In the world’s biggest band, every week offers its own new dose of pandemonium.
Festivals. Fights. Flings. Flights.
When you’re a rockstar, each seven-day period is more intense, thrilling and exotic than the last.
That’s why no two pages in the story of Oasis are the same.
Throughout the nineties and noughties, this group of Mancunian rascals were overindulgent, grandstanding superstars who practised what they preached; living a hard and fast lifestyle that served as a perfect visual accompaniment for their self-produced soundtrack of roaring guitars and crashing symbols.
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But in their two decades at the top, no week of Oasis mania was ever more definitive than this one: The first seven days of October.
This was the week that propelled the band beyond the island of tea and scones onto the international stage. And it was also the week that would ultimately mark the end.
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It all started on October 2, 1995.
The scene was set for Britain’s most exciting up-and-coming band to justify the hype – as Oasis’ sophomore album, What’s The Story (Morning Glory)? was carefully placed on shelves around the UK.
Once those store doors opened, nothing was ever the same again.
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What’s The Story was snapped up by more than 345,000 fans in its first week – spending 10 weeks at number one in the UK charts.
One glance at the tracklist reveals why.
Roll With It, Wonderwall, Don’t Look Back In Anger, Some Might Say, She’s Electric, Champagne Supernova.
The record was packed with anthemic earworms created to stand the test of time – enjoying constant airplay, analysis and mimicry for twenty-five years and counting.
When What’s The Story landed in shops, Oasis achieved superstar status.
Fast-forward almost exactly thirteen years, and another similar scenario was unfolding.
It’s October 6, 2008, and for the seventh time in history, legions of Oasis supporters are swarming to stores for a another new release – an album the group has titled Dig Out Your Soul.
Fans didn’t know it at the time, but they’d never queue for an Oasis album ever again.
Dig Out Your Soul signalled the end.
In the same week the world watched Oasis swagger into the spotlight, we would also soon hear their swansong.
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An epic 18-month promotional tour of Dig Out Your Soul proved to be the tipping point for the two Gallagher brothers.
The pair had quarrelled over the cancellation of a show at V Festival (Liam citing laryngitis, Noel calling bullshit and said his brother had a hangover) before pulling the plug on a performance in France seconds before stepping out on stage.
By the time they’d reached the Rock En Seine festival in August 2009, tensions were as high as they’d ever been, with the two siblings already travelling separately to shows.
Just before the Paris gig, a blazing row culminated in Liam “wielding a guitar like an axe”.
The pair were interrupted by a sudden knock at the door that cut through the chaos: It was their five-minute warning to prepare for the gig.
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Instead of using these 300 seconds to make his way to the stage, Noel spent them inside his car.
It was during those few moments he decided that was that.
Oasis was done.
A message on the band’s website, written by Noel, eventually appeared stating: “It is with some sadness and great relief…I quit Oasis tonight. People will write and say what they like, but I simply could not go on working with Liam a day longer.”
And that was that. The band was gone, and the two brothers remain at loggerheads a decade down the line.
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Rumours of a reunion have been a weekly occurrence in the eleven years ever since, but a reconciliation has always been just out of reach.
The post-Oasis years have given birth to bands Beady Eye and High Flying Birds, and whilst there’s never really been any sight of a sincere olive branch, Noel has seemingly ignored impromptu tweets by Liam asking to give things another go, if only for a one-off gig.
The band’s’ closer, Dig Out Your Soul, is often lost within the footnotes of Oasis trivia today; bundled beneath the glory days of What’s The Story, origin tales of debut Definitely Maybe, and the drug-addled anecdotes of Be Here Now.
But DOYS is sort of remarkable in how it holds up as such a solid piece of work despite the growing turbulence going on behind the scenes.
Fittingly, the very last words to appear on an Oasis album are “soldier on” – an apt description of the brothers’ fruitless attempts to persevere through an upcoming tour fraught with tension; which would ultimately bring about the band’s demise.
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You could frown at the Oasis timeline and spend hours trying to decide which dates to circle as being the most definitive moments in the band’s history.
But no single week is more fascinating than this one.
This was when we got the best and last of Oasis.
In ‘95, the leap to glory. In ‘08, the unknowing goodbye.
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You can line dance to Lily Allen’s West End Girl in full right here in Manchester
Thomas Melia
After a fun way to kickstart the New Year? Some people might suggest hobbies like ‘Tennis’, but how about a line dancing class playing Lily Allen’s new album in its entirety – we know which we’d rather do.
Grab your nearest ‘Nonmonogamummy’ or take ‘Madeline’, if you know one, because there’s a line dance class where you get to line dance to Lily Allen’s West End Girl in full right here in Manchester.
Hosted by Red Rodeo Club, a queer line dancing group based in Manchester, who have hosted monthly artist-inspired events city wide including Chappell Roan, Beyoncé, Charli XCX and more.
This troupe even managed to line dance all the way to one of Manchester’s most reputable LGBTQIA+ nights of the year, performing on the Archive stage at Homobloc just last month.
Now, Red Rodeo is returning with another special night that is sure to interest all the West Endand North West girls across Manchester, as it prepares a Lily Allen line dance spectacular later this month.
If you’re ‘Ruminating’ about attending this event, there’s absolutely no pressure or dance experience needed as the group prides itself on providing ‘classic boot-scootin tutorials with a party vibe’.
You’ll definitely be in good company regardless of your dance partners, as hosting the event is Violet Blonde, known for their extraordinary outfits and love of Country icon Dolly Parton.
We’re already onto a winner…
Your dance instructor for the night is the remarkable Shanika Sunrise, a rapper and producer, who boasts a seriously impressive roster of acts they’ve opened for, including Chappell Roan, Cupcakke and Moonchild Sanelly.
Opportunities like this aren’t always feasible for everyone, which is something this line dance group is aware of as they’re offering a ‘Red Rodeo Club Low Income Ticket’, suited for students, unwaged and disabled attendees.
Red Rodeo Club is bringing the ‘Lily Allen edition’ line dance class to Fairfield Social Club in Manchester on Thursday, 29 January 2026, from 7-10:30pm.
If you’re interested in grapevine stepping or electric shuffling your way to the Lily Allen West End Girl line dance event in Manchester, you can find tickets HERE.
The smash-hit daytime rave where you can still be in bed early is returning to Manchester
Clementine Hall
That’s right: Day Fever, the daytime rave designed to still get you tucked in at a reasonable hour, is coming back to Manchester city centre this year.
Following their biggest raft of shows across the UK and Ireland in 2025, the smash-hit night out that is very much aimed at those of us 30 and over – but fellow sleepy heads are obviously more than welcome – Day Fever are targeting big things in 2026.
Launched in early 2024 by actress Vicky McClure and Reverend & The Makers frontman, Jon McClure, Day Fever has become a cultural sensation.
From its debut in Sheffield to a tour that sees thousands of ravers hitting the dance floor each month, the message is clear: people want to dance and let loose, but still be in bed before 9pm – and let’s be honest, who can blame them?
The founders (L-R): Jon McClure, James O’Hara, Jonny Owen, Vicky and Chris McClure. (supplied)
Running from 3-8pm, Day Fever provides a proper night out that doesn’t completely write you off for the entire weekend.
“It started as a WhatsApp idea”, says Jon McClure. “Jonny just said, ‘A daytime disco, how good would that be?’ We’re all a bit nuts, so we just said, ‘Come on then!’”
“It feels like a massive house party at your nan’s,” laughs Vicky. “No drama, no egos, just people acting daft, getting dressed up, and having the best time.”
From here in 0161 and our mates over in Leeds, to Newcastle, Glasgow and many more, each Day Fever event has its own unique flavour.
There’ll be local DJs who know their crowds keep the energy high with a nostalgic mix of Northern Soul, disco, indie, and 90s classics. “Manchester goes mad for Oasis,” says Jon, “and if Vicky’s there, we have to play Whitney, it’s non-negotiable!”
For starters, just look at the turnout they got over Christmas: