When it comes to live performers, Brandon Flowers is on his way to legend status – and The Killers last night proved why they’ve deserved to reign supreme for nearly two decades.
The band, who are celebrating 20 years since the release of their iconic debut album Hot Fuss, have just played the first of four nights at the Co-op Live arena.
From the moment the first notes of Read My Mind echo through the venue, it’s clear that this night will be special. The crowd erupts with energy that will last throughout the 21-song setlist.
With tracks like Somebody Told Me and Spaceman following swiftly, the atmosphere inside the enormous new arena is electric, each song greeted with roars of approval and the audience singing every lyric back to the band.
The nostalgia is high with hits like Jenny Was a Friend of Mine and Smile Like You Mean It transporting us back to the early 2000s and reminding us why we fell in love with The Killers in the first place.
ADVERTISEMENT
They seamlessly mix these indie rock classics with newer hits like Running Towards a Place and Caution.
One of the night’s highlights is undoubtedly All These Things That I’ve Done. The collective euphoria reaches its peak during the anthemic chorus, with the crowd chanting “I’ve got soul, but I’m not a soldier” in unison.
ADVERTISEMENT
It’s moments like these that make live music so magical – the shared experience, the connection between band and audience.
Brandon Flowers, ever the charismatic frontman, is in his element. His interaction with the crowd, his commanding stage presence, and his flawless vocals make for an unforgettable performance.
As the main set wraps up with When You Were Young, the crowd’s applause reaches deafening levels, demanding more. The Killers oblige with a five-song encore that includes a surprising, yet brilliant cover of Erasure’s A Little Respect.
ADVERTISEMENT
But it’s Mr Brightside, the final song of the night, that truly brings the house down. The entire venue is a chorus, singing along to what has become an anthem for a generation.
The Killers’ ability to blend new material with beloved classics, all while maintaining an electric stage presence, is what sets them apart.
For those fortunate enough to have tickets for the next shows, you’re in for an absolute treat.
Robyn: The Sexistential Tour – Co-op Live, Manchester | Review
Lonnie Bowes
There are pop stars, and then there is Robyn.
There’s something about the Co-op Live that still feels new, but last night it felt like it had been waiting for a show like this. The Swedish icon brought her long-awaited Sexistential Tour to Manchester, and from the first beat drop, the arena was hers.
Opening with a wall of robes, strobes and a euphoric rush of synths. Robyn didn’t so much arrive as materialise – already dancing, already fully committed. The production was immense; towering LED rigs, carefully crafted lighting, and a stage that somehow managed to feel intimate despite the sheer scale of the room. It was a proper spectacle.
Images: The Manc Group
The setlist drew from across her catalogue, weaving newer material around the bangers with real care. Honey felt celestial. With Every Heartbeat did what it always does. And when the opening bars of Dancing On My Own finally landed, the roar that met them was something else entirely – the kind that gives you goosebumps on the back of your neck. Even if you’ve heard the song a thousand times it still landed it like it was the first time.
What strikes you most about Robyn, though, isn’t the production or even the songs. It’s how real she seems up there. She throws herself into every lyric, dances like nobody’s watching, and radiates a kind of joy that feels hard-won rather than performed. In an era of very calculated pop, that matters.
The Sexistential Tour is exactly what it promises – big questions about love, loneliness, and what it means to just exist, set to some of the best pop music ever written.
Manchester, she owned us and I think we are all okay with that.
Manchester institution ‘a little emotional’ after receiving a visit from rock icon Hayley Williams
Daisy Jackson
Rock icon Hayley Williams has been spotted shopping at Manchester institution Afflecks.
The legendary independent retail emporium said it was ‘feeling a little emotional’ after its halls were graced with rock royalty.
And not only did the Paramore frontwoman and acclaimed solo singer-songwriter come for a browse, she even gave Afflecks a shout-out on stage later that night.
Hayley Williams headlined two solo shows at Manchester Academy on Monday and Tuesday this week.
The shows are in support of her third studio album, Ego Death at a Bachelorette Party.
And despite being known globally as one of music’s best lead vocalists, this is actually Hayley Williams’ first solo tour (her previous dates were cancelled because of Covid).
While on stage in front of fans last night, she said: “I’ve learnt some Mancunian, and I’ve been to Afflecks!”
It sounds like she’s as lovely as she is legendary, with Afflecks saying that the star hung around to chat and take photos.
Sharing photos of the star inside the building, Afflecks wrote: “So a very special visitor stopped by Afflecks yesterday…
“A huge thank you to Hayley Williams for taking the time to visit us, say hello, and pose for a photo. She was so super lovely, kind, and welcoming, and to top it all off she even gave Afflecks a shout-out during last night’s show.
“Safe to say we’re feeling a little emotional about it. Thank you again Hayley for supporting Manchester’s small businesses.”
Emily Johnson -
19th June 2024 
