There’s just over a week to go until The Lumineers take to the stage at the AO Arena, and the pandemic-enforced hiatus from the live music scene can’t have ended quickly enough for the band.
For Wesley Schultz and Jeremiah Fraites, who started performing together way back in 2005, it’s the live circuit where The Lumineers really come to life.
According to Wes, the audience is ‘like another instrument’.
Ever since releasing their self-titled debut album in 2012 – and that ever-present, chart-topping single Ho Hey – the audiences have flocked to their shows, singing and chanting every word right back at the band.
Nowhere, Wes says, is quite like a Manchester audience.
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“You’re all pretty rowdy!” he told The Manc during a chat this week.
“It’s some of the most rowdy, fun audiences you can find anywhere. I like audiences that aren’t worried about being overly polite – it’s like it’s uninhibited and that lends itself well to music.
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“For us, the audience is like another instrument. If we ever put out a live album you’ll hear a lot of the audience, because they’re singing with us and they’re adding things, and energy.
“So many of my favourite records growing up had that presence, that electricity.”
Obviously, for much of the last two years, bands like The Lumineers have lost this stage time, as the pandemic forced gigs to be cancelled for months on end.
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Their last tour, the III World Tour, was cut short because of Covid.
“I think we feel like we have unfinished business,” Wes said.
“We feel like we have a lot left to express that wasn’t.
The Lumineers. Credit: Danny Clinch
“And then you combine that with all of the pent-up emotion from the last two years that is gonna be out there on full display on stage.
“I think you’re going to see some of the best live music you’re ever going to see because bands, including us, have been just dying to get back out there.
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“There’s just been a lot of solitary confinement in everyone’s life and I think these concerts are, for those of us who don’t go to organised religion, this is our church.
“This is our way of feeling community and it’s a beautiful thing.”
That band-to-audience connection is something Wes and Jeremiah have tried to hang on to, even as their following has grown.
It’s a desire that will be tested on the 2 March when The Lumineers take to the stage at their AO Arena gig – the second time they’ve performed at the enormous venue.
The Lumineers in 2016 with Manchester United kits on. Credit: Facebook, The Lumineers
Wes continued: “There’s a desire to connect, no matter the size of the room. It’s supposed to feel like you’re at a house show, even if it’s an arena.
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“We’re supposed to feel like we’re sharing some secrets together.
“We’ve been so lucky to move up and play bigger venues, but it presents a whole new set of challenges because really what you’re going after is the thing you started with – you know that really beautiful connection you’d have with an audience if you were playing in someone’s living room.
“You’re trying to have that same experience in a big room, and I hope we’ve got better at that over the years.”
Wes said he remembers the arena dates were more than a little daunting at first.
“I remember we didn’t know what was going to happen but it went really well, and we were like ‘I can’t believe that worked’,” he laughed.
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Credit: AO Arena
“That’s the essence of being in a band – you have all these hopes but it’s like, the whole thing is kind of a wild ride, including playing this arena.”
The Lumineers are touring off the back of their fourth studio album, Brightside, and that means plenty of new material to join the likes of Ho Hey, Ophelia, and Gloria.
As with most musicians, the pair are enjoying testing out their new songs with a crowd at long last.
Wes said: “A.M. Radio’s been really fun to play live, it has a really anthemic chorus and the audience has been singing it back to us.
“That, and there’s a song off the record called Birthday that we actually made to entertain ourselves, and even people who’ve never heard it will join in screaming ‘IT’S ALRIGHT, IT’S ALRIGHT’ – they get it right away, there’s something really immediate.
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“I like it when people are putting their arms around each other, especially complete strangers, because that’s what we all need right now.
The Lumineers’ most recent album, Brightside.
“We need that celebratory mood and I think music was meant to bring people together.
“That’s what I love about music – when you see total strangers high-fiving, singing together, there’s some unification.
“I just love that about live music, it short-circuits all of our defences and leaves us more open.”
The Lumineers have chart-topping albums and huge world tours under their belts, but the thing they’re most proud of is much more wholesome than accolades.
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“Beyond anything, Jer and I will have been doing this for 10 years in April, and I’m most proud of the fact that we’ve managed to stay excited and having fun.
“I think the risk is that people lose that edge of childlike wonderment that keeps you going and doesn’t make things look formulaic.
“For me, I’m most proud of us for still being on the ball – still really wanting to play this music and being excited, like kids.
“It’s been 10 years and for me it’s the most positive sign that we’re still like little school kids. It’s a good feeling.”
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And what’s left on his bucket list? It’s something we can surely all agree with – “I really want to have a tequila with Bruce Springsteen.”
The Lumineers will perform at Manchester’s AO Arena on 2 March. You can get tickets through the venue or at Eventim here.
Featured image: Danny Clinch
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Neighbourhood’s city centre festival returns to Manchester with promising first wave
Danny Jones
Neighbourhood Festival’s city centre all-dayer is returning to Manchester for 2026 after a year off, and this first wave of the lineup is looking promising already.
Following teasers over the past month or so, it didn’t take long for us to figure out that NBHD Festival was coming back, especially with the Weekender in Warrington having taken a similar hiatus in 2024.
However, when festivals like these take time out, it can be easy to worry whether or not they’ll lose momentum or come back stronger.
Judging by this initial batch of acts alone, there’s no doubt NBHD Fest ’26 will be another cracker.
Neighbourhood Festival 2026! Manchester’s biggest multi-venue festival returns on Saturday 17 October. The first wave of acts just announced with many more brilliant artists to be revealed. Sign-up for exclusive pre-sale which goes live 10am Tue 10 Mar. https://t.co/Qq0c7Ibuxqpic.twitter.com/8CQoeqdpWm
As you can see, as well as the fast-rising grungey alternative and garage rock quartet, KEO, being announced as one of the first big hitters on the list, there are some other familiar names on the lineup.
Especially for us Mancs.
With both Bolton and Altrincham youngsters, Florentenes and The Guest List, both joining the roster, as well as the likes of Bury-born ‘rockabilly’ revivalist Elliot James Reay also featuring on there, there’s a good deal of local talent to be enjoyed as always.
That goes for the regional delegation in general, too, with the likes of Jos River heading back up this way from her base in London, and Leeds’ fittingly named indie four-piece, The North, also booking a slot.
We’ll admit there are plenty of bands and artists coming up from the capital for the all-day festival, but at least they know where the UK’s real home of music is.
You only have to look at the festival vibes up here to know that…
It’s worth reminding, once again, that since its inception in 2016 (yes, it really has been a decade now), Neighbourhood Fest has continued to serve as a proper launchpad for the next wave of superstars, not just here in the North West but across the country.
We still remember seeing the likes of Sam Fender, Holly Humberstone, Declan McKenna, Mahalia, The Lathums and more – some for the very first time – on these city centre stages, and it’s crazy to see how big some of them have gone on to become.
Set to take over some of Manchester’s most iconic venues along the Oxford Road Corridor once again, this is, without a doubt, one of the best dates for independents on the annual live music calendar.
Hosting a total of 11 stages on Saturday, 17 October for a full day of live music, tickets for this year’s Neighbourhood Festival go on sale HERE at 10am on Friday, 13 March – and remember, there’s still plenty more to be added to the 2026 lineup.
A (completely subjective) ranking of Harry Styles’ new album, based off one listen
Daisy Jackson
Kiss All The Time, Disco Occasionally is finally with us – HS4 really did drop at midnight this time.
We all expected the fourth album from pop megastar Harry Styles to be a disco album (… because of the title, and the disco ball on the cover), and it is, in places. But there’s a lot more going on here too.
You can tell he’s spent a lot of time in Berlin, which means the disco here is pretty modern, but it’s all still quite tame. This is a pop album at its core and it needs to be one that will fill stadiums (that are already sold out).
And long-time Harry Styles fans will be pleased to find a few stripped-back ballads alongside the heavily-produced bigger tracks.
He kept us waiting for this one, but was it worth the wait?
Here’s my (completely subjective) ranking of every track on the album, based off precisely one listen. I might end up eating my words after a second go-around…
Every song on Harry Styles’ Kiss All The Time, Disco Occasionally, ranked
I’m finding this one a bit annoying until it gets to about the 1.45 mark and builds. I’m all for experimenting with new sounds but it’s all a little disjointed and messy. ‘What drum effect would you like for this one, Harry’ – ‘All of them please’.
You know that feeling you get when you’re boiling the kettle and the extractor fan’s on and the microwave’s going and then your phone starts vibrating and it’s too much noise? Same energy.
11. Paint By Numbers (Track 11)
Bored. Have gone to make a cup of tea.
10. The Waiting Game (Track 6)
I know the girlies have been crying for a Harry ballad like Matilda, but you can’t really have one now because he’s been to Berghain and it’s changed him. He likes synths now.
This one is a close contender though. It’s nice enough but there’s not a whole lot of substance.
9. Are You Listening Yet? (Track 4)
Oh no, speak-singing, in his odd Cheshire-LA accent too (listen to the way he says ‘dancing’). Even with that crescendo with the choir near the end it’s a bit of a plodder. NEXT.
8. American Girls (Track 2)
Idk much about music terminology but whatever key he’s singing in here is scratching my brain just right. I feel like a dog when you scratch the part of their belly that makes their leg shake.
This is a really nice second track and I already know I’m going to regret ranking it so low after a few more listens. But that’s not the point of this ranking. Eighth place for you, American Girls.
7. Coming Up Roses (Track 8)
OH HANG ON, we have a string section! I’m awake again! YES HARRY STRIP IT BACK!! I take back what I said for The Waiting Game, the sad ballad girlies will lap this up. Can’t wait to hold my phone torch up in Co-op Live for this one.
6. Pop (Track 9)
The baseline on this has melted my spine (complimentary). I want to put my head inside the subwoofer. I much prefer the verses to the chorus but can imagine this one will go off in a live setting. To the dance floor!
5. Dance No More (Track 10)
Dance No More? Don’t tell me sh*t like that then hit me with a funky beat like this, Harry! I’m a sucker for a funky indie band (see: Parcels, Phoenix, Jungle, etc etc) so this was always going to work for me.
4. Aperture (Track 1)
Obviously this is not my first listen of this song. Now that we have the context of the rest of the album I can see why this was the lead single. I’ve liked it from the get-go and still do. But if you don’t like this song, you might not love what’s coming.
3. Ready, Steady, Go (Track 3)
More like OK Go, amirite?! Again, the harmonies in this are simply heavenly in the verses, I have been beamed right up. The megaphone vocals in the chorus might divide some people though. Funky little baseline may even tempt me off the couch even at this hour (it’s 7am).
2. Taste Back (Track 5)
This a bit more like old Harry. I can absolutely imagine myself walking to the tram in the morning with this in my ears feeling like the world’s not so shite after all. Might even frolic in a field to this one in summer. Very lovely.
1. Carla’s Song (Track 12)
Talk about saving the best til last! This is really reminiscent of another song, can’t put my finger on it, but I feel transported and immersed and all other good things music should make you feel. His vocals are stunninggggg in this.