Earlier this year, Ancoats was named as one of the coolest neighbourhoods in the world – described superlatively as a “damned magical” and “super-stylish” utopia of art, culture and greenery.
Of course, we’ve heard this all before. For the past five years, location guides and travel magazines have fallen over one another to heap praise on the regenerated eastern district of central Manchester – which has morphed into one of the busiest, buzziest, sought-after spaces in an incessantly evolving city.
Between the canalside balconies, independent art and critically-acclaimed restaurants (local eatery Mana won Manchester its first – and much-delayed – Michelin star in 2019), modern Ancoats has pretty much everything you could want in a neighbourhood. That’s often the headline. But it also has a fascinating history.
Before the skyscrapers, brunch plates and Michelin Stars, there were mill workers, ice cream carts and accordions.
Back in the 1800s, this part of Manchester was better known as “Little Italy“.
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This is wonderful. The Italian community in Manchester is a huge part of the city’s heritage and culture. This recognition is long overdue for the Italian immigrants who arrived in the city in the 1800s with nothing and helped shape the city’s history.
In December 2021, following a momentous effort by campaigners, a plaque was installed on George Leigh St to commemorate Ancoats’ heritage – in the same spot where the Manchester Italian Association was formed in 1888 (the Halle at St Michael’s building).
The plate has already delighted members of the Italian community in Manchester – several of whom have ancestors who grew up on the cobbled streets of Ancoats during its early years as an Italian quarter.
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People from areas such as Lazio and Campagna increasingly emigrated to the UK throughout the 19th Century and many settled in Ancoats – which turned into a bustling miniature version of the villages they knew back home.
Residing in the parish of St Michael’s – a Roman Catholic church – many of the immigrants went to work in the local mills, with the community described as bringing character to what was at the time a “grim part of Manchester”. Old family traditions were brought across to Ancoats – with the residents holding feasts, dances, Whit Walks, and parties throughout the year.
When Italian street musicians weren’t entertaining the neighbourhood with barrel organs and dancing bears, other residents spent the long summer evenings serenading their neighbours with the accordion.
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Ice cream vans queue up to be re-stocked on Dawn Street, Ancoats in 1966. Gerard's Ices was owned by Gerardo Scappaticci – the story of the many ice cream merchants in Ancoats ("Little Italy") is a fascinating part of Manchester history. pic.twitter.com/SYrH7v83XC
Some of the families who lived in the area also made their living in sweet treats – playing a trailblazing role in jump-starting the ice cream industry in Manchester.
Carts would bobble across the roads selling the dessert, although a ban was placed on the trade after the outbreak of the war due to rationing. Nonetheless, appetites for ice cream remained intact after 1945 – with manufacturers ramping up production and whizzing across town in new vehicles. An increase in competition even gave rise to turf disputes – a conflict which went down in history as “The Ice Cream Wars”.
Little Italy and its wider family also produced some of Manchester’s most famous personnel – including community leader and entrepreneur Domenico Antonelli (who was knighted by the Italian monarchy in 1932 for his business achievements).
Manchester’s own Sherlock Holmes, Jerome Caminada, also had links to the area. An “extraordinary” detective who prowled the streets of Victorian Manchester, Caminada’s intuition and talent for riddle-solving has written him into local legend – with the policeman best-known for donning a variety of disguises to catch the biggest crooks on Deansgate and beyond.
Manchester: Ancoats: Little Italy: 1963. Love the little guy leaning against the wall. pic.twitter.com/QuzKBPLVZe
The rich, vibrant legacy of Ancoats has long been championed by members of the contemporary Italian-Manchester community. And now, anyone who passes by St Michael’s can appreciate the true heritage of the area.
One resident described it as “wonderful”, claiming that “this recognition is long overdue for the Italian immigrants who arrived in the city in the 1800s with nothing and helped shape the city’s history.”
For a deeper, closer look at the history of central Manchester’s Italian past, head over to the wonderful website for Ancoats Little Italy.
Manchester
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Release date set for Oasis reunion tour documentary by Peaky Blinders creator
Danny Jones
If you had any doubt that the upcoming Oasis reunion shows weren’t going to be heavily documented, you’re an absolute fool. However, we’ll admit we weren’t expecting to hear the creator of Peaky Blinders‘ name connected to the tourthat’s soon set to be relived in theatres.
Yeah, as in the Brummies with the flat caps on the telly – them ones.
That’s right, the same man who brought Tommy Shelby and Birmingham’s most infamous gang to our screens has been overseeing the major documentary project, which will chronicle the return of the Gallagher brothers and put the best bits on film.
Better still, now we have a full release date and know where it will be shown, including information about its cinematic and streaming rollout.
The great wait is over.
An epic new documentary film from BAFTA and Oscar-nominated writer, producer and director Steven Knight, directed by Dylan Southern and Will Lovelace, will tell the story of the Oasis reunion the world was waiting for. Featuring unprecedented on stage and… pic.twitter.com/hgR2ERlz0n
That’s right, while there still isn’t a set title for the doc (we’re pretty sure it’s a very Ronseal kind of deal), we do know it’ll be coming not just to cinemas but even IMAX theatres.
Landing on 11 September 2026, just over a year on from when the boys got back on the road and gave us one of the greatest summers ever, it will launch on Hulu and Disney+ internationally.
With additional direction from Dylan Southern and Will Lovelace, the Steven Knight-produced project is arguably set to be just as big a cultural event as the Live 25′ themselves.
Knight, who was confirmed as the co-creator, writer and producer of the Oasis ‘Live ’25’ world tour documentary movie back in March, recently teased that the initial rough edit was around four hours long.
While we doubt it’ll remain so significant in length, who knows how it will compare to the likes of Supersonic or the Knebworth documentaries?
The brain behind Peaky Blinders is creating the second Oasis doc after 2016’s Supersonic. (Credit: Taylor Rooke/BBC/IMDb)
It’s worth noting to begin with that, besides the BBC’s blockbuster gangster series, which is soon to be followed up with the franchise’s first feature film on Netflix, Knight does have some background in music-related media.
The 65-year-old created the six-part BBC drama, This Town, which revolves around the rise of ska and the ‘two-tone’ revival movement in the Midlands during the 1970s; he also wrote the script for the 2024 opera biopic, Maria, starring Angelina Jolie.
Southern and Lovelace are also two of the names behind the LCD Soundsystem film, Shut Up And Play The Hits, which covers frontman James Murphy’s final gig as part of the band at Madison Square Garden in New York.