Thermal imaging captured by a police helicopter above Gorton / Image: GMP
Home Secretary Priti Patel has given police new powers to tackle the mass gathering problem besetting England during lockdown.
From this week, £800 fines can be given to anyone found attending a house party of more than 15 people.
This will double for repeat offenders up to a maximum of £6,400.
Patel made the call to ramp up fines due to “a small minority who refuse to do the right thing”; claiming that bigger penalties would help the government “crack down on the most serious cases of rule-breaking.”
A lot of this ‘rule-breaking’ the Home Sec was referring to has happened very close to home.
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Greater Manchester has a poor record for COVID breaches.
Data from the National Police Chief’s Council showed that 2,183 fines were handed out in the region between March 27 and December 20 – ranking Greater Manchester the second-worst area in England.
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The only region that received more fines in this same period was Northumbria – with 3,034 FPNs.
And the fines have kept coming.
Since August, local police have served over 2,800 Fixed Penalty Notices (FPNs) in total – with around half of those for house parties.
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So, does this mean that GMP has been tougher than other forces in England? Or is Greater Manchester simply more badly behaved than its neighbours?
Home Secretary Priti Patel has announced that those attending house parties can be fined £800 / Image: BBC
First and foremost, it’s worth noting that the NPCC data covers the whole range of COVID legislation breaches – from mass gatherings and meeting others to operating business when required to close.
Rules have varied between different areas in England – changing more than 64 times in the process.
Since the first lockdown ended, there have only been 27 days when Greater Manchester has not been under some form of restriction – beginning with an indoor ban on July 31.
GMP’s Assistant Chief Constable Nick Bailey believes that this is one of “a number of factors” that play into Greater Manchester’s bad COVID breach record.
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“Greater Manchester has been in some form of lockdown or restriction pretty much longer than anywhere I think other than Leicester,” he stated.
“So more offences have occurred over a longer period of time.”
The ACC also stated officers have moved beyond simply warning residents now – given how everyone is aware of the rules.
“Our staff have had longer to engage with the public and make sure they’re informed about the rules, and yes we’ve probably reached a stage where we are at enforcement with more people sooner than lots of other parts of the country,” he explained.
“Whilst we were having to enforce breaches over August and early September, many other forces weren’t under that level of restriction, so they weren’t dealing with COVID breaches.
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“We’ve done a lot of communication with our population, so it’s hard for them to say they don’t understand the rules.”
All parts of England are currently under the same blanket restrictions as part of a nationwide lockdown. But recent breaches in Greater Manchester have remained high.
Local police issued over 100 FPNs after shutting down multiple New Year’s Eve gatherings. But, perhaps more surprisingly, 190 FPNs were also distributed in the middle of January (a traditionally quieter period).
87 of these fines were for house parties alone.
According to officers, this represented 16% increase in the same period during December.
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House parties drastically increase the spread of COVID-19. Think of others before deciding to go as you could pass this on to more vulnerable members of your family
Most COVID breaches are reported via the police’s online system, but the force has urged people to use 999 if there’s “real disorder”.
An increasing number people are being found in attendance at party properties – with an average of 15 or more.
ACC Bailey admitted that some people “haven’t got it in their heads” that mass gatherings are dangerous.
“This variant – which is in Greater Manchester now – is far more infectious,” he stated.
“COVID is still killing people in our communities.
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“If you go to a party, there is a chance that you are aiding the spread. If that happens, quite frankly, people die.”
The new hefty £800 fines come into force this week, but ACC Bailey has said the size of these penalties isn’t going to deter officers from handing them out.
“The fine itself doesn’t change how we enforce,” he said.
“In our view: A breach is a breach. We will not be introducing any leeway just because the penalty has changed.”
“If the only way people can learn a lesson is to receive a fine of quite a significant amount, then that is what we will do.”
Feature
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
The Manc -
25th January 2021 
