four-piece (which was also formed in 2019) is great for anyone trying to keep their nu-metal and grunge-soaked younger selves alive, and they definitely know how to write a radio-friendly chorus.
Alanya Jade’s vocals soar over hard-hitting riffs and rapid drumming patterns, and the lyrics are appropriately brooding. We’d recommend their big single, ‘The Weight Of Letting Go’, another fan favourite, ‘Whatever The Cost’, and our personal favourite thus far, ‘aren’t YOU scAREd to be ALONE?’
Sticking with Manc rock but with plenty of US influences, we move on to Gallagher’s Green. Named after a cigarette brand and showing no shame in championing not only some post-Britpop, but unmistakable Americana and even country, this collective has roots in Oldham, the North West, Yorkshire and Ireland.
Their backstory and journey up to this point is as fascinating as it is moving, with founding duo Ian Gallagher and Jon Olphert first meeting whilst serving in Iraq back in 2008, before going to enjoy gigs together and eventually forming a band of musical brothers all their own.
They’ve maintained a clear mix of mainstream transatlantic sounds; it always sounds familiar, but there’s definitely more of a leaning towards the Stateside vibes. Put simply, your dad’ll LOVE these, and we mean that in the best way. ‘Just A Dream’, ‘Not My Day to Die’ and ‘Better Days’ are our standouts.
You’ll get a bit of Oasis, Shed Seven, Feeder, as well as bits of Foo Fighters, Incubus, and much more.
4. CQ Wrestling
Our penultimate pick is, quite frankly, a band that should have been named on our Greater Manchester artists of the month list AGES ago, but given they’ve had a bit of a sea change in the last couple of years or so, we held off to see what we’ve made of it.
We needn’t have worried – if anything, we’re more obsessed than ever. No longer Chappaqua but now simply CQ Wrestling, the local indie turned even grungier and more shoegaze than ever outfit definitely suits this particular writer’s general tastes, but it does help set them apart a bit more these days.
Personally, we will always have a very strong soft spot for older tunes like ‘Football’, though we do enjoy the growing aggression in 2023’s ‘Kulture’, but our favourite track at the moment is ‘Catherine Wheels’, which feels like the perfect advert for their relaunch as an even darker brand of modern alt-rock.
5. Oscar White
Finishing on a much softer note for this month, we head into February with the dulcet tones of Devon-born singer-songwriter, Oscar White, who has such a command of the acoustic guitar that we believe his intricate picking could genuinely lull a baby to sleep. Or, you know, a fully grown man…
This Manchester-based folk artist definitely enjoys dipping into the old Celtic and bardic traditions, so it feels quite quintessential for the genre, and best of all, we’re starting you off nice and easy, because he’s only got two tracks out on Spotify, but there is more to be found on his YouTube and other places online.
So, stick on ‘Debts and Dry Land’ and ‘Spencer The Rover’ – both of which show off that fingerstyle guitar, but also do a good job of showing two different ways he deploys his raspy voice – but do check out YouTube for his live version of ‘All Turned Out’ at The Whiskey Jar in NQ. Simply gorgeous.
A legend in leopard print – Magic Miles Kane at Albert Hall, Manchester | Gig Review
Harry Quick
There’s something poetic about seeing Miles Kane perform in a venue like the Albert Hall.
Beneath the stained glass and towering arches, he felt less like a veteran gigger and more like the high priest of British indie showstoppers – sharp-suited and equipped with what appeared to be custom, heeled adidas three stripes with a fully leopard print set to match. Carpeted floor, drum kit and all.
You can tell from the outset that, city rivalries aside, the scouser is adored by his Mancunian fanbase. His opening track, ‘Electric Flower’ – taken from his latest album, Sunlight in the Shadows – made for the perfect start.
Kane emerged to a roar. The track’s shimmering melodic edge got the two-tiered crowd quickly accustomed to Kane’s newest style of sound, and things kicked on easily from there.
It was a confident opener (not a greatest hit in my humble opinion, but a statement) before snapping straight into ‘Rearrange’: more familiar territory for most, which sent the floor bouncing within minutes.
From there, the set unfolded like a guided tour of Kane’s career, past and present blending seamlessly.
‘Troubled Son’ and ‘The Wonder’ leaned into his grittier side, while ‘Without You’ felt inspired by a similar jangly riff of ‘Long Cool Woman’ by The Hollies, famously setting the rhythm to a particular Britpop classic. If you don’t know already, look it up!
By the time ‘Coming Down the Road’ and ‘Love Is Cruel’ rolled around, Albert Hall was fully warmed up — and personally won me over on the new album with the latter.
It carries a softness that you don’t tend to expect with a Miles Kane track, but maybe that comes with a creative maturity approaching your 40s (sorry, mate).
Regardless, Kane stalked the stage with trademark swagger, feeding off the crowd and grinning like a man who knows he’s exactly where he belongs and continues to do so.
Then came one of the night’s first real eruptions…
Ahead of the show,‘Inhaler’ was one of my most anticipated listens. It hits like a shot of adrenaline from the opening chord, and the crowd sing every word back at him as if it were 2011 all over again. If you’re a Miles Kane fan, my money is on ‘Inhaler’ being high up your list.
‘Blue Skies’ followed, which shone a spotlight on not only the vocals but the complete shredding from the rhythm guitarist in the final breakdown. Having stood in the top tier of the Albert Hall, I got a prime view of the audible freedom he had to play with!
Mid-set, Kane doubled down on newer material with ‘One Man Band’ and ‘I Pray’, both sounding huge live – proof that his recent output more than holds its own alongside the classics.
The emotional heart of the night arrived with my favourite, ‘Colour of the Trap’. This track has been etched onto my playlist for longer than I care to mention. You felt it coming. The room softened, phones lit up, and for a few minutes, Albert Hall felt like a shared memory rather than a venue.
It’s almost as if he didn’t want it to end himself, with an echoing chorus of la la la la going on for a good few minutes after the band’s final instrumental chime. ‘My Love’ and ‘Walk on the Ocean’ kept that reflective mood rolling before ‘Better Than That’ nudged the energy back upwards.
From there, it was full throttle. ‘Coup de Grace’ and ‘Never Taking Me Alive’ were delivered with venom and volume. Straight from his 2018 catalogue felt like one for the dads, or at least it resonated with the 50-year-old bloke pointing his fist in the air with one hand and holding a double pint in the other. Legend.
As the main set drew to a close, ‘Don’t Forget Who You Are’ fittingly carried us into the encore — defiant, anthemic, and shouted back word-for-word by a crowd that had been banging this tune out long before they heard it on FIFA 14 (like me).
It was exactly the type of tune that made me whip my phone out and record it for the boys, saying, ‘remember this one?!’, to a chorus of thumbs up in the group chat. And when I mention the encore, it didn’t mess about.
Kane and the band picked up where they left us with a high intensity ending to ‘Don’t Forget Who You Are’ before the title track, ‘Sunlight in the Shadows’, gave the tour its emotional centrepiece: rich, expansive, and glimmering amongst camera flashes between bums on shoulders.
And then, the inevitable closer. By far his biggest song, if Spotify streaming numbers are anything to go by, ‘Come Closer’ sent Albert Hall into one final frenzy.
We saw bass guitarist Nathan get his special birthday moment when Miles and the band brought on a chocolate cake to celebrate, blowing out the candles – mid belter. Just ending the night on a euphoric high that left smiles plastered across sweaty faces.
Miles Kane at Albert Hall wasn’t just another date on the tour calendar. It was a reminder of just how deep his catalogue runs, how legendary in the indie rock game he is, and how effortlessly he can still command a Manchester crowd despite hailing from Merseyside. We don’t mind them, really!