The Manc recently had the privilege of looking around GCHQ’s Manchester headquarters to meet the real-world spies, data analysts and security experts keeping us all safe. It was awesome.
For anyone unaware, GCHQ (Government Communications Headquarters) is the British intelligence agency that helps look after our nation’s security both at home and abroad, and back in 2019, the national security organisation set up its Manchester base in Heron House just off Albert Square.
Just last month, we were invited along to meet some of these silent heroes in person as part of a private and unprecedented press day, opening up their doors to select members of the public for the first time.
Invited inside the high-security facility along with around 60 kids from Whalley Range‘s St Margaret’s Primary School, we spent the day cracking codes, being upstaged by children much smarter than us and trying not to sweat through our clothes from nervousness.
Credit: GCHQ Manchester (Credit: The Manc Group)
Welcome to Manc spy HQ
After being escorted through a strict entry procedure and chaperoned upstairs to the only floor we were allowed on, we were met by an admittedly unsuspecting team of people that you would never twig as working in espionage. It quickly put us at ease.
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We’re not joking when we say there were areas of this place we weren’t allowed anywhere near and even staff members have to their leave belongings behind before entering. However, what we did get to see was seriously impressive.
As well as immediate sights like the small drones being controlled by employees who could only give us their first names, we were also welcomed into a large briefing room with a high-tech display with screens that stretched across an entire wall and genuinely resembled something from a Bond flick.
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Not the big screen in question — we weren’t allowed to show you that… (Credit:”)
We then did our best to keep up with some of Britain’s brightest young brains, working through a series of code-cracking exercises inspired by the GCHQ’s new Puzzles for Spies book.
Making moves in Manchester
So why Manchester? Well, we spoke to Deputy Director Liz (yes, that’s all you’re getting) and she explained numerous appealing factors that drew the over-100-year-old institution to the city.
First off, they noted that not only is Manchester one of the fastest-growing cities in the UK and, indeed Europe, but thanks to city centre development and the likes of the ever-expanding Media City, Manchester has become a true “digital hub”.
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She also went on to state the roadmap for people joining the intelligence service is starting to change and while people used to join the likes of their Cheltenham HQ “at the age of 18 and stay for 40 years”, the demographic is changing and they want to seek out more diversity.
GCHQ Cheltenham (Credit: GCHQ.GOV.UK)
Part of the reason they invited the kids along is they wanted to show it’s more about “aptitude and skills, not just getting a degree”. It’s not just about reaching out further but adapting the recruitment process.
They also believe that as well as the uni and tech culture acting as a great feeder for GCHQ, the fact that Manchester is a huge melting pot of people from all walks of life will help them “evolve” as a group and they hope to start soaking up “untapped talent all across the North West“.
What’s it like being a spy?
It’s a question most people have wondered at one time or another — usually after a trip to the cinema or watching Line of Duty— but we wanted to know exactly how close to the movies working for GCHQ is and, thankfully, many of the people were more than happy to oblige.
Although most said being somewhat evasive becomes second nature when once you accept the job, it really is only your immediate family that you can reveal their roles to and even then, they can’t really divulge what they do on a day-to-day basis.
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Again, it’s worth reminding that, for all intents and purposes, these lot are spies and they genuinely have to keep up the lie. We especially enjoyed so many of them simply telling their friends they “work in marketing”.
On the other hand, despite having to withhold details even between certain colleagues with different clearance levels, Liz insists that they “don’t tend to moan about the nuts and bolts” of the job but things like the commute and how the price of Greggs keeps going up. Their office is above Greggs, for context.
You’d never guess national security is being carried out above the Greggs on Brazennose Street (Credit: Google Maps)
She also admitted it’s “pretty exciting” to be able to do things that would be considered illegal for most people to do, not to mention immensely cool to be able to tell your kids “mums a spy”. Fair.
What are GCHQ working on right now?
Beyond trying to reveal “the human side” behind these otherwise faceless people, demystifying espionage and intelligence work, as well as trying to earn some trust through increased transparency, GCHQ also gave some insight as to what exactly it is they’re looking into at present.
Of course, we couldn’t talk about national security without asking them about Putin and the Russian invasion, which they confirmed is obviously top of the priority list, declaring the support of Ukraine as their “biggest task at the moment”.
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They also went on to explain that cyberattacks from the likes of China are also of concern, adding that they are carrying out counter-terrorism, software development and sweeps, as well as various routine security checks on a regular basis.
Liz also went on to assure that GCHQ as a whole is “working on all the missions, covering all the hostile states and pretty much covering everything you can think of”. It was genuinely a relief to know that we’re in safe hands.
If you think a career at GCHQ Manchester might be something you’re interested in, you can check out their vacancies down below and you also can also buy their Puzzles for Spies book HERE.
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Danny Jones -
6th December 2022 
