Audio

Robert Smith says he is ‘sickened’ by ridiculous Ticketmaster prices

'If no one bought from scalpers then...'

Danny Jones Danny Jones - 16th March 2023

The Cure frontman and songwriter Robert Smith has called out Ticketmaster over their ridiculous prices and admin fees, which are pricing music lovers out of being able to see their favourite bands.

It was only on Wednesday that he criticised the ticket operator’s ‘Platinum’ tier, labelling it a “greedy scam” and now following news of fans being hit with extortionate admin fees and additional charges, Smith said he has been left “sickened” by the whole “debacle”.

Taking to Twitter in response to countless fans sharing their scandalous experiences, the 63-year-old insisted “I am sickened as you all are… To be clear: the artist has no way to limit them.”

Having arisen from the band’s decision to use Ticketmaster‘s ‘Verified Fan’ system in an effort to combat scalpers and ticket touting, Smith went on to insist he has asked for justification and that he will keep people posted if gets any serious updates.

Robert Smith vs Ticketmaster Part II

As mentioned, The Cure opted to use the new system to help combat the increasingly obstructive scalping culture pervading live music and hopefully help more fans get their hands on tickets.

ADVERTISEMENT

However, the unfortunate result of this system is that instead of people having to resort to buying them for resellers at a massively marked-up price, the original face value of tickets is just being hugely inflated by the company’s ‘facility charges’, ‘service’ and ‘ordering processing fees’.

Countless Cure fans have since jumped on social media to complain about the cost of their tickets on their current US tour dates, despite the band having intentionally set the price to just $20 following long-running frustrations over gig-goers either missing out or being priced out.

ADVERTISEMENT

In some cases, the original ticket has more than doubled as a result of Ticketmaster’s fees.

Read more:

Ticketmaster has come under fire quite regularly of late for unpopular business practices like these, facing multiple lawsuits and even a Senate hearing in America over “unprecedented” claims of fraud that forced legitimate ticket holders to be banned from a Bad Bunny concert in Mexico City.

Having merged with Live Nation back in 2010, the parent organisation was hit with an “antitrust investigation” by the US Justice Department for potential abuse of power. In 2019 they were found to have repeatedly violated a 10-year decree to refrain from ‘monopolistic practices’ and famously went on to be wrapped up in the Astroworld Tragedy.

ADVERTISEMENT

The Blackpool-born rock legend has now confirmed that resale company “StubHub has pulled listings in all markets except [New York], Chicago, Denver (i.e. sites that have laws protecting scalpers)”, going on to add that like with premium tiers, if people didn’t buy from scalpers these issues wouldn’t arise.

It goes without saying that music for is everyone — it shouldn’t be a case of people having to take make themselves skint to listen to their favourite artist.

For all the latest news, events and goings on in Greater Manchester, subscribe to The Manc newsletter HERE.

Featured Image — Robert Smith (via Instagram)/NME (via YouTube)

Audio

Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph

Daisy Jackson Daisy Jackson Blossoms at O2 Ritz Manchester. Credit: The Manc Group

Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.

Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.

For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.

Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.

Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.

There’s even choreography now – how fancy!

A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.

A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.

Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc Group
Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc Group
Blossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group
Blossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group

Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.

This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.

And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.

It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.

Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.

Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.

This is definitely the biggest era of their career so far, but have they peaked? Not even close.

There are still three nights left of the Blossoms residency. You can read all about it HERE.

Read more

Featured image: The Manc Group

Audio

The Warehouse Project reveals return to Rotterdam for second-ever overseas event

Danny Jones Danny Jones The Warehouse Project Rotterdam lineup 2025 tickets

The Warehouse Project has confirmed it will be returning to Rotterdam in 2025 for just its second-ever overseas event.

After debuting abroad in 2023 with an action-packed few days in the city of Rotterdam – whose art scene, music culture and even canal network bears lots of similarities to Manchester – Warehouse Project is coming back for more.

There’s just over a month left of the 2024 WHP calendar; you’d think they’d be getting ready to wind down and enjoy the Christmas breather, but not so: the organisers are already planning what is set to be one of their biggest and best long weekends to date.

Set to take place over the early May bank holiday, the Dutch port city will once again play host to one of Manchester’s legendary club nights.

The second biggest city in the Netherlands behind Amsterdam, the next edition of Warehouse’s international series is set to return to Rotterdam RDM – a warehouse space very reminiscent of both Depot Mayfield and their original home at Victoria Warehouse.

WHP x RDM II is already being billed as an “unforgettable weekend” and if any of this year’s mainline events here in Manchester are anything to go by, they’re bound to live up to that promise.

There’s also a full FAQ page for anyone looking to find out more information regarding Rotterdam, the venue itself, travel and more.

As well as revealing the dates (2-4 May 2025), the organisers have already teased a good chunk of the lineup, with the likes of Chris Stussy, Peach, Four Tet b2b with Sammy Virji, salute and many more already confirmed.

With a slew of incredible acts, multiple afterparties on boats and other local venues, as well as plenty of opportunity to see the rest of Holland’s ‘Manhattan on the Maas’, this is going to be SO good.

rotterdam boat party warehouse project
whp rotterdam lineup 2025
rdm rotterdam hosting the warehouse project second international event
Credit: The Manc Group/Press Images (supplied)

Read more:

We were lucky enough to have been sent to sample their inaugural Rotterdam date back in April of 2023 and, we have to say, it was an absolute blast.

Take it from us, if you’re considering being a part of this next event you won’t regret and we’ll be putting together an extensive guide to help you feel prepared for raving overseas. Registration for early access is already live, so sign up fast if you want to give yourself the best chance of being there.

Limited presale and accommodation packages will be available to those who have applied at 9am on Monday, 2 December (UK customers only). General admission tickets will go live from 9am n Tuesday, 3 December sale for UK and Dutch customers starts Tuesday 3rd December at 9am GMT/10am CET.

Rotterdam 2025 will be here before you know it, so take a boots-on-the-ground at what an international Warehouse Project date looks like down below:

For all the latest news, events and goings on in Greater Manchester, subscribe to The Manc newsletter HERE.

Featured Images — Supplied/The Manc Group

More Audio

Audio

Ravyn Lenae at Gorilla Manchester – Our ‘One Wish’ was granted

The Pogues announce first tour since the death of Shane MacGowan

Affiliate

The Pogues announce Manchester gig on first tour since death of frontman Shane MacGowan

Audio

Khruangbin at the O2 Apollo Manchester – a masterclass on how to be really, really cool

Audio

Clint Boon takes us around Manchester's iconic Deaf Institute

Eats

We go meatballs deep with Mira's traditional Neapolitan sandwiches