There’s just over a week to go until The Lumineers take to the stage at the AO Arena, and the pandemic-enforced hiatus from the live music scene can’t have ended quickly enough for the band.
For Wesley Schultz and Jeremiah Fraites, who started performing together way back in 2005, it’s the live circuit where The Lumineers really come to life.
According to Wes, the audience is ‘like another instrument’.
Ever since releasing their self-titled debut album in 2012 – and that ever-present, chart-topping single Ho Hey – the audiences have flocked to their shows, singing and chanting every word right back at the band.
Nowhere, Wes says, is quite like a Manchester audience.
“You’re all pretty rowdy!” he told The Manc during a chat this week.
“It’s some of the most rowdy, fun audiences you can find anywhere. I like audiences that aren’t worried about being overly polite – it’s like it’s uninhibited and that lends itself well to music.
“For us, the audience is like another instrument. If we ever put out a live album you’ll hear a lot of the audience, because they’re singing with us and they’re adding things, and energy.
“So many of my favourite records growing up had that presence, that electricity.”
Obviously, for much of the last two years, bands like The Lumineers have lost this stage time, as the pandemic forced gigs to be cancelled for months on end.
Their last tour, the III World Tour, was cut short because of Covid.
“I think we feel like we have unfinished business,” Wes said.
“We feel like we have a lot left to express that wasn’t.
The Lumineers. Credit: Danny Clinch
“And then you combine that with all of the pent-up emotion from the last two years that is gonna be out there on full display on stage.
“I think you’re going to see some of the best live music you’re ever going to see because bands, including us, have been just dying to get back out there.
“There’s just been a lot of solitary confinement in everyone’s life and I think these concerts are, for those of us who don’t go to organised religion, this is our church.
“This is our way of feeling community and it’s a beautiful thing.”
That band-to-audience connection is something Wes and Jeremiah have tried to hang on to, even as their following has grown.
It’s a desire that will be tested on the 2 March when The Lumineers take to the stage at their AO Arena gig – the second time they’ve performed at the enormous venue.
The Lumineers in 2016 with Manchester United kits on. Credit: Facebook, The Lumineers
Wes continued: “There’s a desire to connect, no matter the size of the room. It’s supposed to feel like you’re at a house show, even if it’s an arena.
“We’re supposed to feel like we’re sharing some secrets together.
“We’ve been so lucky to move up and play bigger venues, but it presents a whole new set of challenges because really what you’re going after is the thing you started with – you know that really beautiful connection you’d have with an audience if you were playing in someone’s living room.
“You’re trying to have that same experience in a big room, and I hope we’ve got better at that over the years.”
Wes said he remembers the arena dates were more than a little daunting at first.
“I remember we didn’t know what was going to happen but it went really well, and we were like ‘I can’t believe that worked’,” he laughed.
Credit: AO Arena
“That’s the essence of being in a band – you have all these hopes but it’s like, the whole thing is kind of a wild ride, including playing this arena.”
The Lumineers are touring off the back of their fourth studio album, Brightside, and that means plenty of new material to join the likes of Ho Hey, Ophelia, and Gloria.
As with most musicians, the pair are enjoying testing out their new songs with a crowd at long last.
Wes said: “A.M. Radio’s been really fun to play live, it has a really anthemic chorus and the audience has been singing it back to us.
“That, and there’s a song off the record called Birthday that we actually made to entertain ourselves, and even people who’ve never heard it will join in screaming ‘IT’S ALRIGHT, IT’S ALRIGHT’ – they get it right away, there’s something really immediate.
“I like it when people are putting their arms around each other, especially complete strangers, because that’s what we all need right now.
The Lumineers’ most recent album, Brightside.
“We need that celebratory mood and I think music was meant to bring people together.
“That’s what I love about music – when you see total strangers high-fiving, singing together, there’s some unification.
“I just love that about live music, it short-circuits all of our defences and leaves us more open.”
The Lumineers have chart-topping albums and huge world tours under their belts, but the thing they’re most proud of is much more wholesome than accolades.
“Beyond anything, Jer and I will have been doing this for 10 years in April, and I’m most proud of the fact that we’ve managed to stay excited and having fun.
“I think the risk is that people lose that edge of childlike wonderment that keeps you going and doesn’t make things look formulaic.
“For me, I’m most proud of us for still being on the ball – still really wanting to play this music and being excited, like kids.
“It’s been 10 years and for me it’s the most positive sign that we’re still like little school kids. It’s a good feeling.”
And what’s left on his bucket list? It’s something we can surely all agree with – “I really want to have a tequila with Bruce Springsteen.”
The Lumineers will perform at Manchester’s AO Arena on 2 March. You can get tickets through the venue or at Eventim here.
Featured image: Danny Clinch
Audio
Review | Sam Fender headlines an unforgettable night at Wythenshawe Park
Harry Quick
In the beating green heart of South Manchester, Sam Fender delivered a night for the books at Wythenshawe Park – swapping the safety of arenas for something far more raw and electric under the open sky.
The Geordie hero – now a household name and one of Britain’s most beloved live acts – took to the stage with the confidence of someone who’s played stadiums, but the humility of a lad still jamming with his mates in a garage. And if you thought he’d rest on the hits, think again.
But before he unleashed his arsenal of chart-toppers, support from Bugman, Charlie Noordewier, and Olivia Dean warmed things up. Dean was the name on everyone’s lips, with an almost sell-out capacity turning up for the East London star who released her latest track ‘Man I Need’ on the same day.
Hits like ‘Nice To Each Other’ and ‘Dive’ got people in the swing, but – it has to be said – there was a glaring omission of ‘Rein Me In’, Sam Fender’s tune which featured Dean on an updated chorus! I think when people were heading for the exits at the end of the night, some stayed in their spots waiting for the inevitable classic that never came…
Sam Fender sounded great in the open air of Wythenshawe Park. (Credit: Audio North)
A track from his 2021 album got us going with ‘Angel in Lothian’ opening the show for the very first time – a bold move, but the right one. Fender, bathed in flashbulbs, delivered the track with aching intensity, and from the first note, Wythenshawe knew it was in for something special. No crowd warm-up needed. They were going for it tonight.
Then came the EP sledgehammer: ‘Spice’. The pit ignited. Flares. Flying pints. Lads and ladies on shoulders. Chaos in the best possible sense. Fender grinned, clearly feeding off the Manc crowd’s energy. “It’s good to be back, Manchester!” he shouted. And we believed him.
‘Will We Talk?’ and ‘Getting Started’ kept the tempo going for the opening of the set – indie anthems bouncing off the trees like echoes from another era. Then came ‘Arm’s Length’, pulling things inward, a slower riff from the most recent People Watching album, and definitely a fan favourite, as evidenced by the number of streams.
A reminder that Fender’s strength lies not only in volume, but can also pull out his softer side.
But in my eyes, it was ‘The Borders’ that provided the most memorable moment of the night. Mid-song, Sam invited a young fan, guitar in hand, on stage. Together, they nailed the song’s dramatic crescendo that speaks about Fender’s homelife growing up. Thousands watched, phone lights up, cheering on a moment that’ll surely live in that kid’s head forever.
No ‘Rein Me In’, ‘The Dying Light’ and no ‘Remember My Name’ was gutting, we’ll admit. (Credit:The Manc)
More People Watching material followed, including the haunting ‘Crumbling Empire’, giving us shades of Springsteen, which landed with a weight that silenced even the chattiest of crowd members. Then, halfway through the set, ‘Dead Boys’ brought it all crashing back – Fender’s OG storytelling at its most harrowing, the crowd singing every word with defiant pride. One of my all-time favourites!
As dusk gave way to darkness, ‘People Watching’ and the thunderous new single ‘Tyrants’ brought a fresh edge. Fender was in his element, throwing himself into each lyric like it was the last song he’d ever play.
But the true peak? ‘Howdon Aldi Death Queue’, with its extended outro! It’s jaw-droppingly good. I’m calling it the North East’s equivalent to ‘Free Bird’, and those comparisons can’t be named lightly. The guitar solo roared across the park like a jet engine, Hendrix by way of North Shields, with saxophones soaring and the band absolutely letting rip. It was glorious noise. Controlled chaos. Pure rock.
Just when you thought he’d played every card, ‘Alright’ made its tour debut. The crowd reacted like it was an old friend returning home. It fit seamlessly – big, bold and born to be played live.
And then, the emotional punch: ‘Spit of You’, a quiet and tender account of a relationship between dad and lad, before the inevitable eruption of ‘Seventeen Going Under’ to close. Undeniably one of his best tunes, it literally takes you back to traversing adolescence, standing in a park, drinking tinnies, listening to your favourite music… oh wait!
Just when the dust seemed to settle, Fender and the band returned one last time for a thunderous encore. And what better way to close out a legendary night than with ‘Hypersonic Missiles’; pyrotechnics blazing, confetti raining down, and the Geordie hero grinning from ear to ear as he stood arms-wide in front of a sky full of stars and a crowd full of love.
Sam Fender at Wythenshawe Park wasn’t just another tour date. It was a love letter to the North, to music, to the fans that got him here – and to the ones still screaming every lyric just like we do in our bedrooms.
Let’s hope the park’s grass recovers. We might need it again next summer.
Kaiser Chiefs continue debut album’s 20th anniversary celebrations with more tour dates
Danny Jones
Northern music veterans Kaiser Chiefs are set to continue the celebrations of their debut album’s 20th anniversary with even more milestone tour dates next year.
It’s hard to believe it’s been two decades since their very first LP, Employment, was first released, just before the onslaught of indie landfill took over the UK and beyond back in the 200s, but it really has been that long.
2025 has seen the beloved Yorkshire band rolling back the years and playing all the hits from the seminal debut record, and since the scenes at Glastonbury, Kendal Calling, Tramlines, Latitude and more have been such good vibes, they’ve decided to keep the party going even longer.
Announcing further tour dates next February, the Leeds legends will be heading back on the road before you know it and playing all of the hits.
Confirming a dozen new live shows, the noughties hit-makers behind ‘I Predict A Riot’, ‘Ruby’, ‘Oh My God’ and many more will be heading to Manchester for just the second stop on their upcoming tour.
Heading to O2 Victoria Warehouse on Saturday, 14 February, the ever-familiar British five-piece haven’t yet announced a hometown gig.
That being said, we have a feeling you can expect something extra special – perhaps a Temple Newsam 2.0 – to be revealed for them not too far down the line.
Speaking on the tour extension, frontman Ricky Wilson said: “This summer, we played a load of shows to mark the release of our debut album, Employment. It went well. Probably better than our first summer 20 years ago.
“It was the year after that first year that things really took off, so we hope you will join us in February to help celebrate with us ‘the year it really took off’.
“If you were with us the first time, or unfortunately missed out due to other commitments, we hope you will join us for a joyous lap of honour. (Plus, I spent quite a bit on a new blazer and want to get my money’s worth)”.
NEW: @kaiserchiefs NEW: Kaiser Chiefs are heading on the 'MORE Employment' tour, playing their debut album in full plus their greatest hits at #O2VictoriaWarehouseManchester on Sat 14 Feb!
— O2 Victoria Warehouse Manchester (@O2VicWarehouse) August 15, 2025
Our Audio North followers will be glad to hear that there a plenty of gigs taking place up at the top end of the country, and you can see the full list of ‘More Employment‘ shows down below.
Kaiser Chiefs’ 2026 UK tour dates:
13 Fri – Bradford, Live
14 Sat – Manchester, O2 Victoria Warehouse
15 Sun – Stockton, Globe
17 Tue – Dundee, Live House
18 Wed – Glasgow, Barrowland
20 Fri – London, Eventim Apollo
21 Sat – Hull, Connexin Live
23 Mon – Norwich, UEA
24 Tue – Swansea, Building Society Arena
26 Thu – Bournemouth, International Centre
27 Fri – Cambridge, Corn Exchange
28 Sat – Wolverhampton, The Halls
Tickets for the Kaiser Chiefs’ show here in Manchester, as well as all other nights live on Friday, 22 August from 9am; you can get ready to grab yours HERE.
We’ll see you there.
And until then, why not see what the lads had to say to our friends over at The Hoot when we interviewed them back in May?…