Hidden down a little cut-through at the side of one of Manchester’s historic chop houses is Sonata, a brand new late-night piano and jazz bar.
Just off the main cut-and-thrust of the busy Cross Street, if you slip down the alleyway next to Mr Thomas’s you’ll come across a lit doorway concealing the newest addition to Manchester’s late-night party scene.
Set to take the city by storm, it will open until 1am through the week and 2am on the weekends.
Image: The Manc Group
The new cabaret bar has been brought to life by Dale Bassett – a former theatrical and musical entertainer who used to perform on the London scene – and is set to open in the city this week, with a glitzy launch party planned for Thursday 30 June.
Ahead of that, we were lucky enough to pop down for a sneak peek at the new bar – and we left feeling pretty impressed.
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The new music-led venue draws inspiration from the cabaret scenes of the capital, as well as those in New York and Berlin. Tightly packed seating fans out in front of the bar’s main stage, with an eye-catching, spot-lit white grand Yamaha piano at its center.
Image: The Manc Group
Image: The Manc Group
Further back, large comfy red leather booths are tucked into corners and lit by low-hanging exposed filament bulbs, ideal for larger groups.
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Whilst the tables here are pretty close together to maximise space, there’s no need to worry about squeezing out to get to the bar – as Sonata’s staff will come to you to take your food and drink orders.
Open seven nights a week with a late license, drinks will be served here into the early hours. We have it on good authority that a good martini will be a staple on the bar’s cocktail menu. whilst food-wise there will be a selection of tempting cheese and charcuterie to nibble on.
As for the music itself, the bar’s soundtrack will play host to a mix of genres from pop standards to Broadway ballads, jazz classics to quirky cabaret, as it showcases singers, pianists and cabaret artists from across the UK and beyond.
Acclaimed West End star Alex Young, cabaret iconPaulusand distinguished jazz pianist and vocalist Jeremy Sassoon are among those leading the bill, appearing alongside local musicians including songstress The Chanteuse, soul singer and pianist Charlie Cooper and pop sensation Passmore.
International talent, meanwhile, will include Berlin-based cabaret sensation Jack Woodhead (returning to his hometown of Manchester to perform at Sonata), American piano-vocalist Andrew J Boyer and Canadian soprano and comedian Delea Shand.
Husband and wife duo The Retrosetteswill host a regular residency, .and Olivier Award-winning composer Richard Thomas and comedian and singer Sooz Kempner will bring their original show ‘Wrong Songs’ to Sonata in July.
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The venue will also present featured shows like ‘Voices & Lyrics’, a celebration of lesser-known musical theatre, and ‘Le Chat Noir’, a classical cabaret evoking Piaf, Dietrich and Brel, with timeless songs by the likes of Weill, Schoenberg and Debussy.
A regular open mic cabaret night, with accompaniment from a house pianist, will encourage budding singers to take to the stage, and Sonata will also showcase some of Manchester’s most exciting up and coming talent, including jazz fusion trio Outlier, singer-songwriters Adelaide Taylor and Daf Hughes, and BBC Introducingfeatured artist Rosita.
Image: The Manc Group
Speaking on the new opening Dale Bassett, founder of Sonata Piano & Cabaret Lounge, said: “This incredibly varied programme is the perfect way to launch this unique new Manchester venue.
“I am thrilled and privileged to be able to host such a wonderful selection of acts. Whether you want to see some of the world’s finest cabaret artists, the nation’s best pianists or the city’s most exciting new singer-songwriters, you will find it all at Sonata.
“I can’t wait to welcome these fantastic performers to our stage – and guests through our doors to experience their talent!”
Feature image – The Manc Group
Manchester
The legendary Hulme community pub The Old Abbey Taphouse has been reborn
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme and the surrounding university district area; the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue lives on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, has now been carefully and lovingly restored ahead of its big relaunch, which will start in true Manc vision with an exclusive opening night gig.
The Abbey is reborn. (Credit: The Manc Group)
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’s also affordable, hearty pub grub, including Pieminister pies, and a huge range of beers from local breweries and beyond.
Bringing The Abbey back to life are a core team of four: Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth.
Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manc venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year.
As for Gareth, he’s the founder of the multi-venue festival Manchester Psych Fest, meaning that all of them have plenty of hospitality, late-night, live music and events experience between them.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch are part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth from the new Abbey team commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area.
“We’re honouring the pub’s history while building its future.”
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.
Georgina Pellant -
20th June 2022 
