In the world’s biggest band, every week offers its own new dose of pandemonium.
Festivals. Fights. Flings. Flights.
When you’re a rockstar, each seven-day period is more intense, thrilling and exotic than the last.
That’s why no two pages in the story of Oasis are the same.
Throughout the nineties and noughties, this group of Mancunian rascals were overindulgent, grandstanding superstars who practised what they preached; living a hard and fast lifestyle that served as a perfect visual accompaniment for their self-produced soundtrack of roaring guitars and crashing symbols.
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But in their two decades at the top, no week of Oasis mania was ever more definitive than this one: The first seven days of October.
This was the week that propelled the band beyond the island of tea and scones onto the international stage. And it was also the week that would ultimately mark the end.
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It all started on October 2, 1995.
The scene was set for Britain’s most exciting up-and-coming band to justify the hype – as Oasis’ sophomore album, What’s The Story (Morning Glory)? was carefully placed on shelves around the UK.
Once those store doors opened, nothing was ever the same again.
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What’s The Story was snapped up by more than 345,000 fans in its first week – spending 10 weeks at number one in the UK charts.
One glance at the tracklist reveals why.
Roll With It, Wonderwall, Don’t Look Back In Anger, Some Might Say, She’s Electric, Champagne Supernova.
The record was packed with anthemic earworms created to stand the test of time – enjoying constant airplay, analysis and mimicry for twenty-five years and counting.
When What’s The Story landed in shops, Oasis achieved superstar status.
Fast-forward almost exactly thirteen years, and another similar scenario was unfolding.
It’s October 6, 2008, and for the seventh time in history, legions of Oasis supporters are swarming to stores for a another new release – an album the group has titled Dig Out Your Soul.
Fans didn’t know it at the time, but they’d never queue for an Oasis album ever again.
Dig Out Your Soul signalled the end.
In the same week the world watched Oasis swagger into the spotlight, we would also soon hear their swansong.
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An epic 18-month promotional tour of Dig Out Your Soul proved to be the tipping point for the two Gallagher brothers.
The pair had quarrelled over the cancellation of a show at V Festival (Liam citing laryngitis, Noel calling bullshit and said his brother had a hangover) before pulling the plug on a performance in France seconds before stepping out on stage.
By the time they’d reached the Rock En Seine festival in August 2009, tensions were as high as they’d ever been, with the two siblings already travelling separately to shows.
Just before the Paris gig, a blazing row culminated in Liam “wielding a guitar like an axe”.
The pair were interrupted by a sudden knock at the door that cut through the chaos: It was their five-minute warning to prepare for the gig.
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Instead of using these 300 seconds to make his way to the stage, Noel spent them inside his car.
It was during those few moments he decided that was that.
Oasis was done.
A message on the band’s website, written by Noel, eventually appeared stating: “It is with some sadness and great relief…I quit Oasis tonight. People will write and say what they like, but I simply could not go on working with Liam a day longer.”
And that was that. The band was gone, and the two brothers remain at loggerheads a decade down the line.
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Rumours of a reunion have been a weekly occurrence in the eleven years ever since, but a reconciliation has always been just out of reach.
The post-Oasis years have given birth to bands Beady Eye and High Flying Birds, and whilst there’s never really been any sight of a sincere olive branch, Noel has seemingly ignored impromptu tweets by Liam asking to give things another go, if only for a one-off gig.
The band’s’ closer, Dig Out Your Soul, is often lost within the footnotes of Oasis trivia today; bundled beneath the glory days of What’s The Story, origin tales of debut Definitely Maybe, and the drug-addled anecdotes of Be Here Now.
But DOYS is sort of remarkable in how it holds up as such a solid piece of work despite the growing turbulence going on behind the scenes.
Fittingly, the very last words to appear on an Oasis album are “soldier on” – an apt description of the brothers’ fruitless attempts to persevere through an upcoming tour fraught with tension; which would ultimately bring about the band’s demise.
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You could frown at the Oasis timeline and spend hours trying to decide which dates to circle as being the most definitive moments in the band’s history.
But no single week is more fascinating than this one.
This was when we got the best and last of Oasis.
In ‘95, the leap to glory. In ‘08, the unknowing goodbye.
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Manchester nightclub clamps down on no-phones policy after ‘disappointing’ rule breakers
Daisy Jackson
Amber’s, a nightclub in Manchester with a strict no-filming policy inside, has shared a strict new set of rules to prevent people using their phones.
The venue says it’s seen an ‘increased amount of phones on the dance floor’ despite its very clear policy against such a thing.
That’s included a recent set from Fred Again, where videos of his show were all over social media the next day.
Amber’s has said it’s ‘disappointing’ to see people flouting the rules of the space, leading to the venue introducing a zero tolerance policy.
Fans who are caught filming on their phones will be asked to leave Amber’s on the spot – no second chances.
There’ll even be extra members of staff patrolling the venue, to protect the ‘vibe of the space’.
“If you are spotted at any point across the night using your phone to record, you will no longer be permitted inside Amber’s,” they shared.
Amber’s wrote in a statement today: “Since our launch back in December, we have made it very clear that we are a No Phones venue. We want to create an experience for everyone where they are present in the moment and not distracted by phones.
“While the majority of people that attend Amber’s keep their phones away, there are a select few that don’t.
“This is of course disappointing.
“Over the recent weeks and months, we have seen an increased amount of phones filming on the dancefloor and we are aware of numerous videos shot on phone appearing online.
“To those that come to Amber’s and respect our house rules, thank you, you are contributing to an incredible vibe in the room.
“For those that don’t, we ask that you think about the space and the people around you before removing your stickers.
“The rules previously have been that if you are seen filming on your phone, you are politely asked to stop, if you are seen again, you are asked to leave the venue.
“From now on, as a renewed pledge to our No Phones policy, if you are seen recording in the venue, you will be asked to leave, there will be no second chances.
“There will now be extra members of staff patrolling the venue, ensuring that the vibe of the space is protected and if you are spotted at any point across the night using your phone to record, you will no longer be permitted inside Amber’s.
“Open your mind. Honour the concept. Respect the space.”
Katy Perry at AO Arena, Manchester – stage times, setlist, tickets and more
Daisy Jackson
Katy Perry will be playing a huge arena show here in Manchester this week, with a sold-out night at the AO Arena imminent.
The popstar is bringing her The Lifetimes Tour, which features an extravaganza of props and pyrotechnics, to town on Wednesday 8 October.
The Roar singer will be heading to the AO Arena this week, alongside shows in Sheffield, Glasgow, Birmingham and London.
Whether you’re going to watch hits like ‘California Gurls’, ‘Hot ‘N’ Cold’ or excited for the newer tracks like ‘I’m His, He’s Mine’, it’s sure to be one of the biggest gigs to hit the legendary arena all year.
Perry has the second most Diamond-certified singles in for a female artist in the U.S, four guiness world records and five UK number one hits.
Her latest album ‘143’, which is a numeric synonym of ‘I love you’ and the singer’s angel number, came out last year and stormed straight into the top 10 on the UK album charts.
If you’re heading to Katy Perry at the AO Arena tonight, we’ve rounded up all your essential information.
Stage times for Katy Perry at the AO Arena
The AO Arena hasn’t yet confirmed exact stage times for tonight’s show, but we do have enough information to give you a good estimate.
Doors will open at 6pm, with a show start of 7.45pm.
That will mean the support act should wrap up around 8.15pm and Katy Perry is likely to take to the stage between 8.30pm and 8.45pm.
For her Manchester show, Katy Perry will be supported by singer-songwriter Goldie Boutilier.
Goldie, who has also performed under monikers Kay, My Name Is Kay, and Goldilox during her career, will be joining Katy on most of her UK dates, before handing over the reins to Au/Ra and then Becky Hill.
Tickets for Katy Perry at the AO Arena
Katy Perry has completely sold out the AO Arena with The Lifetimes Tour, with no general tickets left at all.
However, there are a few tickets remaining on Ticketmaster’s resale platform, which are priced between £78.73 and £131.18 each.
Expected setlist
Katy has split her show into sections she’s calling ‘Levels’, as a nod to the video game inspiration behind the tour.
Each one is absolutely packed with pop bangers, as you’d expect.
Here’s the latest setlist from her most recent show in Glasgow.
Level 1: Artificial
ARTIFICIAL
Chained to the Rhythm
Teary Eyes
Dark Horse
Level 2: Woman’s World
WOMAN’S WORLD
California Gurls
Teenage Dream
Hot n Cold
Last Friday Night (T.G.I.F.)
Peacock
I Kissed a Girl
Level 3: Nirvana
NIRVANA
CRUSH
I’M HIS, HE’S MINE
Wide Awake
Level 3.5: Choose Your Own Adventure (fan requests)
For those of you heading to AO Arena, luckily, it’s connected to Manchester Victoria Station, and it has an integrated Metrolink stop to make your life even easier.
Head along the pink, light blue or yellow lines directly to the Victoria stop, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Train
Considering this live entertainment venue is situated right in the middle of one of Manchester’s most frequented stations, concertgoers should find no problem getting to the arena, wherever they are.
Bus
A variety of buses cover AO Arena andVictoria Station on their route, such as the 2 bus, which stops just a one-minute walk away from the venue.
A full list of buses and their routes can be found HERE.
Getting there by car and parking
The Arena has its own official CitiPark, with 958 car parking spaces, including 40 Blue Badge parking bays, which can be booked in advance.
Alternatively, anyone attending a gig can park at their nearest train station and jump on a train service or the various Metrolink park and ride facilities.
Walk/cycle
Greater Manchester now also offers the option to hire bikes through the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app.