A Malaysian music festival is threatening legal action against The 1975 after frontman Matty Healy kissed another bandmate on stage.
Good Vibes Festival – which was held in Kuala Lumpur last month – was cancelled following The 1975’s headline set after the Manchester-based band’s frontman, Matty Healy, spoke out against Malaysia’s anti-LGBTQ+ laws on stage, before proceeding to kiss his bassist Ross MacDonald live onstage in front of the crowd.
During the band‘s performance, Healy first told the crowd he had planned to pull-out of the festival, as he didn’t “see the point of inviting The 1975 to a country and then telling us who we can have sex with”, but then explained he didn’t want to disappoint fans.
The 34-year-old reportedly told the crowd: “Unfortunately, you don’t get a set of loads of uplifting songs because I’m f****** furious and that’s not fair on you, because you’re not representative of your government.”
Malaysian festival threatens legal action after Matty Healy kisses The 1975 bandmate onstage / Credit: The 1975 (via Instagram)
He added that the crowd was full of “young people” and he was sure “a lot of you are gay and progressive and cool”, before proceeding to kiss his bandmate.
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A short while later, Healy was seen walking off stage before coming back on and informing the audience: “Alright, we just got banned from Kuala Lumpur, see you later.”
The festival confirmed in a statement issued on social media following what it called the band’s “controversial conduct” and the remarks made by Healy that it had taken the decision to cancel the rest of the three-day event.
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The festival’s other two headliners did not play after the incident.
— Good Vibes Festival (@GoodVibesFest) July 22, 2023
The festival said in its initial statement that the decision to axe the rest of the event was after the country’s Ministry of Communications and Digital had “underlined its unwavering stance against any parties that challenge, ridicule, or contravene Malaysian law”.
Homosexual acts are illegal in Malaysia, and are punishable under federal law.
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Now, several weeks after the incident occurred, the organisers of the festival, Future Sound Asia (FSA), has claimed Healy’s “use of abusive language, equipment damage, and indecent stage behaviour” has impacted the company financially, and it would be taking legal action in England if the band does not respond to a claim letter that was issued today.
FSA said in a follow-up statement that its letter calls for The 1975 to “acknowledge their liability and compensate FSA for damages incurred”.
The company also claimed the band had “tarnished the reputation” of the festival.
Part of the company’s statement reads: “FSA would like to reiterate their strong disapproval of the band’s behaviour during their performance at GVF2023. In particular, lead singer Matthew Timothy Healy’s use of abusive language, equipment damage, and indecent stage behaviour not only flagrantly breached local guidelines and Malaysian laws but also tarnished the reputation of the 10-year-old festival.”
FSA also claimed the band’s actions had a negative impact on “local artists and businesses that depended on the festival’s success” and affected “the livelihoods of many Malaysians”.
The 1975 is yet to publicly acknowledge the threat of legal action, it is understood.
Featured Image – The 1975
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The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Emily Sergeant -
8th August 2023 
