Photos of Manchester’s legendary gay clubnight Flesh and Clause 28 protests have gone on display at The Kimpton Clocktower Hotel.
Documenting and celebrating the city’s LGBTQIA+ community, the new exhibition appears as part of the venue’s longstanding partnership with arts institution the British Culture Archive (BCA).
Named ‘Together As One – A Celebration Of Manchester’s LGBTQIA+ Community’, the exhibit launched on Thursday 28 July and will be in situ throughout the summer.
Photographs on display capture two pivotal moments in the city’s queer history.
Image: Peter J Walsh
Photography by Peter J Walsh documents the anti-Clause 28 protest, which was held in Manchester and saw over 20,000 people take to the streets to protest Clause 28 – an attempt to suppress the gay community at a time when it was already struggling to deal with the HIV & AIDS epidemic and the backlash towards the community driven by media.
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Walsh, who is more well known for documenting the city’s nightlife during the ‘Madchester’ years is one of the few who documented this important protest that would help change the face of LGBTQIA+ rights in the UK.
Speaking on the Clause 28 Demo, Manchester, 1988 imagery, photographer Peter J Walsh said: “The Anti-Clause 28 demo was one of the largest demonstrations I had covered in Manchester during that period.
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Image: The Manc Group
Image: The Manc Group
“The starting point was on Oxford Road, by the Poly and the participants seemed to go on as far as the eye could see. Manchester City Council reckoned there were 20,000 people on the demo. It was loud, happy and vibrant.
“The country had been under Thatcher’s rule since 1979 and people were determined to fight back against this law.
“The left-wing council of Manchester welcomed the marchers and stood with them in solidarity against the divisive Tory Government. The LGBQTQIA+ communities civil liberties were under attack by Thatcher and we were prepared to stand shoulder to shoulder with them and say enough is enough.”
Elsewhere, photographs by Jon Shard capture The Haçienda’s hallowed dancefloor club night, Flesh, first launched in October 1991.
Flesh was the flamboyant mid-week night at The Haçienda, which welcomed everyone, black, white, gay, straight and was also the home of the clubs’ first female resident DJs, Paulette and Kath McDermott.
Image: Jon Shard
Flesh arrived during a turbulent time during the club’s and city’s history., the comedown from the Halycon years of 1988-1990 was in full flow and regular ‘Hac’ nights were losing their appeal due to a number of heavy gang-related incidents and laddish clientele putting off the punters.
The Haçienda and nights such as Flesh fit into a tradition of creativity and cultural innovation in Manchester, which can be seen throughout the city today.
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Speaking on the Flesh at The Haçienda imagery, photographer Jon Shard said: “My friends and people around me, would be talking about it all month.
Image: The Manc Group
Image: The Manc Group
“People came from all over, you had people from Europe coming over for it – it was always packed and full of energy. It was one of the most important nights there – probably the biggest gay night in Europe.
“It was always special. I was there for every single one, it was the best night to shoot because of the carnival atmosphere. It was really colourful, everyone would spend two or three days working out what they were going to wear for it.”
The new exhibit ‘Together As One – A Celebration of Manchester’s LGBTQIA+ Community’ follows on from the success of ‘A Woman’s Work’, the first instalment by the BCA in the hotel,
Throughout the summer, Kimpton Clocktower Hotel and The Refuge Bar and Restaurant will be hosting a series of summer activities in celebration of all things Pride.
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Image: The Manc Group
Image: The Manc Group
From Sparkle Weekend celebrations, a new exhibition celebrating Manchester’s LGBTQIA+ community in partnership with British Culture Archive, and of course the iconic Come As You Are Weekender – there’s something for everyone.
To find out more about the Kimpton Clocktower Hotel x British Culture Archive ‘Together As One – A Celebration Of Manchester’s LGBTQIA+ Community’, visit the hotel’s website here:
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Sterephonics frontman Kelly Jones reveals that Noel Gallagher is back in the studio
Danny Jones
Stereophonics lead singer Kelly Jones has graciously revealed to music fans that new Gallagher tunes could be on the way, as he confirmed that Noel has been back in the studio and working on new material.
The big question is, has Liam been in there with him?…
Broken rather nonchalantly in an interview with NME, Jones didn’t so much let the news slip as much as he seemingly just casually dropped it into conversation, mentioning that he bumped into the older Gallagher brother recently.
As he puts it – frustratingly briefly, might we add (sorry, fanaticism will do that to you) – the Oasis icon and High Flying Birds frontman has been doing some songwriting, but the details were scarce.
The 50-year-old ‘Phonics frontman, who was discussing the release of their 13th studio album as well as his own solo project last year, was asked his thoughts on the legendary Britpop band’s upcoming reunion shows and the impact they had on his own career.
“Funnily enough, I found some old pictures of me and Noel rehearsing when he used to have a studio down in Windsor recently, just before we toured America”, said Jones. “We were having a laugh about them and I asked him what he’d been up to and he said he’d been doing some writing in the studio.
The unmistakable Welsh vocalist went on to add: “I’m assuming he’s doing some writing for either his stuff or if they’re [Oasis] gonna bring out a couple songs, I don’t know.”
It seems the pair are still more than friendly, though he gave little away about his relationship with Liam Gallagher; the two British rock groups did share somewhat of a rivalry in the 90s and 2000s, with Stereophonics making no secret of Oasis inspiring their own music.
Describing the band in their heyday, Jones described the period “kind of chaotic and mayhem but it was all very joyous”, insisting that things are very different nowadays but that he is not the less excited than a whole new generations of fans are going to be able to see them live for the first time
As for whether he and his bandmates will be able to find the time, he revealed in a subsequent chat live on Radio X that their own tour clashes may mean they’ll miss out on the Live ’25 tour experience.
Further reflecting on the age of streaming, content overload and what some would argue is an overabundance of media, Kelly said of art and music in particular that “people need it now more than they’ve needed it in a long time.”
We don’t know whether or not Noel’s return to songwriting is for the next High Flying Birds record or whether the rumours are true and new Oasis music really is on the way.
As much as we love his solo stuff, PLEASE let it be the latter.
We do know that the siblings are said to be getting on swimmingly so far and even spent some of the Easter break together, according to LG himself. Here’s hoping they were throwing around ideas for another instant hit.
An old indie favourite is heading back to Manchester for a ‘Best Of Tour’ at a brilliant venue
Danny Jones
Time to roll back the years as old-school indie favourite The Pigeon Detectives are coming back to Manchester for a special show at one of the most stunning venues in the city.
We swear, if we could find our old iPod, their tracks would still be all over it.
Coming back to another part of the North that always showed them plenty of love, The Pigeon Detectives will be playing a special ‘The Best of Tour’ in line with their latest record, Still Not Sorry.
The Manc gig comes as the Yorkshire lads announced just six UK headline sets to support the album release, but let’s be honest, they were never going to skip 0161, were they?
UK TOUR! NEW RECORD! On Sale Friday 2nd May, but get pre-sale NOW when you buy a best of record (with 3 new tracks) or t-shirt from here: https://t.co/a1q44LYbD6 see you in Autumn! pic.twitter.com/HWA9ITS9Ii
— The Pigeon Detectives (@pigeonsofficial) April 25, 2025
With only half a dozen domestic dates confirmed so far, including the likes of Manchester, a homecoming night in Leeds and up in Glasgow, this really does feel like a return that long-standing fans won’t want to miss.
The new LP, which is a greatest hits compilation featuring the very best tracks from their discography that stretches over two decades, drops next month and we’re very ready to pump some adolescent nostalgia into our ears.
And best of all, they’ll be playing all the cult favourite Pigeon Detectives tracks at the simply stunning New Century Hall, marking just their second visit to the venue.
Boasting the food and beer hall downstairs as the ideal pre-gig location, not to mention a sprung dancefloor and those iconic, mesmerising lights, it’s a nigh on perfect space for live music.
We’re not exaggerating when we say we’ve had some of our best gigs in recent memory here.
Speaking in a lengthier statement on social media, the boys from Rothwell wrote: “If a band is lucky (and hardworking, and fairly decent at what they do!) there comes a time in their career when they realise that the journey they started as mates messing about on guitars has culminated in a hefty bunch of songs that people actually care about and connect with!
“At this point, the only logical next step is to take a breath, reflect back through the archives and assemble a ‘Best Of’ album. We’ve reached that point, Pigeon Heads!”
They describe the project as a collection of songs and memories that chart their career from their humble beginnings in Leeds to their “adventures around the globe”, where they have been fortunate enough to “some of the biggest stages on the planet.”
“As a band it’s always felt like we had to do things the hard way, even with an amazing set of supportive fans”, they go on to add, “but we just kept on writing songs, kept on playing gigs and kept on being The Pigeon Detectives. Us against the world. We weren’t sorry then, and we’re Still Not Sorry now!”
Maybe it’s our age showing but those last few lines alone have got us feeling all teary-eyed.