Feature
Feature
Five Greater Manchester artists we’ve been listening to this past month | March 2026
Danny Jones
Don’t look at us like that… It was a bank holiday, and we had a lot of stuff to sort before the long weekend – and a good chunk of that was spent listening to loads of Manc music, new and old, so just shut your trap and get ready for another batch of fantastic artists.
Seriously, though, we’re sorry you had to wait a few extra days than usual to get your latest fix of local tunes, but good things always come to those who wait.
If you happen to be new to this regular series of ours in 2026, it’s pretty much what it says on the tin: every month, we round up the stuff from in and around the Greater Manchester region that we’ve been listening to of late.
Simple as that. Let’s crack on, shall we?
1. Freak Slug
Born in Italy and now based in Manchester after studying in London, Xenya Genovese – a.k.a. ‘Freak Slug’ – is mixing trippy, shoegazey, alt-pop and rock sounds to great effect, which is even more impressive when you find out she produces pretty much everything herself.
There are notes of everything from Slow Pulp and Mazzy Star, to bits of Hazel English and Soccer Mommy; if you were thinking NewDad, too, you’d be absolutely right. In fact, the rising star is currently on tour with them over in North America after having played some domestic and European shows.
If you’re just getting started, we’d recommend two of her biggest hits, ‘Radio’ and ‘Friday’, as you’ll get a good broad strokes idea of her style, but we do love the slightly more Northern attitude and almost Kate Nash-esque no-nonsense of recent single ‘Honest Man’. You can find a snippet of her latest down below.
@freakslug Miss June 🤍 #newmusic #indie #fyp ♬ Miss June – Freak Slug
2. Katie Rigby
In at number two is Manchester’s answer to the country music scene – specifically, the growing host of fantastic female artists who are becoming increasingly influential in the space. If you’re a fan of Lainey Wilson, Ella Langley, Ashley Cooke, Alana Springsteen and the like, she’s right up your alleyway.
One of our own, if you’re a fellow British country fan who often suffers from a dash of impostor syndrome, you’ll be glad to hear she does her best work when she leans more into that some of that self-awareness and self-deprecation, highlighting what makes her different rather than trying to blend in.
It’s a trap that plenty of UK artists can fall into when trying to tap into a sound, but instead, this is what sets it apart; there are no better examples than ‘Past Life Cowgirl’ and ‘Don’t Give Me Hope’, which still show a pop sensibility that could see her playing arenas. And if you don’t like it, as the girl says, you can ‘Kiss [Her] Accent’.
3. Ishango Bone
In at number three up is an up-and-coming band that technically has only one Spotify release as yet, along with a smattering of other raw recordings from gigs, etc. online, but they’re nonetheless one that has quickly caught our attention – and not least because of that moniker.
Taking on the same title as a 20,000-year-old ‘calculator’ found near the Nile River in the Democratic Republic of Congo (fall down the rabbit hole at your peril), choosing to name themselves after this gives you a little bit of insight into this curious, interesting, experimental and admittedly odd project.
Even their social media is pretty unique and eccentric, mirroring that somewhat detached, third-person voice used by the likes of Sleep Token, and talking about the project as if it were research into some new alien entity. Bit weird, but so are we, and we like it. New single ‘The Agency’ out on 24 April.
4. John Denton
Next up is John Denton, once tipped by the one and only Johnny Marr as a guitar-playing prodigy destined for greatness. Funnily enough, that rather famous, successful Stone Roses songwriter and national music icon might have just been on to something, you know.
The Salford kid is still very early in his career. It was only back in February 2023 that a then 12-year-old Denton won Marr’s eponymous award from the Salford Foundation Trust. However, since then, the young man has clearly got the right people around him as his sound is already coming across well-developed.
He doesn’t have tonnes out yet, so you might as well complete his discography. Thus far, you can hear influences of Britpop legend Richard Ashcroft, but also fellow Wiganers, the Stanleys, but it’s still too early to tell where he’ll go. All we know is it’s uplifting indie that’s perfect for a spring soundtrack.
5. The Cavs
Last but not least, we have The Cavs, who feel like they’ve been around forever because, well, it has been a good seven years or so since their very first song. We feel like we’ve caught them at festivals here and there, but never quite seen them have their one breakout moment. Could it be coming this year?…
The local lads are back after a little break, having last released music this time last year, but there feels like a fresh wave of momentum might be about to take them onto that next level, as we’re once again seeing them all over our algorithm. They’ve always had a big sound, but it deserves a bigger following.
We might still have a soft spot for the anthemic, 90s/early noughties feel of ‘Find A Way’, and we still maintain that ‘Headshot’ has one of the most addictive intros and recurring riffs we’ve any contemporary rock band could hope to write, but their new release ‘Hallowed Ground’ is well worth a listen to, as well.
So there you have it: another round-up to wrap up Q1 of this year’s journey through Manchester’s musical scene.
As always, we’re looking for new suggestions all the time, so let us know who you’re listening to at the minute – or rather who we should be – down in the comments.
Oh, and since you’re here, why not check out last month’s list?
Read more:
- Five Greater Manchester-based artists we’ve been listening to this month | Jan ’26
- Parklife 2026 | all stage splits and stage times for Heaton Park festival
- More artists added + stage splits confirmed for NBDH Weekender 2026 lineup
For all the latest news, events and goings on in Greater Manchester, subscribe to The Manc newsletter HERE.
Featured Images — Audio North/Press shots (supplied)
Feature
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.


The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.


‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Read more:
- MOBOs 2026 in Manchester – all the award winners and iconic performances
- Myles Smith announces HUGE arena gig in Manchester this year
- Niall Horan is heading back to Manchester with a massive arena show just announced
For all the latest news, events and goings on in Greater Manchester, subscribe to The Manc newsletter HERE.
Featured Images – The Manc Group