The Japanese Anime cafe with real maids hidden inside Afflecks
Inside you'll find rare anime dolls, imported Japanese snacks, milkshakes named after famous characters and stacks of comics which you can read for free
Hidden inside Afflecks is a magical Japanese anime-inspired maid cafe where you can watch films by Studio Ghibli and buy drinks inspired by famous anime characters.
First opened in 2019, the cafe is the only one in the UK of it has kind and has had various different iterations over the years – first starting life off as a shop downstairs before moving onto the second floor.
Based inside its current unit for two years now, in the past few months, its owners have expanded the space to add on a proper Japanese-style sakura cafe behind the shop – complete with upside-down umbrellas hanging from the ceiling and its very own sakura tree.
Neon lights and anime murals cover the walls, there’s a stage covered in plants, ring lights that customers are welcome to use for filming, and, in one corner, a bookshelf filled with anime books that the maids have found in charity shops.
Customers, the maids tell us, are welcome to pick any of these up for a read whilst visiting. The cafe also offers a service to customers to come in and resell their old anime comics to the cafe for a much better price than they might get elsewhere.
ADVERTISEMENT
On our visit, we meet two of the cafe’s seven resident maids – Ria and Gia. Both are dressed in cosplay Japanese maid outfits, Maid Gia also has furry black and brown cat ears on her head, whilst Maid Ria is sporting black and red dragon wings.
They are keen to stress that, whilst the cafe does draw its inspiration from Japan’s maid cafe culture, unlike in Japan in no way are they wanting to be fetishised.
ADVERTISEMENT
Over there, customers commonly call the maid’s “Princess” and vice versa are called “master”. Here at Affleck’s, the focus is more on having fun – not on sexualising the intimacy between customer and maid.
“In their cafes, […] master and princess is like kind of like fetishist names […] we don’t want any aspect of fetishising anything, we don’t want any Asian fishing or anything like that because it’s just disgusting.”
ADVERTISEMENT
“We just want to have fun and dress like maids and sell Japanese merch without hurting anyone,” adds Gia sweetly.
Both maids’ enthusiasm for Japanese anime and manga culture is infectious – and as they start to explain more about the fantastical worlds that are created within it, where people are born with pink hair and devil horns, where someone might be half-cat, or have superpowers that see them shoot stars out of their hands – it’s easy to see how you could become immersed.
It’s pure fantasy at its very best. They tell us about Death Note, where you write someone’s name in a magical notebook and it kills them, and about another character who has the power of being trans – where they can inject themselves and change gender.
It’s all brilliantly weird, “the weirdest stuff you can think of” says Gia.
As well as selling food and drink inspired by their favourite anime characters, which includes a list of milkshake specials loaded with the likes of chocolate, raspberry, fruit pearls, tapioca and cream, the cafe also sells authentic figures that are collector’s items in their own right.
ADVERTISEMENT
“All of our stuff is straight from Japan which we feel like gives more of an immersive experience, so if you could never travel to Japan you’ve literally got it right here,” says maid Ria.
The shelves are packed with boxes of different figures from the comic worlds, as well as Japanese snacks from the likes of Hello Panda. There’s also a fridge filled with different flavoured drinks that pay tribute to some iconic characters, including a blue-haired Sonic.
For now, the food offering is limited to snacks that you can buy to eat in the neighbouring cafe – but the maids tell us they’ve got plans to introduce hot food as soon as possible and hope to start selling bowls of ramen and cookie dough, adding an immersive element into the service.
Ria tells us, “In Japan, they serve little omelettes and then the maids come over and like draw in your omelettes like smiley faces, that’s the kind of stuff we really want to do in the future.”
“We’re getting this kitted out as a proper kitchen, we’re going to do cookie dough as well yes omg we have a red velvet flavour, a death by chocolate flavour, birthday cake flavour – I’m really excited for that – bubblegum. It’s like a cookie dough ice cream and that will be the first kind of food that we serve instead of just like a snack you buy off the shelf.
ADVERTISEMENT
“We’re just looking to put it somewhere.”
“In this cafe it’s just always like gradually growing. A lot of places open and it’s like BAM! But yeah we’re always growing and that’s what’s nice, taking new ideas and that’s what’s fun about it,” adds Gia.
The maids also tell us about their plans to have a proper maid cafe in the future out on the street, where they can stand outside and welcome customers in “with like the windows all pink and frilly, like a little castle.”
Designed for like-minded people with a shared interest in anime, the cafe has been set up to be suitable for all ages where fans can socialise and initiate new friendships,
All of its maids are anime fanatics and experts too, and with their help owner Rio has created a safe space for anime fans where guests can watch anime, play video games, and transport themselves to cosplaying heaven.
Over the Halloween weekend, the cafe will be hosting a special event to tie in with the annual Manchester Anime and Gaming Con.
Feature
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
Feature
Hazlett at Manchester Academy 3 – some of the best ‘sad and depressing songs’ you could ever ask for
Danny Jones
On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.