It’s hard to believe it’s been a whole year since we last gave you a list of New Year’s Eve parties, but time marches on and it’s already time to ring in another new year.
As is usual with Manchester, there’ll be lively celebrations going on in all corners of the city, from the tiny club nights that go til dawn to the world-famous series drawing tens of thousands into one room.
Some of the city’s biggest parties – like The Warehouse Project’s New Year’s Eve club night at Depot Mayfield – have already sold out, but there are plenty more events to sink your teeth in to.
There’s loads going on in Manchester on 31 December, with tickets still available for a lot of the city’s biggest parties.
One of Manchester’s best-loved club nights will be taking over the newly-reborn New Century for an almighty New Year’s Eve party.
Homoelectric’s NYE party promises ‘an evening of cosmic grooves, street soul, slo mo dance, boogie, black heart disco, us garage, house, technoid outerspace sonic science and bass buggin’ rawness’.
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They say: “It seemed perfect timing to host a very special Homoelectric at this venue on New Years Eve and do something completely different from our normal dark basement back street affair.
“This our last Homoelectric party of the year. To say we are excited is an understatement.”
Famed for its all-in lavish parties, The Refuge won’t be holding back as it rings in 2023, promising to ‘turn up the heat a little’.
They’re promising to add a dash of tropical energy to Manchester, with afro-latin music, deep house and disco, explosions of colour and immersive performances.
Artists will include Hannah O’Gorman and Isaac Williams a.k.a. DJ collective, Nossa, and Levi Love.
Dine and Dance tickets are sold out but you can still get Let’s Dance tickets £30 here – including a glass of prosecco if you rock up before 9pm.
Dance into the Future at Ramona
Credit: Ramona
Fast becoming a fan favourite for a night out is Ramona and the Firehouse, located in an old MOT garage just of Swan Street.
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By day it’s pizza and margaritas, but by night, it’s glitterballs and catwalks.
31 December will be their ‘biggest party yet’ in the Ramona festival tipi, featuring live performances including Age of Glass, guest DJs and dance tents.
Tickets cost £27.50 and are available through See Tickets.
One of the city’s longest-running club nights is getting stuck in to all the New Year’s Eve action, right through to 4am on 1 January.
Funkademia has been running since 1995 and is heading back to its spiritual home Mint Lounge with disco and funk bangers all night long.
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From Michael Jackson to Aretha Franklin to James Brown to Chaka Khan to Stevie Wonder to Snoop Dogg to Prince to Diana Ross to Chic and Sister Sledge and everything in between, you’ll absolutely not want to leave that dance floor.
Tickets start at £6.60 if you’re quick – visit Skiddle for yours.
Disco Dancer at Bundobust Brewery
Bundobust Brewery. Credit: Supplied
Bundobust Brewery, easily one of Manchester’s coolest restaurants and bars, is keeping the doors open and the vibes going until 1am on New Year’s Eve.
Their Disco Dancer event – theme is Bundobust Brewery goes to Bollywood – will have entertainment, projections, and a party soundtrack from Andy Votel.
Starting the party will be Niamh McGuinness from Angel Meadows Soul Club, one of Manchester’s rising clubnight heroes. Expect rousing Northern Soul, Motown, and R&B selections 6-9pm before Andy takes over the decks.
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Tickets are just a tenner, which includes two drinks. Would be rude not to. Get yours here.
Keep It Unreal Nye: Mr. Scruff + Mc Kwasi at Band on the Wall
You know it’s going to be a good Manc knees-up when Mr Scruff is on the bill, and especially when that bill is taking place at the legendary Band on the Wall.
Alongside MC Kwasi, they’ll bring in the new year with a six-hour DJ session of jazz, soul, hip hop, funk, disco, deep house, reggae, afrobeat, latin, electro, techno, new wave and ‘plenty of goodies that don’t fit into any category’.
Band on the Wall stresses that all are welcome to party, ‘regardless of age, nationality, mobility, gender or sexuality’ – which is what we like to hear.
More 90s vibes now – because why not – as the beautiful Albert Hall is turned into a nostalgic dance party.
90s Baby will feature a wide range of the decade’s biggest live acts and DJs, from Alex Party (best known for her massive hit Don’t Give Me Your Life to Baby D (Let Me Be Your Fantasy).
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Rounding off the star-studded line-up is N-Trance, Phats & Small and K-Klass with some throwback DJ sets.
Final tickets, priced £28.00, are on sale now through Skiddle – and there’s a group discount of four tickets for the price of three if you round up some mates.
Hidden NYE at Hidden
UK Garage will be the order of the night at Hidden, one of Manchester’s most-loved clubbing venues.
Explore the four rooms, from the courtyard through to the graffiti-covered walkways that lead to the basement den, a Blue Room and Hangar Space, while you count down to midnight (and beyond).
Legendary DJ John Digweed will be rocking up at Joshua Brooks with his even more legendary club night Bedrock.
John has been a pioneer of electronic music for more than three decades thanks to his technical mixing style, while Joshua Brooks has cemented itself as one of Manchester’s post popular nighttime venues.
Featured image: Photography by Rob Jones (www.instagram.com/hirobjones)
Feature
A masterclass in The Art of Loving: Olivia Dean brings two unforgettable nights to Co-op Live
Emily Johnson
Olivia Dean took over Co-op Live for not one, but two nights this weekend – and what she delivered felt like a full-circle celebration of The Art of Loving, her incredible sophomore album.
From the moment Olivia’s silhouette appeared behind the curtain on night two, opening with the album’s title track, it was clear this evening was going to be special.
With a sea of polka dots on arrival, it’s evident that the 27-year-old already has great influence when it comes to style with her fans, and you could spot anyone who was attending Olivia Dean around Manchester city centre immediately.
Despite performing to a crowd of over 20,000 people, the performance felt incredibly intimate, with interactions with the crowd through the evening, even pointing out a fan’s banner saying they had been a fan of Olivia since 2019, which she was humbly taken aback by.
Her voice carried effortlessly around the arena, somehow still managing to feel soft and personal, like she was singing directly to you.
No Dean show would be complete without her incredible outfits either, and last night we were truly spoilt, with two outfit changes throughout the evening, which split the night into three chapters.
Initially appearing in a black sequin number, before reappearing in the middle of the crowd in an all-white outfit, evocative of an angel – a moment that felt intimate even in a room that size.
Later, with disco balls lowered and the energy lifted, she returned in another glitzy look for the more upbeat tracks, including a crowd-pleasing cover of ‘Move On Up’. With her band behind her, the sound filled the arena beautifully.
Everyone was on their feet having a good time, but no one was having as much fun as the woman herself, Olivia Dean.
And that’s the thing with Miss Dean, no one at her gigs is having half as much fun as she is. She’s always smiling, always glowing.
Put simply, she’s a proper ray of sunshine on stage. Towards the end of the show, Olivia looked up at the crowd and stated, “It’s magic in here tonight, Manchester”, and we all believed her.
Looking around at the crowd, arms around each other, best friends, couples – it was hard not to feel the magic too.
Highlights included ‘UFO’ with a sea of lights, which in the moment gave the whole room goosebumps, and of course, the confetti cannon, which was the grand finale to an incredible evening.
Yungblud channels a bit of magic that’d make Ozzy proud on huge headline night in Manchester
Lonnie Bowes
A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.
Daisy Jackson -
21st December 2022 
