Every now and again, we get invited down to see some of the best music acts.
And when the opportunity to see Christine and the Queens at Manchester Academy popped up, I jumped at the opportunity.
This is the second stop on Chris’ European and US tour for his new albumPARANOÏA, ANGELS, TRUE LOVE – which is inspired by Tony Kushner’s play, Angels in America – and a follow-up to the critically-acclaimed 2022 album Redcar.
There is a tense air of anticipation for the show to begin, and the stage is dotted with Angelic figures, before Chris starts the show topless – which gets a couple of gasps from the crowd.
The show is split into three parts, reflecting the three elements of the album name. The band puts on a haunting performance, a far-cry from the upbeat, pop-style music that many may have been expecting.
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Christine and the Queens / Credit: Publicity pictures
The show definitely splits the crowd, both in who was attending, and in how people were reacting.
Christine and the Queens has a broad reach and diverse audience, with a surprising number of older concert-goers. From the murmurings I could hear around me, some people were hugely-impressed with the entrancing battle on stage between love, pain, and religion, whilst others seemed to be frustrated and disappointed that they weren’t playing the classics.
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Me, on the other hand? I was captivated.
Like a moth drawn to a flame, the mesmerising light show and performance from Chris was like something I’ve never come across – and I loved it.
It’s clear that this performance, and the album, is reflective of Chris’ journey with his queerness, recently announcing his new pronouns as he/him. The band itself is named after the drag queens that Chris lived with in his younger years, and a love letter to the way they helped him explore his gender and self.
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The performance is a poetic and dramatic exploration of ones’ self, with Chris transitioning between his topless form, to an armoured warrior, and finally becoming an angel himself, and it was magical (if you like that sort of thing).
This new album and tour isn’t going to be for everyone, and if you’re expecting some pop hits, then this isn’t for you.
The White Hotel is a go-to haunt for Mancs seeking a late-night (or indeed, all-night) dance, with a packed programme of music running year-round.
The independent arts venue opened inside a former garage in Salford, just outside Manchester city centre and in the shadow of HMP Manchester.
Not only has The White Hotel defined Greater Manchester’s modern nightlife scene, but it’s become known globally as one of the best underground nightclubs on the planet.
Known for its raw DIY atmosphere and boundary-pushing line-ups, the Salford venue up there among the UK’s most respected club spaces.
But despite ‘continuing to draw full houses’, The White Hotel will close in January, according to The Guardian.
Ben Ward told the paper that the venue has found itself in a flood-risk zone, saying: “Basically, it’s a swamp.”
He added that it was better ‘to go out on our own terms, long before we became a museum’.
When The White Hotel opened in 2015, they planned to stick around for a year, then move to LA – but now a decade on, it’s cemented itself on Manchester’s club scene.
The area where The White Hotel stands will become a wetland park.
Neither artistic director Austin Collings nor Ward are ‘sentimental about losing the premises’, The Guardian wrote, quoting Ward as saying: “It’s come as a surprise that it’s lasted this long anyway.”
Festival-goers urged to stop taking wheelie bins full of booze
Daisy Jackson
Festival-goers have been warned not to take wheelie bins full of alcohol to festivals with them this summer.
The warning has come ahead of this year’s Download Festival, which takes place next month and kicks off the summer’s biggest run of festival dates.
But a major train operator has said there have been incidents in the past of passengers trying to travel to festivals with wheelie bins and luggage trolleys.
Passengers have had to be reminded that wheelie bins are not permitted on board, and they should instead only carry as much luggage as they can comfortably carry.
The warning comes from East Midlands Railway, one of the key services that will whisk people to Download Festival between 10 and 14 June.
Customers returning from the festival are also encouraged to use boot-cleaning brushes provided at stations to help remove mud before boarding trains.
Philippa Cresswell, customer experience director at East Midlands Railway, said: “We’re encouraging customers to travel light.
“Last year, some festive goers tried to board services with wheelie bins or festival trolleys full of beer. While it might seem like a great idea for getting your supplies to the festival, it just isn’t safe or possible to bring them onboard train services.”
Festival-goers urged to stop taking wheelie bins full of booze
EMR has also warned customers to plan journeys in advance, with engineering work taking place at various locations on the Midland Main Line, near where Download Festival takes place.
She continued: “We’re advising customers travelling to Download Festival to plan their journeys in advance and be aware that essential engineering work will affect services across the weekend.
“As a result, some services will be reduced or amended, and passengers should check before they travel and allow extra time.”