A brand-new project, Side by Side, launched at the weekend with the aim of providing a platform and exposure for typically underrepresented communities within music.
The special compilation album has been curated by record label Come Play With Me (CPWM) and is entirely compiled of songs by women and LGBTQIA+ artists in the area. And amongst the artists involved is Manchester-based Tyron Webster.
A graduate from the Leeds College of Music, Tyron has already become an exciting name within the Manchester scene, with performances at Manchester Pride and a headline show at The Castle.
He’s set about using his music and experiences of the industry so far to show why it’s important for projects like Side By Side to exist.
“I wanted to get involved as a black queer artist as I really do understand that importance of representation,” he told Audio.
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“CPWM have always been pioneers of a fair music game and they really do want to rep people so genuinely and not in a tokenistic way which is why I was so keen to get involved as they’ve always shown me love.
“Representation is so, so, so important. It’s good for the young musicians that are woman, people of marginalised gender or part of the LGBTQIA+ community that think the industry isn’t for them.”
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Looking back at his own experiences, Tyron says underrepresented communities such as these are often overlooked and usually have to work that bit harder to be seen and heard. So much so, he’s found himself questioning his own place in the industry in the past because of who he is.
Not wanting others to go through the same, Tyron hopes the project will restore a sense of self-assurance for artists and prove to everyone that they have the right to be there just as much as the next.
Naturally, it’ll unlock opportunities and build a new level of confidence for them to express themselves and have their music heard by the masses.
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Tyron Webster
With a multi-ethnic background, Tyron grew up with all kinds of musical influences. From a young age he was surrounded by all the wonderful Caribbean sounds with the reggae, calypso and ska that were played at family gatherings. Meanwhile, pop, rock and R&B were always at the forefront of his own music tastes.
But without being able to really pin down a moment that he knew music was the career for him, he recalls it just being a part of him for as long as he can remember.
“I used to watch Prince – Purple Rain movie on repeat all day, every day when I was little. Music has always been an escape for me, so I’d sing for family and in school shows,” said Tyron.
“Then I took it seriously from college where I studied it and then when I went to university to do music is where it really became a career. So, I can’t really recall a time where I thought this is it, I’ve always just done music.”
Regardless of his influences, Tyron’s own music is packed with soul and personal experience, making it pretty easy to connect with.
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His track on the Side by Side compilation – ‘Love Ya, Pt. 2’ – is a sequel to ‘Love Ya Pt. 1’ that he wrote with his producer Chris Durkin earlier this year.
Themes of heartbreak, break ups and pain set the tone for both instalments. But overall, Tyron wants the message that ‘love is love’ to come across loud and clear. Because no matter what our sexual orientation, love is the same for us all. This is something absolutely everyone will have in common. So for inspiration, Tyron draws on that common ground to show we’re all human.
“The song is a self-love, self-discovery song,” he said.
“I felt at the time there was so much pressure to be in love and find your ‘soul mate’. I met a guy who on paper was great, amazing and perfect for me, but I knew I had work to do on myself for me to be able to let him in and to be able to genuinely love him.
“I know too many people that will just settle – especially in the gay community due to the pressure from society so I took inspiration from that. All of my songs are written on personal experiences. Part. I is more of an R&B production, while Part. II is a ‘sad boi’ violin stripped back moment to really bring the message and emotion of the song across.”
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Elsewhere on the album there’s a healthy mix of genres, with all kinds of pop, R&B and hip-hop productions making up the 12-track collection. But also on there is Manchester-based The Elephant Trees, whose track ‘Day 42’ is an ode to the repetitiveness of lockdown and the mental health implications that come with it.
To add to the occasion, CPWM have made 500 vinyl copies of the compilation using repurposed wax from the pressing factory that would otherwise be binned. Not only does this make them more eco-friendly, but means each one is completely unique using different colours.
Side by Side is out now where you’ll find Tyron’s track ‘Love Ya, Pt. 2’ at track one. Check it out below and drop Tyron a follow here.
Stay up to date with Manchester music with The Manc Audio.
Music
There are big changes at Parklife 2025 – including a seriously swish new VIP area
Daisy Jackson
Parklife 2025 is upon us, and we’ve been down to the festival site for a little look around at what’s new for this year.
The beloved Manchester festival will be filling the fields of Heaton Park with live music and an unbeatable party atmosphere on Saturday 14 and Sunday 15 June.
This year’s headliners include Charli XCX, 50 Cent, Confidence Man, Jorja Smith, Peggy Gou, and Bicep, as well as plenty of space on the line-up for local talents like Antony Szmierek and Interplanetary Criminal.
BUT the eagle-eyed among you will have already noticed from the Parklife map that there are a few changes afoot this year, including new stages, a new lay-out, and a very swanky new VIP area.
Firstly, there are two new stages to check out, one of which we think will get pretty popular when it rains…
Big Top is a new covered tent with a cracking line-up over the weekend, including Skream & Benga, Joy Orbison, and Armand Van Helden.
Also new on the stage front is Matinee, flanked on either side by black shipping containers and ready to host Chris Stussy, Alex Farell, and Manchester’s very own Interplanetary Criminal.
Matinee is a new Parklife stageThe Hangar is backThe Valley has become the only main stageThe big wheel is gone but new fairground rides have appeared
A major loss for 2025 is the big wheel, which has always given the very best views of the Parklife site.
But worry not, adrenaline junkies – it’s been replaced with a new sky-high swing ride, so you can dangle above the festival crowds, along with several other fairground rides.
Also missing from Parklife 2025 is the Parklife Stage, which has always acted as a secondary main stage hosting more pop and mainstream artists.
This year, all the headliners will be performing over at The Valley, with the Parklife Stage sent into retirement (at least for this year).
That means less stages but still plenty of live music and huge acts to enjoy over the weekend.
The new ‘Backstage’ VIP bar area at Parklife 2025The new ‘Backstage’ VIP viewing area at Parklife 2025A VERY swanky new VIP area
There’s a new layout now too, with only The Valley and the G Stage staying in the same spots as last year.
Magic Sky, normally tucked into a corner of the festival site, has moved into the heart of the action.
Meanwhile The Hangar dominates the west side of Parklife, with the two new stages – Big Top and Matinee – nearby.
VIP is totally new this year too, and better than ever.
The Parklife VIP area has jumped across to the other side of the festival site this year and is now right in the heart of the action near the Valley Stage.
From here, you have an exclusive viewing area of the stage, plus exclusive food and drink, priority entry, VIP toilets, a hair and makeup pamper station, and plenty more.
Then there’s a new Backstage ticket type this year, which gets you on-stage access to the Hangar stage, an exclusive viewing area of the Valley Stage, a backstage bar and a chill out area – it’s £165.00 each to upgrade for the weekend.
If you’ve already bought a ticket but want to upgrade yourself to VIP, it’s not too late (and speaking from experience, WORTH IT).
You can upgrade your whole weekend to VIP for £72.80 each, or £44.80 each for day tickets.
Gig review | Lionel Richie leaves Manchester dancing on the ceiling after Co-op Live debut
Thomas Melia
American multi-hyphenate Lionel Richie paid Manchester a visit last night and gave the 23,500 fans in the crowd all of his ‘Endless Love’.
Richie needs no explanation, being a household name, this artist had the crowd in the palm of his hands as soon as he stepped foot onto the stage, just like he has been doing since he burst onto the music scene over 50 years ago.
When you’re about to watch a legend strut his stuff in various tailcoats ‘All Night Long (All Night)’, you know you’re in for a mini workout.
We tried out Co-op Live’s Backstage Club before the show to fuel up with a pizza and grab a drink to ensure that we could dance ‘All Night Long (All Night) as much as the main man himself.
‘Breezy like a Sunday Morning’.Soaking up the fun at Co-op Live’s Backstage Club.You really do get the VIP treatment.Credit: Audio North
As well as boasting an intimate area with music history covering all four walls, this location had a photobooth, pool table, its own merchandise vendor and a live band.
For tonight’s show, it was only right that the band soundtracking Co-op Live’s Backstage Club were aptly named The Pennies and the signature drinks were equally fitting, ‘Say You, Say G&T’ and a cocktail offering labelled, ‘Breezy like a Sunday Morning’.
Glasgow solo star Brooke Combe – a favourite of ours from past Neighbourhood Festivals – gave the crowd our first taste of music for the night, playing highlights of her debut album ‘Dancing at the Edge of the World’, which only dropped back in January.
Her songs ooze soul, from the infectious ‘Shaken by the Wind’ to the instantly catchy ‘The Last Time’ and fan favourite, ‘Are You With Me?’. Combe’s stage presence was nothing short of contagious.
It’s no surprise, really, considering she’s already practised and perfected her craft at Glastonbury back in 2022 among countless other massive slots. Make sure you catch her the next time she’s in Manchester.
The legendary performer knew he had to kick things off in true Lionel Richie style, it’s only obligatory that he opened the show with his greeting-titled hit ‘Hello’.
Lionel welcoming fans with ‘Hello’ and being greeted with equally impressive roars from the crowd.Richie slowing it down for a moment, performing Commodores classic, ‘Easy’.Credit: The Manc Group
As the chorus approached, the American superstar hailed “Hello” and the audience immediately exclaimed in synch, “Is it me you’re looking for?”.
Social media might’ve been non-existent when the performer first reached our ears, but this didn’t stop Lionel Richie from inadvertently turning last night into a mini ‘Throwback Thursday’ playing his 1977 Commodores swooner ‘Easy’.
If you had told me that Lionel Richie would directly address me and my brother mid-performance, I would’ve laughed in your face, but last night the star adopted the both of us. Life complete.
The American singer came up the catwalk, soaking up all the cheers and love from the Co-op Live crowd, and then pointed directly at me and my brother and gave us a little shoutout.
Before playing the anthem that is ‘We are the World’, Mr. Richie expressed, “Alright, I’ll just tell ‘em” before admitting to the whole arena, “These are my cousins right here”.
I guess when we sang “Hello, is it me you’re looking for?” earlier in the show, it really was me (and my brother) he was looking for.
Getting called 'cousins' by @LionelRichie was not on our 2025 bingo card, but it has made our entire year. 😭💀
Just like his opening track, the final slot also has its fixed placement in Richie’s setlist; of course, that song is none other than the essential party number, ‘All Night Long (All Night)’.
Richie recites the line, “We’re going to party, Karamu, fiesta, forever”, and the crowd understood the assignment as by the time he sang, “Come on and sing along / All night long”, everyone was up.
This tune is nothing less than cathartic, and for the five minutes it played, everyone was side-stepping, swaying, singing, dancing, not a single inhibition in sight.
Lionel Richie might know his way around writing smash hits and commanding a crowd, but it’s the audience’s joy for the music that made this concert such a special night.
Did we tell you? Lionel Richie called us his cousins.Richie amidst a flurry of flashlights from the Manc crowd.Credit: The Manc