Noel Gallagher has revealed he is already back in the studio and recording a new acoustic album which he says is arriving this year and is going to be one “for the fans”.
Just over six months on from the release of the latest Noel Gallagher’s High Flying Birds record, Council Skies, the Britpop icon has confirmed he is making more new music and this time, he is strictly limiting himself to acoustic-only.
Speaking once again with radio presenter and friend Matt Morgan on his podcast, the rock and songwriting legend said, “I’m back in the studio – not rock, the acoustic stuff. I’m doing it for fans really.”
He also detailed that not only will there be solo stuff that he’s sat on for years, including early demos from when he first started the NGHFB project, but even an unrecorded track written back in the Oasis days. You have our interest, sir…
As reported by Music News, Gallagher went on to say: “I’ve had to take all the electronic equipment out of the studio… because I’ve tried to make an acoustic album three times, and every time (I’ve used electronics)… so it’s just acoustic instruments in the studio.”
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“I’ve come up with working just with acoustic instruments, so instead of a bass, it’ll be a double bass — that way I can say, ‘I’ve made an acoustic album, but it’s used all acoustic instruments.’”
Joking that that won’t just be him “strumming a guitar with the same four chords and singing about the weather”, he touched upon acoustic being arguably the most unforgiving way of making tunes, adding: “It’s the essence of what every song is. There’s nothing you can do after that, you can’t f*** it up.”
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The 56-year-old also once again played with the hypothetical of him and Liam getting back together and how making a new Oasis album knowing what he knows about writing now “would be a disaster”. He also got in a cheeky dig at his younger brother’s lyricism on his debut single with John Squire.
Noel Gallagher talking about if Oasis ever get back together and singing his version of Liam's new song
However, whether he likes it or not, perhaps the most interesting prospect about this upcoming album to most fans is the fact that it is said to include an old track he never got around to recording when the rock legends were still together.
“I’ve got a CD with six [acoustic tracks] on it already”, says Noel, “There’s a song called ‘God Help Us All’, which is an old song from another 2005, so when I was still in Oasis, but I never recorded it.
He went on to add, “I’m looking forward to the challenge of seeing it through”, insisting that regardless of the style, “as long as the melody and lyrics are good, it’s good — once again reiterating that acoustic tunes tap into the very root of what the idea is.
All we’ll say is that we are always excited to hear more from one of the greatest and most successful musicians to ever walk the planet, let alone from the UK or Manchester, specifically.
Better yet, not only are Noel and his High Flying Birds playing a massive gig in Wigan this summer but he has also announced that he will be on several huge artists taking part in this year’s series of Teenage Cancer Trust gigs are the Royal Albert Hall, bringing Blossoms along with him for the ride.
While we’re well off getting any kind of release date for this acoustic album, hopefully, we’ll get to hear at least a taster of it by then.
Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Danny Jones -
21st January 2024 
