Come November, it’ll be almost three decades since Factory Records folded. But someone forgot to turn the music off on the way out.
Wherever you go in Manchester, you’ll hear the label’s records playing. The city remains as proudly black and yellow as the day Hacienda designer Ben Kelly wrapped up the superclub’s pillars in bumblebee coats.
Even the famous FAC catalogue – an inventory to which each Factory Records item was assigned – is still alive and well; the 40th anniversary edition of Joy Division’s Unknown Pleasures receiving a number in 2019.
The world has changed in the 43 years since Factory was formed, and three of its five founders aren’t with us anymore. But the label – and its legacy – endures; gaining a new lease of life with every salvaged anecdote or long-lost artefact plucked from the archives.
Not even FAC’s instigators – Tony Wilson, Peter Saville, Alan Erasmus, Rob Gretton and Martin Harnett – could have predicted they’d leave such a permanent mark on Manchester. Although the ambition was there from the beginning.
This quintet of movers and shakers did something different by taking the region’s industrial aesthetic and channelling it into art – and they brought aboard other people who thought like they did.
The artists that peddled the Factory sound were similarly open-minded, embracing trailblazing technology, instruments and techniques to produce a pioneering form of style and sound. It led to the label quickly acquiring its own unique look and feel – and any product befitting of ‘Factoryness’ was assigned a prestigious catalogue number.
All of it was new, exciting, and wildly ahead of its time. And this extended to representation.
As a new exhibition at Museum of Science & Industry reveals, an embedded narrative runs through the Factory story: The prominent role of women.
A new exhibition at Museum of Science & Industry reveals the prominent role of women in the Factory story – including Lindsay Reade (centre) and Lesley Gilbert (right)
Use Hearing Protection (UHP) – an exhibition chronicling the early days of Factory Records – currently houses the first 50 items of the FAC catalogue, including some items on display for the very first time.
Discontent with simply scratching the surface, UHP delves deeper into the origin story of the label – analysing the backdrop from which ideologies were born and what it was like to live in Manchester in the 1970s and 80s.
Beyond the series of display cases paying homage to the era, UHP moves towards the realms of sociological study. And in doing so, it awards spotlight to the lesser-known figures of the Factory family and beyond – including the females that helped push the label’s status beyond ‘visionary’ and into ‘immortality’.
1978 was a time when opportunities for women in music were limited at best. Yet, as UHP reflects, Factory would not have come to fruition or thrived without several key female members.
Use Hearing Protection explores the landscape that Factory Records – and its pioneers – grew from.
Use Hearing Protection explores the landscape that Factory Records – and its pioneers – grew from.
Several “relatively unsung pioneers” in the Factory story receive renewed recognition at UHP, with sections dedicated to the likes of general manager Lesley Gilbert – an essential behind-the-scenes leader who “ran the Factory office”.
The exhibition also focuses on Lindsay Reade – Wilson’s former partner who helped get Factory off the ground with her input and savings. Reade was a crucial participant in the early part of the story and even wrote a book all about it – Mr Manchester and the Factory Girl (which is on sale at the Museum shop).
Further tributes are paid to Gillian Gilbert, the talented keyboardist and guitarist for New Order, and artist Linder Sterling – whose conceptual work The Factory Egg Timer concept was assigned number FAC 8 in the Factory catalogue. Sterling would also form the group LUDUS – one of the first acts to perform at the Hacienda during the superclub’s opening year in 1982.
Another credited with contributing to the overall movement is Liz Naylor – a writer who worked on local music magazine City Fun and penned a film script titled Too Young to Know, Too Wild to Care (see FAC 20).
The exhibition itself has also been curated by a female: Archives Manager of the Science and Industry Museum Jan Hicks.
The Use Hearing Protection exhibition charts the early days of Factory and finishes in The Hacienda in 1982
Many of the instrumental figures throughout the history of Factory Records were women – from the label’s inception right up to its final days.
Indeed, shortly before label execs received the bill for Happy Mondays’ indulgent Barbados recording session of Yes Please! (a critical and commercial flop now best remembered for hammering the final nail in the coffin of Factory Records), great art was still being produced by women. A perfect case in point was Cath Carroll – whose England Made Me LP from 1991 is considered as one of the label’s least-known, best-received productions.
Factory closed down forever in 1992 as the Madchester era fizzled out, with its flagship club The Hacienda following suit five years later.
But curiously, public interest in those heady days has only piqued. People are eager to remember a time when Manchester was centre of the universe.
And as for the group that made it happen? It was a little bigger and a lot more diverse than many might have thought…
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Use Hearing Protection: The early years of Factory Records is open now – running right through to 3 January 2022.
An after-hours celebration of Manchester’s music scene will also take place on 23 September.
Popular noodle bar Chopstix to host ALL-NEW live music event in Manchester
Thomas Melia
Much-loved noodle box eatery Chopstix are hosting an all-new series of live music events, with the first kicking off at one of Manchester’s most popular venues.
Chopstix has become a foodie’s favourite in the city centre with its combo boxes and now they’re about to win over the musiclovers thanks to these brand-new live-performances.
The Asian restaurant chain is launching ‘Red Box Live’,a first-of-its-kind music event series taking place in some of the UK’s best independent music venues,, and it kicks off at one of the city’s most beloved music venues,YES.
These events will see a rising star headline slot, DJ’s, free drinks and of course, food, because it couldn’t be a Chopstix party without some of its iconic flavour-packed boxes.
Chopstix is known for serving up flavoursome feasts in their combo boxes.The Asian restaurant chain has chosen YES as the first spot for their ‘Red Box Live’ event.Credit: Supplied
Indie-pop artist Liang Lawrence is claiming the first headline spot and she’s definitely no stranger at frequenting some of the most famed stages in the country, having recently performed at Radio 1’s Big Weekend in Sefton Park on the BBC Introducing stage, following in the footsteps of Manc rap-talent Aitch.
The ‘Red Box Live’ music events build from the eatery’s previous music-focused series ‘Red Box Sessions’ which saw acts like Flames Collective and Grace Davies (X-Factor) in intimate studio sessions.
Rob Burns, Marketing Director for Chopstix, said: The launch of our brand new Red Box Live event series is incredibly exciting.”We’re bringing big, bold flavour and raw music talent together – serving up an unbeatable combo for our flavour craving crowd right here in Manchester.”
“We’re bringing BIG, BOLD flavour and raw music talent together – serving up an unbeatable combo for our Flavour Craving crowd right here in Manchester.”
Liang Lawrence will be performing at ‘Red Box Live’ organised by Chopstix.There will be free food and live music at this exclusive event.Credit: Supplied
The first ‘Red Box Live’ is taking place on 16 July with a headline performance from Liang Lawrence at YES in Manchester. Doors open from 7pm with a DJ set, and tickets are available to win for free on Chopstix’s website.
Featured Images – Publicity Pictures (via Supplied)
Music
New FREE Oasis exhibition showing never-before-seen photos opens in Manchester next week
Emily Sergeant
A new free photography exhibition showing never-before-seen pictures of Oasis fans from the 90s opens in Manchester next week.
With a sensational summer of sound now firmly in our sights, and right as Manchester gears up to welcome Oasis back home once again, the city’s iconic Kimpton Clocktower Hotel has announced a new free exhibition that’s set to take music fans a trip down memory lane.
Opening next Wednesday, Oasis Fans – 1994-1997 will showcase a series of exclusive photographs by renowned photographer, Jon Shard, to the public for the first time ever, opening the door to a world before online sales, dynamic ticket pricing, and frantically refreshing a website to get the hottest ticket in town.
Renowned for his visually distinctive work across a number of fields, this was Shard’s first assignment for iconic music magazine NME.
The collection of photographs – which has been co-curated by the British Culture Archive – shows scenes of fans excitedly queuing up in the cold winter of 1996, hoping to get their hands on tickets for the band’s sold-out shows at Manchester City’s Maine Road stadium.
“Queuing in person had its charm,” admitted Jon Shard.
“I felt privileged to capture the dedication of fans willing to stay out all night and brave the cold. Getting the ticket was an event itself, almost a rite of passage for fans.”
Oasis Fans – 1994-1997 opens in Manchester for free next week / Credit: Kimpton Clocktower Hotel (Supplied)
Giving visitors a deeper insight into the world of sold-out shows, as well as the magic of Oasis and their music over the years, the new exhibition will also feature a ‘Fan Wonderwall’ with archive images from 1994-97 of fans attending gigs, spanning from pre-smart phone gig-videos, through to their latest performances.
“It’s a privilege to play a part in the city welcoming the Gallagher brothers home,” commented David Lockhart, who is the General Manager of Kimpton Clocktower Hotel, ahead of the exhibition opening next week.
“The photographs by Jon Shard offer a glimpse into a defining moment in Manchester’s music history, and we’re proud to share this with our guests and the city.”
Oasis Fans – 1994-1997 is open to the public from 7pm on Wednesday 2 July on the walls of Refuge at Kimpton Clocktower Hotel.
At to make it even more worth the trip, the first 50 visitors to the exhibition will also receive a free limited edition zine, so they can take a piece of Oasis history home with them.
Featured Image – Jon Shard (Supplied via Kimpton Clocktower Hotel & British Culture Archive)