Night & Day Cafe will appear in court today in a bid to remove the Noise Abatement Notice issued by Manchester City Council last year.
The legendary gig venue was issued with the notice after a resident in a neighbouring apartment filed a noise complaint against it.
Night & Day has been part of Manchester’s music scene for more than 30 years and was one of the first cultural venues to open in the Northern Quarter all those years ago.
But its owners fear it could be facing closure if it’s forced to comply with the requirements of the abatement notice, which it says ‘would effectively ruin Night & Day’s business’.
Today, the institution will take Manchester City Council to court, with the support and backing of famous faces as well as a petition signed by almost 95,000 people at the time of writing.
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Matty Healy from The 1975 said: “This CANNOT happen. The council need to drop the case.”
Jeremy Pritchard from Everything Everything also poured his heart outon the significance of Night & Day, saying it has been ‘vital to new and established talent’.
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The bassist, who also tours with Foals, added: “If Manchester cannot protect the Night & Day it isn’t a Music City.”
The venue’s owner says the fault ‘lies squarely with Manchester City Council’, adding that planning permission was granted for the flats where the noise complainant lives despite the planning department ‘knowing about the potential for noise disturbance’.
Night & Day has also claimed that an acoustic report was not provided and acoustic works not completed when the neighbouring building was turned into apartments – a claim that the Council ‘completely rejects’.
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The tangled drama all began last November, when a person who lived beside the venue complained about the noise.
Night & Day. Credit: Supplied
They had moved in during lockdown, when music venues were shuttered and silent, and filed a noise complaint when Night & Day resumed its normal activities.
Manchester City Council has repeatedly stressed that a noise abatement notice does not have the power to shut down a venue, and said it ‘remains supportive of the music scene in Manchester which Night and Day has championed’.
For three decades, the venue has hosted the likes of Ed Sheeran, Arctic Monkeys, Wet Leg, James Bay and Elbow – and Elbow’s frontman Guy Garvey is one of the voices who has spoken out about Night & Day’s noise abatement notice.
He described it as a ‘shameful disgrace’ and said: “That this corner stone of our city’s culture is under attack again is bewildering.”
He later added: “The message to the council is drop this and focus on making it the last time it happens to any music venue in our city.
“To everyone else concerned I cannot stress enough that anger directed at the complainants is misdirected. This is the council’s problem.
“Please pour your energy into supporting the campaign to save Night & Day and in due course the national legislation to prevent this happening to any historic venue that has been nick-named Jan’s Law.”
Owner Jennifer Smithson, daughter of the late founder and Manchester icon Jan Oldenburg, said: “We were one of the founding businesses in the development of the Northern Quarter, people wanted to move here because of vibrant, interesting places like Night & Day which is great and it’s really enhanced the area.
Manchester City Council (MCC) refuse to remove the Noise Abatement Notice they served on us last November.
Night & Day have appealed the notice. We have and continue to operate in the exact same manner as we have done previously and for the past 30 years. pic.twitter.com/cc6u7TI6ZT
“What is particularly galling is that the planning department knew about the potential for noise disturbance from Night & Day when it issued the planning consent to turn the warehouse next door into residential flats.
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“A separate acoustic report was required to establish what could be done to prevent noise from Night & Day impacting residents of the building. However, no separate acoustic report was ever prepared by the developer and the planning department allowed the building to be occupied without suitable acoustic insulation works.
“We now have to either accept the noise abatement notice, which will put us at risk of immediate prosecution in the event of noise complaints, or go to court at significant expense to appeal it. This could mean the end of Night & Day forever. It’s a nightmare.”
“It’s just so unfair,” she continued. “We believe that the fault lies squarely with Manchester City Council. They could cancel the noise abatement notice and rectify the problem that they originally caused, rather than close down a business that’s been the beating heart of the Manchester music scene for decades.”
A spokesperson for Manchester City Council said: “It must be made explicitly clear from the outset that the Council has never threatened to close down this venue, nor is there any legislation which would allow a Noise Abatement Notice to be used to close a premises.
Credit: Facebook, Night & Day Cafe
“It is important to reiterate throughout this process extensive discussions have taken place to try and address the statutory noise nuisance which was the sole reason a Noise Abatement Notice (NAN) was served.
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“The Council is, and remains, supportive of the music scene in Manchester which Night and Day has championed, but we have to comply with our duties in respect of statutory nuisance. It is also important to state that the source of complaints regarding this venue relate to very loud music played into the early hours of the morning and not live band performances.
“The Council’s planning records show that an acoustic report was provided during the development of surrounding units, and the Council completely rejects any suggestion that planning conditions were not met.
“The Council will continue to work towards an amicable resolution where the noise nuisance is fully addressed.”
Night & Day has started a petition to have the noise abatement notice removed – you can read more and sign it here.
Featured image: Facebook – Night & Day Cafe
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Ticket requests are now officially open for Harry Styles’ one-night-only Manchester gig
Emily Sergeant
The time has come – the ticket request system for Harry Styles’ one-night-only gig in Manchester is now live.
In case you hadn’t heard, it was announced on Wednesday evening after much speculation that Harry Styles would be making a return home to Manchester for a one-night-only ‘intimate’ gig at Co-op Live to celebrate the release of his fourth studio album next month.
Styles is set to share Kiss All The Time. Disco, Occasionally with the world on Friday 6 March – and it’s that very same night he’ll be taking to the stage in Manchester.
Although little is known about what to expect at the gig, the poster for the event does state that there’ll be a ‘special performance of the album’, so it seems fair to say that Manchester will be the first to hear the new set of songs in full live.
And if all of that wasn’t exciting enough as it is, the tickets are only £20 per person.
But, of course, there is a bit of a catch, as this isn’t your regular online queuing up for tickets scenario, this is a ‘ticket request’ system instead.
So, like us – and literally every other fan in the vicinity of Greater Manchester and beyond this week – you’re probably wondering what a ‘ticket request’ system is… what does it look like? How does it work? Basically, what the heck is it? Well, we’ve done a bit of digging around to get to the bottom of it so you’re not left too much in the dark.
According to Ticketmaster’s website, if an artist is running a ticket request, they’ll invite fans to request tickets so you don’t have to compete in a first-come, first-served sale.
This means you can take your time to review the available options and request the right tickets for you.
All you need to do is tell Ticketmaster which shows you’re interested in, the type of ticket you want, and your payment details. Then, if the tickets you request can be fulfilled, your card will be charged and you’ll get emailed instructions to access them in the Ticketmaster App.
Unfortunately, as much as we’d love it to be the case for everyone, submitting a request doesn’t guarantee you tickets – it really is just luck of the draw.
To request tickets, you’ll need to follow these three simple steps:
Select which shows you’re interested in and the type of ticket you want
Add your payment details
Harry Styles ticket requests are now live / Credit: Johnny Dufort (Publicity Picture)
Ticketmaster will then send you a summary email that details the tickets you’ve requested. Your card won’t be charged at this time, but they may charge a temporary £1 authorisation to your card to validate your request.
A maximum of two tickets per person can be requested, which has been set to allow for as many fans as possible to get tickets.
Now, here’s the crucial part – you will need to submit your request for tickets while the window is open until Sunday 8 February at 11pm GMT. After the request window closes, you’ll get a second email by 11:59pm GMT on Tuesday 10 February confirming whether or not your request has been fulfilled.
All that’s left to do now is provide you with the link here and send you on your way… oh, and may the odds be ever in your favour.
Featured Image – Wikimedia Commons
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The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Daisy Jackson -
29th November 2022 
