Feist, the support act for Arcade Fire, has pulled out of the tour in the wake of sexual misconduct allegations made against the band’s frontman Win Butler.
Feist, real name Leslie Feist, said that she’s ‘claiming my responsibility now and going home’, describing the ‘incredibly difficult’ situation in a heartfelt statement.
Arcade Fire frontman Win Butler, who is married to fellow bandmate Régine Chassagne, has faced a flurry of accusations of inappropriate behaviour from former fans of the band.
Fans of the group have been calling for the tour to be postponed or cancelled in light of the controversy, but Arcade Fire’s tour kicked off in Dublin as planned earlier this week.
Feist said that she and her band ‘didn’t have any time to prepare for what was coming’ and were already in Dublin when the news broke.
Initially, she donated all the proceeds from sales of her merchandise to Women’s Aid, but has now pulled out of upcoming dates altogether.
She said: “I’m imperfect and I will navigate this decision imperfectly, but what I’m sure of is the best way to take care of my band and crew and my family is to distance myself from this tour, not this conversation.”
Feist was supposed to support Arcade Fire at their shows in Birmingham today, and Manchester on Saturday 3 September, before moving on to perform in cities across Europe.
Her full statement is below.
Feist’s full statement after quitting Arcade Fire tour
Feist. Credit: Flickr
At a pub in Dublin, after rehearsing with my band, I read the same headline you did. We didn’t have any time to prepare for what was coming let alone a chance to decide not to fly across the ocean into the belly of this situation. This has been incredibly difficult for me and I can only imagine how much more difficult it’s been for the people who came forward. More than anything I wish healing to those involved.
This has ignited a conversation that is bigger than me, it’s bigger than my songs and it’s certainly bigger than any rock and roll tour. As I tried to get my bearings and figure out my responsibility in this situation, I received dozens of messages from the people around me, expressing sympathy for the dichotomy I have been pushed into. To stay on tour would symbolize I was either defending or ignoring the harm caused by Win Butler and to leave would imply I was the judge and jury.
I was never here to stand for or with Arcade Fire – I was here to stand on my own two feet on a stage, a place I’ve grown to feel I belong and I’ve earned as my own. I play for my band, my crew, their loved ones and all of our families, and the people who pay their hard-earned money to share space in the collective synergy that is a show. The ebb and flow of my successes, failures, and other decisions affect all of our livelihoods and I recognize how lucky I am to be able to travel the world singing songs about my life, my thoughts and experiences and have that be my career. I’ve never taken that for granted.
My experiences include the same experiences as the many people I have spoken to since the news broke on Saturday, and the many strangers whom I may only be able to reach with this letter, or not at all. We all have a story within a spectrum ranging from baseline toxic masculinity to pervasive misogyny to actually being physically, psychologically, emotionally or sexually assaulted. This situation touches each of our lives and speaks to us in a language unique to each of our processing. There isn’t a singular path to heal when you’ve endured any version of the above, nor a singular path to rehabilitate the perpetrators. It can be a lonely road to make sense of ill treatment. I can’t solve that by quitting, and I can’t solve it by staying. But I can’t continue.
Public shaming might cause action, but those actions are made from fear, and fear is not the place we find our best selves or make our best decisions. Fear doesn’t precipitate empathy nor healing nor open a safe space for these kinds of conversations to evolve, or for real accountability and remorse to be offered to the people who were harmed.
I’m imperfect and I will navigate this decision imperfectly, but what I’m sure of is the best way to take care of my band and crew and my family is to distance myself from this tour, not this conversation. The last two nights on stage, my songs made this decision for me. Hearing them through this lens was incongruous with what I’ve worked to clarify for myself through my whole career. I’ve always written songs to name my own subtle difficulties, aspire to my best self and claim responsibility when I need to. And I’m claiming my responsibility now and going home.
Leslie
Featured image: Flickr
News
Hotspur Press to be part-demolished following catastrophic fire
Daisy Jackson
Manchester’s historic Hotspur Press will be partially demolished following the fire that tore through the building earlier this week.
A spokesperson for Greater Manchester Fire and Rescue Service said that part of the centuries-old mill would need to be pulled down to enable safe firefighting.
The Hotspur Press building stands just off Whitworth Street West behind Oxford Road train station, and previously operated as a printing press.
It later became a home for artist studios and creative spaces until officially becoming derelict in the late 2010s.
Despite standing empty, the magnificent old mill has been an iconic and oft-photographed landmark in Manchester, and one of only a handful left in the city centre.
But that huge fire on Monday evening has gutted the Hotspur Press, and now it will be ‘partially’ demolished.
A spokesperson for Greater Manchester Fire and Rescue Service (GMFRS) said: “Firefighters continue to work hard to bring the fire at Hotspur Press to a safe conclusion. Alongside Manchester City Council, Greater Manchester Police and partners, a decision has now been made to partially demolish the Hotspur Press building over the coming days.
“This is to enable safe firefighting and excavation in areas that are currently inaccessible, mitigating any risk to life. This will also allow safe internal investigations to begin.”
Plans have been in place to turn The Hotspur Press into a student accommodation tower block, which had included a 35-storey student tower built out of the original mill facade.
The Manc has contacted property developers Manner, who own the Hotspur Press site, to see what will happen to the space following the blaze.
Review | Dua Lipa had Anfield levitating on her first night in Liverpool
Thomas Melia
British-Albanian performer and prolific pop star Dua Lipa is halfway through her first-ever international stadium tour, and it’s nothing shy of a spectacle – night one in Liverpool living, breathing, levitating proof.
To say I wasn’t singing more than half of this setlist verbatim would be a lie; the setlist for Lipa’s Radical Optimism tour is stacked with hits upon mega hits.
Her commanding single ‘Training Season’ kicks things off and besides getting the whole stadium hyped up, it sets the tone for the night ahead, one Dua has full control of, and also features a firework or two.
Within 15 minutes of stepping onto the stage, the unofficial anthem of Anfield’s resident football club and recently re-crowned Premier League champions, Liverpool FC, was played.
Dua Lipa performing ‘Physical’ at Anfield Stadium.Smiles all round at the ‘Radical Optimism’ tour in Liverpool.Credit: Audio North
In fact, ‘One Kiss’ was met with an unmatched electric energy that she ended up playing it again later on, because why the hell not?
This isn’t just a song: it’s a beast. When you’re playing a song that’s spent eight weeks at No.1, has 2.5 billion streams and at an arena with a legacy like Anfield‘s, there was simply no way these fans were going to be tame.
Similarly, partway through the second act, Lipa had the audience wrapped around her fingers once more as she played the dance-inducing smash ‘Levitating’. In that moment, we were all her “sugarboos.”
This was a proper crowd-pleasing moment. To be honest, they all were.
As we strut our stuff into the third act, we’re met with another dancefloor filler, ‘Physical’, fans were ready and waiting to chant “let’s get physical” with the superstar.
The fourth act, on the other hand, was much more relaxed. Ms. Lipa took some time to show her love to some of the album’s deeper cuts; I greatly appreciated being able to belt out “How looong?” as she played ‘Falling Forever.’
She finished this segment with the song that started it all, one she’s never forgotten to play since bursting onto the music scene back in 2015: ‘Be The One.’
Dua Lipa and Dave McCabe (The Zutons) performing ‘Valerie’.The superstar taking pictures with fans at Anfield.Liverpool is in for a treat if the second Dua Lipa show is even half as good as night one at Anfield.
Dua, let us tell you something, you’ll always be the one.
The encore felt like the epitome of all things Dua Lipa. It’s like when you hear that one ABBA megamix that has you shouting, “Oh, I know this one… and I know this one too!”
And rightly so, with a back-to-back, four-song medley spanning from ‘New Rules’ and ‘Dance the Night’, to ‘Don’t Start Now’ and ‘Houdini’. Perfect, perfect, perfect.
— DANIEL is calling..☎️💜 (@daniel__SG) June 24, 2025
After this medley, night one of the ‘Radical Optimism’ tour was over, but we and the fans were certainly left feeling radically optimistic.
Come on, how can you not be when the timeless classic ‘I Wanna Dance With Somebody’ by Whitney Houston is soundtracking your concert exit?
I have one last question for anyone who hasn’t splashed the cash for one of her shows yet… if you’re not watching Dua Lipa live, then ‘Whatcha Doing’?
Lipa had the crowd well and truly in her fingertips.Dua gave quite the performance in Merseyside.An increasing master of not just pop songs but stagecraft too. (Credit: Audio North)
Daisy Jackson -
2nd September 2022 
