Feist, the support act for Arcade Fire, has pulled out of the tour in the wake of sexual misconduct allegations made against the band’s frontman Win Butler.
Feist, real name Leslie Feist, said that she’s ‘claiming my responsibility now and going home’, describing the ‘incredibly difficult’ situation in a heartfelt statement.
Arcade Fire frontman Win Butler, who is married to fellow bandmate Régine Chassagne, has faced a flurry of accusations of inappropriate behaviour from former fans of the band.
Fans of the group have been calling for the tour to be postponed or cancelled in light of the controversy, but Arcade Fire’s tour kicked off in Dublin as planned earlier this week.
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Feist said that she and her band ‘didn’t have any time to prepare for what was coming’ and were already in Dublin when the news broke.
Initially, she donated all the proceeds from sales of her merchandise to Women’s Aid, but has now pulled out of upcoming dates altogether.
She said: “I’m imperfect and I will navigate this decision imperfectly, but what I’m sure of is the best way to take care of my band and crew and my family is to distance myself from this tour, not this conversation.”
Feist was supposed to support Arcade Fire at their shows in Birmingham today, and Manchester on Saturday 3 September, before moving on to perform in cities across Europe.
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Her full statement is below.
Feist’s full statement after quitting Arcade Fire tour
Feist. Credit: Flickr
At a pub in Dublin, after rehearsing with my band, I read the same headline you did. We didn’t have any time to prepare for what was coming let alone a chance to decide not to fly across the ocean into the belly of this situation. This has been incredibly difficult for me and I can only imagine how much more difficult it’s been for the people who came forward. More than anything I wish healing to those involved.
This has ignited a conversation that is bigger than me, it’s bigger than my songs and it’s certainly bigger than any rock and roll tour. As I tried to get my bearings and figure out my responsibility in this situation, I received dozens of messages from the people around me, expressing sympathy for the dichotomy I have been pushed into. To stay on tour would symbolize I was either defending or ignoring the harm caused by Win Butler and to leave would imply I was the judge and jury.
I was never here to stand for or with Arcade Fire – I was here to stand on my own two feet on a stage, a place I’ve grown to feel I belong and I’ve earned as my own. I play for my band, my crew, their loved ones and all of our families, and the people who pay their hard-earned money to share space in the collective synergy that is a show. The ebb and flow of my successes, failures, and other decisions affect all of our livelihoods and I recognize how lucky I am to be able to travel the world singing songs about my life, my thoughts and experiences and have that be my career. I’ve never taken that for granted.
My experiences include the same experiences as the many people I have spoken to since the news broke on Saturday, and the many strangers whom I may only be able to reach with this letter, or not at all. We all have a story within a spectrum ranging from baseline toxic masculinity to pervasive misogyny to actually being physically, psychologically, emotionally or sexually assaulted. This situation touches each of our lives and speaks to us in a language unique to each of our processing. There isn’t a singular path to heal when you’ve endured any version of the above, nor a singular path to rehabilitate the perpetrators. It can be a lonely road to make sense of ill treatment. I can’t solve that by quitting, and I can’t solve it by staying. But I can’t continue.
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Public shaming might cause action, but those actions are made from fear, and fear is not the place we find our best selves or make our best decisions. Fear doesn’t precipitate empathy nor healing nor open a safe space for these kinds of conversations to evolve, or for real accountability and remorse to be offered to the people who were harmed.
I’m imperfect and I will navigate this decision imperfectly, but what I’m sure of is the best way to take care of my band and crew and my family is to distance myself from this tour, not this conversation. The last two nights on stage, my songs made this decision for me. Hearing them through this lens was incongruous with what I’ve worked to clarify for myself through my whole career. I’ve always written songs to name my own subtle difficulties, aspire to my best self and claim responsibility when I need to. And I’m claiming my responsibility now and going home.
Leslie
Featured image: Flickr
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Rochdale is bidding to become the UK’s first-ever Town of Culture in 2028
Emily Sergeant
Rochdale has announced its intention to bid to become UK Town of Culture 2028.
Entering into the national competition launched by the Department for Culture, Media and Sport (DCMS), following on from the success of the already-existing City of Culture award, the Greater Manchester town is hoping to be the first-ever town to claim the title.
The Town of Culture competition invites towns across the UK to showcase their cultural story and develop ambitious programmes that celebrate local heritage, creativity, and communities.
The winning town receives a £3 million grant from the Government to deliver a major year-long cultural programme in 2028 designed to boost civic pride, attract visitors, and provide everyone with the opportunity to participate in cultural activities.
Rochdale’s bid is being led by Rochdale Borough Council and Rochdale Development Agency, alongside cultural groups, education providers, and community organisations.
The bid will build on the town’s history as the birthplace of the Co-operative movement, and a centre of political reform, collective action and working-class cultural innovation.
A town of national and international significance, whose people and ideas have shaped the social, democratic and cultural life of the UK and beyond, Rochdale Council says the town’s story is ‘distinctive’ and as highly relevant today as it ever has been, and this is a driving force behind its Town of Culture 2028 bid.
Not just historically, but over recent years too, the town has made a significant contribution to the UK’s popular culture, producing internationally recognised musicians, artists, writers, and performers.
Local leaders say the bid to become the UK’s first ever Town of Culture underlines Rochdale’s ambition after just completing a ‘hugely successful’ year as Greater Manchester Town of Culture for 2025.
Rochdale is bidding to become the UK’s first-ever Town of Culture / Credit: The Manc Group | Rochdale Council
“We have a strong foundation for a bold and future focused UK Town of Culture programme and an incredible story to tell,” commented Cllr Neil Emmott, who is the Leader of Rochdale Borough Council.
“We’ll be developing a fabulous programme of new events and activities as well as amplifying our existing offer and recently transformed town hall square and centre.
“As we have already seen during our year as Greater Manchester Town of Culture, we have an established infrastructure of creative partners ready to go, who have already expressed their support for our bid, providing significant capacity and scale to deliver a UK town of culture programme in 2028 that would leave a permanent cultural legacy.
“We have exciting and varied attractions and iconic venues that have seen significant investment, an array of creative talent and we’re very well connected.
“This bid will allow us to share this in new ways and invite others to experience it.”
Featured Image – Rochdale Borough Council
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Sara Cox tipped to replace Scott Mills for Eurovision 2026
Danny Jones
Greater Manchester’s very own Sara Cox is reportedly set to replace Scott Mills at the 2026 Eurovision Song Contest following his sacking from the BBC.
Mills was axed by the news and entertainment corporation on Monday, 1 April, for ‘misconduct’, which has now been revealed to involve a historic relationship with a boy aged under 16.
While the fallout surrounding Scott Mills is only just beginning, the task of finding his replacement in multiple roles has already begun – though it looks like one may have already been decided.
Now reported by multiple outlets, it appears as though Bolton-born Sara Cox is first in line to pick up Mills’ co-hosting duties for this year’s Eurovision show.
Having already been involved with coverage of the event on multiple ocassions in the past, it now appears that she’ll be in post for the Grand Final too.
As a long-standing radio and TV staple, it only takes a quick look at social media to see how much backing she has already received in the past, with a post from last year reading, “Great to have Sara Cox back commentating on Eurovision“, and others from over a decade ago praising her past presenting.
In fact, it might not end just here either, as many are already calling for her to replace the 53-year-old breakfast show host.
From her days as a Radio 1 favourite to becoming a BBC mainstay across the board, her popularity only seems to have grown over the last decade, especially thanks to her charity fundraising efforts.
While an official announcement is yet to be made, the feeling is that it is all but confirmed for her to take over from Mills as part of the Eurovision commentary team.
As for the now vacant early morning slot on BBC Radio 2, the likes of Claudio Winkleman, Vernon Kay, fellow Manc Nick Grimshaw, the aforementioned Rylan, and several others have all been floated as potential stand-ins/future full-time hosts.
Do you think both should be given to Sara Cox, and if not, who would you like to see replace Scott Mills?
Daisy Jackson -
2nd September 2022 
