A brand-new project, Side by Side, launched at the weekend with the aim of providing a platform and exposure for typically underrepresented communities within music.
The special compilation album has been curated by record label Come Play With Me (CPWM) and is entirely compiled of songs by women and LGBTQIA+ artists in the area. And amongst the artists involved is Manchester-based Tyron Webster.
A graduate from the Leeds College of Music, Tyron has already become an exciting name within the Manchester scene, with performances at Manchester Pride and a headline show at The Castle.
He’s set about using his music and experiences of the industry so far to show why it’s important for projects like Side By Side to exist.
“I wanted to get involved as a black queer artist as I really do understand that importance of representation,” he told Audio.
“CPWM have always been pioneers of a fair music game and they really do want to rep people so genuinely and not in a tokenistic way which is why I was so keen to get involved as they’ve always shown me love.
“Representation is so, so, so important. It’s good for the young musicians that are woman, people of marginalised gender or part of the LGBTQIA+ community that think the industry isn’t for them.”
Looking back at his own experiences, Tyron says underrepresented communities such as these are often overlooked and usually have to work that bit harder to be seen and heard. So much so, he’s found himself questioning his own place in the industry in the past because of who he is.
Not wanting others to go through the same, Tyron hopes the project will restore a sense of self-assurance for artists and prove to everyone that they have the right to be there just as much as the next.
Naturally, it’ll unlock opportunities and build a new level of confidence for them to express themselves and have their music heard by the masses.
Tyron Webster
With a multi-ethnic background, Tyron grew up with all kinds of musical influences. From a young age he was surrounded by all the wonderful Caribbean sounds with the reggae, calypso and ska that were played at family gatherings. Meanwhile, pop, rock and R&B were always at the forefront of his own music tastes.
But without being able to really pin down a moment that he knew music was the career for him, he recalls it just being a part of him for as long as he can remember.
“I used to watch Prince – Purple Rain movie on repeat all day, every day when I was little. Music has always been an escape for me, so I’d sing for family and in school shows,” said Tyron.
“Then I took it seriously from college where I studied it and then when I went to university to do music is where it really became a career. So, I can’t really recall a time where I thought this is it, I’ve always just done music.”
Regardless of his influences, Tyron’s own music is packed with soul and personal experience, making it pretty easy to connect with.
His track on the Side by Side compilation – ‘Love Ya, Pt. 2’ – is a sequel to ‘Love Ya Pt. 1’ that he wrote with his producer Chris Durkin earlier this year.
Themes of heartbreak, break ups and pain set the tone for both instalments. But overall, Tyron wants the message that ‘love is love’ to come across loud and clear. Because no matter what our sexual orientation, love is the same for us all. This is something absolutely everyone will have in common. So for inspiration, Tyron draws on that common ground to show we’re all human.
“The song is a self-love, self-discovery song,” he said.
“I felt at the time there was so much pressure to be in love and find your ‘soul mate’. I met a guy who on paper was great, amazing and perfect for me, but I knew I had work to do on myself for me to be able to let him in and to be able to genuinely love him.
“I know too many people that will just settle – especially in the gay community due to the pressure from society so I took inspiration from that. All of my songs are written on personal experiences. Part. I is more of an R&B production, while Part. II is a ‘sad boi’ violin stripped back moment to really bring the message and emotion of the song across.”
https://www.instagram.com/p/CQBufIHFQXe/
Elsewhere on the album there’s a healthy mix of genres, with all kinds of pop, R&B and hip-hop productions making up the 12-track collection. But also on there is Manchester-based The Elephant Trees, whose track ‘Day 42’ is an ode to the repetitiveness of lockdown and the mental health implications that come with it.
To add to the occasion, CPWM have made 500 vinyl copies of the compilation using repurposed wax from the pressing factory that would otherwise be binned. Not only does this make them more eco-friendly, but means each one is completely unique using different colours.
Side by Side is out now where you’ll find Tyron’s track ‘Love Ya, Pt. 2’ at track one. Check it out below and drop Tyron a follow here.
Stay up to date with Manchester music with The Manc Audio.
Music
A rising Manc musician is supporting a global popstar on tour in America
Danny Jones
Up-and-coming Greater Manchester musician Elliot James Reay, from just down the road in Bury, has just joined fellow rising solo artist and already established US superstar Benson Boone on his upcoming American tour.
Yes, a lad from Bury is opening for the bloke who belts out that ‘Beautiful Things’ tune that’s been stuck near the top of the charts for what feels like the last year.
Fittingly joining Boone for the US leg of his American Heart tour supporting his sophomore album of the same name, 23-year-old Elliot James Reay has already played a trio of shows warming up the crowds ahead of the headliner and is quickly gaining new fans across the pond.
Especially since his music harkens back to some of their most famous music icons of all time.
The youngster is still having to pinch himself at the mere notion of being on the road with such a big name so early in his career, posting on social media this week, “How do I explain this one to my friends back in Bury?
“A dream come true to be opening for Benson Boone in St Paul last night, I’m eternally grateful for the opportunity to sing to you all and thank you for all the love you gave me!”
Roy Orbison-obsessed Raey – who also takes plenty of look and feel from the likes of Elvis and Billy Fury, among other old school, soulful American singers – has gone from releasing covers on YouTube to dropping his first-ever EP back in June and now playing full Stateside stadiums.
What a whirlwind journey it’s been for the local lad already.
The Manc songwriter and guitarist featured as one of our artists of the month last December, and we’re glad to see he’s only gone from strength to strength.
It’s fair to say that he’s matured a lot in the time since then, let alone the last 12 months or so, and booking a slot as a support act for as big as Benson Boone is right now is nothing short of huge.
We said late last year, and we’ll say it again: we see a bright future ahead for this talented young Macunian, and we wish him all the best for the dozen or so remaining US tour dates.
If you haven’t listened to his stuff before, you can get a little taste with his latest single HERE.
Or, if you want to take our advice, why not watch a great music video filmed around some very familiar city centre sites down below?
He’s certainly got his own style, even if it his heavily inspired by some of the greats.
Last night marked K-pop group ENHYPEN’s first-ever visit to Manchester, the UK and Europe as a whole, so it was no surprise the crowd was ready to get ‘Loose’ as they took to AO Arena.
The lights dimmed, the fans screamed, and it had finally dawned on Manchester that it was officially ‘En-O’Clock.‘
It’s a bouncy bassline, synth-stinted number also known as ‘Brought The Heat Back’ that kicks the show off, and on a day when our city was surprisingly warm, this three-minute performance was very fitting.
ENHYPEN performing ‘Loose’ for 21,000 fans at AO Arena in Manchester (Credit: BELIFT LAB)
‘Future Perfect (Pass the MIC)’ had the crowd quite literally jumping for joy, ‘Given-Taken’ saw a similar response, while a personal highlight was ‘Bite Me’.
With lyrics like “Come here and get some” and “Just come over and bite me”, this song follows a perfect pure-pop formula that works every time; it’s hard to ignore.
‘Your Eyes Only’, which makes reference to the previous hit “You can bite me / You can play me”. Did we like this song? “Ya, ya, ya, ya, ya” we did.
Disco belter ‘Sweet Venom’ had the crowd captivated for just under three minutes with its “Swe-hee-hee-t” earworm lyrics in every chorus.
K-pop boyband ENHYPEN played ‘Tamed-Dashed’ during their ‘Walk The Line’ tour at AO Arena in Manchester (Credit: BELIFT LAB)
An extended electronic synth introduction plays out as the staggered-vocal single, ‘XO (Only If You Say Yes)’ begins, and it’s easy to see why this is a fan favourite.
Whether it’s the fact that it has an easy-to-follow but incredibly addictive chorus or due to it featuring on the soundtrack for the Netflix rom-com and To All The Boys I Loved Before spin-off, XO, Kitty.
Following this was the 2010s-reminiscent ‘Bad Desire (With or Without You)’, which felt like a callback to ex-boyband star Justin Timberlake and his return with magnum opus ‘Mirrors’.
This song warranted such a roar of cheers and applause that the band decided to give it a second play later in the set, although this time they opted for the English version, which was equally appreciated.
All seven members of ENHYPEN interacting with fans during their Manchester show (Credit: BELIFT LAB)
During interactions with fans between songs, ENHYPEN discuss what they recognise Manchester for, stating, “This city is really famous for its football”.
Instead of declaring their support for the reds or blues, the band opted for a smart and conscious, “We’ll leave it there” – well played, boys.
‘Paranormal’ signalled that this night of incredible dance-packaged music was coming to an end, but ENHYPEN’s version of an encore is much different to any other musical act.
These seven singing sensations decided to play not just one or two songs before saying goodbye to the Manchester crowd, they opted for five plus – phenomenal.