Mimi Webb is one of UK pop’s leading ladies right now and if her latest singles are anything to go by she will continue to be a staple for many more years to come.
The singer, who is 24, has been steadily growing her fanbase since 2020. Releasing her debut EP ‘Seven Shades of Heartbreak’ in 2021, then setting our homes ablaze with the smash hit ‘House On Fire’ in 2022, later releasing her debut album ‘Amelia’ in 2023, she is building quite an impressive portfolio.
Known for her endless pop roster like ‘Good Without’, ‘Ghost Of You’, ’24/5’, Webb recently visited our glorious city and has big plans on returning soon.
We sat down for a chat with the Canterbury superstar days after her Manchester gig at Co Op Live where she’s supporting the Jonas Brothers on the remainder of their European tour.
Mimi Webb | The Interview
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What is it like touring with the Jonas Brothers?
It’s going so well. I just love this show, because I’ve been able to sink my teeth into it and really go for it. I’m just happy that we’re being able to have the kind of opportunity to expand our own show.
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Manchester was one of the first dates on the tour, how did that set you up for the rest of the shows – How good was the Manchester crowd?
Manchester is just one of the main cities in the UK that just goes so hard for me at shows, I had the best time. It was such a cool, cool show. And I think it’s great to keep growing and growing the show every night and trying to figure out new things I want to do on stage and just kind of building the blocks of my performance.
So having played Manchester quite a few times now, do you have any favorite spots that you like to go to?
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My friend actually lived in Manchester for a bit, and she was always telling me about Blank Street (Coffee) so we popped in there, because I was like, I need to go and see it. We normally just go for a nice dinner and drinks, wherever we can. There was a really nice Italian called Fumo too.
You’ve played lots of Manchester venues, what did you think of playing Co Op Live for the first time?
Well, it’s crazy, because there they were telling me how new it was, and the backstage is gorgeous, you can tell it’s new, and they’ve really got into it. It was really cool to be there and be one of the first, among other artists to play that arena, it was so cool!
Now I know that you have a song called ‘Red Flags’, does Manchester have any red flags?
The traffic. I remember, I went out for a massage and on the way I was like get me there now, this is too long!
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‘Erase You’ is your latest single – Talk me through it?
I’ve been writing a lot of my new music in LA so it’s like a change of environment. And it was really cool to go into the room and just kind of write a song where it’s kind of the last farewell. I remember saying,, I just want to erase this person and have them completely gone. I wanted to write a song about that, but I don’t want it to feel too angry. I wanted to have that sassy fun to it too.
We really achieved that with this song. And it was fun to be in LA. And I feel like when I’m there I I’m the same person, but with a different energy. It’s perfect to tap into the feeling that you’re done with all the BS.
What can we expect from your second album?
I feel like I’m the 2.0 Mimi Webb. With house on fire, I loved the whole process of the writing, the recording, the video and then releasing it. That’s just the whole vibe. I want to write stuff that really locks me back into that feeling that I had when ‘House On Fire’ dropped. So a lot of the new songs are very upbeat pop, sassy, and they’ve also got a lot of darker meanings and emotions running through them.
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I’ve dipped into a little bit of country, writing country songs, it’s coming together really nicely, it’s a little album of everything I wanted all in one place. I’m coming into my popstar era.. I’ve always been the loudest one in the room and I feel like now I’m able to really show me, as a person and an artist.
You’re working with Ryan Tedder (known for Greedy – Tate McRae, Welcome to New York – Taylor Swift), he’s been involved on the past two singles, ‘Mistake’ and ‘Erase You’ – How did that come about?
So I met Ryan in Malta at an MTV show there two years ago. Me, One Republic, and a couple more artists were performing. It was so cool because I could just easily meet him. I went up and just said “Hi”. My mum was like “Go, and you can do it” . I was nervous, but I pulled through. And yeah, I was like, “Right, how are we doing? Can we,get a session in the studio?”. He was like, “Yeah, this is so cool. Like, nice to meet you. I’ve heard a lot about you”. Then four months later, I got the call, we got the session, and I was like, “Oh my god”, I went to LA andthen we started writing.
When you’re in tour mode, what things do you have to bring with you?
My steamer, my hair products, makeup and I really love a robe and then a good tracksuit for sound check.
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After touring with the Jonas Brothers, what can we expect from yourself?
Christmas! Christmas shows. I might drop a new song before the year ends. Then next year, it will all just be about finishing up the album and tying it up, figuring out what we’re going to release next.
And finally, when can we catch you in Manchester again?
Hopefully, very soon! I loved it. Manchester was such a great show, it was a really good night.
Having a chat with one of the main artists who is currently leading the soundscape of the 21st century music scene is very fascinating. It’s great to see that Webb genuinely loves what she does and it’s noticeable through the songs she writes and the ability she has to command any stage. Bring on 2025 and bring on the sophmore project – you can never have too much Mimi Webb!
A legend in leopard print – Magic Miles Kane at Albert Hall, Manchester | Gig Review
Harry Quick
There’s something poetic about seeing Miles Kane perform in a venue like the Albert Hall.
Beneath the stained glass and towering arches, he felt less like a veteran gigger and more like the high priest of British indie showstoppers – sharp-suited and equipped with what appeared to be custom, heeled adidas three stripes with a fully leopard print set to match. Carpeted floor, drum kit and all.
You can tell from the outset that, city rivalries aside, the scouser is adored by his Mancunian fanbase. His opening track, ‘Electric Flower’ – taken from his latest album, Sunlight in the Shadows – made for the perfect start.
Kane emerged to a roar. The track’s shimmering melodic edge got the two-tiered crowd quickly accustomed to Kane’s newest style of sound, and things kicked on easily from there.
It was a confident opener (not a greatest hit in my humble opinion, but a statement) before snapping straight into ‘Rearrange’: more familiar territory for most, which sent the floor bouncing within minutes.
From there, the set unfolded like a guided tour of Kane’s career, past and present blending seamlessly.
‘Troubled Son’ and ‘The Wonder’ leaned into his grittier side, while ‘Without You’ felt inspired by a similar jangly riff of ‘Long Cool Woman’ by The Hollies, famously setting the rhythm to a particular Britpop classic. If you don’t know already, look it up!
By the time ‘Coming Down the Road’ and ‘Love Is Cruel’ rolled around, Albert Hall was fully warmed up — and personally won me over on the new album with the latter.
It carries a softness that you don’t tend to expect with a Miles Kane track, but maybe that comes with a creative maturity approaching your 40s (sorry, mate).
Regardless, Kane stalked the stage with trademark swagger, feeding off the crowd and grinning like a man who knows he’s exactly where he belongs and continues to do so.
Then came one of the night’s first real eruptions…
Ahead of the show,‘Inhaler’ was one of my most anticipated listens. It hits like a shot of adrenaline from the opening chord, and the crowd sing every word back at him as if it were 2011 all over again. If you’re a Miles Kane fan, my money is on ‘Inhaler’ being high up your list.
‘Blue Skies’ followed, which shone a spotlight on not only the vocals but the complete shredding from the rhythm guitarist in the final breakdown. Having stood in the top tier of the Albert Hall, I got a prime view of the audible freedom he had to play with!
Mid-set, Kane doubled down on newer material with ‘One Man Band’ and ‘I Pray’, both sounding huge live – proof that his recent output more than holds its own alongside the classics.
The emotional heart of the night arrived with my favourite, ‘Colour of the Trap’. This track has been etched onto my playlist for longer than I care to mention. You felt it coming. The room softened, phones lit up, and for a few minutes, Albert Hall felt like a shared memory rather than a venue.
It’s almost as if he didn’t want it to end himself, with an echoing chorus of la la la la going on for a good few minutes after the band’s final instrumental chime. ‘My Love’ and ‘Walk on the Ocean’ kept that reflective mood rolling before ‘Better Than That’ nudged the energy back upwards.
From there, it was full throttle. ‘Coup de Grace’ and ‘Never Taking Me Alive’ were delivered with venom and volume. Straight from his 2018 catalogue felt like one for the dads, or at least it resonated with the 50-year-old bloke pointing his fist in the air with one hand and holding a double pint in the other. Legend.
As the main set drew to a close, ‘Don’t Forget Who You Are’ fittingly carried us into the encore — defiant, anthemic, and shouted back word-for-word by a crowd that had been banging this tune out long before they heard it on FIFA 14 (like me).
It was exactly the type of tune that made me whip my phone out and record it for the boys, saying, ‘remember this one?!’, to a chorus of thumbs up in the group chat. And when I mention the encore, it didn’t mess about.
Kane and the band picked up where they left us with a high intensity ending to ‘Don’t Forget Who You Are’ before the title track, ‘Sunlight in the Shadows’, gave the tour its emotional centrepiece: rich, expansive, and glimmering amongst camera flashes between bums on shoulders.
And then, the inevitable closer. By far his biggest song, if Spotify streaming numbers are anything to go by, ‘Come Closer’ sent Albert Hall into one final frenzy.
We saw bass guitarist Nathan get his special birthday moment when Miles and the band brought on a chocolate cake to celebrate, blowing out the candles – mid belter. Just ending the night on a euphoric high that left smiles plastered across sweaty faces.
Miles Kane at Albert Hall wasn’t just another date on the tour calendar. It was a reminder of just how deep his catalogue runs, how legendary in the indie rock game he is, and how effortlessly he can still command a Manchester crowd despite hailing from Merseyside. We don’t mind them, really!
Interview | Chatting with Tim Burgess before he chats to Mancunians on their doorstep
Danny Jones
In case you hadn’t heard, local music legend Tim Burgess is coming back to the AO Arena right here in Manchester this February for another intimate evening following the success of his last visit.
Set to include not only an interview but live stripped-back performances as well as Q&A, it’s your chance to see one of our region’s most famous musical sons up close and personal.
Returning for a candid and eye-opening sitdown with local DJ and radio host and Northern music champion, Chris Hawkins, it’s sure to be a special night.
Before posting up in The Mezz (which you can still grab tickets for), we had the honour of interviewing Salford’s very own Tim Burgess ourselves. Here’s what he had to say ahead of the event…
So you’ve returned to the AO again for another intimate gig. What do you love most about these smaller, conversational evenings compared to traditional gigs?
“Live events just have a connection with an audience that no remote link, AI or recording could ever match. From arriving and running through a soundcheck, meeting the arena team and catching up with Chris Hawkins, it all builds up to when the audience comes in.
“Chris and I don’t plan what he’s going to ask, so it’s all on the spot – nothing’s recorded, so you never know what might get said.
“Chris is a fantastic interviewer, and I get to meet everyone over the merch table at the end; I don’t get that at a Charlatans show – they are brilliant, and the tour we did in December was a brilliant experience for all of us.
“Maybe I prefer my bandmates being there when it comes to playing the songs, but it’s a chance for an audience to hear them in a way that they probably haven’t heard them before.
For anyone who hasn’t been to a Q&A-Sides show before, how would you describe the experience?
It’s a brilliantly informal night out – the chance to hear some of the stories behind the songs and 35 years’ worth of recording and touring adventures – plus a few songs with me and a guitar, and maybe a harmonica involved too.
“I’ve chatted to lots of people after the shows, and they always say it was a fantastic insight and that they loved the songs – then I realise they’re talking to me and they’d probably just say that anyway.”
Are there any particular songs that really shine in this stripped-back setting?
“You get to hear them as many of them were written. Particularly, the songs that Mark [Collins] and I came up with – it would usually just be me singing and him with an acoustic guitar, so it’s back to how they originally sounded.
“I’ve got quite a back catalogue of songs I’ve learned, so I’ll maybe keep them a bit secret. Suffice to say, there will be a few Charlatans’ classics, absolutely.”
When you look back on your career so far, are there any moments that feel especially meaningful to share in a setting like this?
“Our audience has grown up with us – lots were teenagers when we started, and I was in my early twenties. We’ve shared moments of grief, triumph, elation and tragedy – it’s just that ours were done in the cauldron of touring and recording with sometimes the eyes of the world on us.
“At times, it’s not been easy, but life will have been tough for our fans too. Chris is brilliant at making it seem like it’s just the two of us, and nothing is off limits – then you might say something funny and two hundred people laugh, and you snap back to realising it’s not the two of us talking in a pub.”
You’ve met and worked with so many iconic artists – are there any stories that always get a great reaction when you tell them live?
“I suppose there are some fairly iconic times – lots of people in the audience would have been at Knebworth when we played there with Oasis. Our situation was made all the more poignant as Rob Collins had died shortly before the show, and we weren’t even sure if we would play.
“It was a real existential moment for us – then there are funny stories of doing Top Of The Pops with a dressing room opposite The Smurfs. A lot has happened in those three and a half decades…
Being a Salford lad yourself, what do you think it is that makes a Manchester crowd so special?
I’m biased, but up until the band started, all my greatest moments happened in and around Manchester, and I was part of that crowd, whether watching [Man] United, seeing a band or losing yourself on the dancefloor of a club.
There’s a sense of feeling at home – there’s a BIG, beautiful world out there, and maybe we won’t tell the Midlands contingent in The Charlatans, but Manchester is always a homecoming for us.
Once again, if you fancy grabbing a last-minute ticket for ‘Tim Burgess – Live and In Conversation’ on Sunday, 8 February, there are still a few available.
The show starts from 7pm, and you can secure your seat right HERE.
Thomas Melia -
23rd September 2024 
