March 2020 was one of the worst times to start a band. At least on paper, anyway.
The world pressed pause on live music and gigs last spring – physically splitting music groups and bringing an abrupt halt to rehearsals, recordings sessions and stage performances.
For many, it marked the end. When it became clear that COVID wasn’t going away, thousands of artists decided to call it a day – fearful that their next payslips would be permanently postponed.
But whilst most bands chose to unplug, four lads in Failsworth were only just getting started.
Vocalist Tom Smith, guitarist Daniel Ashcroft, bass player Steve Jillings, and drummer Alex Amidulla proceeded with plans to form a new group – unperturbed by the pandemic-sized hurdles being added to an already-challenging route to success in music.
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The quartet – who are Mancunian to the bone – made a bid to embody the oft-cited catchphrase that ‘Manchester does things differently’.
Naming themselves The Haciendas, the group began creating energetic, alternative rock anthems that carried the same kind of swaggering energy and braggadocio of the Madchester era – defying the deflated sensation that consumed the city during quarantine.
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The band took inspiration from Manchester’s musical heritage to create something new – and they did it during the most testing time for music in recent memory.
Even their breakthrough was different. Whilst most groups first get recognised on stage at a local pub, The Haciendas turned heads online.
The group played their first show together on a livestream for MMTV in July – proving such a smash that they sold out their first in-person headline show (which was subsequently cancelled due to a second Stay At Home Order).
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The Hacienda’s unique brand of lockdown rock even secured them an interview in Manchester United fanzine United We Stand. For four huge Red Devils’ supporters, this achievement probably would have been enough in itself. But the group have ploughed on regardless through the rolling restrictions – releasing two singles and building an astonishingly large fanbase without playing a single real-life show.
Their first single, ‘It’s Not Too Late‘, was released on December 11 – reaching #6 in the iTunes Alternative Charts. Their second track, ‘Joker’, featured as ‘Record of the Week’ on XS Manchester.
It’s been an opening chapter that’s defied all expectations. But the next part of the story is the biggie.
The Haciendas’ first headline show has been scheduled for October 9 at The Bread Shed in Manchester – with the group (hopefully) finally set to play a debut live gig in front of packed hometown crowd.
“We entered the music industry together at what turned out to be a very strange and unfortunate time,” says lead singer Tom.
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“Although we took it in our stride and without the chance of getting out there in front of crowds, we have managed to build a fan base and release two singles.
“We can only imagine what it is going to be like once everything has blown over.”
The smash-hit daytime rave where you can still be in bed early is returning to Manchester
Clementine Hall
That’s right: Day Fever, the daytime rave designed to still get you tucked in at a reasonable hour, is coming back to Manchester city centre this year.
Following their biggest raft of shows across the UK and Ireland in 2025, the smash-hit night out that is very much aimed at those of us 30 and over – but fellow sleepy heads are obviously more than welcome – Day Fever are targeting big things in 2026.
Launched in early 2024 by actress Vicky McClure and Reverend & The Makers frontman, Jon McClure, Day Fever has become a cultural sensation.
From its debut in Sheffield to a tour that sees thousands of ravers hitting the dance floor each month, the message is clear: people want to dance and let loose, but still be in bed before 9pm – and let’s be honest, who can blame them?
The founders (L-R): Jon McClure, James O’Hara, Jonny Owen, Vicky and Chris McClure. (supplied)
Running from 3-8pm, Day Fever provides a proper night out that doesn’t completely write you off for the entire weekend.
“It started as a WhatsApp idea”, says Jon McClure. “Jonny just said, ‘A daytime disco, how good would that be?’ We’re all a bit nuts, so we just said, ‘Come on then!’”
“It feels like a massive house party at your nan’s,” laughs Vicky. “No drama, no egos, just people acting daft, getting dressed up, and having the best time.”
From here in 0161 and our mates over in Leeds, to Newcastle, Glasgow and many more, each Day Fever event has its own unique flavour.
There’ll be local DJs who know their crowds keep the energy high with a nostalgic mix of Northern Soul, disco, indie, and 90s classics. “Manchester goes mad for Oasis,” says Jon, “and if Vicky’s there, we have to play Whitney, it’s non-negotiable!”
For starters, just look at the turnout they got over Christmas:
The most annoying songs of 2025 according to ‘science’ have been revealed
Emily Sergeant
A list of the most annoying songs of 2025 according to ‘science’ has been published.
Music fans have already been sifting through their Spotify Wrapped, which came out earlier this month, with searches for it surging an astonishing 5,000% in recent weeks, proving that 2025 has been a memorable year for music.
We’ve had record-breaking releases, viral TikTok hits, and artists pushing creative boundaries across genres.
Despite the hits though, some tracks have sparked debates over how irritating they are – from repetitiveness to ‘harmonic dullness’.
Interested to discover the most annoying song releases of 2025, the experts at SeatPick analysed the most popular songs of 2025 according to official top charts, then measured their repetition, shrillness, harmonic dullness, and filler lyrics to calculate the percentage chance that listeners would find the song to be so-called ‘annoying’.
The most annoying songs of 2025 have been revealed according to ‘science’ / Credit: Jonas Leupe | Ketut Subiyanto (via Unsplash and Pexels)
Unfortunately for one artist – one very popular artist, it has to be said – they have claimed both the top and second spot, and that artist is pop royalty Sabrina Carpenter.
SeatPick’s findings revealed that Sabrina Carpenter’s ‘Sugar Talking’ and ‘Tears’, which were both featured on her latest album Man’s Best Friend, are the most annoying songs released in 2025, as the data metrics indicated that nearly half of listeners (46%) are likely to find these songs irritating due to they’re repetitiveness.
Lady Gaga’s ‘The Dead Dance’ ranks as the third most annoying track of the year, scoring high on the ‘annoyingness index,’ with repetition, brightness, and lyrical filler contributing to an overall 45.8% likelihood that listeners would find it irritating.
Rounding off the top four most irritating songs of 2025 is ‘Who’ by BTS member, Jimin, with there being a 45.5% chance that listeners would find his song irritating due to its repetitive hooks and bright, high pitched tones.
When it comes to the list of most irritating TikTok trending songs of 2025, that title went to ‘Dame Un Grrr’ by Fantomel and Kate Linn, with a 45.7% likelihood of being found irritating by listeners, closely followed by ‘She Twerkin’ by Ca$h Out in second, with a 44.1% likelihood of being found annoying by listeners.
One song we’re sure many of you won’t be surprised to find on the most irritating list is ‘Hold My Hand’ by Jess Glynne, which, of course, initially gained popularity through its use in a Jet2Holiday advertisement, and then later became widely featured in more than 3.4 million TikTok videos.
So, what do you make of these results then? Do you agree? What do you think the most annoying song that came out in 2025 is?
The Manc -
15th April 2021 
