Legendary Manchester gig venue Night & Day says it could still be facing closure following a noise complaint from a neighbouring apartment last year.
The beloved music and arts hub faces a court hearing at the end of November, or otherwise complying with the requirements of the abatement notice, which it says ‘would effectively ruin Night & Day’s business’.
The venue’s owner says the fault ‘lies squarely with Manchester City Council’, adding that planning permission was granted for the flats where the noise complainant lives despite the planning department ‘knowing about the potential for noise disturbance’.
Night & Day has also claimed that an acoustic report was not provided and acoustic works not completed when the neighbouring building was turned into apartments – a claim that the Council ‘completely rejects’.
The tangled drama all began last November, when a person who lived beside the venue complained about the noise.
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Night & Day. Credit: Supplied
They had moved in during lockdown, when music venues were shuttered and silent, and filed a noise complaint when Night & Day resumed its normal activities.
Manchester City Council has repeatedly stressed that a noise abatement notice does not have the power to shut down a venue, and said it ‘remains supportive of the music scene in Manchester which Night and Day has championed’.
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For three decades, the venue has hosted the likes of Ed Sheeran, Arctic Monkeys, Wet Leg, James Bay and Elbow – and Elbow’s frontman Guy Garvey is one of the voices who has spoken out about Night & Day’s noise abatement notice.
He described it as a ‘shameful disgrace’ and said: “That this corner stone of our city’s culture is under attack again is bewildering.”
He later added: “The message to the council is drop this and focus on making it the last time it happens to any music venue in our city.
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“To everyone else concerned I cannot stress enough that anger directed at the complainants is misdirected. This is the council’s problem.
“Please pour your energy into supporting the campaign to save Night & Day and in due course the national legislation to prevent this happening to any historic venue that has been nick-named Jan’s Law.”
Owner Jennifer Smithson, daughter of the late founder and Manchester icon Jan Oldenburg, said: “We were one of the founding businesses in the development of the Northern Quarter, people wanted to move here because of vibrant, interesting places like Night & Day which is great and it’s really enhanced the area.
Manchester City Council (MCC) refuse to remove the Noise Abatement Notice they served on us last November.
Night & Day have appealed the notice. We have and continue to operate in the exact same manner as we have done previously and for the past 30 years. pic.twitter.com/cc6u7TI6ZT
“What is particularly galling is that the planning department knew about the potential for noise disturbance from Night & Day when it issued the planning consent to turn the warehouse next door into residential flats.
“A separate acoustic report was required to establish what could be done to prevent noise from Night & Day impacting residents of the building. However, no separate acoustic report was ever prepared by the developer and the planning department allowed the building to be occupied without suitable acoustic insulation works.
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“We now have to either accept the noise abatement notice, which will put us at risk of immediate prosecution in the event of noise complaints, or go to court at significant expense to appeal it. This could mean the end of Night & Day forever. It’s a nightmare.”
“It’s just so unfair,” she continued. “We believe that the fault lies squarely with Manchester City Council. They could cancel the noise abatement notice and rectify the problem that they originally caused, rather than close down a business that’s been the beating heart of the Manchester music scene for decades.”
A spokesperson for Manchester City Council said: “It must be made explicitly clear from the outset that the Council has never threatened to close down this venue, nor is there any legislation which would allow a Noise Abatement Notice to be used to close a premises.
Credit: Facebook, Night & Day Cafe
“It is important to reiterate throughout this process extensive discussions have taken place to try and address the statutory noise nuisance which was the sole reason a Noise Abatement Notice (NAN) was served.
“The Council is, and remains, supportive of the music scene in Manchester which Night and Day has championed, but we have to comply with our duties in respect of statutory nuisance. It is also important to state that the source of complaints regarding this venue relate to very loud music played into the early hours of the morning and not live band performances.
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“The Council’s planning records show that an acoustic report was provided during the development of surrounding units, and the Council completely rejects any suggestion that planning conditions were not met.
“The Council will continue to work towards an amicable resolution where the noise nuisance is fully addressed.”
Night & Day has started a petition to have the noise abatement notice removed – you can read more and sign it here.
Featured image: Facebook – Night & Day Cafe
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Audio North’s Artist of the Month: Sharan | April 2026
Thomas Melia
Why have one northern city when you can have two? Sharan, our latest Artist of the Month, was born in Leeds and is now based in Liverpool.
Giving herself the titles of DJ, workshop facilitator and community advocate while also balancing life as a cardiac physiologist – is there anything Sharan can’t do?
This multi-talented music maker has played sets for Crop Radio, supported Sammy Virji, Barry Can’t Swim, SBTRKT and even soundtracked Liverpool FC’s official store ahead of a new kit launch.
Her sets cover all different music genres, meaning she can fit and curate any vibe, including UK funk, Amapiano, house and more.
An interview with Sharan – Audio North’s Artist of the Month
Now, the Leeds-born DJ takes a break from the decks, community programmes and medical assistance to chat about being Audio North‘s latest Artist of the Month.
Sharan is passionate about music and community (Credit: Press shots)
What music did you grow up listening to?
I’ve always been around music. My Dad brought me up on Queen and then when I got to school my best friend listened to Bassline, UK Funky and I downloaded all these songs onto my Blackberry.
Annie Mac and Hannah Wants were real inspirations for me growing up and seeing female DJs in the media is great.
Tell us about the work you do in the DJ community?
I’m originally from Leeds but moved to Liverpool for work four years ago and I’ve become quite heavily involved in the DJ community. I do workshops through ‘Decks in the City‘; I’m a DJ Programmer for Dishoom and I play gigs across the North too.
Why do you want to give back to the DJ scene?
I joined a charity called Getaway Girls, who I still am with today, and I joined a music group through them and I remember decks being in the corner of the room and being intrigued. Then, at 14 I started going to their music workshops.
They’re the reason I got into music and inspired me to want to make the music industry a fairer place for women as well as advocating for women in music.
I love teaching women how to get into music or giving them the opportunity they wouldn’t necessarily have.
What do you hope to achieve through your DJ workshops?
I believe everyone should have the chance to try out being a DJ, or more broadly just have a go at learning a new skill in relation to music.
I want to give everyone a fair and equal chance to learn how to DJ and that’s why the courses I do are accessible and affordable.
DJ Sharan is involved in a range of projects, including Programmer for Dishoom (Credit: Supplied)
As a South Asian DJ who’s also a woman, I want to encourage women and anyone from underrepresented communities to get involved.
In the long run, I’d love to improve festival line-ups and make the distribution of live music opportunities fairer.
What have been some of your favourite experiences as a DJ so far?
Alongside my community work, I’ve played at Leeds Festival for JD Sports and supported some big acts including Barry Can’t Swim, Virji, SBTRKT and Girls Don’t Sync.
What’s one fun fact about you?
I’m not just a DJ, I’m also a cardiac physiologist. It’s a really big part of my life aside from being a DJ. I balance the two together, I’m passionate about both.
She’s supported Sammy Virji, Barry Can’t Swim, Girls Don’t Sync and many more (Credit: Audio North)
How does your heritage influence your work?
I’m South Asian and I remember the Bend It Like Beckham soundtrack so vividly growing up. It fused British pop with Bhangra and Bollywood, it was revolutionary.
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Even the storyline of the film itself resonates with me, watching the girl pursuing football against her parents wishes, something I’m doing by going against ‘the norm’ through following my dream of being a DJ.
I love this film and soundtrack so much that I wrote an article about this which explores the soundtrack and its impact on British Asian Youth.
Featured Images – The Manc Group/Press Shots (supplied via Liam Heeley)
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‘A new kind of night out’ – new competitive social games venue opens in Manchester city centre
Emily Sergeant
A brand-new competitive social games venue is opening in Manchester city centre this week, bringing a completely original format to the city’s nightlife scene.
Gameface has made itself at home inside Manchester‘s Printworks complex.
Built around 10 games designed and developed from scratch, Gameface turns a standard night out into a fast-paced, shared experience.
The 5,400 sq ft venue has capacity for 120 players and has been created by CONDUCTR, the creative innovation studio powered by technology, meaning every game has been built in-house – with bespoke mechanics and technology developed specifically for the experience.
Having been in development for over a year now, and becoming the first venue for the brand – with further expansion planned in the future – Gameface joins an already-competitive socialising scene at Printworks, alongside venues like Boom Battle Bar, Tenpin, and Treetop Golf.
However, unlike existing concepts, all games at Gameface are completely original and do not exist anywhere else.
So, how does it work then? Well, groups move between games in a 60-minute session, competing for points across physical, reactive, and problem-solving challenges, before heading straight to the bar.
Rather than putting technology front and centre, Gameface uses it to ‘quietly power’ the experience.
Score tracking, reactive gameplay, and dynamic challenges all sit behind the scenes, designed to make each game feel intuitive, fast and competitive from the first round.
New competitive social games venue Gameface opens in Manchester city centre / Credit: Supplied
There are no long instructions or complicated rules. Players arrive, tap in, and start competing within seconds, so the result is apparently something ‘closer to a house party than a traditional activity venue’.
“It’s a night out where you’re actually doing something,” explained Leanne Casey, who is the General Manager at Gameface. “You’re moving, competing, laughing, and it gets competitive almost instantly. People care about the score quicker than they expect.”
Daisy Jackson -
27th October 2022 
