The top dog at Co-op Live has issued a statement addressing the immediate future of the venue, which last night announced more high-profile event changes.
The enormous new arena out by the Etihad Stadium confirmed that Take That – who were lined up to play a whopping SEVEN shows at Co-op Live – would be moving their five May gigs across to established venue the AO Arena.
It follows the postponement of Olivia Rodrigo (Friday and Saturday), Keane (Sunday) and A Boogie Wit Da Hoodie (called off on Wednesday with fans already queueing outside) – not to mention Peter Kay and The Black Keys.
The Co-op Live has now said it will be taking ‘a short pause’ from events while it works to make the state-of-the-art space safe and secure for fans and artists.
Details of all the rescheduled shows, new dates and venue changes are towards the end of this article.
An independent inspection of the arena ceiling will be taking place in the next fortnight.
The venue has apologised again, saying ‘we are aware our actions have frustrated and angered ticket holders’.
Take That is one of the acts affected by Co-op Live’s delayed openingA Boogie Wit Da Hoodie moves Manchester gig from Co-op Live to AO Arena after cancellation
In a statement it also said that the ‘significant impact’ on fans would be addressed and recognised, at the request of naming rights partner The Co-op Group – details on what that will look like will follow.
Tim Leiweke, Chairman and CEO of Oak View Group (which owns and operates Co-op Live), has now also released a statement offering his ‘sincere apologies’.
He said: “As many of you will know, it’s not been the smooth start we had planned for, and I know that has caused a huge amount of disruption and frustration to thousands of people.
“On behalf of all of us at Oak View Group, I’d like to express my sincere apologies to all those that have been affected. We understand that there is work to be done to rebuild your trust in us.
“This starts now and at the request of the naming rights partner, The Co-op Group, we will be addressing impact on affected ticket holders, details of which will be shared soon.
“I’d like to reiterate my sincerest apologies to everyone that has been affected by the delays around the opening of Co-op Live.
“The team here is working incredibly hard to get the building up and running, and we look forward to welcoming you to the arena from 14 May 2024.”
Co-op Live’s full statement reads: “Ticket holders and fans. Following the events that led to the cancelled A Boogie Wit Da Hoodie show on 1 May, we have decided to take a short pause to events at Co-op Live to fully ensure the safety and security of fans and artists visiting the venue.
“This time will allow for an independent inspection of all elements of the arena ceiling.
“We have worked with promoters to limit the impact on fans, keeping as many shows as possible in Manchester.”
As for the rest of Co-op Live’s opening gig programme (the next scheduled show is Elbow on 14 May), it continued: “At this time, we do not expect further impact on our opening season.
“We are aware our actions have frustrated and angered ticket holders.
“We know you’ve incurred significant disruption, and are finding a way to help make it right.
“We are taking the pause to think about the best ways to do that.
“Our naming rights partner, the Co-op Group, has also expressed the importance of ensuring that the significant impact on ticketholders is recognised and addressed, with more detail to follow soon.”
New dates and venue changes for Co-op Live’s rescheduled gigs
Peter Kay – original dates 23 and 24 April. Rescheduled dates 29 and 30 April. NEW DATES 23 and 24 May.
The Black Keys – original date 27 April. New date 15 May 2024.
A Boogie Wit Da Hoodie – original date 1 May – new date 4 May and venue change to AO Arena.
Olivia Rodrigo – original dates 3 and 4 May – new dates to be announced.
Keane – original date 5 May – new dates to be announced.
Take That – original dates 7, 10, 11, 12 May – venue change to AO Arena.
Take That – original date 8 May – new date 9 May and venue change to AO Arena.
Take That’s June dates remain unaffected.
Ticket holders for each event will be contacted by their point of purchase, and refunds will be available if preferred.
Gorillaz announce huge Manchester arena gig on upcoming UK and Ireland tour
Daisy Jackson
Gorillaz are well and truly back, and they’ve announced a huge Manchester gig on the upcoming The Mountain Tour.
The legendary band, created by musician Damon Albarn and artist Jamie Hewlett, will be performing at the Co-op Live arena next spring.
Gorillaz is a virtual band made up of singer 2D, bassist Murdoc Niccals, drummer Russel Hobbs and Japanese guitar prodigy Noodle.
The huge tour announcement comes along with the announcement of their new album, The Mountain, which features a whole myriad of collaborations including Johnny Marr, IDLES’ Joe Talbot and Dennis Hopper.
It’s their ninth studio album and promises to be a ‘playlist for a party on the border between this world and whatever happens next, exploring the journey of life and the thrill of existence’.
The Gorillaz The Mountain Tour will visit arenas across the UK and Ireland next Spring, with support from Trueno, and follows the sold-out 5-star House of Kong exhibition and four triumphant performances at Copper Box Arena.
Manchester will get the new Gorillaz tour first, with the band kicking things off at Co-op Live on 21 March before heading to cities including Leeds, Cardiff, Nottingham, and Liverpool.
The BRIT and Grammy-winning virtual band formed following a collision of mishaps, meetings and pure luck to blow up a pre-digital world.
The album will officially release on 20 March 2026.
General on sale begins at 11am on Friday 19 September HERE.
Gorillaz’ ‘The Mountain Tour’ dates in full
MARCH 21 – Co-op Live, Manchester 22 – BP Pulse Live, Birmingham 24 – OVO Hydro, Glasgow (support from Trueno) 25 – First Direct Arena, Leeds 27 – Utilitia Arena, Cardiff (support from Trueno) 28 – Motorpoint Arena, Nottingham (support from Trueno) 29 – M&S Bank Arena, Liverpool (support from Trueno) 31 – SSE Arena, Belfast
APRIL 1 – 3Arena, Dublin (support from Trueno)
JUNE 20 – Tottenham Hotspur Stadium, London (support from Sparks and Trueno)
Featured image: Press image
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The adopted Manc indie pop star with that we’re backing to win the Mercury Prize this year
Danny Jones
The 2025 Mercury Music Prize shortlist is officially out, and we’re proud to say that the North has been well represented once again this time around, with multiple names from the top end of the nation featured among the nominees – including an adopted Manchester-based rising star.
You know what, cratch that: she might as well be a Manc music queen at this point, if you ask.
We may be heavily biased here, but with indie and alt-pop artist CMAT making her way onto the Mercury Music Prize award shortlist this year, our vote is practically already cast.
If you haven’t listened to CMAT yet, then you’re seriously missing out, and following the release of her latest LP, Euro-Country, at the end of August, it’s little surprise she’s earned the Mercury nod.
She may be Irish-born, but the ‘Dubyone Diana’ truly started to make a name for herself in Manchester, and you’re damn right we’re taking her as one of our own.
Moving to 0161 as a teenager with her old band, Bad Sea, she was just 17 when she got here; now 29 and making fairly different music to the kind she did as part of the previous duo, she’s grown massively in popularity over the last few years – and she’s done a lot of it from right here in Greater Manchester.
From playing the city centre music venue circuit to stunning crowds at the likes of Kendal Calling and Glastonbury Festival, she’s come a long way in a relatively short amount of time.
Come on, if this isn’t award-winning energy, then we don’t know what is…
We welcome her to keep leaning into country music as much as she wants.
There’s another reason we want CMAT to win the Mercury Prize
It isn’t just because we’re somewhat biased local fans that we’re putting our money on her winning the 2025 Mercury Prize: she nearly already did this time last year for her sophomore outing, Crazymad, For Me, having released three impressive studio albums in less than 36 months.
“As she was reading it, I had this weird flip in my stomach, that I didn’t want to win the Mercury Prize for THAT record, because I had a feeling I could make something better.
“Two days later, I started to make EURO-COUNTRY. The Mercury Prize put a bottle rocket up my bum, to try and do something a bit more cutting edge and experimental and intense, if that makes sense.”
She signed off by adding, “I didn’t necessarily expect to be nominated again as a result, but I am very happy to have been.” We had a feeling she would, to be honest, hence why she was among our artists of the month – not even a fortnight before the shortlist was announced, no less.
Unsurprisingly, the likes of Fontaines D.C. and Sam Fender are also on there after a standout 12 months for both artists, but we’re sticking with CMAT for our 2025 Mercury Prize winner. After all, surely she can’t miss out two years in a row?
Daisy Jackson -
3rd May 2024 
