Come November, it’ll be almost three decades since Factory Records folded. But someone forgot to turn the music off on the way out.
Wherever you go in Manchester, you’ll hear the label’s records playing. The city remains as proudly black and yellow as the day Hacienda designer Ben Kelly wrapped up the superclub’s pillars in bumblebee coats.
Even the famous FAC catalogue – an inventory to which each Factory Records item was assigned – is still alive and well; the 40th anniversary edition of Joy Division’s Unknown Pleasures receiving a number in 2019.
The world has changed in the 43 years since Factory was formed, and three of its five founders aren’t with us anymore. But the label – and its legacy – endures; gaining a new lease of life with every salvaged anecdote or long-lost artefact plucked from the archives.
Not even FAC’s instigators – Tony Wilson, Peter Saville, Alan Erasmus, Rob Gretton and Martin Harnett – could have predicted they’d leave such a permanent mark on Manchester. Although the ambition was there from the beginning.
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This quintet of movers and shakers did something different by taking the region’s industrial aesthetic and channelling it into art – and they brought aboard other people who thought like they did.
The artists that peddled the Factory sound were similarly open-minded, embracing trailblazing technology, instruments and techniques to produce a pioneering form of style and sound. It led to the label quickly acquiring its own unique look and feel – and any product befitting of ‘Factoryness’ was assigned a prestigious catalogue number.
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All of it was new, exciting, and wildly ahead of its time. And this extended to representation.
As a new exhibition at Museum of Science & Industry reveals, an embedded narrative runs through the Factory story: The prominent role of women.
A new exhibition at Museum of Science & Industry reveals the prominent role of women in the Factory story – including Lindsay Reade (centre) and Lesley Gilbert (right)
Use Hearing Protection (UHP) – an exhibition chronicling the early days of Factory Records – currently houses the first 50 items of the FAC catalogue, including some items on display for the very first time.
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Discontent with simply scratching the surface, UHP delves deeper into the origin story of the label – analysing the backdrop from which ideologies were born and what it was like to live in Manchester in the 1970s and 80s.
Beyond the series of display cases paying homage to the era, UHP moves towards the realms of sociological study. And in doing so, it awards spotlight to the lesser-known figures of the Factory family and beyond – including the females that helped push the label’s status beyond ‘visionary’ and into ‘immortality’.
1978 was a time when opportunities for women in music were limited at best. Yet, as UHP reflects, Factory would not have come to fruition or thrived without several key female members.
Use Hearing Protection explores the landscape that Factory Records – and its pioneers – grew from.
Use Hearing Protection explores the landscape that Factory Records – and its pioneers – grew from.
Several “relatively unsung pioneers” in the Factory story receive renewed recognition at UHP, with sections dedicated to the likes of general manager Lesley Gilbert – an essential behind-the-scenes leader who “ran the Factory office”.
The exhibition also focuses on Lindsay Reade – Wilson’s former partner who helped get Factory off the ground with her input and savings. Reade was a crucial participant in the early part of the story and even wrote a book all about it – Mr Manchester and the Factory Girl (which is on sale at the Museum shop).
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Further tributes are paid to Gillian Gilbert, the talented keyboardist and guitarist for New Order, and artist Linder Sterling – whose conceptual work The Factory Egg Timer concept was assigned number FAC 8 in the Factory catalogue. Sterling would also form the group LUDUS – one of the first acts to perform at the Hacienda during the superclub’s opening year in 1982.
Another credited with contributing to the overall movement is Liz Naylor – a writer who worked on local music magazine City Fun and penned a film script titled Too Young to Know, Too Wild to Care (see FAC 20).
The exhibition itself has also been curated by a female: Archives Manager of the Science and Industry Museum Jan Hicks.
The Use Hearing Protection exhibition charts the early days of Factory and finishes in The Hacienda in 1982
Many of the instrumental figures throughout the history of Factory Records were women – from the label’s inception right up to its final days.
Indeed, shortly before label execs received the bill for Happy Mondays’ indulgent Barbados recording session of Yes Please! (a critical and commercial flop now best remembered for hammering the final nail in the coffin of Factory Records), great art was still being produced by women. A perfect case in point was Cath Carroll – whose England Made Me LP from 1991 is considered as one of the label’s least-known, best-received productions.
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Factory closed down forever in 1992 as the Madchester era fizzled out, with its flagship club The Hacienda following suit five years later.
But curiously, public interest in those heady days has only piqued. People are eager to remember a time when Manchester was centre of the universe.
And as for the group that made it happen? It was a little bigger and a lot more diverse than many might have thought…
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Use Hearing Protection: The early years of Factory Records is open now – running right through to 3 January 2022.
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An after-hours celebration of Manchester’s music scene will also take place on 23 September.
Victoria Baths is ‘resurrecting’ its popular spooky silent disco this Halloween
Emily Sergeant
Halloween is on its way, and Silence of the Baths is being ‘resurrected’ for another year.
Returning for a ‘fright night of thrills’ after a sell-out debut in 2023, and then for a smash-hit revival of three of Manchester’s most iconic fallen nightclubs in 2024, Victoria Baths has announced that Silence of the Baths will be returning for its third year, transforming the stunning Grade II-listed building into one of the spookiest settings this Halloween.
For the popular one-off event, Victoria Baths is set to ‘show its darker side’, as the pool halls, Turkish Baths, and labyrinth of spaces undergo an epic Halloween makeover.
Victoria Baths is teaming up with Girls on Film for one of the best nights in the city this Halloween, as the historic space becomes a ‘haunted haven’ of glamour and ghosts.
Partygoers are encouraged to dress the part and wander through the empty pools and haunted corridors as each space is transformed into spooky playground filled with ghouls, spiders, bats, and coffins – but most importantly, good times.
From the balcony above the former pool, the Girls on Film crew will take over the silent disco with a trio of DJs on three different channels.
Hattie Pearson will be on Channel 1, Meme Gold on Channel 2, and the Channel 3 will have DJ MXw0rld.
Victoria Baths is ‘resurrecting’ its popular spooky silent disco this Halloween / Credit: Chris Payne (via Supplied)
As mentioned, ticketholders are being encouraged to ‘dress to distress’ on the night, not only because it’s Halloween, but also because the person with the most haunting look has the chance to win a Halloween Swag Bag.
There’ll be plenty of elixirs and spirits to sip on all night long, and don’t forget to strike a pose against the Baths’ iconic backdrop.
The Silence of the Baths III: The Return will take over Victoria Baths on Saturday 25 October, with doors creaking open from 7:30pm, and tickets are now on sale here and setting you back £20 each (plus a booking fee).
The event sold out last year, so early ticket purchase is recommended
All ticket purchases support the work of The Victoria Baths Trust to preserve Victoria Baths, so that communities can continue to enjoy this inspiring building.
Featured Image – Chris Payne (via Supplied)
Music
DMA’s confirm highly anticipated Hills End 10th anniversary tour dates
Danny Jones
Indie favourites DMA’s have finally confirmed their highly anticipated Hills End anniversary tour, celebrating 10 years since their breakout debut album with several UK dates – including Manchester.
The Aussie band beloved by Brits and music fans all over have been teasing a reveal of some sort over the past weeks, but now the news is official.
Up there with the Sydney music scene’s finest exports right now, DMA’s have always had a strong following over here, but especially so up North and Manchester in particular, with their youthful, uplifting and moving style often striking up similarities to our own indie rock roots.
Revealing details of the Hills End 10th anniversary shows on social media this Monday, the talented trio have confirmed a number of Northern gigs.
Besides us Mancs being the first stop on the run of live shows (honoured, of course), perhaps the most exciting part about this announcement is that this will be the very first time DMA’s will be performing their maiden LP live in full.
At this time, we’re not sure whether or not they’ll be playing from start to finish in order, but either way, fans are understandably very excited; you can consider us here at Audio North firmly included in that group, by the way.
We’re sure we don’t need to remind you lot reading this per se, but cherished tracks from the record obviously include ‘Delete’, ‘Lay Down’, ‘In The Moment’.
They’ll also be playing working-class outposts like Newcastle and Glasgow, as well as paying a visit to our friends over at The Hoot in Yorkshire. You can see the full list of shows down below.
DMA’s Hills End 10th anniversary tour 2026 – UK dates
February
Friday 06 – O2 Victoria Warehouse, Manchester
Saturday 07 – NX, Newcastle
Sunday 08 – O2 Academy, Birmingham
Tuesday 10 – O2 Academy, Bristol
Thursday 12 – O2 Academy Brixton, London
Saturday 14 – O2 Academy, Leeds
Monday 16 – O2 Academy, Glasgow
May
Thursday 21 – Rock City, Nottingham
Friday 22 – UEA, Norwich
What an album this is.
“The UK has always felt like a second home for us. Hills End was where our story really began overseas, so it feels right to come back and celebrate it with the fans who’ve supported us from day one.”
Literally almost a full decade on from its release, the DMA’s anniversary tour kicks here in Manchester next Feb and, as of yet, no support act has been confirmed.
Tickets go on sale at 9am this Friday, 17 October; You can get ready to grab your tickets HERE.