Photos of Manchester’s legendary gay clubnight Flesh and Clause 28 protests have gone on display at The Kimpton Clocktower Hotel.
Documenting and celebrating the city’s LGBTQIA+ community, the new exhibition appears as part of the venue’s longstanding partnership with arts institution the British Culture Archive (BCA).
Named ‘Together As One – A Celebration Of Manchester’s LGBTQIA+ Community’, the exhibit launched on Thursday 28 July and will be in situ throughout the summer.
Photographs on display capture two pivotal moments in the city’s queer history.
Photography by Peter J Walsh documents the anti-Clause 28 protest, which was held in Manchester and saw over 20,000 people take to the streets to protest Clause 28 – an attempt to suppress the gay community at a time when it was already struggling to deal with the HIV & AIDS epidemic and the backlash towards the community driven by media.
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Walsh, who is more well known for documenting the city’s nightlife during the ‘Madchester’ years is one of the few who documented this important protest that would help change the face of LGBTQIA+ rights in the UK.
Speaking on the Clause 28 Demo, Manchester, 1988 imagery, photographer Peter J Walsh said: “The Anti-Clause 28 demo was one of the largest demonstrations I had covered in Manchester during that period.
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“The starting point was on Oxford Road, by the Poly and the participants seemed to go on as far as the eye could see. Manchester City Council reckoned there were 20,000 people on the demo. It was loud, happy and vibrant.
“The country had been under Thatcher’s rule since 1979 and people were determined to fight back against this law.
“The left-wing council of Manchester welcomed the marchers and stood with them in solidarity against the divisive Tory Government. The LGBQTQIA+ communities civil liberties were under attack by Thatcher and we were prepared to stand shoulder to shoulder with them and say enough is enough.”
Elsewhere, photographs by Jon Shard capture The Haçienda’s hallowed dancefloor club night, Flesh, first launched in October 1991.
Flesh was the flamboyant mid-week night at The Haçienda, which welcomed everyone, black, white, gay, straight and was also the home of the clubs’ first female resident DJs, Paulette and Kath McDermott.
Flesh arrived during a turbulent time during the club’s and city’s history., the comedown from the Halycon years of 1988-1990 was in full flow and regular ‘Hac’ nights were losing their appeal due to a number of heavy gang-related incidents and laddish clientele putting off the punters.
The Haçienda and nights such as Flesh fit into a tradition of creativity and cultural innovation in Manchester, which can be seen throughout the city today.
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Speaking on the Flesh at The Haçienda imagery, photographer Jon Shard said: “My friends and people around me, would be talking about it all month.
“People came from all over, you had people from Europe coming over for it – it was always packed and full of energy. It was one of the most important nights there – probably the biggest gay night in Europe.
“It was always special. I was there for every single one, it was the best night to shoot because of the carnival atmosphere. It was really colourful, everyone would spend two or three days working out what they were going to wear for it.”
The new exhibit ‘Together As One – A Celebration of Manchester’s LGBTQIA+ Community’ follows on from the success of ‘A Woman’s Work’, the first instalment by the BCA in the hotel,
Throughout the summer, Kimpton Clocktower Hotel and The Refuge Bar and Restaurant will be hosting a series of summer activities in celebration of all things Pride.
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From Sparkle Weekend celebrations, a new exhibition celebrating Manchester’s LGBTQIA+ community in partnership with British Culture Archive, and of course the iconic Come As You Are Weekender – there’s something for everyone.
To find out more about the Kimpton Clocktower Hotel x British Culture Archive ‘Together As One – A Celebration Of Manchester’s LGBTQIA+ Community’, visit the hotel’s website here:
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Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
The AO Arena is giving away FREE tickets for a year to celebrate 30 years in Manchester
Daisy Jackson
The AO Arena has announced it’s giving away free tickets for a year to celebrate its 30th anniversary in Manchester.
The iconic music venue has welcomed the biggest names in the world in its three decades, with millions of us making memories for life inside its huge space.
And now you could win VIP tickets for an entire year, simply for sharing those memories with the AO Arena.
Fans who submit their old photos, videos and tickets will be in with a chance to win tickets to all the shows coming up in 2025 – which already includes massive gigs like Kylie Minogue, Katy Perry and Busted vs McFly.
AO Arena wants to dig deep into ‘first gig’ nostalgia territory, using fan-submitted snaps to build a collection of Manchester memories.
Were you in the same room as Taylor Swift, did you party like it was 1999 (because it was) with Spice Girls, did you cry over the sight of Gary Barlow or cry laughing with Peter Kay?
Whatever your AO Arena memories are, you can share them before the end of the month to be entered into the competition to win VIP tickets for the year.
One overall winner picked at random will get the ultimate VIP experience, including access to a premium suite and The Beautiful North, as well as access to The Mezz with panoramic views of the main stage.
The 30th birthday campaign has been inspired by Adele’s monumental When We Were Young performance at Glastonbury, and all these memories will be projected around the arena before every performance.
You can submit your footage and enter the competition via the AO Arena website HERE.