Plans to transform Castlefield Viaduct into a ‘sky park’ similar to the High Line in New York are ploughing ahead.
The National Trust’s ambitious vision to create an urban green space on this heritage landmark is well underway.
More than 3000 plants are being added to the Victorian viaduct, which looms over the southern side of the city centre.
It’s now set to open as early as next month, turning the 330m structure into a park in the sky.
Planting on Castlefield Viaduct. Credit: National Trust Images, Annapurna Mellor
The Castlefield Viaduct dates back to 1892 and was built by Heenan and Froude, the same engineers who worked on Blackpool Tower.
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But the site closed in the late 1960s, and until recently the Grade II-listed structure had been left derelict.
Now gearing up to reopen as a sky park, soon visitors will walk along the viaduct surrounded by native plants, shrubs and trees, with a ‘show garden’ at the end.
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The design of the planters is inspired by the viaduct’s architecture. Credit: National Trust Images, Annapurna Mellor
The experience will also celebrate the industrial heritage of Castlefild, from the planters – inspired by the industrial architecture of the viaduct – to the section of it that will be left untouched, showing how nature has tried to reclaim this space of its own accord.
Some of the plants have been planted in a diamond pattern, mirroring the diamond shape of the viaduct’s steelwork.
A canopy is also being created using 600 half-hardy annual climbers, hops and clematis which will tumble down.
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Castlefield Viaduct progress. Credit: National Trust Images, Annapurna Mellor
Castlefield Viaduct progress. Credit: National Trust Images, Annapurna Mellor
Four sections of the viaduct have been handed to partner organisations so that they can create their own gardens.
These include the Science and Industry Museum (who have recreated the steam from the old locomotives with fluffy white plants, and used blue flowers to symbolise waterways), Urban Wilderness with charity 42nd Street (they’ve created a ‘garden of possibilities’ focused on improving mental health), and City of Trees (‘Past, Present and Future’ is the inspiration for theirs).
Castlefield Forum also have a section with landscape architects BDP, choosing plants that mirror the distinct features of Castlefield in both colour and scale.
These changes are, at present, temporary.
Artist impressions of Castlefield Viaduct. Credit: Twelve Architects Masterplanners
The National Trust has created the park space to gain the public’s opinion on what the long-term future of the viaduct could be.
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When the first phase of the £1.8m pilot opens next month, 100 people a day will be able to visit.
Entry onto the structure will be free, but a booking system will be in place to help manage numbers. As part of the experience, visitors will be able to join a guided walk on the viaduct.
Pamela Smith, senior national consultant for Gardens and Parklands at the National Trust said: “We’ve reached an exciting stage in the project to transform Castlefield Viaduct into a green space for the people of Manchester.
“Creating a garden on an industrial heritage structure such as this is untested territory for us and we’re intrigued to see how the plant life will take to its new surroundings.
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“In addition to greening up a heritage structure, we’re celebrating Manchester’s history adding the county flower, cotton grass, to the viaduct as well as fern species once collected by Manchester suffragist and botanist, Lydia Becker.”
Amy Watson, Castlefield gardener at the National Trust said: “Castlefield Viaduct is unlike any other garden in the National Trust’s care and we’ll be keeping a close eye on the garden to see how it gets on over the next twelve months.
A view across Manchester to Castlefield Viaduct. Credit:James Dobson, National Trust Images
“I’ll be working with a team of dedicated volunteers and apprentices to plant bulbs on a regular basis and adding to the planting to make sure there’s plenty to see throughout the year. We’ll also be working closely with our partners to see how their gardens are responding to their unique surroundings.”
Sophie Wardell, urban places programme manager at the National Trust said: “So much hard work has gone into getting the viaduct to this point and we couldn’t have got this far without the support of our partners and those who have helped make this happen for Manchester.
“A little over 12 months ago we’d only just shared the artist illustrations of what the viaduct could look like, and now it’s becoming a reality. This first year is an experiment for us to see what people want Castlefield Viaduct to be in the future and we’re excited to hear what ideas they have.”
Featured image: National Trust Images Annapurna Mellor
Feature
30 years ago, the IRA detonated a 1,500kg lorry bomb on Corporation Street in the heart of Manchester – here’s the story
Georgina Pellant
Today marks three whole decades since an explosion from the inside of a lorry parked on Corporation Street shattered windows and destroyed buildings across the city centre.
Causing an evisceration that stretched for miles, when the 1,500 kilogram IRA bomb went off in 1996, it was the biggest detonation in Great Britain since the Second World War.
Following the explosion, the city fell silent – leaving rack, rubble and ruin in its wake. Famously, one red post box was left standing – today fitted with a memorial plaque in remembrance of the tragedy.
It seems scary to think that back then, most people could only stand there, watch on and worry.
The bomb caused an estimated £700 million worth of damage to Manchester’s infrastructure and economy, and over a quarter of a century later, locals still tell the stories of where they were when it went off – and of the devastation it left behind.
Notably, one resident of the Cromford Court maisonettes on top of the Arndale – a 77-year-old RAF veteran suffering from the flu – didn’t even bother to get up when the telephone warning to evacuate hit, considering himself to have survived much worse feats during his time in military service.
Having been a rear gunner in a Lancaster in the war, he reportedly told police and authorities “he was buggered if he was going to let a small bomb affect him.”
In subsequent years, Danny O’Neill has become a part of an urban legend surrounding the bomb as his staggering story has been told time and time again.
Around 90 minutes prior to the detonation, the Provisional Irish Republican Army had telephoned in warnings – meaning that around 75,000 people were able to be evacuated from the area before the bomb went off from the back of a van.
However, the bomb squad were unable to defuse it in time, leading to over 200 injuries from people still left in the area.
Thankfully, despite those injuries, there were no fatalities, and many of those reported traumas came from the shattering of thousands of windows and other damage to buildings in which unsuspecting people were getting on with their days.
Several buildings near the explosion were damaged beyond repair and had to be demolished, while many more were closed for months for structural repairs, and this prompted the biggest regeneration of Manchester city centre ever – something that is still continuing to this day, arguably at a more rapid rate than ever.
The city lay dormant for days after the explosion, as people came to terms with what had happened and kept their distance. Many moved out of the centre for a period of time, while many more simply decided not to visit for fear of another incident.
It was a desolate place, eerily quiet, and in need of some serious TLC.
According to Home Office statistics, an estimated 400 businesses within half a mile (0.8 km) of the 1996 blast were affected, 40% of which did not recover.
Credit: Manchester Libraries
Market Street – near the explosion and at that time the second-busiest shopping street in the UK – was considered by some a “fearful” place, and one that was to be “avoided like the plague”.
The prospect of pulling Manchester’s bustling city centre out of its darkest depression was not casually approached by those in charge.
It was acknowledged as a mammoth task from the get-go, but Greater Manchester has never let anything get in its way. Despite how steep the hill is that we’re standing at the base of, we always manage to reach the peak, ready to go again.
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.
Daisy Jackson -
17th June 2022 
